{"title":"My Father's Hands","authors":"Erik James Wilbur","doi":"10.1353/rcr.2012.0022","DOIUrl":"https://doi.org/10.1353/rcr.2012.0022","url":null,"abstract":"","PeriodicalId":158814,"journal":{"name":"Red Cedar Review","volume":"88 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2012-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127453316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mobo","authors":"Shira Golden Kresch","doi":"10.1353/rcr.2012.0011","DOIUrl":"https://doi.org/10.1353/rcr.2012.0011","url":null,"abstract":"","PeriodicalId":158814,"journal":{"name":"Red Cedar Review","volume":"66 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2012-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127122028","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
“Elegant, but not extravagant, these thin pancakes are at the same time sturdy and delicate. You can make them just to have around. Keep them stacked on a plate, tightly covered and refrigerated. They will last at least a week—just fill and heat as desired. Wrap crepes around many varieties of foods (a great way to store leftovers!) for different occasions, different times of day. They can quickly transform otherwise ordinary food into something special.”—Mollie Katzen
{"title":"Recipe for Crepes","authors":"Anna Wildfong","doi":"10.1353/RCR.2012.0013","DOIUrl":"https://doi.org/10.1353/RCR.2012.0013","url":null,"abstract":"“Elegant, but not extravagant, these thin pancakes are at the same time sturdy and delicate. You can make them just to have around. Keep them stacked on a plate, tightly covered and refrigerated. They will last at least a week—just fill and heat as desired. Wrap crepes around many varieties of foods (a great way to store leftovers!) for different occasions, different times of day. They can quickly transform otherwise ordinary food into something special.”—Mollie Katzen","PeriodicalId":158814,"journal":{"name":"Red Cedar Review","volume":"303 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2012-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121764109","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Waiting for the 6: Cypress Avenue, 1982","authors":"B. Alfaro","doi":"10.1353/RCR.2012.0001","DOIUrl":"https://doi.org/10.1353/RCR.2012.0001","url":null,"abstract":"","PeriodicalId":158814,"journal":{"name":"Red Cedar Review","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2012-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126927452","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
assing through the outskirts of Tempe today, I decide to spend the night with Anna. She opens her door wearing only a Top Gun tee-shirt and a pair of highheeled flip-flops. I appreciate her transparency. Later that night, I am sitting with my back against the foot of her bed while she lies above me, running her fingers through my hair. I wish I could hear everything she says twice: as soon as she says it and then an echo of her voice bouncing off the wood paneling in front of us. She always speaks as though she were a new planet forming, ideas colliding randomly like huge asteroids hurtling towards one another in space. “I think God has given up on us. He saw the violence, the discrimination, the overall indecency, and he said, ‘Forget it, I’m going to Mercury!’” “Not to mention he kicked us out of Eden over an apple,” I say. “Now as for Jesus, that’s who we could really use. I mean he cared enough to die and then come back. What a madman, but we need that.” “It’s too bad. He’s probably stuck on Mercury.” Grabbing the beer bottle out of my hand, she stands up on the bed, balancing herself on one leg. P
{"title":"To Mr. & Mrs. Tempe","authors":"J. Shaffer","doi":"10.1353/RCR.2012.0010","DOIUrl":"https://doi.org/10.1353/RCR.2012.0010","url":null,"abstract":"assing through the outskirts of Tempe today, I decide to spend the night with Anna. She opens her door wearing only a Top Gun tee-shirt and a pair of highheeled flip-flops. I appreciate her transparency. Later that night, I am sitting with my back against the foot of her bed while she lies above me, running her fingers through my hair. I wish I could hear everything she says twice: as soon as she says it and then an echo of her voice bouncing off the wood paneling in front of us. She always speaks as though she were a new planet forming, ideas colliding randomly like huge asteroids hurtling towards one another in space. “I think God has given up on us. He saw the violence, the discrimination, the overall indecency, and he said, ‘Forget it, I’m going to Mercury!’” “Not to mention he kicked us out of Eden over an apple,” I say. “Now as for Jesus, that’s who we could really use. I mean he cared enough to die and then come back. What a madman, but we need that.” “It’s too bad. He’s probably stuck on Mercury.” Grabbing the beer bottle out of my hand, she stands up on the bed, balancing herself on one leg. P","PeriodicalId":158814,"journal":{"name":"Red Cedar Review","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2012-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130727069","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
particularly the senior editing positions, are transitory from year to year. Rarely does any senior staff member stay in their position as prose or poetry or managing editor for more than two consecutive years, if that. When your entire staff is comprised of college undergraduates who are constantly moving on to new platforms of life, this is inevitable; it’s just too bad that most managing editors only get to oversee one issue of the journal before having to entrust to someone else the welfare of what has essentially become his or her “baby.” Change, however, is ultimately a good thing. I believe the Red Cedar Review would not have had as long and diverse a life as it has without a continual flux of voices and opinions. We should strive not to replicate the past, but to simultaneously preserve and transcend it; it was in this spirit that the issue you hold in your hands was created. To my knowledge, this is the first issue in the history of the Red Cedar Review to exclusively publish college undergraduate contributors. This is a radical departure from the journal’s past, in which everyone from professional working authors to prison inmates have sent in their work for review; and, truly, this has contributed greatly to the journal’s rich history. It was thanks to this broad method that the Red Cedar Review has had the privilege of publishing works by famously talented writers such as Pablo Neruda, Jim Harrison, and Margaret Atwood, to name only a few. The decision this year to accept submissions exclusively from college undergrads across the country raised more than a few eyebrows, to say the least. This issue also marks the first edition of the journal to intentionally include the genre of visual art alongside literature. Photography and other select artwork has always had a scattered, here-and-there sort of presence in the Red Cedar Review, editor’s note
特别是高级编辑职位，每年都是临时性的。很少有高级职员连续两年以上担任散文、诗歌或总编辑。当你所有的员工都是大学生，他们不断地向新的生活平台移动，这是不可避免的;可惜的是，大多数执行编辑只能监督一期杂志，然后就不得不把基本上成为他或她的“孩子”的福利委托给别人。然而，改变终究是一件好事。我相信，如果没有不断变化的声音和观点，《红杉评论》就不会有如此长久和多样化的生命。我们应该努力不去复制过去，而是同时保存和超越过去;正是本着这种精神，你们手中的问题才得以产生。据我所知，这是《红杉评论》历史上第一期专门刊登大学本科生投稿的杂志。这与《华尔街日报》过去的做法完全不同，在过去，从职业作者到监狱囚犯，每个人都把自己的作品寄来接受审查;的确，这对《华尔街日报》丰富的历史贡献巨大。正是由于这种广泛的方法，《红杉评论》才有幸发表了巴勃罗·聂鲁达、吉姆·哈里森、玛格丽特·阿特伍德等著名天才作家的作品。今年只接受来自全国大学本科生的参赛作品的决定至少引起了不少人的不满。在这一期杂志中，除了文学之外，还特意收录了视觉艺术。编者按，《红杉评论》(Red Cedar Review)上的摄影和其他精选艺术品一直是零零散散、零零散散的
{"title":"Editor's Note","authors":"A. Larson","doi":"10.1353/rcr.2012.0023","DOIUrl":"https://doi.org/10.1353/rcr.2012.0023","url":null,"abstract":"particularly the senior editing positions, are transitory from year to year. Rarely does any senior staff member stay in their position as prose or poetry or managing editor for more than two consecutive years, if that. When your entire staff is comprised of college undergraduates who are constantly moving on to new platforms of life, this is inevitable; it’s just too bad that most managing editors only get to oversee one issue of the journal before having to entrust to someone else the welfare of what has essentially become his or her “baby.” Change, however, is ultimately a good thing. I believe the Red Cedar Review would not have had as long and diverse a life as it has without a continual flux of voices and opinions. We should strive not to replicate the past, but to simultaneously preserve and transcend it; it was in this spirit that the issue you hold in your hands was created. To my knowledge, this is the first issue in the history of the Red Cedar Review to exclusively publish college undergraduate contributors. This is a radical departure from the journal’s past, in which everyone from professional working authors to prison inmates have sent in their work for review; and, truly, this has contributed greatly to the journal’s rich history. It was thanks to this broad method that the Red Cedar Review has had the privilege of publishing works by famously talented writers such as Pablo Neruda, Jim Harrison, and Margaret Atwood, to name only a few. The decision this year to accept submissions exclusively from college undergrads across the country raised more than a few eyebrows, to say the least. This issue also marks the first edition of the journal to intentionally include the genre of visual art alongside literature. Photography and other select artwork has always had a scattered, here-and-there sort of presence in the Red Cedar Review, editor’s note","PeriodicalId":158814,"journal":{"name":"Red Cedar Review","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2012-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122425053","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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