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A New Look at Instersubjectivity and Theology: A Retrieval of Filipino Loob-Kapwa Relationality In Dialogue with Gabriel Marcel and Ludwig Binswanger 间或主体性与神学的新视角:与Gabriel Marcel和Ludwig Binswanger对话中菲律宾Loob-Kapwa关系的检索
Pub Date : 2018-11-28 DOI: 10.26593/MEL.V33I3.3072.240-278
R. Rebustillo
Although Marcel and Binswanger are contemporaries both in terms of historical period and intellectual pursuit, it is curious that they are never discussed together. Hence, this essay will attempt to explore some areas of convergences and divergences between these two intersubjective thinkers who are considered to be indispensable interlocutors in the I-thou discourse. In this article, as another attempt to take the discourse on intersubjectivity a little bit further, Marcel and Binswanger are placed in dialogue with the Filipino concept of loob-kapwa, which the author believes provides a hospitable home, when seen against the background of Nicolescu’s “Included Middle”, for the intersubjective relation that they are proposing. The author asserts that loob-kapwa tandem, without turning a blind eye towards its negative tendencies, is a viable answer to the “problem of crossing-over” that remained to be a philosophical baggage for both Marcel and Binswanger courtesy of their Modern upbringing, because the chasm, at least conceptually, is absent in the Filipino estimation of the loob-kapwa intersubjective bond.
虽然马塞尔和宾斯旺格在历史时期和思想追求上都是同时代的,但奇怪的是,他们从来没有一起讨论过。因此,本文将试图探讨这两位被认为是我-你话语中不可或缺的对话者的主体间思想家之间的一些趋同和分歧。在这篇文章中,作为对主体间性论述的又一次尝试,Marcel和Binswanger与菲律宾的loob-kapwa概念进行了对话,作者认为,在Nicolescu的“包容的中间”(Included Middle)的背景下,这个概念为他们提出的主体间关系提供了一个好客的家。作者断言,loob-kapwa串联,没有对其消极倾向视而不见,是对“交叉问题”的可行答案,这仍然是马塞尔和宾斯万格的哲学包袱,这是他们现代教育的结果,因为鸿沟,至少在概念上,在菲律宾人对loob-kapwa主体间联系的估计中是不存在的。
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引用次数: 1
Hagar Perempuan Merdeka: Inspirasi bagi Perjuangan Kesetaraan Gender
Pub Date : 2018-11-28 DOI: 10.26593/mel.v33i3.3073.279-301
Martina Mamus
Everyone longs for an emancipated life as children of God. Everybody hopes for a life without discrimination, oppression and suppression. People have talents to support their lives. Hagar, a biblical figure, is a model of a woman who owns the talents. Hagar, the slave of Sarah, tried hard to overcome the violence and oppression in her life, and she succeeded. Her personality could be a model for many women trying to defend their rights and dignities, especially in Asia. Hagar sets an example of defending the marginalised. Her struggle becomes an instrument to achieve the equality and the harmony of life for both men and women. Hagar is an inspiration, as she strongly believes in God who saves and frees her. She had the courage to escape from his master’s loyalty and hence she was independent: she did not give up amid the many difficulties she faced as a single parent. The author is convinced that only when men and women work and walk together in one heart and mind to create a more dignified humanity as willed by God, will this kind of struggle succeed.
每个人都渴望作为神的儿女过一种自由的生活。每个人都希望没有歧视、压迫和压迫的生活。人们有才能来维持他们的生活。夏甲,圣经中的人物,是一个拥有才能的女人的典范。撒拉的奴隶夏甲努力克服生活中的暴力和压迫,她成功了。她的个性可以成为许多试图捍卫自己权利和尊严的女性的榜样,尤其是在亚洲。夏格为保护边缘群体树立了榜样。她的斗争成为实现男女平等与和谐生活的工具。夏甲是一种灵感,因为她坚信上帝会拯救并释放她。她有勇气逃离主人的忠诚,因此她是独立的:她没有放弃,尽管她面临着许多困难作为一个单身母亲。作者相信,只有当男人和女人同心协力,按照上帝的意愿创造一个更有尊严的人类时,这种斗争才会成功。
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引用次数: 0
Chronicles - December 2017 编年史- 2017年12月
Pub Date : 2018-11-28 DOI: 10.26593/MEL.V33I3.3077.370-378
H. Tedjoworo
'Chronicles' is a journal column of "MELINTAS" which contains information about the various events, congresses, conferences, symposia, necrologies, publications, and periodicals in the fields of philosophy and theology.
“编年史”是“MELINTAS”的一个期刊专栏,包含有关哲学和神学领域的各种事件,大会,会议,专题讨论会,墓地,出版物和期刊的信息。
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引用次数: 0
Murka Allah atas Kebebalan Seksual Manusia dalam Roma 1:18-32 罗马书1:18-32上帝对人类的性自由感到愤怒
Pub Date : 2018-11-28 DOI: 10.26593/MEL.V33I3.3075.322-341
R. B. Viktorahadi
Among the myriad of human behaviours, few may provoke the wrath of God such as that of ‘sexual asininity’ (pathe atimias). An expression literally meaning ‘lust for impurity’ or ‘shameful desire’, this refers to homosexual acts be they feminine or masculine. In his letter to Rome 1:18-32, Paul asserts the gravity of this sin as evoking the ire of God upon their heads, the reasons being not only this sin confronts the natural will of the Creator, but even more so for its inclination in leading human to idolatry. Paul clarifies that homosexuality is not the issue per se, but all acts in whatever form they be, should they violate God’s will are displeasing to God. Paul’s starting point was not that of homosexuality leading up to idolatry. On the contrary, the text quotes Paul as explaining that idolatry is the result of erroneous relationship between human and God mirrored in aberrant sexuality. Human errs due to the bond between human and God is not firm. The logical consequence of God’s wrath is punishment. In other words, human’s transgression brings the wrath of God. God’s wrath is not part of the judgment, but a logical consequence streaming from the ill-relationship between the Creator and the creation. Punishment befalls the humankind because of the deviation of the creation’s nature.
在人类无数的行为中,很少有像“性无能”(pathe atimias)这样的行为会激怒上帝。这个表达字面上的意思是“对不洁的欲望”或“可耻的欲望”,指的是同性恋行为,无论是女性的还是男性的。在他写给罗马书1:18-32中,保罗断言这种罪的严重性会引起上帝对他们的愤怒,原因不仅是这种罪违背了造物主的自然意志,而且更因为它倾向于引导人类崇拜偶像。保罗澄清说,同性恋本身不是问题,但所有的行为,无论以何种形式,只要违背了上帝的旨意,都是不讨上帝喜悦的。保罗的出发点并不是同性恋导致偶像崇拜。相反,经文引用保罗的话解释说,偶像崇拜是人与上帝之间错误关系的结果,反映在异常的性行为上。人的错误是由于人与上帝之间的纽带不牢固。上帝愤怒的必然结果就是惩罚。换句话说,人类的犯罪招致了上帝的愤怒。神的忿怒不是审判的一部分,而是造物主和受造物之间关系不好的逻辑结果。由于受造物的本性偏离,人类受到了惩罚。
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引用次数: 0
Chronicles - April 2017 编年史- 2017年4月
Pub Date : 2018-07-13 DOI: 10.26593/MEL.V33I1.2956.91-102
H. Tedjoworo
'Chronicles' is a journal column of "MELINTAS" which contains information about the various events, congresses, conferences, symposia, necrologies, publications, and periodicals in the fields of philosophy and theology.
“编年史”是“MELINTAS”的一个期刊专栏,包含有关哲学和神学领域的各种事件,大会,会议,专题讨论会,墓地,出版物和期刊的信息。
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引用次数: 0
Genealogi Moral Menurut Foucault dan Nietzsche: Beberapa Catatan 根据福ucault和Nietzsche的道德家谱
Pub Date : 2018-07-13 DOI: 10.26593/mel.v33i1.2954.52-69
Yogie Pranowo
This article shows that what Foucault understands as genealogy is in many ways still in line with Nietzsche, that in terms of the basic concept of genealogy, using history, reveals the Herkunft – the origin of values that will dismantle the assumption of finality. Morality is born in the midst of a chaotic situation that forces individuals to make decisions and in the experience of a fragmented and unstable body. While through Entstethung one can see how the dominations that play behind any value are considered noble, the noble value is not in the hands of an independent subject. But there are also differences, since Foucault calls for the death of the subject, while Nietzsche is not up to that extreme. Another point of difference is that Foucault’s genealogy is practiced in a strict study discipline, wrestling with historical documents and writing down the detailed facts, while Nietzsche does not. The author argues that through Foucault’s thought, one might find a new meaning of the subject, that the subject is not an autonomous entity, but merely a production of power. The appearance of the subject is considered as a result of domination-relationships. In other words, these are the result of a disciplining effort.
这篇文章表明,福柯所理解的系谱学,在很多方面仍然与尼采一致,在系谱学的基本概念方面,利用历史,揭示了Herkunft——价值的起源,它将拆除最终假设。道德诞生于一个迫使个人做出决定的混乱局面中,诞生于一个支离破碎、不稳定的身体的经历中。虽然通过Entstethung,人们可以看到任何价值背后的支配是如何被认为是高贵的,但高贵的价值并不掌握在一个独立的主体手中。但也有不同之处,因为福柯呼吁主体的死亡,而尼采并没有走到那个极端。另一个不同之处在于,福柯的谱系学是在严格的研究纪律中实践的,他与历史文献搏斗,写下详细的事实,而尼采则不是这样。作者认为,通过福柯的思想,人们可能会发现主体的新意义,即主体不是一个自主的实体,而仅仅是权力的产物。主体的外表被认为是支配关系的结果。换句话说,这些都是纪律努力的结果。
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引用次数: 1
Rahmat dan Sakramen: Teologi dengan Paradigma Kebebasan 恩典与圣礼:神学与自由的典范
Pub Date : 2018-07-13 DOI: 10.26593/mel.v33i1.2952.14-33
A. Sunarko
Theology with ‘freedom’ paradigm understands grace not as a third matter between God and humans. The nature of grace is God and God’s actions in relationship with and insofar as humans experience them. With regard to the attempts to understand the relation between grace and the sacraments, an integrated description of the sacrament as a representative and real symbol could be formulated. God is present in the sacraments through the particular symbols and when God is present, God is therefore realising humans’ salvation through the real symbols. In a sacramental celebration, with all the complexities of its forms and activities, the faithful experience how God is exceptionally present (in representative symbols) and when God is present salvation is realised or embodied (in real symbols). This is an explanation of how grace is conveyed through the celebration of the sacraments.
具有“自由”范式的神学认为恩典不是上帝和人类之间的第三件事。恩典的本质是上帝和上帝的行动与人类的关系,以及在人类体验到它们的范围内。关于试图理解恩典和圣礼之间的关系,一个完整的描述圣礼作为一个代表和真正的象征可以制定。上帝通过特殊的象征出现在圣礼中,当上帝出现时,上帝因此通过真正的象征实现了人类的救赎。在圣礼的庆祝活动中,信徒们体验到上帝是如何特别地存在(以代表性的象征),当上帝在场时,救恩是如何实现或体现的(以真实的象征)。这是对恩典如何通过庆祝圣礼来传达的解释。
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引用次数: 1
Chronicles - August 2017 编年史- 2017年8月
Pub Date : 2018-07-13 DOI: 10.26593/MEL.V33I2.2962.228-239
H. Tedjoworo
'Chronicles' is a journal column of "MELINTAS" which contains information about the various events, congresses, conferences, symposia, necrologies, publications, and periodicals in the fields of philosophy and theology.
“编年史”是“MELINTAS”的一个期刊专栏,包含有关哲学和神学领域的各种事件,大会,会议,专题讨论会,墓地,出版物和期刊的信息。
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引用次数: 0
Fenomenologi Imaji dalam Seni: Sebuah Pergeseran Peran Subjek menuju Saksi 艺术表现学:受试者对证人的转变
Pub Date : 2018-07-13 DOI: 10.26593/MEL.V33I2.2958.130-156
H. Tedjoworo
Art seems to always deal with subjects, both the artist and the spectator. The awareness that an image is not a concept may provoke those doing and experiencing art to reposition themselves as appreciators of the image. This article shifts the focus from concept to image. Art event is a sort of lectio imaginem, an experience of reading and not merely interpreting the image. Each artwork is transcendent, since every time it will speak differently when reencountered. Yet it might even frightfully reinterpret the audience differently, recreating the identity as a different figure in its eyes. Phenomenologically, the spectators are looked upon by the image through the works of art. The subject is assessed and transformed from I into me, that it becomes a witness in the presence of an image revealing itself. This article is an invitation to maintain the equilibrium between critical and appreciative atitudes, between theory and image, within the world of art. All individuals, without exception, are assessed by art. Perhaps they only need to forbear, to let themselves deluged in the surface, to become the witnesses fascinated before and moved by the saturation of the image.
艺术似乎总是与主体打交道,既包括艺术家,也包括观众。意识到图像不是一个概念,可能会促使那些从事和体验艺术的人将自己重新定位为图像的鉴赏者。本文将重点从概念转移到形象。艺术事件是一种选择的想象,是一种阅读的体验,而不仅仅是对图像的解释。每件艺术品都是超然的,因为每次重新遇到它时,它都会以不同的方式说话。然而,它甚至可能以不同的方式重新诠释观众,在观众眼中重新塑造一个不同的形象。在现象学上,观众是通过艺术作品的形象来观察的。主体被评估并从“我”转化为“我”,它成为一个在展示自己的形象面前的证人。这篇文章是对在艺术世界中保持批判与欣赏态度、理论与形象之间平衡的一种邀请。所有个人,无一例外,都是通过艺术来评估的。也许他们只需要克制,让自己淹没在表面,成为被画面的饱和所吸引和感动的见证人。
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引用次数: 1
Homo Economicus 经济人
Pub Date : 2018-07-13 DOI: 10.26593/mel.v33i2.2957.103-129
B. Herry Priyono
Human being is driven by many factors, but in trading activities, an individual is driven primarily by self-interest rather than other encouragement. This is the point which then develops into the core of the image of an economic being. However, the whole of human self is never driven only by self-interest. Through the history of the idea of homo economicus, what was originally a particular point of view about humans turned into a claim about the whole of human nature. The actions and behaviours of homo economicus were still driven by self-interest, but what was meant by self-interest was no longer in its classical sense. Its meaning has been much more extensive. This article shows the ambiguity of the idea of homo economicus: what was originally a certain point of view about human being, was applied to human nature and then became an agenda of how human beings and society should be. Humans must be homo economicus, but the latter is definitely not the whole picture of human nature. The image of an economic being is not the real description of the nature of human self, for it has its own territory. It is not the economic beings that gave birth to economics, but the economics that created economic beings.
人是由许多因素驱动的,但在交易活动中,个人主要是由自身利益驱动,而不是其他鼓励。这一点随后发展成为经济存在形象的核心。然而,人类的整个自我绝不仅仅是由自身利益驱动的。通过经济人观念的历史,原本是关于人类的一种特殊观点,变成了关于整个人性的主张。经济人的行为仍受自身利益驱动,但自身利益已不再是古典意义上的自我利益。它的含义更为广泛。本文揭示了经济人观念的模糊性:原本是关于人的某种观点,被应用于人性,进而成为人类和社会应该如何的议程。人类一定是经济人,但后者绝对不是人性的全部。经济存在的形象并不是对人类自我本质的真实描述,因为它有自己的领域。不是经济存在产生了经济学,而是经济学创造了经济存在。
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引用次数: 0
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MELINTAS
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