Pub Date : 2019-03-09DOI: 10.7146/fof.v58i0.125297
Thomas Hvid Kromann
Thomas Hvid Kromann: An International Network of Archives. The Situationist International and the documents left behind The international avant-garde movement called the Situationist International, which was founded in 1957, is often considered to be one of the most important political-artistic movements of the post-war period. Over the years, a field of research within this subject has arisen in e.g. France and USA. A new trend in the 2010s, as new source material has become available, including in the archives, is a historical-archival focus. This article examines the international network of archives that is relevant for historical analyses of the Situationist International. Relevant archives are described in the article, including papers left behind by Asger Jorn and Guy Debord at home and abroad. It is argued that the conditions for access to the archives are of specific significance. The issue of the lack of completeness of the archives is also discussed. The article shows how an archival approach, subject to familiarity with the network of archives, can challenge and correct the narratives that have existed in research so far, with Guy Debord as a particular focal point. The article concludes with an analysis of Debord’s own archive and emphasises the need for a critical approach to archives that are arranged by people while they are still alive.
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Pub Date : 2019-03-09DOI: 10.7146/fof.v58i0.125304
Axel Teich Geertinger
Axel Teich Geertinger: Contextualising Library Collections through Thematic Catalogues Between the years 2014 and 2019, Dansk Center for Musikudgivelse (DCM) (Danish centre for Music Editing) has published thematic-bibliographic catalogues of the works of four composers, in both digital and printed editions: Carl Nielsen, Johann Adolph Scheibe, J.P.E. Hartmann and Niels W. Gade. The concept and the software behind it were developed by DCM concurrently with the work on the actual catalogues’. DCM’s catalogues of the works are in keeping with a long tradition within musicology, in which such catalogues are a standard tool. In view of the particular situation for sources in Denmark, on the one hand, where most of the relevant material concerning Danish composers can be found in the Royal Danish Library’s collections, and the conversion of the catalogue concept to digital media on the other, DCM’s catalogues of works also gain a different perspective, so that they are not just a reference work for researchers, students and musicians, but also actual dissemination of the collection. While library catalogues’ perspective is fundamentally concentrated on specific items, catalogues of works – as the name says – concentrate on works. The works perspective is appropriate to provide an overview of all the material and information associated with a work and can thus put each source into a context. With links directly to library entries and digitisations, the catalogue can offer an alternative, more generalised and holistic approach to the library’s material than library catalogues. There are also links to related material, such as concurrent reviews in Mediestream. This article presents the catalogue of works concept and discusses its prospects and limitations, in particular from a library perspective.
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Pub Date : 2019-03-09DOI: 10.7146/fof.v58i0.125306
Mette Kia Krabbe Meyer, E. Zierau
Mette Kia Krabbe Meyer and Eld Zierau: Spitting Image. Press photographs and memes as digital cultural heritage in Netarkivet This article deals with the challenges that confront libraries in their efforts to collect and make available national cultural heritage to researchers in today’s hybrid media society. The authors illustrate their arguments with a case study: Sigrid Nygaard’s photograph of a man spitting down on to immigrants from its initial appearance in a Tweet of 2015 to its reproduction in the national and international and social media, a field which also includes the many memes it engendered. The authors describe how the photograph became part of a heated debate on immigration policies and media ethics and suggest different academic fields in which the material can be studied, such as political science and media studies. They investigate a selection of sources and describe how these were collected by Netarkivet as part of the library’s obligation under the Legal Deposit Act, thereby providing insights into the different methods of finding and collecting material from the internet. Finally they argue that commonly known referencing practices are insufficient when it comes to web archive materials in general and point to a newly emerging referencing practice using so-called Persistent Web IDentifiers (PWID), which enable researchers to create precise and persistent references to web archive resources. The research was carried out to ensure that such materials would be saved and would continue to be available to researchers, to investigate and contribute to new collection methods, to cite digital cultural heritage, and to inform researchers about Netarkivet’s resources and ways in which one can work academically with the materials the archive contains.
Mette Kia Krabbe Meyer和Eld Zierau:吐痰形象。这篇文章讨论了图书馆在收集和提供国家文化遗产给研究人员时所面临的挑战。作者用一个案例来说明他们的观点:西格丽德·尼加德(Sigrid Nygaard)拍摄的一张男子向移民吐口水的照片，从2015年在推特上首次出现，到在国内、国际和社交媒体上被复制，这一领域还包括它引发的许多表情包。作者描述了这张照片如何成为关于移民政策和媒体道德的激烈辩论的一部分，并提出了可以研究这些材料的不同学术领域，如政治学和媒体研究。他们调查了一些资源，并描述了Netarkivet是如何收集这些资源的，这是《法定保管法》规定的图书馆义务的一部分，从而为从互联网上寻找和收集材料的不同方法提供了见解。最后，他们认为，当涉及到一般的网络档案材料时，通常已知的引用实践是不够的，并指出了一种新兴的引用实践，即所谓的持久web标识符(PWID)，它使研究人员能够创建对网络档案资源的精确和持久的引用。进行这项研究是为了确保这些材料能够被保存下来，并继续供研究人员使用，以调查和促进新的收集方法，引用数字文化遗产，并告知研究人员Netarkivet的资源以及如何利用档案中包含的材料进行学术研究。
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Pub Date : 2019-03-09DOI: 10.7146/fof.v58i0.125312
Kristian Hvidt
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Pub Date : 2018-09-01DOI: 10.7146/fof.v57i0.118771
Claus Røllum-Larsen
Claus Røllum-Larsen: Musikselskabet af 14. Marts 1896. En rekonstruktion og en karakteristik af dets repertoire Med dannelsen af Musikselskabet af 14. Marts 1896 skabte William Behrend, Louis Glass og Gustav Helsted et forum for den ny udenlandske musik. Med sin private karakter og sin kompromisløshed i programlægningen i retning af det “moderne” – som stifterne tilstræbte og så det – gik de videre ad de veje, andre musikforeninger havde betrådt med det formål at bidrage til en udvidelse af koncertrepertoiret. Det var derimod ikke selskabets formål at give de unge komponister mulighed for at få deres egne værker bragt frem. Gennem dels indledninger/foredrag, dels arrangementer for to klaverer og firhændigt klaver gav de optrædende tilhørerne et formodentlig levende indtryk af en række musikværker, hvoraf mange først længe efter fik deres første fremførelser for orkester på dansk grund. Indsatsen for Bruckners musik er særdeles tankevækkende. Den tager sin begyndelse før den første danske opførelse af en Bruckner-symfoni finder sted og er for flere af symfonierne en til to generationer forud for værkernes første danske opførelser. Foruden kompositioner af Wagner og Bruckner, som var de dominerende komponister, opførtes en række værker af ikke mindst franske (Chausson, Debussy, Duparc, Franck) og russiske (Borodin, Čajkovskij, Glasunov, Kjui, Rachmaninov, Rimskij-Korsakov, Skrjabin) – komponister hvoraf flere i øvrigt repræsenterede markante stilistiske alternativer til Wagner og Bruckners centraleuropæiske stil. Men også andre væsentlige værker af komponister uden for det gængse repertoire i Københavns koncertsale programsatte man: Liszts Eine Symphonie zu Dantes Divina Commedia, Mahlers 2. symfoni, Smetanas Trio for klaver, violin og cello op. 9, samt værker – overvejende sange – af Stenhammar, Strauss og Wolf. De medlemmer, som mødte flittigt op til sammenkomsterne, har stiftet bekendtskab med et bredt og udsøgt udvalg af nyere, og ofte helt nye værker med udpræget stilistiske fornyelsestendenser. En sådan musikformidling må betegnes som bemærkelsesværdig om ikke ligefrem enestående – i hvert fald i Danmark.
Claus Røllum-Larsen: 1896 年 3 月 14 日的音乐协会。1896 年 3 月 14 日音乐协会成立后，威廉-贝伦德（William Behrend）、路易斯-格拉斯（Louis Glass）和古斯塔夫-赫尔斯特德（Gustav Helsted）创建了一个外国新音乐论坛。由于其私人性质以及在 "现代 "方向上毫不妥协的节目编排--正如创始人的初衷和看法--他们沿着其他音乐协会所走过的道路继续前进，旨在为扩大音乐会曲目做出贡献。然而，为年轻作曲家提供展示自己作品的机会并不是协会的目标。通过介绍/讲座以及为双钢琴和四手联弹钢琴所做的编曲，演奏家们给观众留下了许多音乐作品的生动印象，其中许多作品直到很久之后才首次在丹麦本土为管弦乐队演出。对布鲁克纳音乐的投入尤其发人深省。它始于布鲁克纳交响曲在丹麦首次演出之前，而对于其中几部交响曲而言，则早于作品在丹麦首次演出的一到两代人。除了瓦格纳和布鲁克纳这两位主要作曲家的作品外，还演出了许多法国（肖松、德彪西、杜帕克、弗兰克）和俄罗斯（鲍罗丁、恰伊科夫斯基、格拉苏诺夫、库伊、拉赫玛尼诺夫、里姆斯基-科萨科夫、斯克里亚宾）作曲家的作品，其中几位代表了瓦格纳和布鲁克纳中欧风格的重要替代风格。此外，哥本哈根音乐厅还演奏了其他作曲家的重要作品：李斯特的《丹特神曲交响曲》（Eine Symphonie zu Dantes Divina Commedia）、马勒的《第二交响曲》（2nd Symphony）、斯美塔那的《钢琴、小提琴和大提琴三重奏》（Trio for piano, violin and cello op.9，以及斯滕纳玛、施特劳斯和沃尔夫的作品（主要是歌曲）。孜孜不倦地参加音乐会的成员们已经熟悉了大量精美的近期作品，而且往往是具有明显风格革新倾向的全新作品。至少在丹麦，这样的音乐传播即使不是独一无二的，也一定是卓越的。
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Pub Date : 2018-09-01DOI: 10.7146/fof.v57i0.118760
Harald Ilsøe
Harald Ilsøe: Gamle boggaver. Om boggaveskikke ca. 1550-1650 I en nylig udgivet bog om resterne af Herluf Trolle og Birgitte Gøyes bibliotek på Herlufsholm, det ældst bevarede danske privatbibliotek, gøres opmærksom på, at flere af bøgerne er forsynet med påtegninger om, at de var nytårsgaver til Birgitte Gøye fra Herluf Trolle (d. 1565). Med udgangspunkt heri meddeles nogle eksempler på boggaveskikke frem til ca. 1650, således bøger der på tryk angaves at være nytårsgaver til bestemte personer, men især bøger med trykte eller håndskrevne dedikationer, som kunne være udtryk for venskabelige forbindelser, eller som – når de var stilet til højerestående personer i det sociale hierarki – kunne forventes at medføre et honorar til forfatteren. Til belysning af dette fremdrages bl.a. en række bøger, der er forsynet med tilskrevne dedikationer af latindigteren Erasmus Lætus (d. 1582), teologen Niels Hemmingsen (d. 1600) og historikeren Anders Sørensen Vedel (d. 1616).
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Pub Date : 2018-09-01DOI: 10.7146/fof.v57i0.118770
Christian Kaaber
Christian Kaaber: Bispens bibliotek. Thomas Kingo og hans bøger Salmedigteren og biskoppen Thomas Kingo (1634-1703) efterlod et efter samtidens danske forhold meget stort bibliotek, hvoraf langt det meste kom på auktion i Odense i 1704. Den trykte auktionskatalog giver et mangfoldigt billede af, hvad Kingo havde til rådighed i boglig henseende. Kingo erhvervede i 1694 sin svigerfar, lægen Christoffer Balslevs bibliotek, hvilket forklarer den signifikante tilstedeværelse af lægefaglig litteratur samt talrige naturvidenskabelige bøger. Kingo opnåede dermed at eje et universalbibliotek, og katalogen viser, at han rådede over bøger, der støttede hans virke både som teolog, statsmagtens embedsmand og som åndelig og historisk funderet digter. Biblioteket giver derudover overraskende vinkler på Kingo som politisk interesseret menneske – her optræder samtidige stærkt kontroversielle bøger fra både ind- og udland, og Kingo har kunnet gøre sig fortrolig med tænkning og historieskrivning, der modsagde den danske absolutisme, hvis aktive og stedse loyale tjener han var i som såvel digter som embedsmand. Katalogen dokumenterer hans virke og vekslende succes som forlægger, ligesom den dokumenterer hans for samtiden usædvanlige sprogfærdigheder: Kingo beherskede fra sin barndom engelsk i en grad, der er helt usædvanlig for samtiden og ejede et bredt udvalg af engelsk litteratur inden for alle hans virkefelter samt en række maritime værker, der peger i retning af hans svogerskab med en samtidig engelsk skibsbygger i svensk tjeneste.
{"title":"Bispens bibliotek. Thomas Kingo og hans bøger","authors":"Christian Kaaber","doi":"10.7146/fof.v57i0.118770","DOIUrl":"https://doi.org/10.7146/fof.v57i0.118770","url":null,"abstract":"Christian Kaaber: Bispens bibliotek. Thomas Kingo og hans bøger \u0000Salmedigteren og biskoppen Thomas Kingo (1634-1703) efterlod et efter samtidens danske forhold meget stort bibliotek, hvoraf langt det meste kom på auktion i Odense i 1704. Den trykte auktionskatalog giver et mangfoldigt billede af, hvad Kingo havde til rådighed i boglig henseende. Kingo erhvervede i 1694 sin svigerfar, lægen Christoffer Balslevs bibliotek, hvilket forklarer den signifikante tilstedeværelse af lægefaglig litteratur samt talrige naturvidenskabelige bøger. Kingo opnåede dermed at eje et universalbibliotek, og katalogen viser, at han rådede over bøger, der støttede hans virke både som teolog, statsmagtens embedsmand og som åndelig og historisk funderet digter. Biblioteket giver derudover overraskende vinkler på Kingo som politisk interesseret menneske – her optræder samtidige stærkt kontroversielle bøger fra både ind- og udland, og Kingo har kunnet gøre sig fortrolig med tænkning og historieskrivning, der modsagde den danske absolutisme, hvis aktive og stedse loyale tjener han var i som såvel digter som embedsmand. Katalogen dokumenterer hans virke og vekslende succes som forlægger, ligesom den dokumenterer hans for samtiden usædvanlige sprogfærdigheder: Kingo beherskede fra sin barndom engelsk i en grad, der er helt usædvanlig for samtiden og ejede et bredt udvalg af engelsk litteratur inden for alle hans virkefelter samt en række maritime værker, der peger i retning af hans svogerskab med en samtidig engelsk skibsbygger i svensk tjeneste.","PeriodicalId":219437,"journal":{"name":"Fund og Forskning i Det Kongelige Biblioteks Samlinger","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124153048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-09-01DOI: 10.7146/fof.v57i0.118772
Trine Brox
Trine Brox: Text, technology, trope Tibetan Buddhist practices include the engagement with Buddhist script in the form of tightly packed scrolls of paper that are placed in drums and spun in order to accumulate merit. On the scrolls are written or printed mantras (sacred or magic sounds in the form of a series of syllables) or dhāraṇīs (formula condensing lengthy texts or teachings). The receptacles containing such scrolls are the iconic prayer wheels, whose materiality enables and restricts particular modes of textual engagement. What kind of texts are these scrolls? How does one read texts that come in the form of tightly packed scrolls? They cannot be read by immersing oneself in the content of the text because its materiality restricts access to it. Instead it fits perfectly with the prayer wheel technology that allows circumambulatory recitation, the article argues. The prayer wheel is not only an important object in recitation practices for Tibetan Buddhists, but has also become a key marker of Tibetan identity. Yet its history, culture and practice have received very little scholarly attention. This article attempts to eradicate this blind spot. It endeavors to show how the prayer wheel has earned itself its iconic status by explaining how the prayer wheel is a receptacle of sacred script and a device for reciting sacred script. The article zooms in on (i) the cult of the book in the Tibetan culture sphere, (ii) the technology of prayer wheels; and (iii) the recurring tropes of the wheel, circumambulation, and rotation in Buddhism, as well as the merit connected with them. In view of this particular constellation of book cult, technology, and dominant trope, it makes sense that, first of all, Tibetan Buddhists have adopted and further developed a technology that optimizes interaction with sacred script; secondly, that rotation is considered an adequate way to interact with Buddha’s doctrine; and third, that this device has become an icon for the Tibetan civilization. It is especially the sacred text within the wheel, the article argues, that endows the prayer wheel with high status in a hierarchy of Buddhist material objects. Finally, this raises questions about modernized prayer wheels – when technological progress has enabled further development of devices that can contain and spin Buddhist script such as optic discs, prayer wheel apps, and automated praying machines. How does their materiality impact textual engagement? The article is based upon data produced through (i) ethnographic inquiry, such as interacting with the stakeholders who deal with Buddhist material culture for different reasons, e.g. producers, marketers, ritual specialists, practitioners, and consumers, and (ii) textual sources that includes Tibetan and English-language scholarship, catalogues, user’s guides, and marketing material. This multi-modal method has produced knowledge about the prayer wheel as practice, i.e. what we can call popular religion, and as theor
{"title":"Tekst, teknologi og trope. Det tibetanske bedehjul","authors":"Trine Brox","doi":"10.7146/fof.v57i0.118772","DOIUrl":"https://doi.org/10.7146/fof.v57i0.118772","url":null,"abstract":"Trine Brox: Text, technology, trope \u0000Tibetan Buddhist practices include the engagement with Buddhist script in the form of tightly packed scrolls of paper that are placed in drums and spun in order to accumulate merit. On the scrolls are written or printed mantras (sacred or magic sounds in the form of a series of syllables) or dhāraṇīs (formula condensing lengthy texts or teachings). The receptacles containing such scrolls are the iconic prayer wheels, whose materiality enables and restricts particular modes of textual engagement. What kind of texts are these scrolls? How does one read texts that come in the form of tightly packed scrolls? They cannot be read by immersing oneself in the content of the text because its materiality restricts access to it. Instead it fits perfectly with the prayer wheel technology that allows circumambulatory recitation, the article argues. \u0000The prayer wheel is not only an important object in recitation practices for Tibetan Buddhists, but has also become a key marker of Tibetan identity. Yet its history, culture and practice have received very little scholarly attention. This article attempts to eradicate this blind spot. It endeavors to show how the prayer wheel has earned itself its iconic status by explaining how the prayer wheel is a receptacle of sacred script and a device for reciting sacred script. The article zooms in on (i) the cult of the book in the Tibetan culture sphere, (ii) the technology of prayer wheels; and (iii) the recurring tropes of the wheel, circumambulation, and rotation in Buddhism, as well as the merit connected with them. In view of this particular constellation of book cult, technology, and dominant trope, it makes sense that, first of all, Tibetan Buddhists have adopted and further developed a technology that optimizes interaction with sacred script; secondly, that rotation is considered an adequate way to interact with Buddha’s doctrine; and third, that this device has become an icon for the Tibetan civilization. It is especially the sacred text within the wheel, the article argues, that endows the prayer wheel with high status in a hierarchy of Buddhist material objects. Finally, this raises questions about modernized prayer wheels – when technological progress has enabled further development of devices that can contain and spin Buddhist script such as optic discs, prayer wheel apps, and automated praying machines. How does their materiality impact textual engagement? \u0000The article is based upon data produced through (i) ethnographic inquiry, such as interacting with the stakeholders who deal with Buddhist material culture for different reasons, e.g. producers, marketers, ritual specialists, practitioners, and consumers, and (ii) textual sources that includes Tibetan and English-language scholarship, catalogues, user’s guides, and marketing material. This multi-modal method has produced knowledge about the prayer wheel as practice, i.e. what we can call popular religion, and as theor","PeriodicalId":219437,"journal":{"name":"Fund og Forskning i Det Kongelige Biblioteks Samlinger","volume":"380 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124737256","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-09-01DOI: 10.7146/fof.v57i0.118769
Jesper Brandt Andersen
Jesper Brandt Andersen: Curious case reports in the works of the Danish physician and anatomist Thomas Bartholin Scattered through the voluminous authorship of the Danish physician and anatomist Thomas Bartholin (1616–1680), famous for his discovery of the lymph vessels in the early 1650s, case reports can be found, for which Bartholin was criticized and accused for verbosity and lack of scientific judgment by contemporary scholars and later medical historians. In this article 15 such case reports, mainly from the work Historiarum Anatomicarum Rariorum 1654–1661, are presented, analyzed and perspectivated. It is concluded, that much of the criticism, especially the one submitted by the posteriority and especially during the era of positivism by the end of the 19th century and the beginning of the 20th century and the one concerning observations made by Bartholin himself, is unjustified. When practising science himself Bartholin felt responsible for reproducing his observations correctly and trustworthy, and he was not satisfied by making conclusions on the basis of knowledge handed over by others. The author of this article has not succeded in finding one single example indicating that Bartholin doesn’t reproduce his own observations correctly and truthfully. On the other hand there are in his authorship numerous examples of case reports originating from others, which he either didn’t believe himself or at least doubted. When he published case reports originating from other people, he didn’t feel responsible for the truthfulness. His purpose bringing these case reports was to present his reader for new and interesting matter, to entertain his reader, to arouse his reader’s curiosity and to challenge his reader’s own judgment. Thomas Bartholin was one of the most excellent, diligent and passionate intermediaries of scientific matter of his time, and as a scientist he was characterized by openness. Often he was among the first to recognize, verify and publish new knowledge.
{"title":"Sælsomme beretninger i lægen og anatomen Thomas Bartholins skrifter","authors":"Jesper Brandt Andersen","doi":"10.7146/fof.v57i0.118769","DOIUrl":"https://doi.org/10.7146/fof.v57i0.118769","url":null,"abstract":"Jesper Brandt Andersen: Curious case reports in the works of the Danish physician and anatomist Thomas Bartholin \u0000Scattered through the voluminous authorship of the Danish physician and anatomist Thomas Bartholin (1616–1680), famous for his discovery of the lymph vessels in the early 1650s, case reports can be found, for which Bartholin was criticized and accused for verbosity and lack of scientific judgment by contemporary scholars and later medical historians. In this article 15 such case reports, mainly from the work Historiarum Anatomicarum Rariorum 1654–1661, are presented, analyzed and perspectivated. It is concluded, that much of the criticism, especially the one submitted by the posteriority and especially during the era of positivism by the end of the 19th century and the beginning of the 20th century and the one concerning observations made by Bartholin himself, is unjustified. When practising science himself Bartholin felt responsible for reproducing his observations correctly and trustworthy, and he was not satisfied by making conclusions on the basis of knowledge handed over by others. The author of this article has not succeded in finding one single example indicating that Bartholin doesn’t reproduce his own observations correctly and truthfully. On the other hand there are in his authorship numerous examples of case reports originating from others, which he either didn’t believe himself or at least doubted. When he published case reports originating from other people, he didn’t feel responsible for the truthfulness. His purpose bringing these case reports was to present his reader for new and interesting matter, to entertain his reader, to arouse his reader’s curiosity and to challenge his reader’s own judgment. Thomas Bartholin was one of the most excellent, diligent and passionate intermediaries of scientific matter of his time, and as a scientist he was characterized by openness. Often he was among the first to recognize, verify and publish new knowledge.","PeriodicalId":219437,"journal":{"name":"Fund og Forskning i Det Kongelige Biblioteks Samlinger","volume":"80 3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123123525","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2015-10-30DOI: 10.7146/fof.v54i2.132864
Anders Toftgaard
Dette er et online særnummer. Ordet mazarinader er et paraplybegreb, der dækker de politiske pamfletter, der blev udgivet i Frankrig under (og vedrørende) Fronden, 1648-1653, de uroligheder, der brød ud, da Ludvig 14. (født 1638) var barn, og Jules Mazarin, som var ansvarlig ansvaret for den unge konges opdragelse, regerede som førsteminister sammen med Ludvigs mor, dronning Anna af Østrig. Fællesbetegnelsen mazarinader dækker bl.a. over pamfletter, breve, forordninger og retslige partsindlæg, burleske digte og viser, taler og dialoger. Det Kongelige Bibliotek har en samling af mazarinader, som kan søges frem i bibliotekskataloget. På denne side kan du åbne et at katalog over Det Kongelige Biblioteks samling af mazarinader som en PDF-fil med en introduktion på dansk og fransk (link øverst til højre). Det Kongelige Biblioteks samling af mazarinader er beskrevet i Anders Toftgaard, “Blandt talende statuer og manende genfærd. Mazarinader i Det Kongelige Biblioteks samlinger”, i Fund og Forskning i Det Kongelige Biblioteks Samlinger, 53, 2014, s. 57-111.
本期为在线特刊。 1648-1653年，路易14世（1638年出生）还是个孩子，负责抚养年幼国王长大的儒勒-马扎然与路易的母亲奥地利王后安妮一起担任首相，并在位期间爆发了骚乱。马扎然作品包括小册子、信件、法令和法律诉状、滑稽诗歌和歌曲、演讲和对话等。在本页中，您可以以 PDF 文件的形式打开皇家图书馆收藏的马扎然作品目录，其中包含丹麦语和法语介绍（右上角链接）。Mazarinader i Det Kongelige Biblioteks samlinger", in Fund og Forskning i Det Kongelige Biblioteks Samlinger, 53, 2014, pp.
{"title":"Mazarinader i Det Kongelige Bibliotek","authors":"Anders Toftgaard","doi":"10.7146/fof.v54i2.132864","DOIUrl":"https://doi.org/10.7146/fof.v54i2.132864","url":null,"abstract":"Dette er et online særnummer. Ordet mazarinader er et paraplybegreb, der dækker de politiske pamfletter, der blev udgivet i Frankrig under (og vedrørende) Fronden, 1648-1653, de uroligheder, der brød ud, da Ludvig 14. (født 1638) var barn, og Jules Mazarin, som var ansvarlig ansvaret for den unge konges opdragelse, regerede som førsteminister sammen med Ludvigs mor, dronning Anna af Østrig. Fællesbetegnelsen mazarinader dækker bl.a. over pamfletter, breve, forordninger og retslige partsindlæg, burleske digte og viser, taler og dialoger.\u0000Det Kongelige Bibliotek har en samling af mazarinader, som kan søges frem i bibliotekskataloget. På denne side kan du åbne et at katalog over Det Kongelige Biblioteks samling af mazarinader som en PDF-fil med en introduktion på dansk og fransk (link øverst til højre).\u0000Det Kongelige Biblioteks samling af mazarinader er beskrevet i Anders Toftgaard, “Blandt talende statuer og manende genfærd. Mazarinader i Det Kongelige Biblioteks samlinger”, i Fund og Forskning i Det Kongelige Biblioteks Samlinger, 53, 2014, s. 57-111.","PeriodicalId":219437,"journal":{"name":"Fund og Forskning i Det Kongelige Biblioteks Samlinger","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130159908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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