Pub Date : 2022-09-04DOI: 10.36346/sarjall.2022.v04i04.001
Inst.Mohammed Sabbar Abdulbaqi
This study is a critique of a transitional state of mind and a comment on a juncture of indecision in J. D. Salinger's The Catcher in the Rye (1951). It is about a teenage boy who got expelled from his school and avoided going to his home for a few days. Lonely, on the cusp of adulthood, Holden Caulfield reclusively vacillates between what he was and what he is going to be. Since its publication till present, J. D. Salinger's Catcher is perceived as one of the perceptible novels to protrude from post-World War II. It revolves around the mettle of a troubled boy, called Holden Caulfield, towards a revelation. Tracking Holden's biography allows Salinger to wander into the minds of his peer adolescents and create a microcosm for them. The analysis will, therefore, be designated as a coming of age novel and as a trauma of World War II. The paper aims at examining the psychological structure of adolescence and what lies beyond and of the trauma of war and what did leave behind. The notions of Holden's angst and alienation justify the concept of vacillation and deepen the psychological and mental disorder of his oscillatory time and age. In short, this article aims to give a comprehensive account of the ambience of adolescents and how certain psychological and social conditions are crystalized behind their vacillation.
{"title":"On Transitory Stage: Vacillation in J. D. Salinger's Catcher in the Rye","authors":"Inst.Mohammed Sabbar Abdulbaqi","doi":"10.36346/sarjall.2022.v04i04.001","DOIUrl":"https://doi.org/10.36346/sarjall.2022.v04i04.001","url":null,"abstract":"This study is a critique of a transitional state of mind and a comment on a juncture of indecision in J. D. Salinger's The Catcher in the Rye (1951). It is about a teenage boy who got expelled from his school and avoided going to his home for a few days. Lonely, on the cusp of adulthood, Holden Caulfield reclusively vacillates between what he was and what he is going to be. Since its publication till present, J. D. Salinger's Catcher is perceived as one of the perceptible novels to protrude from post-World War II. It revolves around the mettle of a troubled boy, called Holden Caulfield, towards a revelation. Tracking Holden's biography allows Salinger to wander into the minds of his peer adolescents and create a microcosm for them. The analysis will, therefore, be designated as a coming of age novel and as a trauma of World War II. The paper aims at examining the psychological structure of adolescence and what lies beyond and of the trauma of war and what did leave behind. The notions of Holden's angst and alienation justify the concept of vacillation and deepen the psychological and mental disorder of his oscillatory time and age. In short, this article aims to give a comprehensive account of the ambience of adolescents and how certain psychological and social conditions are crystalized behind their vacillation.","PeriodicalId":142956,"journal":{"name":"South Asian Research Journal of Arts, Language and Literature","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-09-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131082283","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-27DOI: 10.36346/sarjall.2022.v04i03.003
Dolikajyoti Sharma
Banana Yoshimoto (the pen name of Mahoko Yoshimoto, born in 1964) is a Japanese writer who, like her contemporary Haruki Murakami, is distinguished by her desire to question and problematize aspects of modern Japanese society in her fiction. Banana Yoshimoto is regarded as a representative figure in contemporary Japanese fiction, foregrounding the experiences and self-questioning of a younger generation struggling to find its place in a society torn between conservatism and the contingencies of a radical, dynamic, globalized, but at the same time, consumer culture. The elusiveness of relationships, of intimacy, of love and life, the difficulty of defining and finding happiness, and the inscrutability of one’s self are some of the central themes in her writing. This paper looks at Yoshimoto’s widely acclaimed novella, Kitchen (1987), and the manner in which Mikage Sakurai, the protagonist, manoeuvers through death, loneliness and healing to arrive at a secure sense of self. This happens through the primary metaphor of the kitchen, and the gendered associations that it elicits. At the same time, Yoshimoto’s representation of this space, as well as of food in general, challenges certain stereotypes associated with these. In the process, interpersonal relationships as well as the conventional idea of family also come to be reconstituted in the novella.
{"title":"“The place I like best in this world is the kitchen”: Reading the Kitchenspace in Banana Yoshimoto’s Kitchen","authors":"Dolikajyoti Sharma","doi":"10.36346/sarjall.2022.v04i03.003","DOIUrl":"https://doi.org/10.36346/sarjall.2022.v04i03.003","url":null,"abstract":"Banana Yoshimoto (the pen name of Mahoko Yoshimoto, born in 1964) is a Japanese writer who, like her contemporary Haruki Murakami, is distinguished by her desire to question and problematize aspects of modern Japanese society in her fiction. Banana Yoshimoto is regarded as a representative figure in contemporary Japanese fiction, foregrounding the experiences and self-questioning of a younger generation struggling to find its place in a society torn between conservatism and the contingencies of a radical, dynamic, globalized, but at the same time, consumer culture. The elusiveness of relationships, of intimacy, of love and life, the difficulty of defining and finding happiness, and the inscrutability of one’s self are some of the central themes in her writing. This paper looks at Yoshimoto’s widely acclaimed novella, Kitchen (1987), and the manner in which Mikage Sakurai, the protagonist, manoeuvers through death, loneliness and healing to arrive at a secure sense of self. This happens through the primary metaphor of the kitchen, and the gendered associations that it elicits. At the same time, Yoshimoto’s representation of this space, as well as of food in general, challenges certain stereotypes associated with these. In the process, interpersonal relationships as well as the conventional idea of family also come to be reconstituted in the novella.","PeriodicalId":142956,"journal":{"name":"South Asian Research Journal of Arts, Language and Literature","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-08-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126134535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-12DOI: 10.36346/sarjall.2022.v04i03.002
Gilbert Munab Njah
This article entitled “Some Perspectives on Overcoming Communication Challenges in the Selected Novels of Fatou Diome, Gloria Naylor, Leanora Miano, Pamela Jooste and Walter Mosley”, analyses both genetic and biological disparities from childhood that characterize the lives of boys and girls till adulthood in society. Thus, Le Ventre de l’Atlantique (Diome), The Women of Brewster Place (Naylor), Tels des astres éteints (Miano), Dance with a poor man’s Daughter (Jooste), and RL’s Dream (Mosley), motivated their use to raise an awareness campaigns on female conscientization against a male conspiracy built on the law of silence against the female gender, resulting in male marginalization, of women in gender relationships through diverse cultural and religious practices represented by the corpus. In order to achieve this goal, the following analytical tools were used: feminist criticism, post-colonialism and Africana Womanism. The hypothesis is based on the fact that the corpus underscores gender conflicts that rock power is exercised against women through the channel of communication by men. The analysis concluded that female consciousness raising is a tool that women use to counteract any form of subjugation in patriarchal societies that struggle to their emancipation and freedom. Consequently, the analysis highlights the philosophical and ideological vision that all five authors have of their respective African and African-American societies, concerning gender equality.
{"title":"Some Perspectives on Overcoming Communication Challenges in the Selected Novels Fatou Diome, Gloria Naylor, Leonora Miano, Pamela Jooste and Walter Mosley","authors":"Gilbert Munab Njah","doi":"10.36346/sarjall.2022.v04i03.002","DOIUrl":"https://doi.org/10.36346/sarjall.2022.v04i03.002","url":null,"abstract":"This article entitled “Some Perspectives on Overcoming Communication Challenges in the Selected Novels of Fatou Diome, Gloria Naylor, Leanora Miano, Pamela Jooste and Walter Mosley”, analyses both genetic and biological disparities from childhood that characterize the lives of boys and girls till adulthood in society. Thus, Le Ventre de l’Atlantique (Diome), The Women of Brewster Place (Naylor), Tels des astres éteints (Miano), Dance with a poor man’s Daughter (Jooste), and RL’s Dream (Mosley), motivated their use to raise an awareness campaigns on female conscientization against a male conspiracy built on the law of silence against the female gender, resulting in male marginalization, of women in gender relationships through diverse cultural and religious practices represented by the corpus. In order to achieve this goal, the following analytical tools were used: feminist criticism, post-colonialism and Africana Womanism. The hypothesis is based on the fact that the corpus underscores gender conflicts that rock power is exercised against women through the channel of communication by men. The analysis concluded that female consciousness raising is a tool that women use to counteract any form of subjugation in patriarchal societies that struggle to their emancipation and freedom. Consequently, the analysis highlights the philosophical and ideological vision that all five authors have of their respective African and African-American societies, concerning gender equality.","PeriodicalId":142956,"journal":{"name":"South Asian Research Journal of Arts, Language and Literature","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115440937","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-01DOI: 10.36346/sarjall.2022.v04i03.001
W. Adedeji
In Africa, hip hop music is now undoubtedly the fastest growing form of expressive art in terms of availability, dissemination and acceptability. Nigeria not an exception, the genre in recent times has become the mainstream music representing the identity and socio-cultural aspirations of the teeming Nigerian urban youth population. Through incursion into the origin of hip hop, this paper examines the inter-connectivity and the inter-relationship between the street and hip hop music with a comparison of the Nigerian and the American street culture in hip hop music discourse. It is quite evident that hip hop music and the street are inseparable with manifestation which are visibly perceived through the Nigerian rap star- Olamide’s hip hop philosophy, his choice of language for dissemination, message and didactic use of the genre as an alternative and legitimate hustle as opposed to the now common internet fraud becoming a plaque among Nigerian teeming youths.
{"title":"Hip Hop Music and 'the Street’ Phenomenon in Nigeria","authors":"W. Adedeji","doi":"10.36346/sarjall.2022.v04i03.001","DOIUrl":"https://doi.org/10.36346/sarjall.2022.v04i03.001","url":null,"abstract":"In Africa, hip hop music is now undoubtedly the fastest growing form of expressive art in terms of availability, dissemination and acceptability. Nigeria not an exception, the genre in recent times has become the mainstream music representing the identity and socio-cultural aspirations of the teeming Nigerian urban youth population. Through incursion into the origin of hip hop, this paper examines the inter-connectivity and the inter-relationship between the street and hip hop music with a comparison of the Nigerian and the American street culture in hip hop music discourse. It is quite evident that hip hop music and the street are inseparable with manifestation which are visibly perceived through the Nigerian rap star- Olamide’s hip hop philosophy, his choice of language for dissemination, message and didactic use of the genre as an alternative and legitimate hustle as opposed to the now common internet fraud becoming a plaque among Nigerian teeming youths.","PeriodicalId":142956,"journal":{"name":"South Asian Research Journal of Arts, Language and Literature","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128763025","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-30DOI: 10.36346/sarjall.2022.v04i02.006
Amadou Salami, Houévo Diane Blandine Yambode
Drawing its theoretical underpinnings from Systemic Functional Linguistics, this study analyzes theme patterns in Tony Onamade Jejuri’s Bed at a Crossroad. Using sampling method, three extracts have been selected from the novel. The focus on textual meaning aims at unveiling the hidden linguistic resources or codes incorporated in this novel. It also aims at bringing out how Tony Onamade Jejuri organized and established themes to construct clauses in order to convey his message. Using mixed research method (quantitative and qualitative research methods), the findings reveal different linguistic features pertaining to the characteristics of the discourse. It is then realized the overtopicalizing of the three selected extracts.
{"title":"Lexico-Grammatical Analysis of Three Extracts Selected from Tony Onamade Jejuri’s Bed at a Crossroads (2009): Focus on Textual Meaning","authors":"Amadou Salami, Houévo Diane Blandine Yambode","doi":"10.36346/sarjall.2022.v04i02.006","DOIUrl":"https://doi.org/10.36346/sarjall.2022.v04i02.006","url":null,"abstract":"Drawing its theoretical underpinnings from Systemic Functional Linguistics, this study analyzes theme patterns in Tony Onamade Jejuri’s Bed at a Crossroad. Using sampling method, three extracts have been selected from the novel. The focus on textual meaning aims at unveiling the hidden linguistic resources or codes incorporated in this novel. It also aims at bringing out how Tony Onamade Jejuri organized and established themes to construct clauses in order to convey his message. Using mixed research method (quantitative and qualitative research methods), the findings reveal different linguistic features pertaining to the characteristics of the discourse. It is then realized the overtopicalizing of the three selected extracts.","PeriodicalId":142956,"journal":{"name":"South Asian Research Journal of Arts, Language and Literature","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114684904","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-30DOI: 10.36346/sarjall.2022.v04i02.007
Habsat Joyce Imhanobe
: Cinema as a medium of communication is an influential source or enhancer of national unity. Like other media of communication, films can shape behaviours negatively or positively, which is achieved through the texts, images and portrayals of characters that make up the content of films. The study discussed the reflection of national integration in Nigeria through films. Anchored on the theory of Hermeneutic, the study adopted the content analysis method. To this end, the movie Up North was critically appraised to ascertain to which it encourages national integration in Nigeria. Findings showed that the movie portrayed the Nigerian culture positively significantly encouraged national integration through focus on good morals, mutual respect among individuals, promotion of hard-work, and respect for and tolerance of our cultural diversity. The study concluded that films is a veritable means of social reengineering and nation building, and suggested that through greater synergy between the stakeholders in the culture industry, Nigerian films should be made to reflect mainly the positive cultural ethos of the nation while promoting peace in the society as depicted in the movie Up North.
{"title":"Reflections on National Integration in Nigerian Film: an Example of Up North","authors":"Habsat Joyce Imhanobe","doi":"10.36346/sarjall.2022.v04i02.007","DOIUrl":"https://doi.org/10.36346/sarjall.2022.v04i02.007","url":null,"abstract":": Cinema as a medium of communication is an influential source or enhancer of national unity. Like other media of communication, films can shape behaviours negatively or positively, which is achieved through the texts, images and portrayals of characters that make up the content of films. The study discussed the reflection of national integration in Nigeria through films. Anchored on the theory of Hermeneutic, the study adopted the content analysis method. To this end, the movie Up North was critically appraised to ascertain to which it encourages national integration in Nigeria. Findings showed that the movie portrayed the Nigerian culture positively significantly encouraged national integration through focus on good morals, mutual respect among individuals, promotion of hard-work, and respect for and tolerance of our cultural diversity. The study concluded that films is a veritable means of social reengineering and nation building, and suggested that through greater synergy between the stakeholders in the culture industry, Nigerian films should be made to reflect mainly the positive cultural ethos of the nation while promoting peace in the society as depicted in the movie Up North.","PeriodicalId":142956,"journal":{"name":"South Asian Research Journal of Arts, Language and Literature","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115725941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-23DOI: 10.36346/sarjall.2022.v04i02.004
Aninnya Sarkar, Dr.IndraniSingh Rai.
Whether it is the pre-colonial, colonial, or post-colonial era, the problems of the indigenous tribal women of North-East India have not changed much. The same scenario is reflected in Mamang Dai’s Legends of Pensam as the women on margin have always retained in the same shape and misery. The gendered subalterns have been suffering in silence accepting their fate or restricting themselves amid their limited demarcated territory in order to survive. Over the years, these fair sexes are not only being ignored and exploited, under the hands of the colonial or elitist masses but also by the patriarchal structure designed in the Indian society. Various types of changes and uncertainties have touched the premises in the land of the Adi tribes, placing the women somewhere inbetween tradition and modernity. Dai in her work has tried to portray the scuffling situations of the Adi women, how they have resisted and quietly tackled those changes, uniquely sculpting their own identity. Keeping those silences and muted existences of the indigenous women in mind, this paper is an earnest attempt to hear the voices of those women or give them a chance to bring their survival complexities in the eyes of mainland India and the world.
{"title":"With the Margin: The Theme of Gendered Subaltern in Mamang Dai’s Legends of Pensam","authors":"Aninnya Sarkar, Dr.IndraniSingh Rai.","doi":"10.36346/sarjall.2022.v04i02.004","DOIUrl":"https://doi.org/10.36346/sarjall.2022.v04i02.004","url":null,"abstract":"Whether it is the pre-colonial, colonial, or post-colonial era, the problems of the indigenous tribal women of North-East India have not changed much. The same scenario is reflected in Mamang Dai’s Legends of Pensam as the women on margin have always retained in the same shape and misery. The gendered subalterns have been suffering in silence accepting their fate or restricting themselves amid their limited demarcated territory in order to survive. Over the years, these fair sexes are not only being ignored and exploited, under the hands of the colonial or elitist masses but also by the patriarchal structure designed in the Indian society. Various types of changes and uncertainties have touched the premises in the land of the Adi tribes, placing the women somewhere inbetween tradition and modernity. Dai in her work has tried to portray the scuffling situations of the Adi women, how they have resisted and quietly tackled those changes, uniquely sculpting their own identity. Keeping those silences and muted existences of the indigenous women in mind, this paper is an earnest attempt to hear the voices of those women or give them a chance to bring their survival complexities in the eyes of mainland India and the world.","PeriodicalId":142956,"journal":{"name":"South Asian Research Journal of Arts, Language and Literature","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-04-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129589462","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-22DOI: 10.36346/sarjall.2022.v04i02.003
Abib Sène
Published in 1999, Cassandra is a remarquable novel through which Violet Barungi pinpoints various questions related to feminism and femalism. To delve into the issue of feminism and glass the idea on femocracy, the perspective of femism and kink has been developed and elaborated. Indeed, in a critical perspective, the paper has spotlighted the degree of the Ugandan women’s failure in the struggle against patriarchy in their society. An analysis of probate pertinency has shown up the resolution of the female character to overthrow the social and cultural female status cushioned by so much domesticated vagrancies. However, confronted with pugnant realities, the female actant steps back to fall into the trap of sex and sexuality. A path to freedom is then cut short, a dream shattered on the erotic wall of venial pleasures. Emancipation is then wedged apart into the glooming splinters of masculinity and patriarchy.
{"title":"Un-cisgendering Womanism to Scrimmage with Misogyny: an Analysis of Cassandra (1999) by Violet Barungi","authors":"Abib Sène","doi":"10.36346/sarjall.2022.v04i02.003","DOIUrl":"https://doi.org/10.36346/sarjall.2022.v04i02.003","url":null,"abstract":"Published in 1999, Cassandra is a remarquable novel through which Violet Barungi pinpoints various questions related to feminism and femalism. To delve into the issue of feminism and glass the idea on femocracy, the perspective of femism and kink has been developed and elaborated. Indeed, in a critical perspective, the paper has spotlighted the degree of the Ugandan women’s failure in the struggle against patriarchy in their society. An analysis of probate pertinency has shown up the resolution of the female character to overthrow the social and cultural female status cushioned by so much domesticated vagrancies. However, confronted with pugnant realities, the female actant steps back to fall into the trap of sex and sexuality. A path to freedom is then cut short, a dream shattered on the erotic wall of venial pleasures. Emancipation is then wedged apart into the glooming splinters of masculinity and patriarchy.","PeriodicalId":142956,"journal":{"name":"South Asian Research Journal of Arts, Language and Literature","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-04-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126749526","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-14DOI: 10.36346/sarjall.2022.v04i02.002
Dr. Adamu Rabi’u Bakura, Abu-Ubaida Sani
Manufar wannan maƙala ita ce bitar ma’anar kishi da yanaye-yanayensa, musamman a tunanin Bahaushe. Maƙalar ta bi matakin nazartar waƙoƙin makaɗan baka a matsayin hanyar gudanar da bincike. A cikin waƙoƙin ne ta zaƙule yanaye-yanayen kishi a farfajiyar tunanin Bahaushe. An ɗora akalar nazarin kan tunanin Bahaushe cewa “So so ne, amma son kai ya fi.” A bisa wannan ra’ayin Bahaushe ne takardar ke da hasashen cewa, kowane mutum na da zummar samun ɗaukaka da fice sama da dukkannin tsaransa. Sakamakon binciken ya nuna cewa, ba kamar yadda mutanen da dama ke tunani ba, al’amarin kishi bai taƙaita ga abin da ake samu tsakanin masoya ba kawai. Ya shafi dukkannin ɓangarorin rayuwa. Sannan dalilai da dama na sa a bayyana kishi. Daga ƙarshe takardar ta ba da shawarar bin matakan da za su tabbatar da giyar kishi ba ta kai ga janyo aikata abin da ya saɓa wa hankali da kyakkyawar al’ada da zamantakewar lumana ba.
{"title":"Kishi A Bakin Makaɗan Baka","authors":"Dr. Adamu Rabi’u Bakura, Abu-Ubaida Sani","doi":"10.36346/sarjall.2022.v04i02.002","DOIUrl":"https://doi.org/10.36346/sarjall.2022.v04i02.002","url":null,"abstract":"Manufar wannan maƙala ita ce bitar ma’anar kishi da yanaye-yanayensa, musamman a tunanin Bahaushe. Maƙalar ta bi matakin nazartar waƙoƙin makaɗan baka a matsayin hanyar gudanar da bincike. A cikin waƙoƙin ne ta zaƙule yanaye-yanayen kishi a farfajiyar tunanin Bahaushe. An ɗora akalar nazarin kan tunanin Bahaushe cewa “So so ne, amma son kai ya fi.” A bisa wannan ra’ayin Bahaushe ne takardar ke da hasashen cewa, kowane mutum na da zummar samun ɗaukaka da fice sama da dukkannin tsaransa. Sakamakon binciken ya nuna cewa, ba kamar yadda mutanen da dama ke tunani ba, al’amarin kishi bai taƙaita ga abin da ake samu tsakanin masoya ba kawai. Ya shafi dukkannin ɓangarorin rayuwa. Sannan dalilai da dama na sa a bayyana kishi. Daga ƙarshe takardar ta ba da shawarar bin matakan da za su tabbatar da giyar kishi ba ta kai ga janyo aikata abin da ya saɓa wa hankali da kyakkyawar al’ada da zamantakewar lumana ba.","PeriodicalId":142956,"journal":{"name":"South Asian Research Journal of Arts, Language and Literature","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122229583","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-10DOI: 10.36346/sarjall.2022.v04i02.001
Dr. Uttam Balu Koli
This research article finds out same letters / groups of same letters in different words of English language beginning with alphabets ‘A’ and ‘B’ having different pronunciations. Same letters / groups of same letters in different words of English language beginning with alphabet ‘A’ having different pronunciations are five in numbers which are: a, ae, aeo, ai and au. Same letters / groups of same letters in different words of English language beginning with alphabet ‘B’ having different pronunciations are twenty-five in numbers which are: ba, bbi, be, bea, bee, bei, bi, bio, bla, blea, bli, blo, bloo, bo, boa, bou, bow, bra, brea, bri, bro, broa, broo, bru and bu. These thirty same letters / groups of same letters in different words of English language beginning with the select alphabets of ‘A’ and ‘B’ having different pronunciations have been detailed with two hundred and six examples including words and phonetic transcriptions which will fully assist the learners of English language in making them competent in the select topic of research. The conclusion and reference list have been added.
{"title":"A Study of Same Letters / Groups of Same Letters Beginning with Alphabets ‘A’ and ‘B’ Having Different Pronunciations","authors":"Dr. Uttam Balu Koli","doi":"10.36346/sarjall.2022.v04i02.001","DOIUrl":"https://doi.org/10.36346/sarjall.2022.v04i02.001","url":null,"abstract":"This research article finds out same letters / groups of same letters in different words of English language beginning with alphabets ‘A’ and ‘B’ having different pronunciations. Same letters / groups of same letters in different words of English language beginning with alphabet ‘A’ having different pronunciations are five in numbers which are: a, ae, aeo, ai and au. Same letters / groups of same letters in different words of English language beginning with alphabet ‘B’ having different pronunciations are twenty-five in numbers which are: ba, bbi, be, bea, bee, bei, bi, bio, bla, blea, bli, blo, bloo, bo, boa, bou, bow, bra, brea, bri, bro, broa, broo, bru and bu. These thirty same letters / groups of same letters in different words of English language beginning with the select alphabets of ‘A’ and ‘B’ having different pronunciations have been detailed with two hundred and six examples including words and phonetic transcriptions which will fully assist the learners of English language in making them competent in the select topic of research. The conclusion and reference list have been added.","PeriodicalId":142956,"journal":{"name":"South Asian Research Journal of Arts, Language and Literature","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128444003","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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