Pub Date : 1900-01-01DOI: 10.4018/978-1-5225-8535-0.CH027
Lily Chimuanya, E. Igwebuike
This chapter examines religious discourse on Facebook and brings to the fore the recurrent deceptive requests that have given rise to new forms of religious extremism and radicalism. Many Christians have turned to social media as a medium where their faith can be practiced and with the intention of enforcing it on others. One major avenue through which this ensues is in the inherent ideological requests on Facebook where members are threatened to either type “Amen” or be afflicted with curses as punishment. These misleading requests usually attract instantaneous thousands of “likes” and consenting responses that depict underlying fear. An awareness of these extremist inclinations against the backdrop of religion is crucial to the understanding and interpretation of the semiotic realities within such Facebook posts.
{"title":"“Type Amen” or Perish!","authors":"Lily Chimuanya, E. Igwebuike","doi":"10.4018/978-1-5225-8535-0.CH027","DOIUrl":"https://doi.org/10.4018/978-1-5225-8535-0.CH027","url":null,"abstract":"This chapter examines religious discourse on Facebook and brings to the fore the recurrent deceptive requests that have given rise to new forms of religious extremism and radicalism. Many Christians have turned to social media as a medium where their faith can be practiced and with the intention of enforcing it on others. One major avenue through which this ensues is in the inherent ideological requests on Facebook where members are threatened to either type “Amen” or be afflicted with curses as punishment. These misleading requests usually attract instantaneous thousands of “likes” and consenting responses that depict underlying fear. An awareness of these extremist inclinations against the backdrop of religion is crucial to the understanding and interpretation of the semiotic realities within such Facebook posts.","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122449179","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4018/978-1-7998-8884-0.ch005
A. Shelley
Truth is a living process playing out in each human mind/brain. That is, your truth is the sum of your own knowledge and experiences. One person's “truth” can be regarded as just another perspective in others' eyes. Absolute truths are difficult to define, especially in the social aspects of human interactions. This chapter provides a foundational understanding of truth as a changing target relative to self. The role of the Mediasphere is explored in terms of its influence on creating a collective societal reality, a collective consciousness. Specific attention is given to the importance of symbolic interactionism – consistent with the knowledge capacity explored in terms of neuroscience findings on how memories are stored in the mind/brain. To better understand what is happening in today's environment, misinformation, disinformation, propaganda, and brainwashing are explored in terms of their relationship with truth, and the attack on the American mind is addressed. An addendum includes three tools for breaking the pattern of untruths: truth searching, rhythm disruptor, and humility.
{"title":"Seeking Truth","authors":"A. Shelley","doi":"10.4018/978-1-7998-8884-0.ch005","DOIUrl":"https://doi.org/10.4018/978-1-7998-8884-0.ch005","url":null,"abstract":"Truth is a living process playing out in each human mind/brain. That is, your truth is the sum of your own knowledge and experiences. One person's “truth” can be regarded as just another perspective in others' eyes. Absolute truths are difficult to define, especially in the social aspects of human interactions. This chapter provides a foundational understanding of truth as a changing target relative to self. The role of the Mediasphere is explored in terms of its influence on creating a collective societal reality, a collective consciousness. Specific attention is given to the importance of symbolic interactionism – consistent with the knowledge capacity explored in terms of neuroscience findings on how memories are stored in the mind/brain. To better understand what is happening in today's environment, misinformation, disinformation, propaganda, and brainwashing are explored in terms of their relationship with truth, and the attack on the American mind is addressed. An addendum includes three tools for breaking the pattern of untruths: truth searching, rhythm disruptor, and humility.","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116514199","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4018/978-1-7998-1774-1.ch015
İkbal Bozkurt Avcı
Minority refers to a distinct deviation from something of which standards and norms are clear. In this direction, “becoming-woman,” which is revealed by Deleuze as the first becoming type is quite impressive for feminist theory. Women can enter into becoming-woman by disturbing the dichotomic order with their line of flight instead of acting according to the identities imposed on them. This study is based upon the concept of becoming-woman in the context of Deleuzian feminism tries to approach the issue of “becoming-woman” in the new Turkey cinema based on the film Zephyr (2011) by Belma Baş. The film is evaluated according to the three basic elements of minor cinema.
{"title":"Deleuzian Feminism","authors":"İkbal Bozkurt Avcı","doi":"10.4018/978-1-7998-1774-1.ch015","DOIUrl":"https://doi.org/10.4018/978-1-7998-1774-1.ch015","url":null,"abstract":"Minority refers to a distinct deviation from something of which standards and norms are clear. In this direction, “becoming-woman,” which is revealed by Deleuze as the first becoming type is quite impressive for feminist theory. Women can enter into becoming-woman by disturbing the dichotomic order with their line of flight instead of acting according to the identities imposed on them. This study is based upon the concept of becoming-woman in the context of Deleuzian feminism tries to approach the issue of “becoming-woman” in the new Turkey cinema based on the film Zephyr (2011) by Belma Baş. The film is evaluated according to the three basic elements of minor cinema.","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124051359","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4018/978-1-5225-8491-9.CH014
Eda Arisoy
The presentation of what the viewer wants and expects has turned cinema into a mass consumer industry, spreading into a universal space. Cinema is not merely to please the masses, but has been transformed into a multicultural business that carries a different intellectual meaning which is named as narrative or auteur cinema. As an auteur director, Ferzan Özpetek stands in highly unique place in the name of cultural wealth as a director. His cinema draws up in the thin line between being a popular cultural product and being a narrative, spiritual cinema product, and is considered as the most important feature that differentiates the concept of auteur from other cinema genres by focusing on the cultures of both countries. If the cinema industry returns to a differentiation between commercial and narrative types, film should create its audience by presenting its own cultural heritage, rather than exposing the same culture to the masses. It is the factor that nourishes the cultural variety.
{"title":"Multiculturalism in Cinema in the Context of Popular Culture","authors":"Eda Arisoy","doi":"10.4018/978-1-5225-8491-9.CH014","DOIUrl":"https://doi.org/10.4018/978-1-5225-8491-9.CH014","url":null,"abstract":"The presentation of what the viewer wants and expects has turned cinema into a mass consumer industry, spreading into a universal space. Cinema is not merely to please the masses, but has been transformed into a multicultural business that carries a different intellectual meaning which is named as narrative or auteur cinema. As an auteur director, Ferzan Özpetek stands in highly unique place in the name of cultural wealth as a director. His cinema draws up in the thin line between being a popular cultural product and being a narrative, spiritual cinema product, and is considered as the most important feature that differentiates the concept of auteur from other cinema genres by focusing on the cultures of both countries. If the cinema industry returns to a differentiation between commercial and narrative types, film should create its audience by presenting its own cultural heritage, rather than exposing the same culture to the masses. It is the factor that nourishes the cultural variety.","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116946750","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4018/978-1-7998-2433-6.ch013
Michael Daut
This chapter compares and contrasts the development of traditional cinema and fulldome cinema, describing the way their origins shaped not only their current success and potential as unique cinematic mediums, but also how their cinematic languages developed. There is a vastly different approach to storytelling that filmmakers must understand when creating shows for immersive digital dome theaters versus the approach they would take to tell stories in a traditional film. This chapter identifies key differences between cinema and fulldome and provides a primer for immersive storytelling on the dome from understanding the technology to understanding how most effectively to use the strengths of fulldome while avoiding its weaknesses. Ultimately, this discussion is designed to help creative artists become more effective immersive filmmakers for the fulldome canvas.
{"title":"Immersive Storytelling","authors":"Michael Daut","doi":"10.4018/978-1-7998-2433-6.ch013","DOIUrl":"https://doi.org/10.4018/978-1-7998-2433-6.ch013","url":null,"abstract":"This chapter compares and contrasts the development of traditional cinema and fulldome cinema, describing the way their origins shaped not only their current success and potential as unique cinematic mediums, but also how their cinematic languages developed. There is a vastly different approach to storytelling that filmmakers must understand when creating shows for immersive digital dome theaters versus the approach they would take to tell stories in a traditional film. This chapter identifies key differences between cinema and fulldome and provides a primer for immersive storytelling on the dome from understanding the technology to understanding how most effectively to use the strengths of fulldome while avoiding its weaknesses. Ultimately, this discussion is designed to help creative artists become more effective immersive filmmakers for the fulldome canvas.","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116993166","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4018/978-1-5225-8491-9.CH003
O. Ozgen, E. Turkoglu
Ethics that is possible to be considered as an element which would contribute to media in terms of quality signifies the core values in sense of journalism, and hence, it can represent the bond established with reality and truth. It has been an issue how much the individuals whose perception of reality is built through the media get close to and far away from the truth, and this reflects the difference or the relation between absolute fact and what is presented in the media. Umberto Eco, in his novel titled Numero Zero, focused on how patrons, using power of media with the aim of making profits by assuming transformative power of newspapers, have twisted the truth in the news. And in this chapter, the authors deal with Numero Zero written by Eco and make a discussion on communication ethics through the book, which is analyzed descriptively.
{"title":"Popular Culture and Communication Ethics","authors":"O. Ozgen, E. Turkoglu","doi":"10.4018/978-1-5225-8491-9.CH003","DOIUrl":"https://doi.org/10.4018/978-1-5225-8491-9.CH003","url":null,"abstract":"Ethics that is possible to be considered as an element which would contribute to media in terms of quality signifies the core values in sense of journalism, and hence, it can represent the bond established with reality and truth. It has been an issue how much the individuals whose perception of reality is built through the media get close to and far away from the truth, and this reflects the difference or the relation between absolute fact and what is presented in the media. Umberto Eco, in his novel titled Numero Zero, focused on how patrons, using power of media with the aim of making profits by assuming transformative power of newspapers, have twisted the truth in the news. And in this chapter, the authors deal with Numero Zero written by Eco and make a discussion on communication ethics through the book, which is analyzed descriptively.","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131176298","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4018/978-1-7998-7254-2.ch009
N. S. Onay
Well-being is an ephemeral condition in relation to the complex system of interconnected components changing from culture to culture and person to person together with time and space. Therefore, it is very important to investigate the intersections of architecture and humanities in order to understand how design can contribute to the way we build up well-being. The specific contribution of this chapter is the introduction of the well-being framework for interiors and its application to design process. The framework proposal, consisting of contextual, functional, psychological, social, ergonomic, aesthetic, and sensory requirements as basic design criteria, aims to support both theoretical and practical activities regarding well-being in all living environments. Since interior space is one of the most important determinants of our everyday experiences, its role in well-being as a conscious construct needs to be an important concern of spatial design.
{"title":"Well-Being Concept and Interior Design Process","authors":"N. S. Onay","doi":"10.4018/978-1-7998-7254-2.ch009","DOIUrl":"https://doi.org/10.4018/978-1-7998-7254-2.ch009","url":null,"abstract":"Well-being is an ephemeral condition in relation to the complex system of interconnected components changing from culture to culture and person to person together with time and space. Therefore, it is very important to investigate the intersections of architecture and humanities in order to understand how design can contribute to the way we build up well-being. The specific contribution of this chapter is the introduction of the well-being framework for interiors and its application to design process. The framework proposal, consisting of contextual, functional, psychological, social, ergonomic, aesthetic, and sensory requirements as basic design criteria, aims to support both theoretical and practical activities regarding well-being in all living environments. Since interior space is one of the most important determinants of our everyday experiences, its role in well-being as a conscious construct needs to be an important concern of spatial design.","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131957884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4018/978-1-5225-9312-6
{"title":"Popular Representations of America in Non-American Media","authors":"","doi":"10.4018/978-1-5225-9312-6","DOIUrl":"https://doi.org/10.4018/978-1-5225-9312-6","url":null,"abstract":"","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134421452","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4018/978-1-7998-2543-2
{"title":"Navigating Fake News, Alternative Facts, and Misinformation in a Post-Truth World","authors":"","doi":"10.4018/978-1-7998-2543-2","DOIUrl":"https://doi.org/10.4018/978-1-7998-2543-2","url":null,"abstract":"","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"77 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133145769","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4018/978-1-7998-1534-1.ch015
N. Sarper
Health literacy describes individual's skills to understand and use the information on health issues, compliance to the prescribed therapeutic regimen, prevention of disease and accidents, filtering the information, and making good judgments to maintain a healthy life. Low school education and fundamental education and poverty are barriers to gain health literacy. If TV broadcasts are used optimally for training in health issues, they may reach many people. The density of the active physicians, nurses and midwives, national health coverage, and training activities of the civil associations for chronic disease contribute to health literacy. Controversy exists about the benefits and risks of social media and mass media to health literacy due to information pollution. Self-diagnosis and marketing of under-the-counter drugs are problems of the digital age. Some projects aiming to improve digital health literacy skills will help people to reach reliable health-related information. Communication skills of healthcare professionals are also important.
{"title":"Health Literacy From a Pediatrician's Perspective","authors":"N. Sarper","doi":"10.4018/978-1-7998-1534-1.ch015","DOIUrl":"https://doi.org/10.4018/978-1-7998-1534-1.ch015","url":null,"abstract":"Health literacy describes individual's skills to understand and use the information on health issues, compliance to the prescribed therapeutic regimen, prevention of disease and accidents, filtering the information, and making good judgments to maintain a healthy life. Low school education and fundamental education and poverty are barriers to gain health literacy. If TV broadcasts are used optimally for training in health issues, they may reach many people. The density of the active physicians, nurses and midwives, national health coverage, and training activities of the civil associations for chronic disease contribute to health literacy. Controversy exists about the benefits and risks of social media and mass media to health literacy due to information pollution. Self-diagnosis and marketing of under-the-counter drugs are problems of the digital age. Some projects aiming to improve digital health literacy skills will help people to reach reliable health-related information. Communication skills of healthcare professionals are also important.","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122571670","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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