Pub Date : 2023-06-23DOI: 10.14712/24647055.2023.3
Filip Facincani
The aim of the paper is to present to present the results of the field survey of the fragments of the cloister lavatorium in Zlatá Koruna monastery and to present a proposal for reassessing the existing views on its building history. On the basis of formal analysis and comparison with local shape-related architectural parts, re-claimed by recent research, it proposes to accept the parts of cloister lavatorium as pre-Parlerian, and thus dating from around and after 1300. The paper does not dispute the building sequence of the convent and cloister as a whole, as accepted by the previous literature – it suggests that the parts of cloister lavatorium were made at the same time as the vault shafts of the north-west corner of the cloister and possibly the vault shafts of abbot’s chapel, and deposited in the grounds of the monastery building workshop before they could be incorporated into the building. Arguments for accepting the cloister lavatorium fragments as pre-Parlerian are their close formal association with the shafts of the north-west bay of the cloister, for which an early dating to c. 1300 and after is highly probable. Accepting the cloister lavatorium parts as a product of the construction phase of the turn of the 13th and 14th centuries means partially reconsidering the existing views on the pace of construction of the royal monastery of Zlatá Koruna. This seems to have been greater than research assumed at the turn of the centuries.
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Pub Date : 2023-06-23DOI: 10.14712/24647055.2023.2
L. Konečný
The article deals with the impact of Karl Borinski and Karl Mannheim on Erwin Panofsky’s iconological method of interpretation of works of visual arts as presented in his 1939 Studies in Iconology. In a slightly different form it was firstly published in The Journal of Medieval and Renaissnce Studies XXXVII, 1974, 368–373.
{"title":"On the Construction and Sources of Erwin Panofsky’s Iconology","authors":"L. Konečný","doi":"10.14712/24647055.2023.2","DOIUrl":"https://doi.org/10.14712/24647055.2023.2","url":null,"abstract":"The article deals with the impact of Karl Borinski and Karl Mannheim on Erwin Panofsky’s iconological method of interpretation of works of visual arts as presented in his 1939 Studies in Iconology. In a slightly different form it was firstly published in The Journal of Medieval and Renaissnce Studies XXXVII, 1974, 368–373.","PeriodicalId":158647,"journal":{"name":"AUC PHILOSOPHICA ET HISTORICA","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125613953","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-23DOI: 10.14712/24647055.2023.16
Kol. autorů.
Theses defended at the Institute of Art History, Faculty of Arts, Charles University in 2019-2023
2019-2023年查尔斯大学艺术学院艺术史研究所论文答辩
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Pub Date : 2023-06-23DOI: 10.14712/24647055.2023.5
Lucie Neméthová
In the second half of the 19th century, many architects worked for noble members of the house of Morzin and subsequently the house of Czernin-Morzin in Vrchlabí and other mansions in North Bohemia. Among these architects, famous names such as Achille Wolf or Josef Schulz can be found; this text, however, concerns itself with these lesserknown, namely Antonín Goller (1833–1880), Stephan Tragl (1845–1891), and Johann Koch (1850–1915). The main objective of this text is to give the most comprehensive view possible of the work and personalities of these three very diverse architects. The oldest of the three, Antonín Goller, was an active member of the Association of Architects and Engineers in the Kingdom of Bohemia and author of numerous conversions of aristocratic residences. Second architect, Stephan Tragl, established a successful architectural studio in Prague-Smíchov in the 1880s and was the author of many impressive buildings, among which excels a group of sacral buildings in neo-Gothic and neo-Romanesque style. Unlike the previous two, the work of Johann Koch is, for the most part, concentrated abroad in Latvian Riga. Here he was an architect of many highly representative public buildings in Italian neo-Renaissance style and even today is highly appreciated.
在19世纪下半叶，许多建筑师为Morzin家族的贵族成员工作，随后为位于Vrchlabí的Czernin-Morzin家族和北波西米亚的其他豪宅工作。在这些建筑师中，可以找到著名的名字，如Achille Wolf或Josef Schulz;然而，本文关注的是这些鲜为人知的人，即Antonín Goller (1833-1880)， Stephan Tragl(1845-1891)和Johann Koch(1850-1915)。本文的主要目的是尽可能全面地了解这三位非常不同的建筑师的工作和个性。三人中年龄最大的Antonín Goller是波希米亚王国建筑师和工程师协会的活跃成员，也是众多贵族住宅转换的作者。第二个建筑师Stephan Tragl于19世纪80年代在Prague-Smíchov建立了一个成功的建筑工作室，他设计了许多令人印象深刻的建筑，其中最突出的是一组新哥特式和新罗马式的圣堂建筑。与前两位不同，约翰·科赫的工作大部分集中在拉脱维亚的里加。在这里，他是意大利新文艺复兴风格的许多极具代表性的公共建筑的建筑师，即使在今天也受到高度赞赏。
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Pub Date : 2023-06-23DOI: 10.14712/24647055.2023.14
Tereza Horáková
What is the difference between the pain of Christ and the Virgin Mary? How is pain reflected in sculptures of the Baroque period in Bohemia and Moravia? And how did contemporary pious spectators react to these impulses? Baroque spirituality of the 18th century, particularly the theme of pain, will be demonstrated on the phenomenon of sculpture of the Holy Stairs. These chapels can be found in churches or cloisters, and they are subject to specific liturgy and space arrangements where we can find a particular representation of Christ, as well as the Virgin Mary and St. John the Baptist. Different types of pain and their representation in the sculpture of that time are illustrated on several examples of Holy Stairs, including the stairs at the Church of the Assumption of the Virgin Mary and St. Charles the Great in Prague.
{"title":"Krev, slzy a bolest – Imaginace a emocionalita na příkladu polychromovaných barokních plastik ze svatých schodů","authors":"Tereza Horáková","doi":"10.14712/24647055.2023.14","DOIUrl":"https://doi.org/10.14712/24647055.2023.14","url":null,"abstract":"What is the difference between the pain of Christ and the Virgin Mary? How is pain reflected in sculptures of the Baroque period in Bohemia and Moravia? And how did contemporary pious spectators react to these impulses? Baroque spirituality of the 18th century, particularly the theme of pain, will be demonstrated on the phenomenon of sculpture of the Holy Stairs. These chapels can be found in churches or cloisters, and they are subject to specific liturgy and space arrangements where we can find a particular representation of Christ, as well as the Virgin Mary and St. John the Baptist. Different types of pain and their representation in the sculpture of that time are illustrated on several examples of Holy Stairs, including the stairs at the Church of the Assumption of the Virgin Mary and St. Charles the Great in Prague.","PeriodicalId":158647,"journal":{"name":"AUC PHILOSOPHICA ET HISTORICA","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116737411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-08-02DOI: 10.14712/24647055.2021.5
Martina Bezoušková
{"title":"Novobaroko a česká sochařská generace devadesátých let 19. století","authors":"Martina Bezoušková","doi":"10.14712/24647055.2021.5","DOIUrl":"https://doi.org/10.14712/24647055.2021.5","url":null,"abstract":"","PeriodicalId":158647,"journal":{"name":"AUC PHILOSOPHICA ET HISTORICA","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116052657","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-08-02DOI: 10.14712/24647055.2021.11
Karolina Rybačiauskaitė
In this paper it is claimed that the conception of art regimes by Jacques Rancière may be a productive tool for coming across various binary oppositions used while thinking about modern art, such as modernism/social realism, official/non-official, political/apolitical, and let us write more fluid histories of modern art in the post-socialist and post-soviet countries.
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Pub Date : 2021-08-02DOI: 10.14712/24647055.2021.20
Vladimír Merta
{"title":"Pološero jako inspirativní hranice (Prolínání undergroundu se současnou městskou baladou)","authors":"Vladimír Merta","doi":"10.14712/24647055.2021.20","DOIUrl":"https://doi.org/10.14712/24647055.2021.20","url":null,"abstract":"","PeriodicalId":158647,"journal":{"name":"AUC PHILOSOPHICA ET HISTORICA","volume":"69 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122774941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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