Pub Date : 2024-02-16DOI: 10.1080/01971360.2023.2267263
Tanja Kimmel
Museums are important actors in the fight against climate change. In order to limit global warming to a maximum of 1.5° Celsius, European museums are required to reduce their CO2 emissions to contr...
{"title":"Calculating the Greenhouse Gas Emissions of the Central Depot of the Kunsthistorisches Museum, Vienna – First Results of the Pilot Study","authors":"Tanja Kimmel","doi":"10.1080/01971360.2023.2267263","DOIUrl":"https://doi.org/10.1080/01971360.2023.2267263","url":null,"abstract":"Museums are important actors in the fight against climate change. In order to limit global warming to a maximum of 1.5° Celsius, European museums are required to reduce their CO2 emissions to contr...","PeriodicalId":17165,"journal":{"name":"Journal of the American Institute for Conservation","volume":"43 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-02-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139902014","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-12DOI: 10.1080/01971360.2023.2278915
E. M. Breitung, M. S. Noyes, D. M. Burge, C. H. Stephens, A. Bone, J. Tétreault, E. J. Richardson, I. C. Buscarino
Two accelerated aging tests, the Oddy test and the Photographic Activity Test (PAT), are used to predict the safety of storage, display, or transport materials used near cultural heritage objects. ...
{"title":"The Oddy Test and the Photographic Activity Test (PAT): A Direct Comparison of Accelerated Aging Test Methods for Assessing Storage, Display, and Transport Materials","authors":"E. M. Breitung, M. S. Noyes, D. M. Burge, C. H. Stephens, A. Bone, J. Tétreault, E. J. Richardson, I. C. Buscarino","doi":"10.1080/01971360.2023.2278915","DOIUrl":"https://doi.org/10.1080/01971360.2023.2278915","url":null,"abstract":"Two accelerated aging tests, the Oddy test and the Photographic Activity Test (PAT), are used to predict the safety of storage, display, or transport materials used near cultural heritage objects. ...","PeriodicalId":17165,"journal":{"name":"Journal of the American Institute for Conservation","volume":"47 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-02-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139752022","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-06DOI: 10.1080/01971360.2023.2288438
Adrienne Gendron
The risks of lead transferring to gloves while handling lead-glazed ceramics was evaluated with simple empirical tests using Plumbtesmo test strips. Five lead-glazed ceramics from the Harvard Art M...
{"title":"Lead Transfer Risk from Handling Ceramics with Deteriorated Lead Glazes","authors":"Adrienne Gendron","doi":"10.1080/01971360.2023.2288438","DOIUrl":"https://doi.org/10.1080/01971360.2023.2288438","url":null,"abstract":"The risks of lead transferring to gloves while handling lead-glazed ceramics was evaluated with simple empirical tests using Plumbtesmo test strips. Five lead-glazed ceramics from the Harvard Art M...","PeriodicalId":17165,"journal":{"name":"Journal of the American Institute for Conservation","volume":"5 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139752127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-02DOI: 10.1080/01971360.2024.2308455
Mark Clarke
Published in Journal of the American Institute for Conservation (Vol. 63, No. 1, 2024)
发表于《美国文物保护学会杂志》(第 63 卷,第 1 期,2024 年)
{"title":"The Art & Science of Illuminated Manuscripts: A Handbook; The Pigments of British Medieval Illuminators: A Scientific and Cultural Study","authors":"Mark Clarke","doi":"10.1080/01971360.2024.2308455","DOIUrl":"https://doi.org/10.1080/01971360.2024.2308455","url":null,"abstract":"Published in Journal of the American Institute for Conservation (Vol. 63, No. 1, 2024)","PeriodicalId":17165,"journal":{"name":"Journal of the American Institute for Conservation","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139752363","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-23DOI: 10.1080/01971360.2023.2266261
Rachel Rivenc
Humans and objects are deeply entangled through systems of knowledge, exchange, production and consumption. The entanglement is also emotional. Objects have symbolic power and therefore emotional c...
{"title":"Objects, Memory, and Restorative Justice (A Personal Reflection on Conservation’s Meaning)","authors":"Rachel Rivenc","doi":"10.1080/01971360.2023.2266261","DOIUrl":"https://doi.org/10.1080/01971360.2023.2266261","url":null,"abstract":"Humans and objects are deeply entangled through systems of knowledge, exchange, production and consumption. The entanglement is also emotional. Objects have symbolic power and therefore emotional c...","PeriodicalId":17165,"journal":{"name":"Journal of the American Institute for Conservation","volume":"142 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139577974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-02DOI: 10.1080/01971360.2023.2219935
Diana de Bellaigue, Jessica Chloros, Lore Troalen, Laura Hendriks, Justine Lenglet, Jérôme Castel, Xavier Dectot, Negar Haghipour
Between the 1960s and 1990s art historian Giovanni Previtali identified a group of polychrome wood trecento sculptures from the Umbrian-Abruzzo region of Italy as the work of one hand. He named his artist the Maestro della Santa Caterina Gualino after one of the pieces considered to epitomize the style he had identified. Previtali's attribution has since been universally accepted in art historical publications and catalogs. This study tests this assertion through scientific analysis of two of the sculptures named in the group. A team from National Museums Scotland, Edinburgh and the Isabella Stewart Gardner Museum, Boston compared a statue of the Madonna and Child (Edinburgh) and Saint Agnes (Boston) using a variety of analytical tools. Cross-references were made to three other sculptures in the group to which access was gained. The results of this analysis highlight the challenges of testing stylistic associations in the laboratory. Despite taking a scientific approach to data collection and collation there is still much scope for subjectivity in interpretation. Rather than providing a conclusion, our work has opened the door wider still for multiple interpretations, illustrating the limitations of analysis in supporting definitive statements about the authorship of Medieval polychrome sculpture.
{"title":"Two Sculptures, One Master? A Technical Study of Two Rare Examples of Polychrome Sculptures Associated with “the Master of Saint Catherine of Gualino”, Italy, Fourteenth Century","authors":"Diana de Bellaigue, Jessica Chloros, Lore Troalen, Laura Hendriks, Justine Lenglet, Jérôme Castel, Xavier Dectot, Negar Haghipour","doi":"10.1080/01971360.2023.2219935","DOIUrl":"https://doi.org/10.1080/01971360.2023.2219935","url":null,"abstract":"Between the 1960s and 1990s art historian Giovanni Previtali identified a group of polychrome wood trecento sculptures from the Umbrian-Abruzzo region of Italy as the work of one hand. He named his artist the Maestro della Santa Caterina Gualino after one of the pieces considered to epitomize the style he had identified. Previtali's attribution has since been universally accepted in art historical publications and catalogs. This study tests this assertion through scientific analysis of two of the sculptures named in the group. A team from National Museums Scotland, Edinburgh and the Isabella Stewart Gardner Museum, Boston compared a statue of the Madonna and Child (Edinburgh) and Saint Agnes (Boston) using a variety of analytical tools. Cross-references were made to three other sculptures in the group to which access was gained. The results of this analysis highlight the challenges of testing stylistic associations in the laboratory. Despite taking a scientific approach to data collection and collation there is still much scope for subjectivity in interpretation. Rather than providing a conclusion, our work has opened the door wider still for multiple interpretations, illustrating the limitations of analysis in supporting definitive statements about the authorship of Medieval polychrome sculpture.","PeriodicalId":17165,"journal":{"name":"Journal of the American Institute for Conservation","volume":"14 6‐7","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135933622","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-09DOI: 10.1080/01971360.2023.2237784
Lisa Shekede, Stephen Rickerby, Blair Priday
ABSTRACTLittle known to the outside world, the northern highlands of Tigray, Ethiopia, possess an extraordinary wall painting heritage. These astonishing paintings have so far evaded the multiplicity of conservation mistakes which have adversely affected wall paintings elsewhere, but they remain vulnerable to a variety of problems. Cautious and sensitive exploration is required to build knowledge and to develop appropriate approaches to their preservation. Technical research is key to this process, but it is inevitably circumscribed by availability of resources. In addition to the usual time and budget constraints, conservators working at remote sites such as those in Tigray often face serious operational, environmental, and access challenges. Wall painting sites may also be places in religious use where access to painted spaces may be forbidden or very limited. This paper outlines the approach developed for the first major multi-site technical and condition study of wall paintings in Ethiopia, embarked upon in 2013 by the Ethiopian Heritage Fund in collaboration with Ethiopian partners, and incorporates a summary of the findings to date. It is the authors' hope that it will provide useful guidance for technical investigations conducted in similar circumstances elsewhere.ABSTRACTOPoco conocidas por el mundo exterior, las tierras altas del norte de Tigray, Etiopía, poseen un extraordinario patrimonio de pintura mural. Estas asombrosas pinturas han evadido hasta ahora la multiplicidad de errores de conservación que han afectado negativamente a las pinturas murales en otros lugares, pero siguen siendo vulnerables a una variedad de problemas. Se requiere una exploración cautelosa y delicada para aumentar conocimientos y desarrollar enfoques apropiados para su preservación. La investigación técnica es clave para este proceso, pero está inevitablemente circunscrita por la disponibilidad de recursos. Además de las limitaciones habituales de tiempo y presupuesto, los conservadores que trabajan en sitios remotos como los de Tigray a menudo enfrentan serios desafíos operativos, ambientales y de acceso. Los sitios de pintura mural también pueden ser lugares de uso religioso donde el acceso a los espacios pintados puede estar prohibido o muy limitado. Este artículo describe el enfoque desarrollado para el primer gran estudio técnico y de condición de múltiples sitios de pinturas murales en Etiopía, emprendido en 2013 por el Fondo del Patrimonio Etíope en colaboración con socios etíopes, e incorpora un resumen de los hallazgos hasta la fecha. Los autores esperan que proporcione una orientación útil para las investigaciones técnicas realizadas en circunstancias similares en otros lugares. Traducción y revisión: Soledad Tancoff y Maria del Rosario Molliendo; revisión final: Amparo Rueda e Irene Delaveris.RÉSUMÉLes hauts plateaux du Tigré au nord de l'Ethiopie, bien que méconnus, possèdent un extraordinaire patrimoine de peintures murales. Ces saisissantes peint
鲜为人知的是,埃塞俄比亚提格雷北部高地有着非凡的壁画遗产。到目前为止,这些令人惊叹的画作避免了对其他地方的壁画造成不利影响的多种保护错误,但它们仍然容易受到各种问题的影响。需要谨慎而敏感的探索,以建立知识并制定保存知识的适当方法。技术研究是这一过程的关键,但它不可避免地受到资源可用性的限制。除了通常的时间和预算限制外,在提格雷等偏远地区工作的保护人员经常面临着严重的操作、环境和进入方面的挑战。壁画地点也可能是宗教场所,在那里进入绘画空间可能被禁止或非常有限。本文概述了2013年由埃塞俄比亚遗产基金会与埃塞俄比亚合作伙伴合作开展的埃塞俄比亚壁画第一次主要多地点技术和条件研究所采用的方法,并结合了迄今为止的研究结果摘要。作者希望它将为在其他类似情况下进行的技术调查提供有用的指导。【摘要】在提格雷北部,Etiopía,一幅名为“世界遗产”的壁画。在此基础上,我们提出了一种新的解决方案,即解决问题的多重性,即解决问题的多重性,即解决问题的多重性,即解决问题的多重性,即解决问题的多重性和脆弱性。因此,需要通过下述方式(exploración)解决问题:(1)解决问题(1)解决问题(1)解决问题(preservación)。La investigación tancinica es clave para este process, pero este <e:1>不可避免地将不可避免地循环为“递归责任”(La disableidad de recurso)。此外de las limitaciones习惯性de tiempo y presupuesto洛杉矶conservadores都在sitios remotos科莫洛德提格雷杂烩汤enfrentan包括desafios operativos, y de acceso环境保护。在某些情况下,人们可以自由进出,而在某些情况下,人们可以自由进出,而在某些情况下,人们可以自由进出。Este artículo描述el enfoque desarrollado para el pristor grestudio as veracnico de condición de múltiples sitesos de pinturas murales en Etiopía, emprendido en 2013 por el Fondo del Patrimonio Etíope en colaboración consocios etíopes, e合并unresume de los hallazgos hasta la fecha。在调查中发现,在某些情况下,与其他情况类似的情况与其他情况类似。Traducción y revisión: Soledad Tancoff和Maria del Rosario Molliendo;revisión决赛:Amparo Rueda和Irene Delaveris。RÉSUMÉLes埃塞俄比亚北部的tigrgre高原,bien que mmacounus,可能是非凡的文化遗产。在保护-恢复委员会的框架内,在保护-恢复委员会的框架内,在保护-恢复委员会的框架内,在保护-恢复委员会的框架内,在保护-恢复委员会的框架内,在保护-恢复委员会的框架内,在保护-恢复委员会的框架内,在保护-恢复委员会的框架内,在保护-恢复委员会的框架内,在保护-恢复委员会的框架内,在一项调查中,我们谨慎地发现了一些合理的方法,如将<s:1> <s:1> <s:1> <s:1> <s:1> <s:1> <s:1> <s:1> <s:1> <s:1> <s:1> <s:1> - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -技术-科学研究-资本投资:主要是不可调适的,有限的调适的,可调适的。此外,还包括生活习惯、饮食习惯和预算,包括餐馆老板、餐馆老板和餐馆老板,以及其他地方的员工,例如,其他地方的员工,例如,其他地方的员工,例如,其他地方的员工,例如,其他地方的员工,例如,其他地方的员工,例如,其他地方的员工。Les sites de peintures murales peuvent aussi avoir un usage religieux, où l' acc<e:1> s aux zones peintes peut être interdit ou tr<e:1> limit<e:1>。这一条款规定,在埃塞俄比亚境内的大型企业中,如在埃塞俄比亚境内的大型企业,如在埃塞俄比亚境内的大型企业中,如在埃塞俄比亚境内的大型企业中,如在埃塞俄比亚境内的大型企业中,如在埃塞俄比亚境内的大型企业中,如在埃塞俄比亚境内的大型企业中,如在埃塞俄比亚境内的大型企业中,如在埃塞俄比亚境内的大型企业中,如在埃塞俄比亚境内的大型企业中,如在埃塞俄比亚境内的大型企业中,如在埃塞俄比亚境内的大型企业中,如在埃塞俄比亚境内的大型企业中,如在埃塞俄比亚境内的大型企业中,如在埃塞俄比亚境内的大型企业中,如在埃塞俄比亚境内的大型企业中,如在埃塞俄比亚境内的大型企业中,如在埃塞俄比亚境内的大型企业中,“未来的未来”将为“未来的未来”提供“未来的未来”,“未来的未来”将为“未来的未来”提供“未来的未来”,“未来的未来”与“未来的未来”类似。我是克莱尔·库约布兰特。RESUMOPouco conhecido do mundo外部,作为terras altas do norte de Tigray Etiópia têm uma herana extraordinária de pintura壁画。从本质上讲,我们可以从本质上讲,我们可以从本质上讲,我们可以从本质上讲,我们可以从本质上讲,我们可以从本质上讲,我们可以从本质上讲,我们可以从本质上讲,我们可以从本质上讲,我们可以从本质上讲,我们可以从本质上讲,我们可以从本质上讲。E necessaria乌玛尽管cuidadosa E delicada para aumentar o conhecimento E desenvolver abordagens apropriadas对位sua preservacao。 技术研究在这一过程中至关重要,但不可避免地受到资源可用性的限制。除了通常的时间和预算限制,在提格雷等偏远地区工作的保守派通常面临严重的环境、操作和访问挑战。壁画也可能是宗教场所,在那里进入绘画空间可能被禁止或非常有限。本文描述了埃塞俄比亚遗产基金(ethiopy heritage fund)于2013年与埃塞俄比亚合作伙伴合作开展的埃塞俄比亚第一次大型壁画现场和技术研究的方法,并对迄今为止的发现进行了总结。作者希望它能为其他地方在类似情况下进行的技术研究提供有用的指导。翻译自比阿特丽斯
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Pub Date : 2023-10-09DOI: 10.1080/01971360.2023.2237785
Fiona T. Beckett, Meredeth Lavelle
ABSTRACTPaintings conservation education at State University of New York (SUNY) Buffalo State University has evolved over the last 50 years. The foundation and beginnings of the art conservation program at SUNY Buffalo State University is described through the lens of paintings conservation. The first section details the background of paintings conservators Sheldon Keck and Caroline Keck in their conservation approaches and their key roles in developing the Cooperstown conservation training program at SUNY Oneonta. The original curriculum developed by the Kecks and as it relates to paintings conservation is also explored. The second section discusses the additional paintings faculty members, the move of the program from Cooperstown to Buffalo, the new facilities, as well as the later years of graduate education in paintings conservation, culminating with the effects of the pandemic and recent developments.RÉSUMÉL'enseignement de la conservation-restauration des peintures à l'Université d'État de New York (SUNY) Buffalo State University a évolué au cours des 50 dernières années. La fondation et les débuts du programme de conservation-restauration des œuvres d'art à la SUNY Buffalo State University sont décrits sous l'angle de la conservation-restauration des peintures. La première section détaille la formation et l'expérience professionnelle des restaurateurs de peintures Sheldon Keck et Caroline Keck, leurs approches de la conservation et leurs rôles clés dans le développement du programme de formation en conservation-restauration de Cooperstown à SUNY Oneonta. Le programme d'études original développé par les Keck dans son rapport avec la conservation-restauration des peintures est également exploré. La deuxième section aborde les membres supplémentaires de la faculté de peinture, le déménagement du programme de Cooperstown à Buffalo, les nouvelles installations, ainsi que les dernières années de la formation supérieure en conservation-restauration des peintures, avec en point d'orgue les effets de la pandémie et les développements récents. Traduction: Monique Benoit.RESUMOA educação para a conservação de pinturas na State University of New York (SUNY) Buffalo State University evoluiu nos últimos 50 anos. A fundação e o início do programa de conservação de arte na SUNY Buffalo State University são descritos através das lentes da conservação de pinturas. A primeira seção detalha o histórico dos conservadores de pinturas Sheldon Keck e Caroline Keck em suas abordagens de conservação e seus papéis-chave no desenvolvimento do programa de treinamento em conservação de Cooperstown na SUNY Oneonta. O currículo original desenvolvido pelos Kecks no que se refere à conservação de pinturas também é explorado. A segunda seção discute os professores de pinturas adicionais, a mudança do programa de Cooperstown para Buffalo, as novas instalações, bem como os recentes anos de pós-graduação em conservação de pinturas, culminando com os efeitos da pandemia e desen
Richard E. Garman。加曼夫妇之前曾参观过该部门的展览,并让该项目的学生处理了他们的几件艺术品从1964年开始,库珀斯敦研究生项目包括博物馆研究和美国民俗文化项目,直到1970年艺术保护作为第三个项目加入。这些项目隶属于纽约州历史协会和位于奥尼昂塔的纽约州立大学学院,该学院授予项目毕业生硕士学位。1983年,自然保护计划被纳入纽约州立大学布法罗州立大学的管理之下,离开了库珀斯敦研究生计划小组。1987年,保护项目被转移到布法罗校区。美国民俗文化项目于1979年关闭,而博物馆研究项目一直延续至今这一切都得益于1980届校友和诺德家族基金会的慷慨捐助。作者简介:fiona T. Beckett fiona Beckett是纽约州立大学布法罗州立大学Garman艺术保护系的绘画保护助理教授。她拥有女王大学绘画专业的保护硕士学位和渥太华大学的BFA荣誉学位。菲奥娜曾在印第安纳波利斯艺术博物馆担任小丑画作保护专员,并在加拿大国家美术馆担任保护主任。电子邮件:becketft@buffalostate.edu。地址:纽约州立大学布法罗州立大学艺术保护中心,罗克韦尔大厅230号,埃尔姆伍德大道1300号,布法罗,NY 14222在2002年加入加曼艺术保护部门之前,她曾在布法罗AKG艺术博物馆担任出版物编辑,并在尼亚加拉县社区学院担任讲师。Meredeth目前是项目经理,负责从拨款写作、筹款到预算、活动和社交媒体账户的一切事务。2019年,她还获得了布法罗州立大学颁发的总统卓越专业服务奖。电子邮件:lavellma@buffalostate.edu。
{"title":"A History of over 50 Years of SUNY Buffalo State’s Paintings Conservation Education","authors":"Fiona T. Beckett, Meredeth Lavelle","doi":"10.1080/01971360.2023.2237785","DOIUrl":"https://doi.org/10.1080/01971360.2023.2237785","url":null,"abstract":"ABSTRACTPaintings conservation education at State University of New York (SUNY) Buffalo State University has evolved over the last 50 years. The foundation and beginnings of the art conservation program at SUNY Buffalo State University is described through the lens of paintings conservation. The first section details the background of paintings conservators Sheldon Keck and Caroline Keck in their conservation approaches and their key roles in developing the Cooperstown conservation training program at SUNY Oneonta. The original curriculum developed by the Kecks and as it relates to paintings conservation is also explored. The second section discusses the additional paintings faculty members, the move of the program from Cooperstown to Buffalo, the new facilities, as well as the later years of graduate education in paintings conservation, culminating with the effects of the pandemic and recent developments.RÉSUMÉL'enseignement de la conservation-restauration des peintures à l'Université d'État de New York (SUNY) Buffalo State University a évolué au cours des 50 dernières années. La fondation et les débuts du programme de conservation-restauration des œuvres d'art à la SUNY Buffalo State University sont décrits sous l'angle de la conservation-restauration des peintures. La première section détaille la formation et l'expérience professionnelle des restaurateurs de peintures Sheldon Keck et Caroline Keck, leurs approches de la conservation et leurs rôles clés dans le développement du programme de formation en conservation-restauration de Cooperstown à SUNY Oneonta. Le programme d'études original développé par les Keck dans son rapport avec la conservation-restauration des peintures est également exploré. La deuxième section aborde les membres supplémentaires de la faculté de peinture, le déménagement du programme de Cooperstown à Buffalo, les nouvelles installations, ainsi que les dernières années de la formation supérieure en conservation-restauration des peintures, avec en point d'orgue les effets de la pandémie et les développements récents. Traduction: Monique Benoit.RESUMOA educação para a conservação de pinturas na State University of New York (SUNY) Buffalo State University evoluiu nos últimos 50 anos. A fundação e o início do programa de conservação de arte na SUNY Buffalo State University são descritos através das lentes da conservação de pinturas. A primeira seção detalha o histórico dos conservadores de pinturas Sheldon Keck e Caroline Keck em suas abordagens de conservação e seus papéis-chave no desenvolvimento do programa de treinamento em conservação de Cooperstown na SUNY Oneonta. O currículo original desenvolvido pelos Kecks no que se refere à conservação de pinturas também é explorado. A segunda seção discute os professores de pinturas adicionais, a mudança do programa de Cooperstown para Buffalo, as novas instalações, bem como os recentes anos de pós-graduação em conservação de pinturas, culminando com os efeitos da pandemia e desen","PeriodicalId":17165,"journal":{"name":"Journal of the American Institute for Conservation","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135147211","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-06DOI: 10.1080/01971360.2023.2248333
Nina Owczarek, Anna O’Neill, Molly Gleeson, Jessica Betz Abel, Julia Commander
ABSTRACTThe Penn Museum has many monumental architectural elements of the Palace Complex of Merenptah, a 19th Dynasty Egyptian pharaoh. The palace was excavated in Memphis by Clarence Fisher and elements of it, including columns, doorways, and windows, were brought to Philadelphia and installed in the Museum in 1926. The limestone architectural pieces exhibit various condition issues including powdering, flaking, and cracking. In preparation for reinstallation in the Museum’s renovated Egyptian galleries, methods and materials for strengthening and stabilizing the stone were investigated. First, the stone was characterized using thin-section petrographic analysis. After a literature search, the following consolidation materials were selected for initial testing: Conservare, CaLoSil E5, CaLoSil E25, CaLoSil E50, CaLoSil IP5, CaLoSil IP25, diammonium phosphate (DAP), and M-3P bacterial nurturing solution. Test areas were evaluated for reduced powdering, improved strength, and minimal visual change (if any). CaLoSil E5 and M-3P were then further tested to better compare their performance with each other. Paraloid B-72 was also considered for this project and selected for stabilizing areas with structural damages like breaks and cleavage. This article outlines the steps taken and results of testing. It also addresses the treatment choices made for these architectural elements, and the rationale for them.RÉSUMÉLe Penn Museum possède plusieurs éléments architecturaux monumentaux du Palais de Mérenptah, un pharaon de la 19e dynastie d'Égypte Ancienne. Le palais fut fouillé à Memphis par Clarence Fisher et certains éléments, dont des colonnes, des portails et des cadres de fenêtre furent importés à Philadelphie et installés au Museum en 1926. Les éléments architecturaux en calcaire démontrent certains signes de détérioration, par exemple : de la pulvérulence, de la délamination et de la fissuration. En vue de la réinstallation de ces éléments dans les galeries égyptiennes rénovées du Museum, certaines méthodes et matériaux pour renforcer et stabiliser la pierre ont été investigués. Premièrement, la pierre fut caractérisée à l'aide d'examen pétrographique sur tranche mince. Après une recension de la littérature, les agents de consolidation suivants ont été sélectionnés pour les premiers essais : Conservare, CaLoSil E5, CaloSil E25, CaLoSil E50, CaLoSil IP5, CaLoSil IP25, le phosphate diammonique (PDA), ainsi qu'une solution d'élevage bactérien M-3P. Les aires d'examen furent évaluées avec comme critères, la réduction de pulvérulence, le renforcement de la pierre, et les changements visuels minimes éventuels. Le CaLoSil E5 et la solution M-3P furent ensuite réexaminés pour mieux comparer leur performance. Le Paraloid B-72 fut aussi envisagé pour ce projet et sélectionné pour stabiliser les régions avec des dommages structuraux tels des cassures ou des clivages. Les étapes et les résultats des examens sont présentés dans cet article. Les traitements de rest
【摘要】宾夕法尼亚大学博物馆收藏了许多具有纪念意义的建筑元素,这些建筑元素来自埃及第十九王朝法老梅伦普塔的宫殿建筑群。这座宫殿是由克拉伦斯·费舍尔在孟菲斯挖掘出来的,它的一些元素,包括柱子、门道和窗户,都被带到费城,并于1926年安装在博物馆里。石灰石建筑作品表现出各种状况问题,包括粉末,剥落和开裂。在准备重新安置在博物馆翻修后的埃及画廊时,研究了加固和稳定石头的方法和材料。首先,利用薄片岩石学分析对该石进行了表征。通过文献检索,选择以下固结材料进行初步测试:Conservare、CaLoSil E5、CaLoSil E25、CaLoSil E50、CaLoSil IP5、CaLoSil IP25、磷酸二铵(DAP)、M-3P细菌培养液。测试区域被评估为减少粉末,提高强度和最小的视觉变化(如果有的话)。然后对CaLoSil E5和M-3P进行进一步测试,以更好地比较它们的性能。该项目还考虑了副抛物面B-72,并选择用于稳定具有断裂和解理等结构损坏的区域。本文概述了所采取的步骤和测试的结果。它还讨论了为这些体系结构元素所做的处理选择,以及它们的基本原理。RÉSUMÉLe宾夕法尼亚大学博物馆收藏了<s:1> plusiieurs <s:2> <s:2> Ancienne dynasty de la 19e dynasty de 'Égypte的建筑和纪念碑。Le palais fut fouill<e:1> Memphis par Clarence Fisher和某些samlsamments, not des colones, des portails和des干部de fenêtre未来进口的samlons, philadelphia和installes在1926年在博物馆。这些组织结构和calcaire都具有一定的变性,例如:变性、变性、变性和变性。在vue de la重新安装de ces元素在巷道egyptiennes renovees du博物馆,某些方法等materiaux倒船帆布等稳定器拉皮埃尔安大略省的高频investigues。首先,我想说的是,我的前任,我的前任,我的前任,我的前任,我的前任,我的前任。四种不同类型的化学物质,如:Conservare, CaLoSil E5, CaLoSil E25, CaLoSil E50, CaLoSil IP5, CaLoSil IP25,磷酸二胺(PDA), acsi qu'une solution d' samlevage - bacetrien M-3P。“目前的薪金薪金”是指“薪金薪金”,“薪金薪金”指“薪金薪金”,“薪金薪金”指“薪金薪金”,“薪金薪金”指“薪金薪金”。Le CaLoSil E5和解决方案M-3P的当前套套汇汇器检查汇汇器的比较性能。副伞B-72型飞机是澳大利亚设想的一项工程,它是一种固定器,它的结构是一种固定器,它的结构是一种结构,它的结构是一种结构,它的结构是一种结构。这两种类型的人都认为,这两种类型的人都认为,这两种类型的人都认为,这两种类型的人都认为。餐厅选择的特点主要体现在与其他公司选择的不同的结构上,而与其他公司选择的不同。安妮·玛丽·Guerin的Traduit。RESUMOO Penn Museum tem muitos elements arquitetônicos monumentais do Complexo Palácio de Merenptah, um faraó da 19a。Dinastia Egipcia。在1926年,克拉伦斯·费雪(Clarence Fisher)在孟菲斯(Memphis)设计了一系列的元素、圆柱、肖像和装饰,并在博物馆(museum)安装了一系列装置。As peras arquitetônicas de calcário presentam várias questões de conserva<e:1> o como powder - iza<e:1> o, delamina<e:1> o e rachaduras。号preparativos帕拉一个reinstalacao das“egipcias renovadas,有孔虫pesquisados metodos e材料对位fortalecer e estabilizar岩石。Primeiro, a pedra foi characterizada por meio de análise petrográfica de lmina delgada。Após uma pesquisa bibliográfica, os seguintes materiais consolisantes foram selecionados para testes iniciais: Conservare, CaLoSil E5, CaLoSil E25, CaLoSil E50, CaLoSil IP5, CaLoSil IP25, fosfato diamônico (DAP) e M-3P solutional<s:1> o nutritiva bacterana。等领域de睾丸有孔虫avaliadas quanto reducao de po, melhora na雷西斯滕西亚e alteracao视觉最小值(se houver)。CaLoSil E5 e M-3P foram ent<s:1> o testados para comparar melhor os desempenhos de ambos entre si。6 .副表B-72 tamb诈骗案是考虑到一个项目,即选择一个项目,建立一个项目,建立一个项目,建立一个项目,建立一个项目,建立一个项目,建立一个项目。estee artigo被描述为etapas execuadas,而不是result(结果)或tests(测试)。tambassm - aborda作为治疗精神疾病的基本要素arquitetônicos是有理由的。可怜的Sandra Baruki;可怜的比阿特丽斯·哈斯波。resume el Museo Penn cuenta connumersos elements arquitectónicos Merenptah Palacio del Complejo, unfaraón egipcio de la Dinastía XIX。El palacio fue excavado en Menfis por Clarence Fisher通过algunos de sus elements, como立柱,entradas y ventanas, fueron traídos和Filadelfia在1926年安装在El Museo。 她曾在现代艺术博物馆、史密森博物馆保护研究所、赫希霍恩博物馆和雕塑花园担任过文物保护员。杰西卡获得了哥伦比亚大学建筑保护专业的硕士学位。此外,她还参与了土耳其戈尔迪翁和希腊萨莫色雷斯的考古发掘工作。邮箱:jesa
{"title":"An Exploration of Consolidants for Ancient Egyptian Limestone","authors":"Nina Owczarek, Anna O’Neill, Molly Gleeson, Jessica Betz Abel, Julia Commander","doi":"10.1080/01971360.2023.2248333","DOIUrl":"https://doi.org/10.1080/01971360.2023.2248333","url":null,"abstract":"ABSTRACTThe Penn Museum has many monumental architectural elements of the Palace Complex of Merenptah, a 19th Dynasty Egyptian pharaoh. The palace was excavated in Memphis by Clarence Fisher and elements of it, including columns, doorways, and windows, were brought to Philadelphia and installed in the Museum in 1926. The limestone architectural pieces exhibit various condition issues including powdering, flaking, and cracking. In preparation for reinstallation in the Museum’s renovated Egyptian galleries, methods and materials for strengthening and stabilizing the stone were investigated. First, the stone was characterized using thin-section petrographic analysis. After a literature search, the following consolidation materials were selected for initial testing: Conservare, CaLoSil E5, CaLoSil E25, CaLoSil E50, CaLoSil IP5, CaLoSil IP25, diammonium phosphate (DAP), and M-3P bacterial nurturing solution. Test areas were evaluated for reduced powdering, improved strength, and minimal visual change (if any). CaLoSil E5 and M-3P were then further tested to better compare their performance with each other. Paraloid B-72 was also considered for this project and selected for stabilizing areas with structural damages like breaks and cleavage. This article outlines the steps taken and results of testing. It also addresses the treatment choices made for these architectural elements, and the rationale for them.RÉSUMÉLe Penn Museum possède plusieurs éléments architecturaux monumentaux du Palais de Mérenptah, un pharaon de la 19e dynastie d'Égypte Ancienne. Le palais fut fouillé à Memphis par Clarence Fisher et certains éléments, dont des colonnes, des portails et des cadres de fenêtre furent importés à Philadelphie et installés au Museum en 1926. Les éléments architecturaux en calcaire démontrent certains signes de détérioration, par exemple : de la pulvérulence, de la délamination et de la fissuration. En vue de la réinstallation de ces éléments dans les galeries égyptiennes rénovées du Museum, certaines méthodes et matériaux pour renforcer et stabiliser la pierre ont été investigués. Premièrement, la pierre fut caractérisée à l'aide d'examen pétrographique sur tranche mince. Après une recension de la littérature, les agents de consolidation suivants ont été sélectionnés pour les premiers essais : Conservare, CaLoSil E5, CaloSil E25, CaLoSil E50, CaLoSil IP5, CaLoSil IP25, le phosphate diammonique (PDA), ainsi qu'une solution d'élevage bactérien M-3P. Les aires d'examen furent évaluées avec comme critères, la réduction de pulvérulence, le renforcement de la pierre, et les changements visuels minimes éventuels. Le CaLoSil E5 et la solution M-3P furent ensuite réexaminés pour mieux comparer leur performance. Le Paraloid B-72 fut aussi envisagé pour ce projet et sélectionné pour stabiliser les régions avec des dommages structuraux tels des cassures ou des clivages. Les étapes et les résultats des examens sont présentés dans cet article. Les traitements de rest","PeriodicalId":17165,"journal":{"name":"Journal of the American Institute for Conservation","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135345431","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-04DOI: 10.1080/01971360.2023.2250154
Alexis Ahedo-Díaz, Miguel A. Luna-Muñoz, Raúl Miranda-Avilés, Mercedes Salazar-Hernández, Jorge Cervantes, Omar Cruces-Cervantes, Carmen Salazar-Hernández, María Jesús Puy-Alquiza
ABSTRACTCurrently, several archaeological sites are being studied in the Mexican state of Guanajuato. Among these sites is the Cerro de Los Remedios, located in the municipality of Comonfort, in the state of Guanajuato. The archaeological site shows that among the main materials used for construction was a carbonate-based stone called caliche. Caliche is the result of carbonate sedimentation in sandstone; therefore, its physical and geochemical characteristics are specific to each archaeological zone around the world. Therefore, it was necessary to conduct a study of the chemical, physical, and mechanical properties of the material found. Samples were removed from the CZA archaeological site and characterized by infrared spectroscopy, XRD, X-ray fluorescence and SEM. The results showed that more than 93% of the caliche is composed of CaCO3 as a matrix of micrite and calcite granules. In addition, the physical and mechanical properties were determined, including density, porosity, and uniaxial compression stress. With the results obtained from the samples from the archaeological site, it was possible to identify material banks close to the caliche properties that were most like those used at the site, which can be proposed to be used in the conservation work required at the archaeological site.RÉSUMÉActuellement, plusieurs sites archéologiques sont en cours d'étude dans l'Etat mexicain de Guanajuato. Parmi ces sites se trouve Cerro de los Remedios (appelé CZA), localisé dans la municipalité de Comonfort, dans l'Etat de Guanajuato. Le site archéologique révèle que parmi les principaux matériaux utilisés pour sa construction se trouve une roche à base de carbonate appelée caliche. Le caliche résulte de la sédimentation des carbonates du grès ; ses caractéristiques physiques et géochimiques sont par conséquent spécifiques de chaque zone archéologique dans le monde entier. Il était ainsi nécessaire d'étudier les propriétés chimiques, physiques et mécaniques du matériau recueilli sur site. Des échantillons ont été prélevés sur le site archéologique CZA et caractérisés par spectroscopie infrarouge, diffraction X, spectroscopie de fluorescence de rayons X et microscope électronique à balayage. Les résultats montrent que plus de 93% du caliche sont composés de CaCO3 sous la forme d'une matrice de granules de micrite et de calcite. De plus, les propriétés physiques et mécaniques, dont la densité, la porosité et la résistance à la compression uniaxiale, ont été caractérisées. Avec les résultats obtenus à partir des échantillons du site archéologique, il a été possible d'identifier des sources locales de matériaux dont les propriétés sont proches de celles du caliche employé sur le site et qui peuvent être proposées pour réaliser les travaux de conservation-restauration qui seront à effectuer sur le site archéologique. Traduit par Johanna Salvant.RESUMOAtualmente, vários sítios arqueológicos estão sendo estudados no estado mexicano de Guanajuato. Dentre esse
摘要目前,墨西哥瓜纳华托州的几个考古遗址正在被研究。在这些地点中,Cerro de Los Remedios位于瓜纳华托州的Comonfort市。考古遗址显示,用于建筑的主要材料之一是一种名为钙石的碳酸盐基石头。钙化是砂岩中碳酸盐沉积的结果;因此,它的物理和地球化学特征是世界上每个考古带所特有的。因此,有必要对所发现材料的化学、物理和机械性能进行研究。样品取自CZA考古遗址,并通过红外光谱、XRD、x射线荧光和扫描电镜进行了表征。结果表明:碳酸钙以泥晶和方解石颗粒为基体,占石灰石的93%以上;此外,还测定了材料的物理力学性能,包括密度、孔隙率和单轴压缩应力。从考古遗址的样本中获得的结果表明,有可能识别出靠近石灰石属性的材料库,这些材料库与遗址中使用的材料最相似,可以建议将其用于考古遗址所需的保护工作。在瓜纳华托州的墨西哥国家网站(网址:RÉSUMÉActuellement)上,有许多网站都提供了arch辽阔的前程和辽阔的前程。Parmi - ces网站se trouve Cerro de los Remedios (appeleecza), localisisdans la municipalitdde Comonfort, dans l'Etat de Guanajuato。Le网站archeologique revele, parmi les principaux materiaux利用倒sa建设se找到一个罗氏碳酸基地de appelee钙质层。Le caliche ressulte de la ssamentation des carbonates du gr<e:1>;这些caracacimristiques physiques et gsamochimiques sont par conconsamocifiques de chaque zone archsamicologique dans le monde entier。我将把所有的薪金和薪金都当作自己的薪金。我将把所有的薪金和薪金都当作自己的薪金。电子显微镜下的光谱学、衍射X、荧光X和电子显微镜下的光谱学。三氧化三钙和93%的碳酸钙组成三氧化三钙,形成泥晶颗粒和方解石基质。另外,不要把它看成是“密度”,不要把它看成是“密度”,不要把它看成是“压缩”,不要把它看成是“压缩”,不要把它看成是“压缩”。例如,如果将所有的<s:2> <s:2>或其他所有的<s:2>或其他所有的<s:2>或其他所有的<s:2>或其他所有的<s:2>或其他所有的<s:2>或其他所有的<s:2>或其他所有的<s:2>或其他所有的<s:2>或其他所有的<s:2>或其他所有的<s:2>或其他所有的<s:2>或其他所有的<s:2>或其他所有的<s:2>或其他所有的。约翰娜·萨凡特的调查员。resumoatalmente, vários sítios arqueológicos est<e:1> o sendo eststudados no estado mexicano de Guanajuato。Dentre esses locais est<s:1> o Cerro de los Remedios, localizado no município de Comonfort, no estado de Guanajuato。0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0Caliche <s:1> o resultado da sedimenta <s:1> o carbonática em arenito;Portanto, suas características físicas e geoquímicas s<e:1> o específicas de cada zona arqueológica do mundo。从形式上看,我们是necessário,我们是所有权的químicas, físicas,我们是材料的交叉。由于孔雀石的孔雀石视网膜(sítio arqueológico CZA)具有较差的光谱特性,因此没有红外光谱,DRX, fluorescência de raios X和MEV。结果表明:CaCO3复合材料的质量分数为93%,CaCO3复合材料的质量分数为93%。3 .有孔测定器,如有孔测定器físicas e mecnicas,包括有孔测定器、有孔测定器、拉伸测定器<e:1>、压缩测定器、单轴测定器。Com os resultados obtidos as amostras do sítio arqueológico, foi possível identiar bancos de materiais próximos às construções de caliche mais parrecidos Com os utilitzados no sítio, os quais podem ser propostos para utilitzada <e:1> o nos trabalhos de conservada <s:1> o exigidos no sítio arqueológico。可怜的玛西娅·里佐;可怜的比阿特丽斯·哈斯波。RESUMENActualmente se están estudiando varios sitos arqueológicos en el estado mexicano de Guanajuato。中心estos sitos,中心estos Cerro de los Remedios,中心estos Comonfort,中心estos de Guanajuato。El sitio arqueológico材料利用原则中心博物馆construcción se encontraba una roca carbonática llamada caliche。El caliche es El resultado de la sedimentación de carbonatos en areniscas;穷人,SUS características físicas y geoquímicas son específicas de cadadzona arqueológica alreddeor del mundo。你好,我们有必要实现我们的建筑设计químicas, físicas和mecánicas。 利用红外光谱、XRD、X射线荧光和SEM对CZA考古遗址的样品进行了表征。在本研究中,我们分析了碳酸钙(CaCO3)作为微晶和方解石颗粒的基质。此外,还
{"title":"Caliche From Archaeological Zone of Guanajuato Mexico and Nearby Deposits: Geochemical and Mechanical Characterizations","authors":"Alexis Ahedo-Díaz, Miguel A. Luna-Muñoz, Raúl Miranda-Avilés, Mercedes Salazar-Hernández, Jorge Cervantes, Omar Cruces-Cervantes, Carmen Salazar-Hernández, María Jesús Puy-Alquiza","doi":"10.1080/01971360.2023.2250154","DOIUrl":"https://doi.org/10.1080/01971360.2023.2250154","url":null,"abstract":"ABSTRACTCurrently, several archaeological sites are being studied in the Mexican state of Guanajuato. Among these sites is the Cerro de Los Remedios, located in the municipality of Comonfort, in the state of Guanajuato. The archaeological site shows that among the main materials used for construction was a carbonate-based stone called caliche. Caliche is the result of carbonate sedimentation in sandstone; therefore, its physical and geochemical characteristics are specific to each archaeological zone around the world. Therefore, it was necessary to conduct a study of the chemical, physical, and mechanical properties of the material found. Samples were removed from the CZA archaeological site and characterized by infrared spectroscopy, XRD, X-ray fluorescence and SEM. The results showed that more than 93% of the caliche is composed of CaCO3 as a matrix of micrite and calcite granules. In addition, the physical and mechanical properties were determined, including density, porosity, and uniaxial compression stress. With the results obtained from the samples from the archaeological site, it was possible to identify material banks close to the caliche properties that were most like those used at the site, which can be proposed to be used in the conservation work required at the archaeological site.RÉSUMÉActuellement, plusieurs sites archéologiques sont en cours d'étude dans l'Etat mexicain de Guanajuato. Parmi ces sites se trouve Cerro de los Remedios (appelé CZA), localisé dans la municipalité de Comonfort, dans l'Etat de Guanajuato. Le site archéologique révèle que parmi les principaux matériaux utilisés pour sa construction se trouve une roche à base de carbonate appelée caliche. Le caliche résulte de la sédimentation des carbonates du grès ; ses caractéristiques physiques et géochimiques sont par conséquent spécifiques de chaque zone archéologique dans le monde entier. Il était ainsi nécessaire d'étudier les propriétés chimiques, physiques et mécaniques du matériau recueilli sur site. Des échantillons ont été prélevés sur le site archéologique CZA et caractérisés par spectroscopie infrarouge, diffraction X, spectroscopie de fluorescence de rayons X et microscope électronique à balayage. Les résultats montrent que plus de 93% du caliche sont composés de CaCO3 sous la forme d'une matrice de granules de micrite et de calcite. De plus, les propriétés physiques et mécaniques, dont la densité, la porosité et la résistance à la compression uniaxiale, ont été caractérisées. Avec les résultats obtenus à partir des échantillons du site archéologique, il a été possible d'identifier des sources locales de matériaux dont les propriétés sont proches de celles du caliche employé sur le site et qui peuvent être proposées pour réaliser les travaux de conservation-restauration qui seront à effectuer sur le site archéologique. Traduit par Johanna Salvant.RESUMOAtualmente, vários sítios arqueológicos estão sendo estudados no estado mexicano de Guanajuato. Dentre esse","PeriodicalId":17165,"journal":{"name":"Journal of the American Institute for Conservation","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135591577","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}