Pub Date : 1900-01-01DOI: 10.4018/978-1-5225-5357-1.CH003
Ömer Çakın
In recent years, transmedia storytelling has gained a new dimension along with developing technologies. In Central Asian countries, where local values are strongly observed, the extent of local values' impact on transmedia storytelling has been a considerable dispute. In this chapter, the application of the concept of transmedia storytelling and transmedia narratives in advertising campaigns in Kazakhstan and Kyrgyzstan was explored. In the theoretical part of the research, the application of transmedia storytelling and transmedia narrative in narrative advertisements was examined. In the practical part of the research, a qualitative research was carried out to investigate the advertising campaigns realized in the framework of transmedia storytelling in Kazakhstan and Kyrgyzstan. In the survey of established advertising campaigns, the implementation form of a transmedia narrative has been examined, and evaluated through the transmedia narrative perspective.
{"title":"Global Narratives in Asian Countries","authors":"Ömer Çakın","doi":"10.4018/978-1-5225-5357-1.CH003","DOIUrl":"https://doi.org/10.4018/978-1-5225-5357-1.CH003","url":null,"abstract":"In recent years, transmedia storytelling has gained a new dimension along with developing technologies. In Central Asian countries, where local values are strongly observed, the extent of local values' impact on transmedia storytelling has been a considerable dispute. In this chapter, the application of the concept of transmedia storytelling and transmedia narratives in advertising campaigns in Kazakhstan and Kyrgyzstan was explored. In the theoretical part of the research, the application of transmedia storytelling and transmedia narrative in narrative advertisements was examined. In the practical part of the research, a qualitative research was carried out to investigate the advertising campaigns realized in the framework of transmedia storytelling in Kazakhstan and Kyrgyzstan. In the survey of established advertising campaigns, the implementation form of a transmedia narrative has been examined, and evaluated through the transmedia narrative perspective.","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123882285","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4018/978-1-7998-8884-0.ch006
D. Nickull
Social media networks have the capability to allow the spread of both factual information and disinformation amongst general populations at a pace unforeseen at any previous time in history. Those who are responsible for continuing to protect democratic principles can benefit from studying, understanding, and adapting to counteract this unheralded spread of data. Developing tactics and strategies to counter the antics of those who propagate disinformation to further their own causes will become necessary to protect the integrity of elections and other national and international interests. This chapter explores and reveals some of the general threats and potential counter measures to keep general populations protected from the negative effects of such campaigns.
{"title":"The Danger Social Media Poses to National Sovereignty and Global Security","authors":"D. Nickull","doi":"10.4018/978-1-7998-8884-0.ch006","DOIUrl":"https://doi.org/10.4018/978-1-7998-8884-0.ch006","url":null,"abstract":"Social media networks have the capability to allow the spread of both factual information and disinformation amongst general populations at a pace unforeseen at any previous time in history. Those who are responsible for continuing to protect democratic principles can benefit from studying, understanding, and adapting to counteract this unheralded spread of data. Developing tactics and strategies to counter the antics of those who propagate disinformation to further their own causes will become necessary to protect the integrity of elections and other national and international interests. This chapter explores and reveals some of the general threats and potential counter measures to keep general populations protected from the negative effects of such campaigns.","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129288941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4018/978-1-7998-1774-1.ch008
Ö. Atar
With the industrial revolution, the public/private distinction became even more acute. From the traditional point of view, those who make a living (men) by working outside the home in paid work are perceived as part of their participation in public life. Economically dependent people (women) were perceived as belonging to the private sphere. We see that the concept of private space is mentioned together with women. It is always criticized that the concepts of private sphere and motherhood limit women. The existing order is maintained by repeating these discourses in mass media such as cinema and television. In contemporary narrative cinema, however, this limitation of women is intended to be altered by addressing it with a different language or by going beyond conventional stereotypes. In this context, Mother! the film will be examined in the context of feminist film criticism through the representation of space.
{"title":"Representation of Women in the Connecting of the Public Space Area/Special Area","authors":"Ö. Atar","doi":"10.4018/978-1-7998-1774-1.ch008","DOIUrl":"https://doi.org/10.4018/978-1-7998-1774-1.ch008","url":null,"abstract":"With the industrial revolution, the public/private distinction became even more acute. From the traditional point of view, those who make a living (men) by working outside the home in paid work are perceived as part of their participation in public life. Economically dependent people (women) were perceived as belonging to the private sphere. We see that the concept of private space is mentioned together with women. It is always criticized that the concepts of private sphere and motherhood limit women. The existing order is maintained by repeating these discourses in mass media such as cinema and television. In contemporary narrative cinema, however, this limitation of women is intended to be altered by addressing it with a different language or by going beyond conventional stereotypes. In this context, Mother! the film will be examined in the context of feminist film criticism through the representation of space.","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128414160","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4018/978-1-5225-8125-3.CH003
C. Havard, T. Ryan, Skylar S. Workman
The chapter investigates differences in the ways college students compare to out-groups using the different NCAA competition divisions. In particular, students enrolled at schools in all six (i.e., Power Five, Group of Five, FCS, DI No Football, DII, DIII) reported their perceptions of rival school's athletics teams using the Sport Rivalry Fan Perception Scale (SRFPS). Differences were found regarding student perceptions among competition divisions. Specifically, attendance at a Power Five School influenced student's willingness to support rival teams against other teams, the enjoyment from defeating the rival team, perceptions of rival academic prestige and fan behavior, and likelihood of experiencing Glory Out of Reflected Failure (GORFing), or celebrating when the rival experiences indirect failure. Further, students attending DI No Football Schools and DIII Schools chose academic prestige as a way to derogate their rival schools. Discussion focuses on implications to higher education and avenues for future research.
本章用不同的NCAA赛区来调查大学生与外群体之间的差异。特别是，在所有六所学校(即五强，五人组，FCS, DI No Football, DII, DIII)注册的学生使用体育竞争球迷感知量表(SRFPS)报告了他们对竞争对手学校田代表队的看法。不同赛区学生的认知存在差异。具体来说，五强学校的出场率影响了学生支持对手球队对抗其他球队的意愿，击败对手球队的乐趣，对对手学术声望和球迷行为的看法，以及体验“反映失败的荣耀”(GORFing)的可能性，或者在对手经历间接失败时庆祝的可能性。此外，参加DI No足球学校和DIII学校的学生选择学术声望作为贬低竞争对手学校的一种方式。讨论的重点是对高等教育的影响和未来研究的途径。
{"title":"Out-Group Treatment in Higher Education","authors":"C. Havard, T. Ryan, Skylar S. Workman","doi":"10.4018/978-1-5225-8125-3.CH003","DOIUrl":"https://doi.org/10.4018/978-1-5225-8125-3.CH003","url":null,"abstract":"The chapter investigates differences in the ways college students compare to out-groups using the different NCAA competition divisions. In particular, students enrolled at schools in all six (i.e., Power Five, Group of Five, FCS, DI No Football, DII, DIII) reported their perceptions of rival school's athletics teams using the Sport Rivalry Fan Perception Scale (SRFPS). Differences were found regarding student perceptions among competition divisions. Specifically, attendance at a Power Five School influenced student's willingness to support rival teams against other teams, the enjoyment from defeating the rival team, perceptions of rival academic prestige and fan behavior, and likelihood of experiencing Glory Out of Reflected Failure (GORFing), or celebrating when the rival experiences indirect failure. Further, students attending DI No Football Schools and DIII Schools chose academic prestige as a way to derogate their rival schools. Discussion focuses on implications to higher education and avenues for future research.","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114301300","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4018/978-1-5225-5357-1.CH009
Ahmet Oktan
This chapter focuses on the types of transformations that transmedia applications cause on the narrative structure of motion pictures and television series. Since different methods are used to construct the story as a transmedia narrative in different films or series, as many works as possible are included in the study to make more accurate determinations. In this context, examples of Star Trek, The Godfather, The Matrix, Star Wars, Harry Potter, The Hunger Games, Shrek, Madagascar, Lost, Game of Thrones, Medcezir, and Vatanım Sensin have been examined in terms of their narrative structure. In these works, the condition of the parts constituting the story universe compared to the main narrative, the elements that enable the construction of new narratives related to the main narrative in different media, fictionalization of the elements such as story lines, characters, spaces, atmosphere, and sound, the methods that are used for the transition among stories, etc. have been examined.
{"title":"Transmedia and the Vagueness of Narrative Structure","authors":"Ahmet Oktan","doi":"10.4018/978-1-5225-5357-1.CH009","DOIUrl":"https://doi.org/10.4018/978-1-5225-5357-1.CH009","url":null,"abstract":"This chapter focuses on the types of transformations that transmedia applications cause on the narrative structure of motion pictures and television series. Since different methods are used to construct the story as a transmedia narrative in different films or series, as many works as possible are included in the study to make more accurate determinations. In this context, examples of Star Trek, The Godfather, The Matrix, Star Wars, Harry Potter, The Hunger Games, Shrek, Madagascar, Lost, Game of Thrones, Medcezir, and Vatanım Sensin have been examined in terms of their narrative structure. In these works, the condition of the parts constituting the story universe compared to the main narrative, the elements that enable the construction of new narratives related to the main narrative in different media, fictionalization of the elements such as story lines, characters, spaces, atmosphere, and sound, the methods that are used for the transition among stories, etc. have been examined.","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"122 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115284560","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4018/978-1-7998-8630-3.ch019
Çiçek Topçu
This study aims to test the relationship between the use of social media and the knowledge gap regarding COVID-19 in the Turkish environment. For this purpose of this empirical field, research was carried out throughout Turkey involving a large sample (N= 1033) in an effort to reveal how level of knowledge of social media users in Turkey regarding an issue in a particular question is shaped. The study discusses the data obtained in the field research. The conclusion, contrary to what is expected, emphasizes that social media environment has a particular presence as a communication tool, which closes the knowledge gap and fosters knowledge acquisition.
{"title":"Social Media and the Knowledge Gap","authors":"Çiçek Topçu","doi":"10.4018/978-1-7998-8630-3.ch019","DOIUrl":"https://doi.org/10.4018/978-1-7998-8630-3.ch019","url":null,"abstract":"This study aims to test the relationship between the use of social media and the knowledge gap regarding COVID-19 in the Turkish environment. For this purpose of this empirical field, research was carried out throughout Turkey involving a large sample (N= 1033) in an effort to reveal how level of knowledge of social media users in Turkey regarding an issue in a particular question is shaped. The study discusses the data obtained in the field research. The conclusion, contrary to what is expected, emphasizes that social media environment has a particular presence as a communication tool, which closes the knowledge gap and fosters knowledge acquisition.","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"74 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127340690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4018/978-1-7998-4231-6.ch005
This chapter aims to propose an environmental design framework in order to contribute to sustainability with well-being criteria focusing on human factors. Designers need to handle the issue of well-being with a methodological approach, as it is very difficult to achieve with an intuitive attitude. There are several requirements that need to be fulfilled in order to create the environment that can promote user well-being. The framework proposal, consisting of contextual, functional, psychological, social, ergonomic, aesthetic, and sensory requirements as basic design criteria, aims to support both theoretical and practical activities regarding well-being in all living environments, as a crucial component of sustainability. In this sense, this chapter discusses all the components of the well-being framework and evaluates the effect of cultural differences on the hierarchy of these requirements.
{"title":"A Framework for Well-Being in Interiors","authors":"","doi":"10.4018/978-1-7998-4231-6.ch005","DOIUrl":"https://doi.org/10.4018/978-1-7998-4231-6.ch005","url":null,"abstract":"This chapter aims to propose an environmental design framework in order to contribute to sustainability with well-being criteria focusing on human factors. Designers need to handle the issue of well-being with a methodological approach, as it is very difficult to achieve with an intuitive attitude. There are several requirements that need to be fulfilled in order to create the environment that can promote user well-being. The framework proposal, consisting of contextual, functional, psychological, social, ergonomic, aesthetic, and sensory requirements as basic design criteria, aims to support both theoretical and practical activities regarding well-being in all living environments, as a crucial component of sustainability. In this sense, this chapter discusses all the components of the well-being framework and evaluates the effect of cultural differences on the hierarchy of these requirements.","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127469995","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4018/978-1-7998-7254-2
{"title":"Handbook of Research on Methodologies for Design and Production Practices in Interior Architecture","authors":"","doi":"10.4018/978-1-7998-7254-2","DOIUrl":"https://doi.org/10.4018/978-1-7998-7254-2","url":null,"abstract":"","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123742086","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4018/978-1-7998-1298-2
{"title":"Handbook of Research on Combating Threats to Media Freedom and Journalist Safety","authors":"","doi":"10.4018/978-1-7998-1298-2","DOIUrl":"https://doi.org/10.4018/978-1-7998-1298-2","url":null,"abstract":"","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131825780","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4018/978-1-7998-4231-6.ch006
This chapter starts from the assumption that understanding of well-being evolves over time (that's during history) and with time (that's in the lifecycle of people). These differences have not been considered with necessary attention until now, and a study carried by the authors is presented here: several interviews performed in different contexts and with differently aged people have shown some differences between young people, adults, and the elderly. In particular, results show that psychological needs change, overcoming functional or aesthetics requirements. Among young people, connection to context is not so important, as their social life is performed in social media more than in real, physical environments. Hierarchies evolve too, showing interesting results. At the same time, cultural context shows several, unexpected differences (e.g., about relation with natural and built context). These results invite one to design interiors as flexible spaces, available to be adapted over time and with time.
{"title":"Well-Being and the Effect of Age in Interiors","authors":"","doi":"10.4018/978-1-7998-4231-6.ch006","DOIUrl":"https://doi.org/10.4018/978-1-7998-4231-6.ch006","url":null,"abstract":"This chapter starts from the assumption that understanding of well-being evolves over time (that's during history) and with time (that's in the lifecycle of people). These differences have not been considered with necessary attention until now, and a study carried by the authors is presented here: several interviews performed in different contexts and with differently aged people have shown some differences between young people, adults, and the elderly. In particular, results show that psychological needs change, overcoming functional or aesthetics requirements. Among young people, connection to context is not so important, as their social life is performed in social media more than in real, physical environments. Hierarchies evolve too, showing interesting results. At the same time, cultural context shows several, unexpected differences (e.g., about relation with natural and built context). These results invite one to design interiors as flexible spaces, available to be adapted over time and with time.","PeriodicalId":186144,"journal":{"name":"Advances in Media, Entertainment, and the Arts","volume":"116 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124607327","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：