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Age 年龄
Pub Date : 2011-08-06 DOI: 10.1353/rcr.2011.0055
P. Neruda, J. t.
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引用次数: 1
Double Exposure 双重曝光
Pub Date : 2011-08-06 DOI: 10.1353/rcr.2011.0011
Anneliese Sheffield
When she gets back her prints, she realizes her husband shot the film first— so their daughter pumps a long rope swing over her brother’s football team like an autumn goddess, her friends’ faces at her fifteenth birthday party smile through yellow and black numbered uniforms, knee-pad legs are heaps of leaves the girls jump into weeks later without realizing, boys rush a ball down a green field of girls with their feet in the air as they leap— the giant dog has an oak leaf stuck to his nose in the middle of a lilliputian huddle; and here she is, mother, part Chinese restaurant, part stretched on the bed. Her daughter trails long blonde lawns of sunbright leaves down both sides of face and body like a veil and train, and the family portrait is all raked up in a pile, starting to blow away.
当她拿回她的指纹时,她意识到是她丈夫先拍的电影——所以他们的女儿像秋天的女神一样在她哥哥的足球队上甩了一根长绳,她15岁生日派对上朋友们的脸透过黄黑编号的制服微笑着,膝盖护腿是一堆叶子,几个星期后女孩们毫无意识地跳了进去。男孩们在女孩们簇拥的绿色场地上把球冲过去,跳跃的时候他们的脚举在空中——在一群小人的中间,一只巨大的狗的鼻子上粘着一片橡树叶;她来了,妈妈,一半在中餐馆,一半躺在床上。她的女儿在脸上和身体两侧拖着长长的金色草坪,阳光明媚,像面纱和火车,全家福都堆在一起,开始被风吹走。
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引用次数: 0
Tracks 跟踪
Pub Date : 2011-08-06 DOI: 10.1353/rcr.2011.0010
A. Schroeder
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引用次数: 0
Edad
Pub Date : 2011-08-06 DOI: 10.1353/rcr.2011.0001
P. Neruda
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引用次数: 1
First Freeze 第一次冻结
Pub Date : 2011-08-06 DOI: 10.1353/rcr.2011.0036
Melvyn S. Bucholtz
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引用次数: 0
How to Have a Visitor 如何拥有访客
Pub Date : 2011-08-06 DOI: 10.1353/rcr.2011.0037
Toby Bochan
H is flying in to see you for a long weekend. He works at a place where you get every possible holiday, a bank or a school or the government. You don’t know exactly what he does. Something involving numbers. You have known each other since college, from college. You’ve seen him once or twice a year since graduation: same place, same time kind of things. But this is his first visit to see you, just to see you. He lives far enough away that driving isn’t feasible. Especially because you hate to drive and he doesn’t own a car. Th omas, always for you Th omas and never Tom, Th omas lives in Boston. He doesn’t, he says, need a car. How nice for him! Your car, on the other hand, has been acting up: making rude noises, stalling. Mornings you pump the gas (three times three is the magic number) and hope that it will start. Th ere is really no other way to get around where you live in Texas. Th omas takes the T, the mass transit in Boston, Massachusetts. You mix up the words, try to fit it into a limerick:
他要飞过来看你过长周末。他工作的地方有各种各样的假期,银行、学校或政府。你不知道他到底是干什么的。与数字有关的事物你们从大学就认识了,从大学开始。毕业后你每年见他一两次:同样的地点,同样的时间之类的。但这是他第一次来看你,就为了见你。他住得很远,开车是不可能的。尤其是因为你讨厌开车,而他又没有车。托马斯,永远为你着想托马斯,从来不是汤姆,托马斯住在波士顿。他说,他不需要车。他太好了!另一方面,你的车一直在出毛病:发出刺耳的声音,熄火。早上你给车加油(3乘以3是个神奇的数字),希望它能启动。在你住的德克萨斯州,真的没有别的路可走了。托马斯乘坐的是马萨诸塞州波士顿的公共交通T线。你把词弄混了,试着把它写成打油诗
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引用次数: 0
Every Day It Matters Less That I'm Not Tall 每一天,我不高都不再重要
Pub Date : 2011-08-06 DOI: 10.1353/RCR.2011.0017
C. Webb
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引用次数: 0
Last-Fling Rose 最后的狂欢了
Pub Date : 2011-08-06 DOI: 10.1353/RCR.2011.0007
F. Pollak
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引用次数: 0
Crescent Heart 新月的心
Pub Date : 2011-08-06 DOI: 10.1353/rcr.2011.0048
M. Bookman
W silently in the bus station a few minutes before midnight, Carolyn and Art Bradley wondered how in the world they had gotten themselves into this baby business. Neither of them wanted to voice an opinion, neither wanted to lose the courage they had so carefully nurtured together, but privately each speculated: Carolyn had answered the advertisement, made the first call; but Art kept talking about how empty their house seemed. Yet even to themselves the answer was obvious: they wanted a baby, and they were willing to do whatever was necessary to get one, including meeting a complete stranger at a midnight bus station and housing her for three months. In fact, the Bradleys had paid an exceptional amount of money to the Lullaby Adoption Agency for just such an opportunity, and they were in way too deep, psychologically as well as financially, to back out now. At least the bus appeared to be on schedule. Midnight was not the time to wait for a bus, or to arrive in one, for that matter. But the message Carolyn had received earlier that afternoon, sufficiently cryptic to start the secretaries talking in her office, was clear on the time of arrival: “K. Miller on Greyhound from Dayton at 12:12 a.m.” A few days earlier they had been notified that their pending obligation was being called in—a sort of last minute check by Lullaby to be sure the couple wasn’t reneging—but real information, other than a first initial and a last name, had been purposely withheld. Confidentiality was a large part of any adoption program, yet somehow they had expected a little more than a name and bus route. After all, this was not the mother of their future baby; they were simply obliged
午夜前的几分钟,卡洛琳和阿特·布拉德利在公共汽车站默默地想,他们到底是怎么卷入到这个孩子的生意中来的。他们谁也不想发表意见,谁也不想失去他们在一起精心培养的勇气,而是各自私下猜测:卡洛琳回应了广告,打了第一个电话;但阿特一直在说他们的房子看起来有多空。然而,即使对他们自己来说,答案也是显而易见的:他们想要一个孩子,他们愿意做任何必要的事情来得到一个孩子,包括在午夜的公交车站遇见一个完全陌生的人,为她提供三个月的住宿。事实上,布拉德利一家为了得到这样一个机会,已经向摇篮曲收养机构支付了一大笔钱,他们在心理上和经济上都陷得太深了,现在不能退出。至少公共汽车看起来是准时的。午夜不是等公共汽车的时候,也不是上车的时候。但那天下午早些时候,卡洛琳收到的信息非常神秘,以至于秘书们在她的办公室里开始讨论,但在到达时间上却很清楚:“K。“几天前,他们接到通知说,他们即将履行的义务被要求履行——这是催眠曲公司在最后一刻进行的一种检查,目的是确保这对夫妇没有违约——但除了名字的首字母和姓氏之外,真实的信息被故意隐瞒了。保密是任何收养计划的重要组成部分,然而不知何故,他们期望的不仅仅是名字和公交路线。毕竟,这不是他们未来孩子的母亲;他们只是被迫
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引用次数: 0
The Man with the Wicker Cigar 抽柳条雪茄的人
Pub Date : 2011-08-06 DOI: 10.1353/RCR.2011.0019
G. Hitchcock
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引用次数: 0
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Red Cedar Review
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