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"Can We Talk?" “我们能谈谈吗?”
IF 0.5 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-04-19 DOI: 10.1353/sho.2022.0006
B. Rosenstock
Abstract:Universities are places where many students will feel uncomfortably challenged in their cherished identities, if those are identities of privilege. On December 11, 2019, Jewish identity was singled out for special protection against harassment and discrimination under Title VI by President Trump's executive order, with anti-Jewish harassment defined as including statements such as "the Jewish people do not have a right to self-determination" and "Israel is a racist endeavor." Singling out Jewish identity for protection by a centralized authority, regardless of what one thinks about the Jewish state, has been a favored tactic of Jewish survival, as Benzion Netanyahu long ago pointed out, and it is dangerous because it makes all Jews the target of resentment by other, lesser protected groups, and because it leaves Jews without political allies if the centralized power abandons them. Furthermore, it runs against the political principles of the pluralistic democracies in which Jews are best able to flourish when they live outside the ethnonational majoritarian Jewish state. Weaponizing Title VI by creating a special protection for Jews, whatever one's views of the Jewish state, is not a long-term strategy for Jewish communal flourishing in America. The American and Israeli Jewish communities should recognize that there are two kinds of Jewish politics: one that fits Jewish life in a pluralistic democracy, and another that fits life in a ethnonational majoritarian democracy. It is best not to mix these two forms of politics, even if in the Trump era they seemed to have become united.
摘要:大学是一个让许多学生感到不安的地方,他们所珍视的身份受到挑战,如果这些身份是特权身份的话。2019年12月11日,美国总统特朗普发布行政命令,将犹太人身份列为美国民权法第六章中针对骚扰和歧视的特别保护对象,其中对反犹太人骚扰的定义包括“犹太人没有自决权”、“以色列是种族主义国家”等言论。就像本泽恩·内塔尼亚胡(Benzion Netanyahu)很久以前指出的那样,把犹太人的身份挑出来,让一个中央政府来保护,不管人们对这个犹太国家的看法如何,这一直是犹太人生存的一种有利策略。这种做法很危险,因为它会让所有犹太人成为其他受保护程度较低的群体怨恨的目标,还因为如果中央政府抛弃犹太人,犹太人就会失去政治盟友。此外,它违背了多元民主的政治原则,在这种原则下,犹太人生活在民族占多数的犹太国家之外,才最有可能繁荣昌盛。无论一个人对犹太国家的看法如何,通过为犹太人提供特殊保护来武器化第六章,并不是美国犹太社区繁荣的长期战略。美国和以色列的犹太社区应该认识到,有两种犹太政治:一种适合犹太人在多元化民主中的生活,另一种适合少数民族多数民主的生活。最好不要把这两种政治形式混为一谈,即使在特朗普时代,它们似乎已经团结在一起了。
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引用次数: 0
Differentiation in the Gender Segregation Rules of Ultra-Orthodox Judaism 极端正统犹太教性别隔离规则的分化
IF 0.5 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-04-19 DOI: 10.1353/sho.2022.0004
Shalem Yahalom
Abstract:The strict modesty standards of the ultra-Orthodox society are observed mainly within the confines of the community; however, Hasidic women are allowed to conduct business and employment connections with men outside the community, and to conduct themselves in accordance with the accepted social norms within these relationships. This differentiation was common in the past, in Eastern European Ashkenazi society. The rationale behind this behavior is that modesty rules are observed in cases of contact with significant men. Men outside the community undergo a process of desexualization as if they were animals, so that gender discipline can be relaxed in their presence. This leads to the seemingly absurd result whereby it is specifically in the presence of men who act in accordance with liberal norms that the stringent modesty rules are not observed. The leniency regarding the rules also stems from the perception that the sexual desires of a woman are weaker than those of a man. They are also not fully obligated to worship God. Therefore, when financial constraints require contact beyond the limits of the community, the women fill the bill.
摘要:极端正统社会严格的谦逊标准主要是在社区范围内遵守的;但是,哈西德派妇女被允许与社区以外的男子进行商业和就业联系,并在这些关系中按照公认的社会规范行事。这种差异在过去的东欧德系犹太人社会中很常见。这种行为背后的基本原理是,在与重要人物接触的情况下,要遵守谦虚原则。社区之外的男性就像动物一样经历了一个去性化的过程,这样在他们面前,性别纪律就可以放松。这导致了一个看似荒谬的结果,即只有在那些按照自由主义规范行事的人面前,严格的谦虚规则才不会得到遵守。对规则的宽容也源于女性性欲比男性弱的观念。他们也没有完全的义务去敬拜神。因此,当经济拮据需要超出社区范围的接触时,妇女填补了账单。
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引用次数: 0
Five Questions Stemming from Yellow Star, Red Star 黄、红星的五个问题
IF 0.5 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-04-19 DOI: 10.1353/sho.2022.0018
Mira Sucharov
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引用次数: 0
Reflection on Memory: Toward "Memory Solidarity" 反思记忆:走向“记忆团结”
IF 0.5 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-04-19 DOI: 10.1353/sho.2022.0015
R. Gruber
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引用次数: 0
Thinking Beyond Politics of Commemoration: A Historian's Perspective 超越纪念政治的思考:一个历史学家的视角
IF 0.5 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-04-19 DOI: 10.1353/sho.2022.0013
Melissa K. Bokovoy
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引用次数: 0
Shtetlspeak: The Triumph of the Dialogical in Zalman Shneour's Shklov 《Shklov》中对话的胜利
IF 0.5 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-04-19 DOI: 10.1353/sho.2022.0002
D. Roskies
Abstract:In 1927, the neoromantic poet Zalman Shneour made a fundamental shift from poetry to prose and from Hebrew to Yiddish. Rather than single out for praise the one work that he himself later refashioned into Hebrew, this essay proceeds from his composite Yiddish masterpiece: the comic vignettes about life in the prerevolutionary Belorussian shtetl of Shklov that appeared in Shklover yidn (1929), Feter Zhome (1930), and Shklover kinder (1951). Rather than view Shneour as an epigone, the Shklov Cycle reveals his profound understanding of Sholem Aleichem's comédie humaine, which Shneour sought to augment and update, as vividly illustrated by "Reading Newspapers," his recycled version of "Dreyfus in Kasrilevke." Where everything was animated, everything became a potential source of vitalism, which in Shneour's scheme of things always carried an aural quality. These stories, furthermore, were wildly dialogical; speech acts always trumped that which was merely textual, monological, or traditional. Shtetlspeak, in Shneour's comic oeuvre, became the dialogical baseline against which to judge the monological claims and strictures of religion, society, and technology.
摘要:1927年,新浪漫主义诗人萨尔曼·施奈尔实现了从诗歌到散文、从希伯来语到意第绪语的根本性转变。这篇文章并没有特别赞扬他自己后来将其改编成希伯来语的一部作品,而是从他的意第绪语合成杰作中展开:关于前进化的白俄罗斯什克洛夫小剧场生活的喜剧小插曲,出现在什克洛夫伊登(1929)、费特·兹霍姆(1930)和什克洛夫·金德(1951)中。Shklov Cycle并没有将Shneour视为一个警句,而是揭示了他对Sholem Aleichem的喜剧《幽默》的深刻理解,Shneour试图对其进行扩充和更新,正如他回收版的《卡斯里列夫克的德雷福斯》《读报》所生动地说明的那样,在施诺尔的计划中,它总是带有听觉的特质。此外,这些故事具有广泛的对话性;言语行为总是胜过那些仅仅是文本、独白或传统的行为。Shtetspeak,在Shneour的漫画作品中,成为判断宗教、社会和技术的单一主张和限制的对话基线。
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引用次数: 0
Jewish Art and Yiddish Art History: Leo Koenig's Renesans 犹太艺术与意第绪艺术史:柯尼希的《叛徒》
IF 0.5 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-04-19 DOI: 10.1353/sho.2022.0001
A. Grafen, William Pimlott
Abstract:Through the 1920 Yiddish little magazine Renesans, Leo Koenig aimed to articulate a specifically Jewish art. His objective was to foster the conditions of its creation, to identify the ways in which it was being created, and to interpret its history. Renesans crystallized a set of priorities for the Jewish artistic present, the criteria for success, and a projected future. Koenig has been credited as the first art critic in Yiddish; we propose that Koenig's combined work as editor, author, and theorist should also be understood as a key example of Yiddish art history.Our introduction of the term Yiddish art history is intended to draw attention to the lively theorization of Jewish art in Yiddish and as part of Yiddishist and cultural nationalist projects in the Eastern European Jewish diaspora. Koenig's work in Renesans is not just a suitable object of study for this field; we argue that Koenig was himself developing Yiddish art history, attempting a fusion of discourse and artwork with the aim of creating a Jewish national consciousness.Koenig's biography is explored as a means of understanding the ideas and art movements that would influence Renesans. The contents of the journal are then analyzed to show how Koenig aimed to curate and define his conception of Jewish art. This attempt is contextualized with its local reception in the London Yiddish press, and its limitations are explored in relation to Koenig's theoretical writing itself.
摘要:通过1920年的意第绪语小杂志《Renesans》,Leo Koenig旨在阐明一种特定的犹太艺术。他的目标是培养其创作条件,确定其创作方式,并解释其历史。Renesans为犹太艺术的现状、成功的标准和预测的未来制定了一系列优先事项。柯尼希被认为是意第绪语的第一位艺术评论家;我们建议柯尼希作为编辑、作者和理论家的结合作品也应该被理解为意第绪艺术史的一个重要例子。我们引入意第绪艺术史一词是为了引起人们对意第绪犹太艺术的生动理论化的关注,并将其作为东欧犹太侨民中意第绪主义和文化民族主义项目的一部分。Koenig在Renesans的工作不仅是该领域的合适研究对象;我们认为柯尼希本人正在发展意第绪语艺术史,试图将话语与艺术相融合,以创造犹太民族意识。柯尼希的传记被探讨为一种理解可能影响Renesans的思想和艺术运动的手段。然后对该杂志的内容进行分析,以展示柯尼希如何策划和定义他的犹太艺术概念。这一尝试与伦敦意第绪语出版社在当地的接受相结合,并结合柯尼希的理论写作本身探讨了其局限性。
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引用次数: 0
The Complexity of Memory after Communism: Multiple Actors, Multiple Memories? 共产主义后记忆的复杂性:多重行动者,多重记忆?
IF 0.5 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-04-19 DOI: 10.1353/sho.2022.0014
Dovilė Budrytė
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引用次数: 0
Terms of Endearment: The Politics of Holocaust Remembrance in Post-Communist Europe 地方主义术语:后共产主义欧洲的大屠杀纪念政治
IF 0.5 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-04-19 DOI: 10.1353/sho.2022.0017
J. Kopstein
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引用次数: 0
Decentering "Cosmopolitan" Holocaust Memory 欺骗“世界主义”大屠杀记忆
IF 0.5 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-04-19 DOI: 10.1353/sho.2022.0016
Emil Kerenji
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引用次数: 1
期刊
Shofar: An Interdisciplinary Journal of Jewish Studies
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