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Television audience research in the age of convergence: challenges and difficulties 融合时代的电视受众研究:挑战与困难
Pub Date : 2011-06-29 DOI: 10.1145/2000119.2000139
N. Simons
This paper presents work in progress and deals with the challenges and difficulties researchers are facing doing television audience research in the age of convergence. I give a short overview of different dimensions within television audience research, based on how television is defined, and how these dimensions are evolving in the age of digitization and convergence. Next, I discuss three practical complications I encountered while doing empirical research into contemporary television viewing practices: the challenge of taking all dimensions of television into account, the challenge of doing ethnographic research and the challenge of selecting a proper sample for television audience research.
本文介绍了在融合时代电视受众研究中研究人员所面临的挑战和困难。根据电视的定义,以及这些维度在数字化和融合时代的演变,我简要概述了电视观众研究中的不同维度。接下来,我将讨论我在对当代电视观看实践进行实证研究时遇到的三个实际问题:将电视的所有维度考虑在内的挑战,进行民族志研究的挑战以及为电视观众研究选择合适样本的挑战。
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引用次数: 11
Drivers and barriers to the adoption of the digital television in portugal: the perspectives of the tv viewers and other main stakeholders 葡萄牙采用数位电视的驱动因素和障碍:电视观众和其他主要利益相关者的观点
Pub Date : 2011-06-29 DOI: 10.1145/2000119.2000137
C. Quico, M. Damásio, Sara Henriques, I. Veríssimo
The main goal of the ADOPT-DTV project is to understand what are the most significant factors for the adoption of digital TV by the Portuguese population in the switchover context. On the 26th of April 2012, the analogue terrestrial television switchoff is planned to occur in Portugal, according to the schedule published by the national telecommunication regulator Anacom. Digital terrestrial TV was launched in the country in April 2009, turning Portugal into one of the countries with the most ambitious schedule - or risky, depending on the perspective - for the full transition from analogue to digital terrestrial television. We will start by presenting the objectives, theoretical framework and research design of the ADOPT-DTV project. Next, we will present the first results of the project focused on the barriers and drivers for the adoption of digital TV from two of the empirical studies which integrate it, namely, the quantitative inquiry applied to a representative sample of the Portuguese population and interviews with the main stakeholders in the digital TV area in Portugal. The perspectives of the television viewers are compared with other main stakeholders in this process. A brief discussion of these results and a brief enumeration of the next steps for the project will conclude this paper.
ADOPT-DTV项目的主要目标是了解在转换背景下葡萄牙人口采用数字电视的最重要因素是什么。根据国家电信监管机构Anacom公布的时间表,葡萄牙计划于2012年4月26日关闭模拟地面电视。数字地面电视于2009年4月在该国推出,使葡萄牙成为从模拟电视到数字地面电视全面过渡的最雄心勃勃的国家之一,或者说是最冒险的国家之一,这取决于前景。我们将首先介绍ADOPT-DTV项目的目标、理论框架和研究设计。接下来,我们将展示该项目的第一个结果,重点关注采用数字电视的障碍和驱动因素,这两项实证研究整合了数字电视,即应用于葡萄牙人口代表性样本的定量调查和对葡萄牙数字电视领域主要利益相关者的访谈。在此过程中,将电视观众的视角与其他主要利益相关者进行比较。对这些结果的简要讨论和项目下一步的简要列举将结束本文。
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引用次数: 2
Using paper and pen to control home-IT: lessons learned by hands-on experience 用纸和笔控制家庭it:亲身体验的经验教训
Pub Date : 2011-06-29 DOI: 10.1145/2000119.2000162
Jan Hess, Lin Wan, V. Pipek, Guy Küstermann
Standard remote controls are the most important interface to handle and control TV and media center systems for home entertainment. While the controlling device is being used as something statically, most providers now realize the flexibility of an interface on the software level at the controlled device. Such straightforward approaches reach their limits, when complex functionalities are to be handled remotely. Managing the media library, converting media items or entering text are examples of such enhanced options. In order to handle such complexity we experimented with smart remotes. In a first case study we explored the use of digital pen & paper as a personalizable control device with enhanced text input capability. A prototype called p-Remote (personal remote) was implemented. The evaluation showed us that the users appreciate the possibility of being able to personalize the remote control interfaces, as they fully understand their own interfaces and they can have specific interfaces for different scenarios. The evaluation also showed that the p-Remote provides the user with a fast access and intuitive usage. By discussing the results, we will also point out several issues from which we have derived implications for designing smart remote control concepts in further work.
标准遥控器是处理和控制家庭娱乐电视和媒体中心系统的最重要的接口。当控制设备被静态地使用时,大多数供应商现在都在被控制设备的软件级别上实现了接口的灵活性。当需要远程处理复杂的功能时,这种直接的方法就达到了极限。管理媒体库、转换媒体项或输入文本都是此类增强选项的示例。为了处理这种复杂性,我们尝试了智能遥控器。在第一个案例研究中,我们探索了数字笔和纸作为具有增强文本输入功能的个性化控制设备的使用。实现了一个名为p-Remote(个人远程)的原型。评估表明,用户欣赏能够个性化远程控制接口的可能性,因为他们完全了解自己的接口,并且可以为不同的场景拥有特定的接口。评估还表明,p-Remote为用户提供了快速访问和直观的使用。通过讨论结果,我们还将指出几个问题,从中我们推导出在进一步工作中设计智能遥控概念的含义。
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引用次数: 5
Ifelt: accessing movies through our emotions 感觉:通过我们的情感来观看电影
Pub Date : 2011-06-29 DOI: 10.1145/2000119.2000141
Eva Oliveira, P. Martins, T. Chambel
Films are by excellence the form of art that exploits our affective, perceptual and intellectual activity. Technological developments and the trends for media convergence are turning video into a dominant and pervasive medium and online video is becoming a growing entertainment activity on the web and iTV. The improvement of new techniques for gathering emotional information about videos, both through content analysis or user implicit feedback through user physiological signals, is revealing an unfolding of new ways for exploring emotional information in videos, films or TV series, and brings out new perspectives to personalize user information. We present iFelt - an interactive web video application to classify, access, explore and visualize movies based on their emotional characteristics. In this work, we explore the design and evaluate different ways to access, browse and visualize movies and their contents.
电影是一种优秀的艺术形式,它利用了我们的情感、感性和智力活动。技术的发展和媒体融合的趋势正在使视频成为一种占主导地位和普遍存在的媒体,在线视频正在成为网络和独立电视上日益增长的娱乐活动。视频情感信息采集新技术的不断完善,无论是通过内容分析还是通过用户生理信号进行用户隐式反馈,都揭示了视频、电影、电视剧情感信息挖掘新途径的展开,为个性化用户信息提供了新视角。我们提出了iFelt -一个交互式网络视频应用程序,可以根据电影的情感特征对其进行分类、访问、探索和可视化。在这项工作中,我们探索设计和评估不同的方式来访问,浏览和可视化电影及其内容。
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引用次数: 33
Textual authoring of interactive digital TV applications 交互式数字电视应用的文本创作
Pub Date : 2011-06-29 DOI: 10.1145/2000119.2000169
R. Azevedo, Carlos de Salles Soares Neto, M. Teixeira, R. C. M. Santos, Thiago Alencar Gomes
Authoring tools for hypermedia languages usually provide visual abstractions, which hide the source code from the author aiming to simplify and accelerate the development process. Among other drawbacks, these abstractions modify or even break the communication process between the author and the language designer, since these languages were designed to be readable and understandable by its target audience. This paper presents a textual approach to hypermedia authoring that does not have these inconveniences, but rather uses typographical accessories, such as program visualization, hypertextual navigation, and semi-automatic error correction. The proposed approach exploits concepts known to the author and does not imply in extra cognitive overload. A use case is presented, namely the NCL Eclipse authoring environment, for Nested Context Language, the Brazilian Digital TV and ITU-T standard.
超媒体语言的创作工具通常提供可视化的抽象,这对作者隐藏了源代码,目的是简化和加速开发过程。在其他缺点中,这些抽象修改甚至破坏了作者和语言设计者之间的交流过程,因为这些语言被设计为目标受众可读和可理解的。本文提出了一种超媒体创作的文本方法,它没有这些不便之处,而是使用了排版辅助功能,如程序可视化、超文本导航和半自动错误纠正。所提出的方法利用了作者已知的概念,并且不意味着额外的认知过载。给出了一个用例,即NCL Eclipse编写环境,用于嵌套上下文语言、巴西数字电视和ITU-T标准。
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引用次数: 12
User experience of elderly people with digital television: a qualitative investigation 老年人使用数字电视的用户体验:一项定性调查
Pub Date : 2011-06-29 DOI: 10.1145/2000119.2000165
F. Papa, Bartolomeo Sapio, M. Pelagalli
The paper introduces a qualitative investigation to explore and analyse user experience of elderly people (age range from 70 to 79) with digital television and, more in general, with future services made available by broadband ICTs
本文介绍了一项定性调查,以探索和分析老年人(年龄范围从70岁到79岁)使用数字电视的用户体验,以及更广泛地说,使用宽带信息通信技术提供的未来服务
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引用次数: 9
High-resolution video, more is more? 高分辨率视频,多就是多?
Pub Date : 2011-06-29 DOI: 10.1145/2000119.2000152
O. Niamut, T. Bachet, S. Limonard
In this paper, we describe an approach and the translation of the outcomes of our market overview on the technical development that we implemented for the FascinatE project. The approach combines market insights and competitive intelligence with technical insights to define the position of the FascinatE project in todays and future markets. The outcomes consist of an extensive market description, gaps, trends such as shift of technology and roles of market players. The information is presented by using a heat map, technology radar and a value chain overview. This information is used to adjust the direction of the technology development in the FascinatE project.
在本文中,我们描述了一种方法,以及我们对FascinatE项目实施的技术开发的市场概述结果的翻译。该方法将市场洞察力和竞争情报与技术洞察力相结合,以确定FascinatE项目在当今和未来市场中的地位。结果包括广泛的市场描述,差距,趋势,如技术转移和市场参与者的角色。该信息通过使用热图、技术雷达和价值链概述来呈现。这些信息用于调整FascinatE项目的技术发展方向。
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引用次数: 3
An unsupervised approach for recurrent tv program structuring 循环电视节目结构的无监督方法
Pub Date : 2011-06-29 DOI: 10.1145/2000119.2000143
Alina Elma Abduraman, Sid-Ahmed Berrani, B. Mérialdo
This paper addresses the problem of unsupervised TV program structuring. Program structuring allows to improve browsing and interaction with TV programs. Our work addresses the structuring of recurrent TV programs like entertainment programs, shows, magazines... It relies on the automatic detection of separators in programs using a repeated sequence detection method that is applied over a set of episodes of the same TV program. Separators are short sequences that are inserted between different parts of a program and that are repeated between and/or within the episodes of the same program. The effectiveness of the approach has been evaluated over 54 episodes of daily TV programs.
本文研究了无监督电视节目结构问题。节目结构允许改进浏览和与电视节目的互动。我们的工作解决了经常出现的电视节目的结构,如娱乐节目、节目、杂志……它依赖于使用重复序列检测方法自动检测节目中的分隔符,该方法应用于同一电视节目的一组剧集。分隔符是插入在节目不同部分之间的短序列,并且在同一节目的剧集之间和/或剧集内重复出现。该方法的有效性已在54集日常电视节目中进行了评估。
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引用次数: 11
Using multimodal interactions for 3D television and multimedia browsing 在3D电视和多媒体浏览中使用多模式交互
Pub Date : 2011-06-29 DOI: 10.1145/2000119.2000156
David Hannah, Martin Halvey, Graham A. Wilson, S. Brewster
We investigate the use of a mobile device to provide multifunc-tional input and output for a stereoscopic 3D television (TV) display. Through a number of example applications, we demonstrate how a combination of gestural and haptic input (touch and pressure) can be successfully deployed to allow the user to navigate a complex information space (multimedia and TV content), while at the same time visual and haptic (thermal and vibrotactile) feedback can be used to provide additional information to the user enriching the experience. Finally, we discuss our future work exploring the potential of this idea to allow multi-device and multimodal browsing of 3D TV and multimedia.
我们研究了使用移动设备为立体3D电视(TV)显示提供多功能输入和输出。通过一些示例应用,我们演示了如何成功地部署手势和触觉输入(触摸和压力)的组合,以使用户能够导航复杂的信息空间(多媒体和电视内容),同时视觉和触觉(热和振动触觉)反馈可以用来为用户提供额外的信息,以丰富用户的体验。最后,我们讨论了我们未来的工作,探索这一想法的潜力,以允许多设备和多模式浏览3D电视和多媒体。
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引用次数: 11
Digital TV vs internet: similarities suggest future opportunities for SMEs to advertise on digital TV 数字电视与互联网:相似之处为中小企业在数字电视上做广告提供了未来的机会
Pub Date : 2011-06-29 DOI: 10.1145/2000119.2000150
Rafael Gonçalez Carneiro
Television has been a medium commonly used by enterprises to promote their values, products, services and offers. TV advertising can be expensive, affordable only to enterprises with a substantial budget for promotion. That leaves a great number of Small and Medium Enterprises (SMEs) out of the TV advertising business. In contrast, the Internet has presented SMEs with some interesting tools and services that help them advertise more easily on the web. TV's current development leads to a broadband connected and more interactive environment. Which leads us to the question: can Digital TV offer elements similar to the Internet, that help SMEs in the process of creating and running an advertising campaign? This paper looks at tools and services on the Internet, that suit SMEs advertising needs and limitations and then focuses on similar elements among emerging services and applications made for Digital TV. The focus remains on three key elements: ACCOUNTABILITY, ADDRESSABILITY and PRODUCTION.
电视已经成为企业宣传其价值、产品、服务和报价的常用媒介。电视广告费用昂贵,只有有大量推广预算的企业才能负担得起。这使得大量的中小企业(SMEs)被排除在电视广告业务之外。相比之下,互联网为中小企业提供了一些有趣的工具和服务,帮助他们更容易在网上做广告。电视目前的发展导致了一个宽带连接和更多的互动环境。这就引出了一个问题:数字电视能否提供与互联网类似的元素,帮助中小企业在广告活动的创作和运作过程中发挥作用?本文着眼于互联网上的工具和服务,这些工具和服务适合中小企业的广告需求和局限性,然后关注新兴的数字电视服务和应用程序中的类似元素。重点仍然是三个关键要素:问责制、可寻址性和生产。
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引用次数: 0
期刊
European Conference on Interactive TV
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