This article analyses the critique of childhood undertaken by the French philosopher Rene Scherer in the 1970s. It explores Scherer's scepticism regarding children's ‘emancipation’ in the post-68 p...
{"title":"Disturbing Visions of Childhood: René Schérer's Writing in the 1970S","authors":"Richard Mason","doi":"10.3366/nfs.2020.0273","DOIUrl":"https://doi.org/10.3366/nfs.2020.0273","url":null,"abstract":"This article analyses the critique of childhood undertaken by the French philosopher Rene Scherer in the 1970s. It explores Scherer's scepticism regarding children's ‘emancipation’ in the post-68 p...","PeriodicalId":19182,"journal":{"name":"Nottingham French Studies","volume":"59 1","pages":"80-96"},"PeriodicalIF":0.1,"publicationDate":"2020-02-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48692387","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Nineteenth-century poet, savant and inventor Charles Cros is a figure whose endeavours were exceptionally wide-ranging. They include a proposed instrument which would be the first of its kind capable of recording sound (the ‘paléophone’); treatises on photography and interplanetary communication; poetry, and a body of comic monologues which belong to the current of fumisme. This article argues that Cros's monologues are subtly inflected by his interest in the faculty of speech and technologies of sound reproduction. While they do not explicitly evoke such technologies, they show an acute sensitivity to the quirks and accidents of the spoken word to which neither dramatic convention nor indeed norms of social discourse attribute sense. It is this ill-formed matter, amounting to a kind of discursive ‘noise’, which allows Cros to offer a wry commentary on the pretensions of a fin-de-siècle culture preoccupied with the strategizing of utterance and the production of an objectified record of the spoken word.
{"title":"Laughing Matter: Charles Cros, from Paléophone to Monologue","authors":"Greg Kerr","doi":"10.3366/nfs.2020.0270","DOIUrl":"https://doi.org/10.3366/nfs.2020.0270","url":null,"abstract":"Nineteenth-century poet, savant and inventor Charles Cros is a figure whose endeavours were exceptionally wide-ranging. They include a proposed instrument which would be the first of its kind capable of recording sound (the ‘paléophone’); treatises on photography and interplanetary communication; poetry, and a body of comic monologues which belong to the current of fumisme. This article argues that Cros's monologues are subtly inflected by his interest in the faculty of speech and technologies of sound reproduction. While they do not explicitly evoke such technologies, they show an acute sensitivity to the quirks and accidents of the spoken word to which neither dramatic convention nor indeed norms of social discourse attribute sense. It is this ill-formed matter, amounting to a kind of discursive ‘noise’, which allows Cros to offer a wry commentary on the pretensions of a fin-de-siècle culture preoccupied with the strategizing of utterance and the production of an objectified record of the spoken word.","PeriodicalId":19182,"journal":{"name":"Nottingham French Studies","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-02-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49116340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Dans l'histoire littéraire des pays francophones, et de la France en particulier, un phénomène éditorial constitue une des tendances de fonds des Trente Glorieuses: l'apparition et le développement de collections monographiques de poche illustrées. Consacrées tout d'abord aux écrivains, les séries de ce type s'ouvrent dans un second temps aux penseurs et aux artistes. Ces entreprises de médiation peuvent paraître relativement simples, aussi bien dans leur forme que dans les enjeux qu'elles soulèvent. Toutefois, elles présentent une pluralité d'orientations et ont cependant ceci de commun que les ouvrages qu'elles publient participent d'une entreprise de fabrique du patrimoine littéraire, et plus largement culturel. Ces livres ont en effet activement contribué à l’élaboration et à la diffusion de l'image d'auteurs, dans une perspective de façonnement du canon, favorisé par le principe même de la collection, qui revêt un effet de canonisation.
{"title":"Singularités sérielles: l'image des auteurs dans les collections de monographies illustrées de poche","authors":"David Martens, Galia Yanoshevsky","doi":"10.3366/nfs.2019.0256","DOIUrl":"https://doi.org/10.3366/nfs.2019.0256","url":null,"abstract":"Dans l'histoire littéraire des pays francophones, et de la France en particulier, un phénomène éditorial constitue une des tendances de fonds des Trente Glorieuses: l'apparition et le développement de collections monographiques de poche illustrées. Consacrées tout d'abord aux écrivains, les séries de ce type s'ouvrent dans un second temps aux penseurs et aux artistes. Ces entreprises de médiation peuvent paraître relativement simples, aussi bien dans leur forme que dans les enjeux qu'elles soulèvent. Toutefois, elles présentent une pluralité d'orientations et ont cependant ceci de commun que les ouvrages qu'elles publient participent d'une entreprise de fabrique du patrimoine littéraire, et plus largement culturel. Ces livres ont en effet activement contribué à l’élaboration et à la diffusion de l'image d'auteurs, dans une perspective de façonnement du canon, favorisé par le principe même de la collection, qui revêt un effet de canonisation.","PeriodicalId":19182,"journal":{"name":"Nottingham French Studies","volume":"58 1","pages":"263-272"},"PeriodicalIF":0.1,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43463065","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
‘Difficile d'écrire sur soi ou sur ses écrits’ are the first words of a 2003 monograph that Michel Butor published about himself in Seghers's collection ‘Poètes d'aujourd'hui’. This series, like other collections of illustrated monographs, builds the writer's image through a combination of different types of discourse and several actors. Butor's volume on his own work tends to blur such distinctions and to challenge the collection's model, not only because of the intervention of the writer, but also because of Butor's interest in the processes through which his image is crafted. This paper examines a series of six monographs published on Michel Butor between 1964 and 2009, firstly, in order to shed light on the way the image of a high profile writer is carved in collections of illustrated monographs, and, secondly, to reach a better understanding of Michel Butor's relation to critical discourse and to his own image.
米歇尔·布托尔（Michel Butor）于2003年出版了一本关于自己的专著，这本专著的第一句话是“艰难的生活”（Difficile d‘écrire sur soi ou sur sesécrits），收录在塞格斯（Segers）的文集《今日》（Poètes d‘aujourd'hui）中。与其他插图专著集一样，该系列通过不同类型的话语和几个演员的组合来塑造作家的形象。Butor对自己作品的研究往往会模糊这些区别，并挑战该系列的模式，这不仅是因为作者的干预，还因为Butor对其图像制作过程的兴趣。本文考察了1964年至2009年间出版的关于米歇尔·布托尔的六本系列专著，首先，为了揭示一位知名作家的形象是如何被刻在插图专著集中的，其次，为了更好地理解米歇尔·布托尔与批评话语和他自己形象的关系。
{"title":"‘Nécessité de procéder obliquement’: Shaping Michel Butor's Image","authors":"M. Labbé","doi":"10.3366/nfs.2019.0260","DOIUrl":"https://doi.org/10.3366/nfs.2019.0260","url":null,"abstract":"‘Difficile d'écrire sur soi ou sur ses écrits’ are the first words of a 2003 monograph that Michel Butor published about himself in Seghers's collection ‘Poètes d'aujourd'hui’. This series, like other collections of illustrated monographs, builds the writer's image through a combination of different types of discourse and several actors. Butor's volume on his own work tends to blur such distinctions and to challenge the collection's model, not only because of the intervention of the writer, but also because of Butor's interest in the processes through which his image is crafted. This paper examines a series of six monographs published on Michel Butor between 1964 and 2009, firstly, in order to shed light on the way the image of a high profile writer is carved in collections of illustrated monographs, and, secondly, to reach a better understanding of Michel Butor's relation to critical discourse and to his own image.","PeriodicalId":19182,"journal":{"name":"Nottingham French Studies","volume":"58 1","pages":"315-331"},"PeriodicalIF":0.1,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41832757","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
En 1955 est creee une collection d'ouvrages en couleur et de prix abordable, qui permet a un large et jeune public d'acceder facilement a l'art contemporain, et tout particulierement a l'art abstra...
{"title":"Le « Musée de poche »: collection productrice d'un patrimoine artistique","authors":"Colette Leinman","doi":"10.3366/nfs.2019.0264","DOIUrl":"https://doi.org/10.3366/nfs.2019.0264","url":null,"abstract":"En 1955 est creee une collection d'ouvrages en couleur et de prix abordable, qui permet a un large et jeune public d'acceder facilement a l'art contemporain, et tout particulierement a l'art abstra...","PeriodicalId":19182,"journal":{"name":"Nottingham French Studies","volume":"54 1","pages":"382-395"},"PeriodicalIF":0.1,"publicationDate":"2019-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69605550","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
On pourrait penser que les monographies de poche illustrees consacrees aux philosophes relevent d'un genre editorial mineur dont l'interet est tout entier dans leur visee didactique. Cet article vo...
{"title":"Vie, philosophie, œuvre: les monographies de poche illustrées de philosophes","authors":"Frédéric Cossutta","doi":"10.3366/nfs.2019.0263","DOIUrl":"https://doi.org/10.3366/nfs.2019.0263","url":null,"abstract":"On pourrait penser que les monographies de poche illustrees consacrees aux philosophes relevent d'un genre editorial mineur dont l'interet est tout entier dans leur visee didactique. Cet article vo...","PeriodicalId":19182,"journal":{"name":"Nottingham French Studies","volume":"58 1","pages":"366-381"},"PeriodicalIF":0.1,"publicationDate":"2019-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41633928","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Publie en 1978, le Marc Ronceraille de Claude Bonnefoy constitue un hapax au sein de la collection « Ecrivains de toujours ». Cet ouvrage presente en effet un auteur invente de toutes pieces par l'...
Claude Bonnefoy的《Marc Ronceraille》出版于1978年，是《Ecrivains de toujours》系列的hapax。这本书确实介绍了一位作者，他发明了……
{"title":"Une supercherie collaborative: Claude Bonnefoy et Denis Roche dans l'ombre de Marc Ronceraille","authors":"David Martens","doi":"10.3366/nfs.2019.0262","DOIUrl":"https://doi.org/10.3366/nfs.2019.0262","url":null,"abstract":"Publie en 1978, le Marc Ronceraille de Claude Bonnefoy constitue un hapax au sein de la collection « Ecrivains de toujours ». Cet ouvrage presente en effet un auteur invente de toutes pieces par l'...","PeriodicalId":19182,"journal":{"name":"Nottingham French Studies","volume":"58 1","pages":"348-365"},"PeriodicalIF":0.1,"publicationDate":"2019-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48969060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Quatre auteurs allemands sont presentes dans la premiere decennie de la collection: Rilke, Holderlin, Brecht et Nietzsche. Quelle est l'image de l’ecrivain qui se construit, pour chacun d'eux, dans...
{"title":"Image d'auteur et contexte culturel: les écrivains allemands dans la collection « Poètes d'aujourd'hui » (1948–1957)","authors":"Jürgen Siess","doi":"10.3366/nfs.2019.0258","DOIUrl":"https://doi.org/10.3366/nfs.2019.0258","url":null,"abstract":"Quatre auteurs allemands sont presentes dans la premiere decennie de la collection: Rilke, Holderlin, Brecht et Nietzsche. Quelle est l'image de l’ecrivain qui se construit, pour chacun d'eux, dans...","PeriodicalId":19182,"journal":{"name":"Nottingham French Studies","volume":"58 1","pages":"286-298"},"PeriodicalIF":0.1,"publicationDate":"2019-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3366/nfs.2019.0258","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44139985","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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