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Les Feuilles d’automne , or the peregrinations of a forgotten statue of Victor Hugo 《秋天之夜》(Les Feuilles d’autumn),或被遗忘的维克多·雨果(Victor Hugo)雕像的游历
3区 艺术学 0 ART Pub Date : 2023-09-16 DOI: 10.3828/sj.2023.32.3.04
Emmanuel Lamouche
This article investigates a statue of Victor Hugo that has been largely forgotten, but that enjoyed a certain degree of fame in Paris at the end of the nineteenth century. It was the work of Frédéric-Louis-Désiré Bogino (1831–99), a little-known artist who produced this monument at the end of his career. Although the plaster statue was first unveiled at the 1884 Salon des artistes français, it became an ephemeral memorial after Hugo’s death in May 1885 when it was exhibited on the route of his funeral procession. Through unpublished documents, rare photographs and numerous testimonies, this article reintegrates Bogino’s now disappeared statue into Victor Hugo’s iconography, and repositions it in the context of the slow gestation of commemorative monuments dedicated to the famed French writer.
这篇文章研究的是维克多·雨果的一座雕像,它几乎被遗忘了,但在19世纪末,它在巴黎享有一定程度的名气。这是一位名不见小名的艺术家弗莱姆·波吉诺(1831-99)的作品,他在职业生涯的末期创作了这座纪念碑。尽管这尊石膏雕像首次亮相是在1884年的法国艺术家沙龙上,但在1885年5月雨果去世后,它在他的葬礼游行路线上展出,成为了一个短暂的纪念。通过未发表的文件、罕见的照片和大量的证词,本文将Bogino现在已经消失的雕像重新整合到维克多·雨果的肖像中,并将其重新定位在献给这位著名法国作家的纪念纪念碑的缓慢孕育的背景下。
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引用次数: 0
Phyllida Barlow: a personal appreciation 菲利达·巴洛:个人欣赏
3区 艺术学 0 ART Pub Date : 2023-09-16 DOI: 10.3828/sj.2023.32.3.07
Penelope Curtis
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引用次数: 0
Ancient sculpture, modern production: Coade Stone’s Britannia and River God 古代雕塑,现代制作:科德·斯通的《不列颠尼亚》和《河神》
3区 艺术学 0 ART Pub Date : 2023-09-16 DOI: 10.3828/sj.2023.32.3.03
Nicole Cochrane
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引用次数: 0
Plaster casts for originals: Franco-Ottoman diplomacy regarding the Winged Victory of Samothrace from 1863 to 1891 原件的石膏模型:1863年至1891年,关于萨莫色雷斯胜利之翼的法国-奥斯曼外交
3区 艺术学 0 ART Pub Date : 2023-09-16 DOI: 10.3828/sj.2023.32.3.02
Milena Gallipoli
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引用次数: 0
Contributors 贡献者
3区 艺术学 0 ART Pub Date : 2023-09-16 DOI: 10.3828/sj.2023.32.3.08
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引用次数: 0
Interview: An exchange with Dario Robleto 采访:与达里奥·罗伯托的交流
IF 0.1 3区 艺术学 0 ART Pub Date : 2023-06-27 DOI: 10.3828/sj.2023.32.2.08
Ellery E. Foutch, Melissa R. Haynes, J. Keating
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引用次数: 0
Introduction: Sculpture, Animacy, Petrification 简介:雕塑,动画,石化
IF 0.1 3区 艺术学 0 ART Pub Date : 2023-06-27 DOI: 10.3828/sj.2023.32.2.01
J. Keating, Ellery E. Foutch
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引用次数: 0
Interview: An interview with Cassils 采访:对Cassils的采访
IF 0.1 3区 艺术学 0 ART Pub Date : 2023-06-27 DOI: 10.3828/sj.2023.32.2.07
Ellery E. Foutch, M. Haynes, J. Keating
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引用次数: 0
Carnival’s unstable objects: masks as human–sculpture hybrids in Nuremberg’s Schembartlauf 狂欢节的不稳定物体:面具作为人——纽伦堡Schembartlauf的雕塑混合体
IF 0.1 3区 艺术学 0 ART Pub Date : 2023-06-27 DOI: 10.3828/sj.2023.32.2.05
Michelle K. Oing
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引用次数: 0
‘Fossil-creatures’ and the ‘mockeries of life’: Ruskin at Verona “化石生物”和“对生命的嘲弄”:罗斯金在维罗纳
IF 0.1 3区 艺术学 0 ART Pub Date : 2023-06-27 DOI: 10.3828/sj.2023.32.2.06
Jeremy Melius
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引用次数: 0
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