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Teisingumas ir dora socialinėje filosofijoje
Pub Date : 1900-01-01 DOI: 10.7220/1392-7450.45(73).1
Albinas Plėšnys
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引用次数: 0
Netikro misticizmo atpažinimo ir vertinimo kriterijai katalikų teologijoje
Pub Date : 1900-01-01 DOI: 10.7220/2335-8785.74(102).1
Jūratė Micevičiūtė
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引用次数: 0
Пастырская деятельность Римско-католических священников в законодательных актах Российской империи 罗马天主教牧师在俄罗斯帝国立法中的活动
Pub Date : 1900-01-01 DOI: 10.7220/2335-8785.67(95).3
Виктор Билотас
The article analyses the legal acts of the Russian Empire throughout the period of its existence (1721– 1917), published in the Complete Collection of Laws and in the Code of Laws on state regulation of pastoral activities of Roman Catholic priests. Retrospective evaluation of legal documents allows to determine some general tendencies of Russian laws on Catholic pastoral care: to allow, but only to selected priests; freely, but in certain places; not to allow to act among other Christians; to support partially, but strictly controlled.
本文分析了俄罗斯帝国在其存在期间(1721 - 1917)的法律行为,发表在《法律全集》和《罗马天主教牧师牧灵活动的国家监管法典》中。对法律文件进行回顾性评价,可以确定俄罗斯关于天主教牧灵关怀的法律的一些一般趋势:允许,但只允许选定的神父;自由,但在某些地方;不允许在其他基督徒中间行动;支持部分支持,但严格控制
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引用次数: 0
Neįgyvendintas Klaipėdos II Katalikų Bažnyčios projektas Smeltėje tarpukario laikotarpiu
Pub Date : 1900-01-01 DOI: 10.7220/1392-7450.45(73).9
Silvija Slaminskienė
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引用次数: 0
Lietuvos kapinių statistika: kapinių skaičius, plotas ir geografinis tipologizavimas
Pub Date : 1900-01-01 DOI: 10.7220/2335-8785.63(91).4
Darius Liutikas
Straipsnyje aptariamas Lietuvos kapinių skaičius ir plotas, kapinių geografinės vietos. Pirmą kartą apibendrinama Lietuvos savivaldybių informacija apie jų teritorijose esančias kapines. Visos laidojimo vietos Lietuvoje grupuojamos į penkias grupes. Aptariami šioms grupėms būdingi bruožai. Kapinės analizuojamos kaip kraštovaizdžio objektai, turintys savitus elementus ir pasižymintys įvairiais skirtumais.
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引用次数: 0
Jėzui Kristui skirtų katalikų liaudies pamaldumo praktikų raiška Lietuvoje
Pub Date : 1900-01-01 DOI: 10.7220/1392-7450.48(76).4
Alfonsas Motuzas
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引用次数: 0
Kaip Dieviškoji Liturgija tapo filosofinės refleksijos objektu graikų tėvų liturgijos komentaruose
Pub Date : 1900-01-01 DOI: 10.7220/2335-8785.79(107).2
Gintaras Sungaila
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引用次数: 0
M. K. Čiurlionio simfoninės poemos „Dies irae“ analitinės interpretacijos
Pub Date : 1900-01-01 DOI: 10.7220/2335-8785.52(80).4
Darius Kučinskas, Yumiko Nunokawa
The article is dedicated to analyse and newly evaluate one of the last M. K. cŒiurlionis“™ music compositions ““ the symphonic poem “Dies irae“. First of all, the role of liturgical sequence of the middle ages “Dies irae“ is described in the context of Christian culture of Europe. Then the adaptations of the sequence in music of European composers (especially of romantic epoch) are presented. It is noted that the usage of “Dies irae“ sequence in music compositions of Hector Berlioz, Ferenc Liszt and Sergei Rachmaninov was directly related to the idea of fatality, pain and death. One of the most typical examples is the Symphonic poem “preludes“ by Liszt which embodies a philosophical view of Alphonse de Lamartine. Some aspects of cŒiurlionis“™ creative process related to destiny, eternity and death are revealed in this context. The influence of painter Arnold BA¶cklin to the formation of cŒiurlionis“™ philosophical views and its expression not only in painting but also in music is emphasized. The painting “Isle of the Dead“ by BA¶cklin influenced many artists at the end of the 19 th century. cŒiurlionis also admired BA¶cklin. He saw the painting “Isle of the Dead“ for the first time in Leipzig, May 1902. It was the 5 th version of the painting (1886) with brighter-coloured sky and sea, slightly lacking the mournful serenity of the earlier versions. In the same year cŒiurlionis listened to the Symphony No. 2 by Hans Huber and was left disappointed. This means that cŒiurlionis was already well acquainted with many BA¶cklin“™s paintings and felt the sense of it deeper than Hubert. Influence of BA¶cklin to cŒiurlionis is seen in postcards he has sent to his brother Povilas ““ cŒiurlionis has used not only reproduction of BA¶cklin“™s “Prometheus“ but also his own picture “Serenity“ which is very similar to BA¶cklin in its composition and expressed mood. Cycle of paintings “Funeral symphony“, first part of tryptic “Rex“ and painting “Night“ are also influenced by BA¶cklin as it is described by art critics A. Savickas and V. Landsbergis. Influence of BA¶cklin in cŒiurlionis“™ music is not so evident. Here it is possible to talk about such influence only on very general level and partly expressed ideas of death, fatality and eternity. Nevertheless cŒiurlionis titled some of his late symphonic poems as “Creation of the World“, “Dies irae“ which links our mind with basic ideas of human life. The genesis of the symphonic poem “Dies irae“ is analysed for the first time. Reasons and circumstances of disappearance of the poem from the research discourse during the 20 th century are also explained. The first question concerns the date when the symphonic poem was composed. A signed date of 1 February 1910 at the end of the score means only the final date when the manuscript was finished. Another composition written in the same manuscript book before “Dies irae“ is the symphonic poem “Creation of the World“ dated 15 March 1907, Warsaw. So it is possible that the s
本文致力于分析和重新评价m.k. cŒiurlionis最后的“™音乐作品”之一——交响诗“Dies irae”。首先,在欧洲基督教文化的背景下,描述了中世纪《死亡》的礼仪序列所起的作用。然后介绍了欧洲作曲家(尤其是浪漫主义时期)对该序列的改编。值得注意的是,在柏辽兹、李斯特和拉赫玛尼诺夫的音乐作品中,“Dies irae”序列的使用与宿命、痛苦和死亡的概念直接相关。最典型的例子是李斯特的交响诗《前奏曲》,它体现了拉马丁的哲学观。在这种背景下,cŒiurlionis“™”创作过程中与命运、永恒和死亡有关的一些方面得以揭示。画家阿诺德·巴克林(Arnold BA¶cklin)对cŒiurlionis“™哲学观的形成及其不仅在绘画中而且在音乐中的表达的影响被强调。克林的画作《死亡之岛》影响了19世纪末的许多艺术家。cŒiurlionis也钦佩BA¶cklin。1902年5月,他在莱比锡第一次看到了《死亡之岛》这幅画。这是这幅画(1886年)的第五个版本,天空和大海的颜色更明亮,稍微缺乏早期版本的悲伤宁静。同年cŒiurlionis听了汉斯·胡贝尔的第二交响曲,失望而归。这意味着cŒiurlionis已经非常熟悉许多BA¶cklin的画作,并且比休伯特更能感受到它的感觉。BA¶cklin对cŒiurlionis的影响可以从他寄给弟弟Povilas的明信片中看到,“cŒiurlionis不仅使用了BA¶cklin的“普罗米修斯”的复制品,而且还使用了他自己的作品“宁静”,这在构图和表达情绪上都与BA¶cklin非常相似。绘画周期“葬礼交响曲”,色素派“雷克斯”的第一部分和绘画“夜”也受到BA¶克林的影响,因为它被艺术评论家A. Savickas和V. Landsbergis所描述。BA¶cklin在cŒiurlionis”™音乐中的影响并不明显。在这里,我们只能在非常一般的层面上谈论这种影响,以及对死亡、宿命和永恒的部分表达。尽管如此,cŒiurlionis将他后期的一些交响诗命名为“世界的创造”,“Dies irae”,将我们的思想与人类生活的基本观念联系起来。本文首次分析了交响诗《爱之死》的起源。并对20世纪诗学研究话语中诗学消失的原因和情况进行了解释。第一个问题是关于这首交响诗的创作日期。在乐谱末尾签名的1910年2月1日仅表示手稿完成的最后日期。在《die irae》之前,同一本手稿中的另一首作品是1907年3月15日在华沙创作的交响诗《世界的创造》。因此,这首交响诗“Dies irae”有可能创作于1907年至1910年之间,只是在1910年2月1日与之前的作品一起被改写成一本手稿。在分析交响诗的主旋律和结构特点的同时,提出了“新音乐创作原则”的解释,以及根据视觉艺术原则组织音乐元素的具体方法。在交响诗“Dies irae”中使用了很多主题,它们就像视觉图标一样,使用了最小的转换。只是用不同的方法来比较这些主题,而不是主题评价。这影响了这首诗的主要结构。具有三声部概括式结构、同心圆式(对称,五声部)和奏鸣曲快板式的特点。本文认为,交响诗《爱之死》是所有cŒiurlionis“™”音乐的巅峰之作,在主题阐述、发展和音乐戏剧创作原则方面具有新的理念。
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引用次数: 0
Κλῆρος ir λαός Šventajame Rašte: „dvasininkų–pasauliečių“ perskyros pėdsakais
Pub Date : 1900-01-01 DOI: 10.7220/2335-8785.74(102).2
Lina Šulcienė
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引用次数: 0
Arkivyskupas Mečislovas Reinys tautų atmintyje : piligrimų kelias
Pub Date : 1900-01-01 DOI: 10.7220/2335-8785.51(79).4
Aldona Vasiliauskienė
Scholar and pedagogue, public activist, statesman and philanthropist, the Archbishop Mecislovas Reinys (3/2/1884–10/6/1907–5/4/1926–8/11/1953) was one of the most outstanding persons of the first half of the 20 th  century Lithuania who contributed to the consolidation of the state’s standing, the flourishing of science and culture, the strengthening of the nation’s spiritual development, the formation of its Catholic world outlook and the nurturing of Catholic values. In 2010–2012 M. Reinys was commemorated in Vladimir: in the Church of the Saint Virgin Mary Our Lady of the Rosary his portrait and a tablet and in the Kniaz Vladimir’s memorial cemetery of the old city plaques were unveiled in memory of M. Reinys, Lithuanian, and Klementij Septycky (17/11/1869–28/08/1915–01/05/1951), Ukrainian Catholic of Eastern (Greek) rite and the archimandrite of the Studite order beatified in 2001. These plaques supplemented the memorial ensemble of the cemetery (the commemorative plaques for Japanese, Estonians and plaques for individual persons). Furthermore, some presentations were delivered on M. Reinys and K. Septycky at conferences. In 2012 handouts assigned to M. Reinys and holy cards with a prayer were brought over to Vladimir. The above mentioned activities, performed by Lithuanians concerned with the memory of M. Reinys, inspired the faithful of the only functioning Catholic Church in Vladimir – the Church of the Saint Virgin Mary Our Lady of the Rosary – to go on a pilgrim journey to Lithuania and visit the places commemorating M. Reinys. On 29 April– 3 May, 2013 during the pilgrimage in Lithuania along the route commemorating the Archbishop M. Reinys seven parishioners of the Church of the Saint Virgin Mary Our Lady of the Rosary in Vladimir led by their spiritual director Father Serhiej Zuyev visited Vilnius, Utena, Daugailiai, Skapiskis, the Hill of Crosses, Siluva and Kaunas. This first pilgrimage from Vladimir spread more knowledge about M. Reinys, made the Year of the Faith more purposeful, and recalled the twentieth anniversary of the pastoral visit of the Pope John Paul II to Lithuania. In all of the sanctuaries and places commemorative of M. Reinys the pilgrims read a prayer printed on a holy card bearing his image in Russian language. Lithuanians enjoyed an excellent occasion to listen to Catholic hymns and prayers in Russian language and admire the pilgrims’ spirit of devoutness. The article presents a detailed survey of the means which made this pilgrimage publicly known (press, radio, presentations delivered at conferences) and its perpetuation in Skapiskis: the erection and dedication of a cross, the celebration of the Holy Mass, a conference and a special homage paid to the sponsors of this pilgrimage. The visit of the pilgrims from Vladimir to Lithuania gave an impetus for Lithuanians to proclaim M. Reinys’ memory in different forms of expression: written (articles and information in periodicals, scholarly writings), oral (lectures,
学者和教育家,公众活动家,政治家和慈善家,大主教梅奇洛瓦斯·莱尼斯(1884年3月2日- 1907年10月6日- 1926年5月4日- 1953年8月11日)是20世纪上半叶立陶宛最杰出的人物之一,他为巩固国家地位、繁荣科学和文化、加强国家精神发展、形成天主教世界观和培育天主教价值观做出了贡献。2010-2012年,莱尼斯先生在弗拉基米尔被纪念:在圣母玛利亚玫瑰圣母教堂,他的肖像和一块石板,在克尼亚兹弗拉基米尔的旧城纪念墓地,为纪念莱尼斯先生,立陶宛人和Klementij Septycky(1869年11月17日- 1915年8月28日- 1951年5月1日)揭幕,乌克兰东部(希腊)天主教仪式和Studite命令的大主教于2001年被册封。这些牌匾补充了公墓的纪念整体(日本人、爱沙尼亚人的牌匾和个人牌匾)。此外,还在会议上就Reinys先生和K. septyky先生作了一些介绍。2012年,分发给莱尼斯的救济品和附有祈祷文的圣卡被送到了弗拉基米尔手中。立陶宛人为纪念莱尼斯先生而进行的上述活动,鼓舞了弗拉基米尔唯一仍在运作的天主教堂- -圣母玛利亚玫瑰圣母教堂- -的信徒前往立陶宛朝圣,参观纪念莱尼斯先生的地方。2013年4月29日至5月3日,在立陶宛纪念赖尼斯总主教的朝圣路线上,弗拉基米尔圣母玛利亚圣母堂的七名堂区教友在他们的精神导师Serhiej Zuyev神父的带领下,参观了维尔纽斯、乌蒂纳、道盖利艾、斯卡皮斯基、十字架山、锡卢瓦和考纳斯。来自弗拉基米尔的第一次朝圣传播了更多关于莱尼斯先生的知识,使信仰年更有意义,并回顾了教皇约翰保罗二世对立陶宛进行牧灵访问的二十周年。在所有纪念莱尼斯先生的圣地和地方,朝圣者们念着印在印有他的俄语肖像的圣卡上的祷文。立陶宛人享受了一个极好的机会,聆听天主教的赞美诗和俄语祈祷,并钦佩朝圣者的虔诚精神。这篇文章详细介绍了使这次朝圣公开的手段(新闻、广播、在会议上发表的演讲)及其在斯卡皮斯基的永垂不朽:十字架的竖立和奉献、弥撒的庆祝、会议和对这次朝圣赞助者的特别敬意。从弗拉基米尔到立陶宛的朝圣者的访问推动了立陶宛人以不同的表达形式来纪念莱尼斯先生:书面(期刊中的文章和信息,学术著作),口头(讲座,报告,演讲,广播),实物(艺术纪念碑)和行动(朝圣之旅-为了纪念莱尼斯先生,第一批朝圣者于2013年5月从立陶宛到弗拉基米尔:考纳斯社会服务人员职业培训中心教官(莱穆特乌斯校长Anužienė,金塔拉斯·维特库斯牧师)。在斯卡皮斯基汇编和储存的有关乌克兰的材料引起了巴济连僧侣、其他教会的乌克兰人、神职人员、访问库皮斯基的乌克兰代表团、学者、艺术家和乌克兰驻立陶宛大使馆的雇员的兴趣。2007年在斯卡皮斯基建立的神社柱子和2013年建立的十字架已经成为吸引人的对象。这个十字架是为了纪念莱尼斯逝世60周年和第一次朝圣而建的。从弗拉基米尔市墓地运来的一些泥土和基座上的砖块,不仅使人想起莱尼斯先生和那些在监狱中丧生的立陶宛人,而且使人想起东方(希腊)仪式的乌克兰天主教徒、司徒修会的司铎克莱门提杰·塞普蒂奇和乌克兰民族的其他勇敢的人,他们曾经或现在正在为自由而战。在维尔纽斯(4月30日)和斯卡皮斯基(5月2日)举行的乌克兰巴西人和俄罗斯朝圣者之间的两次会议,成为联系莱尼斯先生和塞普季基先生的纽带,并通过他们联系立陶宛人、乌克兰人和俄罗斯人这三个民族的代表,斯卡皮斯基是主要的中心纽带。Pavlo Jachimec神父是一位积极推广skapiski的乌克兰人。他是在斯卡皮斯基举行的各种活动的参与者,在库皮斯基也很有名。他代表乌克兰人出席了纪念第一次朝圣的十字架奉献仪式。 学者和教育家,公众活动家,政治家和慈善家,大主教梅奇洛瓦斯·莱尼斯(1884年3月2日- 1907年10月6日- 1926年5月4日- 1953年8月11日)是20世纪上半叶立陶宛最杰出的人物之一,他为巩固国家地位、繁荣科学和文化、加强国家精神发展、形成天主教世界观和培育天主教价值观做出了贡献。2010-2012年,莱尼斯先生在弗拉基米尔被纪念:在圣母玛利亚玫瑰圣母教堂,他的肖像和一块石板,在克尼亚兹弗拉基米尔的旧城纪念墓地,为纪念莱尼斯先生,立陶宛人和Klementij Septycky(1869年11月17日- 1915年8月28日- 1951年5月1日)揭幕,乌克兰东部(希腊)天主教仪式和Studite命令的大主教于2001年被册封。这些牌匾补充了公墓的纪念整体(日本人、爱沙尼亚人的牌匾和个人牌匾)。此外,还在会议上就Reinys先生和K. septyky先生作了一些介绍。2012年,分发给莱尼斯的救济品和附有祈祷文的圣卡被送到了弗拉基米尔手中。立陶宛人为纪念莱尼斯先生而进行的上述活动,鼓舞了弗拉基米尔唯一仍在运作的天主教堂- -圣母玛利亚玫瑰圣母教堂- -的信徒前往立陶宛朝圣,参观纪念莱尼斯先生的地方。2013年4月29日至5月3日,在立陶宛纪念赖尼斯总主教的朝圣路线上,弗拉基米尔圣母玛利亚圣母堂的七名堂区教友在他们的精神导师Serhiej Zuyev神父的带领下,参观了维尔纽斯、乌蒂纳、道盖利艾、斯卡皮斯基、十字架山、锡卢瓦和考纳斯。来自弗拉基米尔的第一次朝圣传播了更多关于莱尼斯先生的知识,使信仰年更有意义,并回顾了教皇约翰保罗二世对立陶宛进行牧灵访问的二十周年。在所有纪念莱尼斯先生的圣地和地方,朝圣者们念着印在印有他的俄语肖像的圣卡上的祷文。立陶宛人享受了一个极好的机会,聆听天主教的赞美诗和俄语祈祷,并钦佩朝圣者的虔诚精神。这篇文章详细介绍了使这次朝圣公开的手段(新闻、广播、在会议上发表的演讲)及其在斯卡皮斯基的永垂不朽:十字架的竖立和奉献、弥撒的庆祝、会议和对这次朝圣赞助者的特别敬意。从弗拉基米尔到立陶宛的朝圣者的访问推动了立陶宛人以不同的表达形式来纪念莱尼斯先生:书面(期刊中的文章和信息,学术著作),口头(讲座,报告,演讲,广播),实物(艺术纪念碑)和行动(朝圣之旅-为了纪念莱尼斯先生,第一批朝圣者于2013年5月从立陶宛到弗拉基米尔:考纳斯社会服务人员职业培训中心教官(莱穆特乌斯校长Anužienė,金塔拉斯·维特库斯牧师)。在斯卡皮斯基汇编和储存的有关乌克兰的材料引起了巴济连僧侣、其他教会的乌克兰人、神职人员、访问库皮斯基的乌克兰代表团、学者、艺术家和乌克兰驻立陶宛大使馆的雇员的兴趣。2007年在斯卡皮斯基建立的神社柱子和2013年建立的十字架已经成为吸引人的对象。这个十字架是为了纪念莱尼斯逝世60周年和第一次朝圣而建的。从弗拉基米尔市墓地运来的一些泥土和基座上的砖块,不仅使人想起莱尼斯先生和那些在监狱中丧生的立陶宛人,而且使人想起东方(希腊)仪式的乌克兰天主教徒、司徒修会的司铎克莱门提杰·塞普蒂奇和乌克兰民族的其他勇敢的人,他们曾经或现在正在为自由而战。在维尔纽斯(4月30日)和斯卡皮斯基(5月2日)举行的乌克兰巴西人和俄罗斯朝圣者之间的两次会议,成为联系莱尼斯先生和塞普季基先生的纽带,并通过他们联系立陶宛人、乌克兰人和俄罗斯人这三个民族的代表,斯卡皮斯基是主要的中心纽带。Pavlo Jachimec神父是一位积极推广skapiski的乌克兰人。他是在斯卡皮斯基举行的各种活动的参与者,在库皮
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SOTER: Journal of Religious Science
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