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Review of Evanghelia Stead, Sisyphe heureux. Les revues artistiques et littéraires, Approches et figures (2020) 伊万杰丽亚·斯特德,西斯菲斯·heureux。艺术和文学评论,方法和数字(2020)
Pub Date : 2021-12-18 DOI: 10.21825/jeps.v6i2.21083
M. Koffeman
Review of Evanghelia Stead, Sisyphe heureux. Les revues artistiques et littéraires, Approches et figures (2020)
伊万杰丽亚·斯特德,西斯菲斯·heureux。艺术和文学评论,方法和数字(2020)
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引用次数: 0
Mediating Medieval Mystical Literature in Interwar Belgium: The Histoire Croisée of Hadewijch’s ‘First Vision’ in the Periodical Hermès (1933–39) 在两次世界大战之间的比利时调解中世纪神秘主义文学:Hadewijch在《herm<e:1>》期刊上的“第一次视觉”的历史交叉交叉(1933-39)
Pub Date : 2021-12-18 DOI: 10.21825/jeps.v6i2.16155
Tijl Nuyts, Veerle Fraeters
In a context in which various artistic groups resorted to periodicals to stage their public appearance, the editors of the Brussels-based magazine Hermès: Revue trimestrielle d'études mystiques et poétiques (1933–39) mobilized Middle Dutch mystical literature to carve out a space for themselves in the cultural scene of interwar Belgium. Drawing on methods and concepts of transfer studies and research into ethos construction, this article analyses the transfer strategies underpinning the publication of the French translation of the ‘First Vision’ of the Middle Dutch mystic Hadewijch (c. 1240), with which Hermès programmatically opened its inaugural volume. The analysis uncovers a complex histoire croisée which involved confrontations, both collaborative and conflictual, between Hermès and two very different groups of cultural actors: the circle of Brussels Surrealists, with whom the editors of Hermès shared a history, and the Catholic philologists of the Ruusbroecgenootschap [Ruusbroec Society], who equally sought to disseminate Middle Dutch mystical texts to a wider public, albeit with very different goals.
在各种艺术团体通过期刊来展示自己的公众形象的背景下,布鲁塞尔杂志《herm: Revue trimestrielle d’samuques et posamts》(1933-39)的编辑们调动了中世纪荷兰的神秘文学,在两次世界大战之间的比利时文化舞台上为自己开辟了一片空间。借鉴迁移研究的方法和概念以及对精神气质建设的研究,本文分析了支持中世纪荷兰神秘主义者哈德维奇(Hadewijch,约1240年)的“第一愿景”的法语翻译出版的迁移策略,herm以程序方式打开了其首卷。分析揭示了一段复杂的交叉交叉历史,其中包括herm和两个非常不同的文化参与者群体之间的对抗,既有合作,也有冲突:布鲁塞尔超现实主义者圈,herm的编辑与他们有共同的历史,以及Ruusbroecgenootschap的天主教语言学家,他们同样试图向更广泛的公众传播中世纪荷兰的神秘文本,尽管目标非常不同。
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引用次数: 0
Review of Andreas Beck, Nicola Kaminski, Volker Mergenthaler, and Jens Ruchatz, eds, Visuelles Design: Die Journalseite als gestaltete Fläche / Visual Design: The Periodical Page as a Designed Surface (2019) Andreas Beck, Nicola Kaminski, Volker Mergenthaler和Jens Ruchatz主编,视觉设计:Die Journalseite als gestaltete Fläche /视觉设计:期刊页面作为设计表面(2019)
Pub Date : 2021-12-18 DOI: 10.21825/jeps.v6i2.21081
Alison E. Martin
Review of Andreas Beck, Nicola Kaminski, Volker Mergenthaler, and Jens Ruchatz, eds, Visuelles Design: Die Journalseite als gestaltete Fläche / Visual Design: The Periodical Page as a Designed Surface (2019)
Andreas Beck, Nicola Kaminski, Volker Mergenthaler和Jens Ruchatz主编,视觉设计:Die Journalseite als gestaltete Fläche /视觉设计:期刊页面作为设计表面(2019)
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引用次数: 0
Review of Joanne Shattock, ed., Journalism and the Periodical Press in Nineteenth-Century Britain (2017/2019) 评论乔安妮·夏托克编辑,新闻学和期刊出版社在19世纪的英国(2017/2019)
Pub Date : 2021-12-18 DOI: 10.21825/jeps.v6i2.21082
J. Morton
Review of Joanne Shattock, ed., Journalism and the Periodical Press in Nineteenth-Century Britain (2017/2019)
评论乔安妮·夏托克编辑,新闻学和期刊出版社在19世纪的英国(2017/2019)
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引用次数: 0
Le Génie du Nord: Sélection and the Advocacy of a Cosmopolitan Northern Culture Le ggnenedu Nord: s郁闷和倡导一个世界性的北方文化
Pub Date : 2021-12-18 DOI: 10.21825/jeps.v6i2.20348
Chara Kolokytha
The article discusses the francophone review of art and literature Sélection published in Brussels (1920–22) and Antwerp (1923–33), Belgium, by André de Ridder and Paul-Gustave van Hecke. It takes as its point of departure the concept Le Génie du Nord [The Genius of the North], which was the title of a 1925 book published in Antwerp by De Ridder. The book mainly consists of essays previously published in Sélection between 1923 and 1924. De Ridder argues that France should not claim autonomy in the field of cultural production since throughout the centuries Nordic influence played a central role in its evolution. Although the book attracted little attention from the contemporary press, it offers a novel approach to the Nordic idea through the anticipation of a new classical order that distinguished itself from Southern classicism. While German expressionism is equally renounced, the book proposes a synthetic style — similar to the one that marked the gothic period — that also found expression in the art presented in Sélection. This style furnished a visual model for the invention of a new classical order stemming from the successful mingling of French rationalism with Flemish expressionism, a ‘constructive expressionism’ that became the precondition for a universal Nordic culture. The magazine was supportive of those French and Belgian artists who achieved a combination of the two styles — an ‘eclectic dualism’, in the words of Edmond Picard. Taking the origins of Gothicism and the Nordische Gesellschaft as case points of ideological complexity, the Génie du Nord concept forms an alternative discourse which intervenes in an ongoing art-historical and cultural debate that defines the identity of Sélection.
本文讨论了andre de Ridder和Paul-Gustave van Hecke在布鲁塞尔(1920-22)和比利时安特卫普(1923-33)出版的法语文学艺术评论。它以“北方的天才”这个概念为出发点,这是1925年德·里德在安特卫普出版的一本书的书名。这本书的主要内容是1923年至1924年在《s选》上发表的文章。德里德尔认为,法国不应该在文化生产领域主张自主权,因为几个世纪以来,北欧的影响在其演变中发挥了核心作用。虽然这本书没有引起当代新闻界的注意,但它通过对一种与南方古典主义不同的新古典秩序的期待,为北欧思想提供了一种新颖的方法。虽然德国表现主义同样被抛弃,但这本书提出了一种综合风格——类似于标志着哥特时期的风格——这种风格也在ssamlection的艺术中得到了表达。这种风格为法国理性主义与佛兰德表现主义的成功融合提供了一种新的古典秩序的视觉模式,这种“建设性表现主义”成为了普遍的北欧文化的先决条件。该杂志支持那些将这两种风格结合起来的法国和比利时艺术家,用埃德蒙·皮卡德的话来说,这是一种“折衷的二元论”。将哥特主义和北欧社会的起源作为意识形态复杂性的案例点,gsamnie du Nord概念形成了另一种话语,它介入了正在进行的艺术历史和文化辩论,这些辩论定义了ssamlection的身份。
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引用次数: 0
Review of David Finkelstein, ed., The Edinburgh History of the British and Irish Press: Expansion and Evolution, 1800–1900 (2020) 大卫·芬克尔斯坦的评论,编辑,英国和爱尔兰出版社的爱丁堡历史:扩张和演变,1800-1900 (2020)
Pub Date : 2021-12-18 DOI: 10.21825/jeps.v6i2.21079
Sofia Prado Huggins
Review of David Finkelstein, ed., The Edinburgh History of the British and Irish Press: Expansion and Evolution, 1800–1900 (2020)
大卫·芬克尔斯坦的评论,编辑,英国和爱尔兰出版社的爱丁堡历史:扩张和演变,1800-1900 (2020)
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引用次数: 0
The Past Contains a Promise of Regeneration: Narratives of Ireland’s Future in Early-Twentieth-Century Juvenile Periodicals 《过去蕴含着重生的希望:二十世纪早期青少年期刊对爱尔兰未来的叙述》
Pub Date : 2021-12-18 DOI: 10.21825/jeps.v6i2.20257
E. Ogliari
This article investigates the popular periodicals for juveniles Our Boys, Fianna, Young Ireland, and St. Enda’s, which were cherished by Irish nationalists as home-grown substitutes for the alienating British story papers in the Ireland of the early twentieth century. With Ireland still under British rule, these periodicals were concerned about the role of youths in the context of nation-building and my contention is that the people involved in such editorial enterprises viewed them as potentially transformative forces of society, which not only harnessed the power of the idea of political upheaval, but also forged the agents who were to build the envisioned free Irelands. Contributing to the definition of an appropriate ‘post-independence’ national identity, they thus offered to the young visions of the future nation that predicated its legitimacy upon an appeal to the past and the appreciation of traditions. At the same time, young readers were presented with exemplary models of Irish citizenship drawn from Irish heritage of myths and histories. Hence, through the close scrutiny of primary texts from the crucial 1914–23 years, my objective is to show how the future Irelands first imagined and narrated in the periodicals would find their roots in the past and draw energies and strength from the nation’s cultural heritage.
本文调查了青少年流行的期刊《我们的男孩》、《菲安娜》、《年轻的爱尔兰》和《圣恩达》,这些杂志被爱尔兰民族主义者视为20世纪初爱尔兰疏远的英国故事报纸的本土替代品。由于爱尔兰仍处于英国统治之下,这些期刊关注青年在国家建设背景下的作用,我的论点是,参与这些编辑企业的人将他们视为潜在的社会变革力量,他们不仅利用了政治动荡的思想力量,而且还锻造了建立自由爱尔兰的代理人。因此,他们为适当的“后独立”国家身份的定义做出了贡献,为未来国家的年轻人提供了愿景,这种愿景将其合法性建立在对过去的呼吁和对传统的欣赏之上。与此同时,年轻的读者从爱尔兰的神话和历史遗产中获得了爱尔兰公民身份的典范。因此,通过对1914年至1923年关键时期的主要文本的仔细审查,我的目标是展示期刊中最初想象和叙述的未来爱尔兰如何在过去找到根源,并从国家的文化遗产中汲取能量和力量。
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引用次数: 0
Planning Virtual Conferences in the Humanities: A Detailed Look at the 9th International ESPRit Conference 规划人文学科的虚拟会议:第九届国际ESPRit会议的详细介绍
Pub Date : 2021-12-18 DOI: 10.21825/jeps.v6i2.21078
Christian A. Bachmann, Nora Ramtke
In June 2021, the DFG Research Unit 228 ‘Journal Literature’1 organized the 9t International Conference of the European Society for Periodical Research (ESPRit) on the topic of ‘Periodical Formats in the Market: Economies of Space and Time, Competition and Transfer’. On behalf of the Research Unit, a team from the Ruhr University Bochum (RUB) was responsible for planning and carrying out the event, in coordination with the ESPRit Committee. As the COVID-19 pandemic spread in Europe during the Spring of 2020, the conference team agreed to go virtual with the conference, due to the foreseeable legal and logistical difficulties in planning and carrying it out in person. From the outset, planning the virtual conference was flanked by an intensive process of reflection in which the conference team reviewed and adapted its objectives as well as the methods and processes required to achieve these goals. This process of reflection was significantly more intensive than is the case with on-site conferences, which are based on existing experience and logistical support from the host institutions. The experiences and insights gained are shared in this report in order to assist in planning future conferences.
2021年6月,DFG研究单位228“期刊文献”1组织了第91届欧洲期刊研究学会(ESPRit)国际会议,主题是“市场中的期刊格式:时空经济、竞争和转移”。来自波鸿鲁尔大学(RUB)的一个小组代表研究单位,与ESPRit委员会协调,负责规划和开展该活动。随着2019冠状病毒病大流行于2020年春季在欧洲蔓延,由于在亲自规划和实施会议方面可预见的法律和后勤困难,会议小组同意与会议进行虚拟。从一开始,规划虚拟会议就伴随着密集的反思过程,会议小组在这个过程中审查和调整其目标以及实现这些目标所需的方法和过程。这一反思过程比现场会议密集得多,现场会议是根据现有经验和东道国机构的后勤支助进行的。本报告分享了获得的经验和见解,以协助规划今后的会议。
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引用次数: 1
The Global Dialogics of the New Age 新时代的全球对话
Pub Date : 2021-12-18 DOI: 10.21825/jeps.v6i2.20286
Carey J. Snyder
The London-based weekly the New Age, edited by A. R. Orage from 1907 to 1922, was known for promoting spirited debates on politics, literature, and the arts. Scholars have been attentive to what Ann Ardis terms the magazine’s ‘unusual commitment to […] Bakhtinian dialogics in the public sphere’, but less so to the role that the letters column played in facilitating these often contentious, often transnational debates. This essay argues that the letters column functioned as a forum for linking not only individual readers and contributors from around the world, but also wider discursive and periodical communities. A case study of global dialogics, the essay focuses on an eleven-month debate that unfolded in New Age correspondence concerning the so-called black peril — the purported epidemic of black men attempting to rape white women in South Africa, which historians today regard as a moral panic fuelled by a desire to reinforce white supremacy. The flames of the panic were stoked by the Umtali case of 1910, in which Lord Gladstone commuted the death sentence of an Umtali native convicted of attempted rape to life imprisonment. This decision sparked mass protests and petitions among the white community in South Africa and a heated discussion about race and racism that reverberated throughout the empire, including in the columns of the New Age. The letters column served as an international forum, drawing in white settlers from Johannesburg, Crisis editor and NAACP founder W. E. B. Du Bois, Sudanese-Egyptian writer Dusé Mohamed Ali, and British suffragette Emily Wilding Davison, among others. This essay examines the gendered and racial politics of this debate and how it was shaped by its specific periodical context and by the national and ideological contexts of its interlocutors.
伦敦的周刊《新时代》于1907年至1922年由a·r·奥拉格编辑,以促进政治、文学和艺术方面的激烈辩论而闻名。学者们关注的是安·阿迪斯所说的杂志“在公共领域对巴赫蒂安式对话的不同寻常的承诺”,但不太关注信件专栏在促进这些经常有争议的、经常是跨国的辩论中所扮演的角色。本文认为,信件专栏作为一个论坛,不仅连接了来自世界各地的个人读者和贡献者,而且还连接了更广泛的话语和期刊社区。作为全球对话的一个案例研究,这篇文章聚焦于“新纪元”通信中展开的一场为期11个月的辩论,这场辩论涉及所谓的“黑人危险”——据称在南非,黑人男性试图强奸白人女性的现象普遍存在,今天的历史学家认为这是一种由强化白人至上主义的愿望所引发的道德恐慌。1910年的乌姆塔利(Umtali)案点燃了恐慌的火焰。在该案中,格莱斯顿勋爵(Lord Gladstone)将一名因强奸未遂而被判死刑的乌姆塔利本地人减为无期徒刑。这一决定引发了南非白人社区的大规模抗议和请愿,以及一场关于种族和种族主义的激烈讨论,在整个帝国产生了反响,包括在《新时代》(New Age)的专栏中。信件专栏作为一个国际论坛,吸引了来自约翰内斯堡的白人定居者,危机编辑和全国有色人种协进会创始人W. E. B.杜波依斯,苏丹-埃及作家杜斯奈尔·穆罕默德·阿里和英国妇女参政论者艾米丽·怀尔丁·戴维森等人。本文考察了这场辩论的性别和种族政治,以及它是如何被其特定的期刊背景和对话者的国家和意识形态背景所塑造的。
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引用次数: 0
Review of Faith Binckes and Carey Snyder, eds, Women, Periodicals, and Print Culture in Britain, 1890s–1920s: The Modernist Period (2019) 菲丝·宾克斯和凯里·斯奈德主编《英国的女性、期刊和印刷文化,1890 - 1920:现代主义时期》(2019)
Pub Date : 2021-12-18 DOI: 10.21825/jeps.v6i2.21080
Sze Wah Sarah Lee
Review of Faith Binckes and Carey Snyder, eds, Women, Periodicals, and Print Culture in Britain, 1890s–1920s: The Modernist Period (2019)
菲丝·宾克斯和凯里·斯奈德主编《英国的女性、期刊和印刷文化,1890 - 1920:现代主义时期》(2019)
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引用次数: 0
期刊
Journal of European Periodical Studies
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