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Shofar: An Interdisciplinary Journal of Jewish Studies最新文献

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Albert Einstein and "The Case of Juda Leman": From Yiddish Physics to Hollywood 阿尔伯特·爱因斯坦与“贾达·莱曼案”:从意第绪语物理学到好莱坞
IF 0.5 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-04-19 DOI: 10.1353/sho.2022.0003
Jordan A Chad
Abstract:This paper analyzes the complex personal relationship between Albert Einstein and his protégé Juda Leman (1899–1975). Leman was one of Einstein's private Ostjude students in Berlin and became a leading popularizer of physics for Jews in the 1920s, in part through the composition of physics books in Yiddish. However, while Einstein strongly encouraged Leman to pursue a career in teaching physics, Leman instead chose to attempt a career as a Hollywood screenwriter. This decision led to a deterioration of the Einstein-Leman relationship and presented Einstein with what he called "the case of Juda Leman." The current paper aims to dissect this "case" by examining the sociological forces that shaped Leman's life trajectory. While Leman did not become the physicist that Einstein hoped for, this paper asserts that Leman's life mirrored the changing circumstances of many Jews and writers over the course of the twentieth century.
摘要:本文分析了阿尔伯特·爱因斯坦和他的门生贾达·勒曼(1899-1975)之间复杂的个人关系。莱曼是爱因斯坦在柏林的奥斯特朱德私立学生之一,并在20世纪20年代成为犹太人物理学的主要普及者,部分原因是用意第绪语撰写了物理学书籍。然而,当爱因斯坦强烈鼓励莱曼从事物理学教学事业时,莱曼却选择了尝试好莱坞编剧的职业。这一决定导致了爱因斯坦与莱曼关系的恶化,并向爱因斯坦提出了他所说的“贾达·莱曼的案例”。本文旨在通过研究塑造莱曼生活轨迹的社会学力量来剖析这个“案例”。虽然莱曼并没有成为爱因斯坦所希望的物理学家,但本文认为,莱曼的生活反映了20世纪许多犹太人和作家不断变化的环境。
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引用次数: 0
How to Measure a World? A Philosophy of Judaism by Martin Shuster (review) 如何衡量一个世界?马丁·舒斯特《犹太教哲学》(书评)
IF 0.5 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-04-19 DOI: 10.1353/sho.2022.0008
J. Bernstein
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引用次数: 0
Response by Jacques Sémelin, February 2022 Jacques ssamin的回复,2022年2月
IF 0.5 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-04-19 DOI: 10.1353/sho.2022.0012
Jacques Sémelin
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引用次数: 0
All the Horrors of War: A Jewish Girl, a British Doctor, and the Liberation of Bergen-Belsen by Bernice Lerner (review) 《战争的所有恐怖:一个犹太女孩、一个英国医生和贝尔根-贝尔森的解放》,伯尼斯·勒纳著(书评)
IF 0.5 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-04-19 DOI: 10.1353/sho.2022.0010
Zev Garber
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引用次数: 0
Pious Mobilities: Jewish Pilgrimage to Uman During the Pandemic 虔诚的流动:大流行期间犹太人对人类的朝圣
IF 0.5 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-04-19 DOI: 10.1353/sho.2022.0005
Rachel Z. Feldman
Abstract:This article examines the Breslover Hasidim who attempted their annual pilgrimage to Uman during the COVID-19 pandemic. Following the Ukrainian border closure in August 2020, which was supported by the State of Israel, thousands of Breslovers were stranded in airports, land borders, and even imprisoned in the weeks leading up to the Jewish New Year. This research contributes to an emerging scholarly literature on religion and COVID-19, challenging the religion and science "conflict thesis," as interviews revealed that the choice of Breslovers to ignore public health directives stemmed less from a disbelief in science than from a conflict between state and religious authority. Pious mobilities emerge, I argue, when secular logics fail to contain and properly modify religious actors. The choice to travel to Uman was made according to a Breslover moral universe as informants turned to the spiritual tools and teachings of Rebbe Nachman to guide their decisions, especially his notion of ratzon [willpower], engaging in a form of pious mobility that attempted to transcend nation-state borders. Pious mobilities not only challenged public health initiatives in 2020, but as I demonstrate in the ethnography, Breslovers' insistence on reaching Uman simultaneously threatened the cooptation of Breslov Hasidim within a Zionist narrative, reigniting a debate over the relocation of Rebbe Nachman's remains to Israel. By ethnographically examining moments of conflict between religious groups and state officials managing the pandemic, we might better inform future public health policies and the messaging aimed at religious populations including ultra-Orthodox Jews.
摘要:本文考察了在2019冠状病毒病大流行期间试图进行年度人类朝圣的Breslover Hasidim。在以色列国的支持下,乌克兰边境于2020年8月关闭,在犹太新年前的几周内,成千上万的布鲁塞尔人被困在机场、陆地边界,甚至被监禁。这项研究为宗教和COVID-19的新兴学术文献做出了贡献,挑战了宗教和科学的“冲突论点”,因为采访显示,英国人选择忽视公共卫生指令的原因与其说是对科学的不信任,不如说是国家与宗教权威之间的冲突。我认为,当世俗逻辑无法遏制和适当地修改宗教行为者时,虔诚的流动就会出现。前往人类的选择是根据布雷斯洛弗的道德世界做出的,因为线人转向拉比·纳赫曼的精神工具和教义来指导他们的决定,尤其是他的ratzon[意志力]的概念,参与一种试图超越民族国家边界的虔诚流动形式。虔诚的流动不仅挑战了2020年的公共卫生倡议,而且正如我在民族志中所展示的那样,布雷斯洛夫人坚持要到达人类,同时威胁到布雷斯洛夫·哈西丁在犹太复国主义叙事中的合作,重新点燃了关于将拉比·纳赫曼的遗体重新安置到以色列的辩论。通过民族志研究宗教团体与管理疫情的国家官员之间的冲突时刻,我们可能会更好地为未来的公共卫生政策和针对宗教人群(包括极端正统派犹太人)的信息提供信息。
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引用次数: 1
Author's Response 作者的回应
IF 0.5 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-04-19 DOI: 10.1353/sho.2022.0019
Jelena Subotić
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引用次数: 0
Reflecting on "Tefilat Le'et Hakorona" ("A Prayer Under the Corona") 反思“Tefilat Le'et Hakorona”(《电晕下的祈祷》)
IF 0.5 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-04-19 DOI: 10.1353/sho.2022.0007
S. Epstein
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引用次数: 0
Lilith Tries Online Dating 莉莉丝尝试在线约会
IF 0.5 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-01-05 DOI: 10.1353/sho.2021.0043
L. Levin
Well past the first blush of feminine decline— centuries past, in fact—yet looking only sixty-two retired from the night shift and thirsting for comfort, consolation: Lilith considers the possibility of long-term companionship. She yearns to be half of an old couple to live with a man tolerating his habits with an annoyance close to affection trusting that he will endure her with similar warmth. Incessant as the ocean waves
早在女性衰落的最初阶段——事实上,已经过去了几个世纪——但看起来只有六十二岁从夜班退休,渴望舒适和安慰:Lilith考虑了长期陪伴的可能性。她渴望成为一对老夫妻的一半,与一个男人生活在一起,这个男人容忍自己的习惯,带着近乎感情的烦恼,相信他会以同样的温暖忍受她。像海浪一样不断
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引用次数: 0
The Agency of the Jewess and Her Palestinian Counterpart: Destabilizing Gender and Vulnerability as Resistance in Paradise Now and For My Father 犹太人和她的巴勒斯坦对手的机构:现在和为了我的父亲,将性别和脆弱性作为天堂中的抵抗来破坏稳定
IF 0.5 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-01-05 DOI: 10.1353/sho.2021.0036
M. Orr
ABSTRACT:In this article I compare two twenty-first-century films that foreground the subversive agency of Israeli and Palestinian women within the military context of the Middle East conflict. Paradise Now (Abu-Assad, 2005) and For My Father (Zahavi, 2008) convey the subject of powerless women living on the fringes of normative society, whose agency averts the maximal effects of a Palestinian suicide bombing. Coming from seemingly opposing perspectives—Palestinian and Israeli—these films' aesthetics nonetheless converge in both a redefinition of their genre and the place of gender and resistance within it. Not only do they collapse the spectacle of terrorism and humanize their bombers, they also destabilize the masculinity of men who self-sacrifice on the altar of the fatherland. In the process, they shift the expected locus of vulnerability as resistance—from men who implode the vulnerable body to women who risk everything to preserve it. The parallel roles of the Jewess and her Palestinian counterpart in these films implies the provocative idea that feminine intervention in the Middle East is not only admirable or "natural," but necessary, if there is to be any hope of lasting resolution. Viewing the two films in tandem on the backdrop of contemporaneous literature and film, points to the potential for a shared, feminist zeitgeist in the cultural production of the two nations at this crucial juncture in history.
摘要:在这篇文章中,我比较了两部21世纪的电影,这两部电影描绘了中东冲突军事背景下以色列和巴勒斯坦妇女的颠覆行为。《现在的天堂》(Abu Assad,2005)和《为了我的父亲》(Zahavi,2008)传达了生活在规范社会边缘的无能为力的女性的主题,规范社会的机构避免了巴勒斯坦自杀式爆炸的最大影响。尽管来自巴勒斯坦和以色列这两个看似对立的视角,但这些电影的美学在重新定义其类型以及性别和抵抗在其中的地位方面都有所融合。它们不仅破坏了恐怖主义的奇观,使炸弹袭击者人性化,还破坏了在祖国祭坛上自我牺牲的男性气概。在这个过程中,他们将预期的脆弱性转变为抵抗——从将脆弱身体内爆的男性转变为冒着一切风险保护身体的女性。在这些电影中,犹太教徒和巴勒斯坦同行的平行角色暗示了一种挑衅性的想法,即女性对中东的干预不仅令人钦佩或“自然”,而且是必要的,如果要有任何持久解决的希望。在同时代文学和电影的背景下同时观看这两部电影,表明在这个历史的关键时刻,在两国的文化生产中,有可能形成一种共同的女权主义时代精神。
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引用次数: 0
The Real Mrs. Maisel: Jean Carroll, the First Jewish Female Stand-Up Comedian 真正的麦瑟尔夫人:第一位犹太女性单口喜剧演员让·卡罗尔
IF 0.5 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-01-05 DOI: 10.1353/sho.2021.0040
G. Overbeke
ABSTRACT:This essay argues that Jean Carroll, America's first Jewish female stand-up comedian, constitutes a key figure in the history of Jewish performance because she embodied a new model of Jewish femininity in comedy, transforming the emerging genre of "stand-up comedy" from one that reinscribed and circulated negative stereotypes of Jewish women to one that revised and humanized these stereotypes. As pioneers of modern stand-up comedy like Henny Youngman marked the genre with misogynistic accounts of Jewish women as backward and unsympathetically demanding, Carroll provided an alternate representation that captured a more assimilated, sophisticated, and sympathetic Jewess. Her performances on mainstream stages were coded, drawing on stereotypes of Jewish women circulated by her Jewish male colleagues, but humanizing them using a new style of "confidant comedy" that leveraged the intimacy of her informal, conversational delivery.
摘要:本文认为,美国第一位犹太女性单口相声演员让·卡罗尔是犹太表演史上的关键人物,因为她在喜剧中体现了一种新的犹太女性气质模式,将新兴的“单口喜剧”类型从重新树立和传播对犹太女性的负面刻板印象转变为修正和人性化这些刻板印象。现代单口喜剧的先驱,如亨尼·扬曼(Henny Youngman),用对犹太女性的厌女描述来标记这一类型,认为她们落后且要求不高,卡罗尔提供了另一种表现,捕捉到了一个更同化、更老练、更具同情心的犹太人。她在主流舞台上的表演是有编码的,借鉴了犹太男同事流传的对犹太女性的刻板印象,但使用了一种新的“知己喜剧”风格,利用了她非正式对话表达的亲密感,将她们人性化。
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引用次数: 1
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Shofar: An Interdisciplinary Journal of Jewish Studies
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