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Editorial 编辑
IF 0.1 3区 艺术学 0 ART Pub Date : 2019-01-01 DOI: 10.3828/sj.2019.28.2.1
T. Stott
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引用次数: 0
Contributors 贡献者
IF 0.1 3区 艺术学 0 ART Pub Date : 2019-01-01 DOI: 10.3828/sj.2019.28.2.11
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引用次数: 0
Politics and public sculpture in nineteenth-century colonial French Algeria 19世纪法属阿尔及利亚殖民地的政治与公共雕塑
IF 0.1 3区 艺术学 0 ART Pub Date : 2019-01-01 DOI: 10.3828/SJ.2019.28.1.2
A. McQueen
From its inauguration in 1852 in a prominent public square in Algiers, the venue for a regular marche arabe, Auguste’s Dumont’s Monument of Marshal Bugeaud manifested the power of metropolitan Fren...
从1852年在阿尔及尔的一个著名的公共广场就职典礼,一个定期游行的场所,奥古斯特的杜蒙元帅比约的纪念碑体现了大都会法国的权力。
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引用次数: 0
Avant-garde dolls: Marie Vassilieff’s portrait-dolls and the rise of a new aesthetic genre 前卫娃娃:玛丽·瓦西里夫的肖像娃娃与新美学流派的兴起
IF 0.1 3区 艺术学 0 ART Pub Date : 2019-01-01 DOI: 10.3828/sj.2019.28.2.4
J. Richard
This article studies the ‘portrait-dolls’ of the French-Russian artist Marie Vassilieff, active in Paris between the world wars. She made puppets that represented many famous artists of the Ecole d...
本文研究了二战期间活跃在巴黎的法俄艺术家玛丽·瓦西里耶夫的“肖像娃娃”。她制作的木偶代表了学院的许多著名艺术家。。。
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引用次数: 0
‘That pungent question of authorship’: the reception of the sculpture of Marie d’Orléans in La Mode in 1838 “作者身份的尖锐问题”:1838年《La Mode》中玛丽·德奥尔良雕塑的受欢迎程度
IF 0.1 3区 艺术学 0 ART Pub Date : 2019-01-01 DOI: 10.3828/SJ.2019.28.1.3
Marjan Sterckx
This article examines the reception in 1838 of the French princess and sculptor Marie d’Orleans in the journal La Mode. Political and religious convictions lay at the base of the hostile treatment ...
这篇文章探讨了1838年法国公主和雕塑家玛丽·德奥尔良在《时尚》杂志上受到的欢迎。政治和宗教信仰是敌对待遇的基础。。。
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引用次数: 0
The surrealist toy, or the adventures of the bilboquet 超现实主义玩具,或bilboquet的冒险
IF 0.1 3区 艺术学 0 ART Pub Date : 2019-01-01 DOI: 10.3828/sj.2019.28.2.3
David Hopkins
The role of the toy, as a source for visual surrealism, has hardly been considered before now and even within avant-garde studies the toy is only just beginning to be looked at as an exemplar for modernist/avant-garde art. A growing literature on play has begun to register the importance of the ludic in Dadaist practice. Yet the surrealist toy has remained under-examined. Toys as (predominantly) three-dimensional objects lend themselves particularly well to sculpture. This essay therefore brings the specificities of the toy, surrealism and sculpture together in a new alignment through study of the bilboquet, an eroticized toy popular in France during the early twentieth century. This toy was the subject of a bawdy joke between Marcel Duchamp and a friend and might have been Duchamp’s first readymade.
玩具的角色,作为视觉超现实主义的来源,在此之前几乎没有被考虑过,甚至在前卫的研究中,玩具才刚刚开始被视为现代主义/前卫艺术的典范。越来越多的关于戏剧的文献已经开始注意到达达主义实践中滑稽的重要性。然而,这个超现实主义的玩具仍然没有得到充分的研究。玩具(主要是)三维物体,特别适合雕刻。因此,这篇文章带来了特殊性的玩具,超现实主义和雕塑一起在一个新的对齐通过研究的bilboquet,在法国流行的色情玩具在二十世纪初。这个玩具是马塞尔·杜尚(Marcel Duchamp)和一个朋友开的下流玩笑的主题,可能是杜尚的第一个成品。
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引用次数: 0
Aby Warburg on plaster casts 艾比·沃伯格在石膏模型上
IF 0.1 3区 艺术学 0 ART Pub Date : 2019-01-01 DOI: 10.3828/sj.2019.28.3.9
E. Marchand
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引用次数: 0
‘An insistence on freedom’: Siegfried Charoux’s Civilisation Cyclus “对自由的坚持”:齐格弗里德·沙鲁的《文明赛克吕兹》
IF 0.1 3区 艺术学 0 ART Pub Date : 2019-01-01 DOI: 10.3828/SJ.2019.28.1.7
Melanie Veasey
Exploring the artistic legacy of the Austrian sculptor Siegfried Charoux RA, this article expands the existing scholarly narrative of Charoux’s sculptures beyond familiar works such as The Islander...
本文探讨了奥地利雕塑家齐格弗里德·沙鲁的艺术遗产,将沙鲁雕塑的现有学术叙事扩展到了《岛民》等熟悉的作品之外。。。
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引用次数: 0
Introduction 介绍
IF 0.1 3区 艺术学 0 ART Pub Date : 2019-01-01 DOI: 10.3828/sj.2019.28.3.2
E. Marchand
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引用次数: 0
The maniera moderna of Andrea Sansovino’s cardinal tombs at Santa Maria del Popolo 安德烈亚·桑索维诺(Andrea Sansovino)在波波洛圣母院(Santa Maria del Popolo)的红衣主教陵墓的现代风格
IF 0.1 3区 艺术学 0 ART Pub Date : 2019-01-01 DOI: 10.3828/SJ.2019.28.1.5
Lara R. Langer
A re-examination of the commission for two wall tombs by Pope Julius II between 1505 and 1509 at Santa Maria del Popolo in Rome serves as a catalyst to re-evaluate the Tuscan sculptor Andrea Sansov...
教皇尤利乌斯二世于1505年至1509年在罗马的圣玛丽亚del Popolo建造了两座城墙墓葬,对该委员会的重新审查促使人们重新评估托斯卡纳雕塑家安德里亚·桑索夫。
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引用次数: 2
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Sculpture Journal
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