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Teaching Horse Riding: Is the Role of the Horse Recognized? 骑马教学:马的作用被认可了吗?
IF 0.8 4区 农林科学 Q4 SOCIOLOGY Pub Date : 2021-09-28 DOI: 10.1163/15685306-bja10062
Mari Zetterqvist Blokhuis
This study investigated what methods professional trainers use in their teaching. Interviews with nine professional trainers in sports dressage were analyzed using a qualitative approach. The results showed that trainers had developed a “good eye” using their prior experiences. The trainers helped the riders solve their problems but did not make clear their observations or reasoning for specific instructions. Thus, trainers could further develop the riders’ own practical knowledge. The role of the horse was not made explicit in most cases, showing that recognition of the horse as a sentient and thinking individual is not built into the current teaching practice. Teaching methods would be improved if trainers encouraged riders to pay more attention to the perspective of the horse, to examine how to interpret and attend to the horse’s reactions, and to reflect on these issues in dialog with them.
本研究调查了专业培训师在教学中使用的方法。采用定性方法对九名盛装舞步专业教练的访谈进行了分析。结果显示,培训师利用他们之前的经验培养了一双“好眼睛”。培训师帮助骑手解决了他们的问题,但没有明确说明他们的观察结果或具体说明的理由。因此,培训师可以进一步发展骑手自己的实践知识。在大多数情况下,马的角色并没有明确,这表明对马作为一个有感知力和思维能力的个体的认识并没有融入当前的教学实践。如果驯马师鼓励骑手更多地关注马的角度,研究如何理解和关注马的反应,并在与他们的对话中反思这些问题,那么教学方法就会得到改进。
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引用次数: 0
Slithering Stories We Live By: Animal Educators’ Construction and Enactment of Positive Snake Narratives 我们赖以生存的故事:动物教育家对蛇正面叙事的建构与实施
IF 0.8 4区 农林科学 Q4 SOCIOLOGY Pub Date : 2021-09-28 DOI: 10.1163/15685306-bja10061
Cynthia Rosenfeld
Representations of snakes abound in literature, oral traditions, and visual arts. Often constructed as sneaky or sinister, the cultural evaluation of snakes can perhaps best be stated by the adage, “The only good snake is a dead snake.” Such messages become the “stories we live by.” This evaluation is widespread but not universal. Educators are agents of alternative stories that exist in struggle with dominant ones. This study used ethnographic methods to explore how the setting, audience, storytelling educators, and story told all shape the conceptualization of “snake.” The setting may resist or perpetuate a negative cultural evaluation of snakes. Presuppositions, convictions, and available examples of modeling influence whether audience members choose to adopt a new story or retain the old one. Through their discourse, enactments, and material displays, educators offer an embodied, sensorial story with the central message, “The only good snake is a live snake.”
蛇的形象在文学、口头传统和视觉艺术中比比皆是。对蛇的文化评价通常被认为是狡猾或阴险的,也许最好用一句格言来形容,“唯一好的蛇是死蛇。”这样的信息成为了“我们赖以生存的故事”。这种评价很普遍,但并不普遍。教育工作者是另类故事的代理人,这些故事存在于与主流故事的斗争中。这项研究使用了人种学方法来探索背景、观众、讲故事的教育者和讲述的故事是如何塑造“蛇”的概念的。这种背景可能会抵制或延续对蛇的负面文化评价。预设、信念和可用的建模示例会影响观众选择采用新故事还是保留旧故事。通过他们的话语、表演和材料展示,教育工作者提供了一个具体的、感性的故事,其核心信息是“唯一的好蛇是活蛇。”
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引用次数: 1
Cats as Cats Can 猫如猫
IF 0.8 4区 农林科学 Q4 SOCIOLOGY Pub Date : 2021-09-23 DOI: 10.1163/15685306-bja10036
Peter A. Porter
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引用次数: 2
Nussbaum’s Capabilities Approach to Compassionate Conservation: The Case of Wild Horses in the United States 努斯鲍姆同情保护的能力方法——以美国野马为例
IF 0.8 4区 农林科学 Q4 SOCIOLOGY Pub Date : 2021-09-17 DOI: 10.1163/15685306-bja10063
C. Reed
Human-animal studies have taken a “wild turn” because of growing concern that the urgency to preserve or restore native species and ecosystems has led to overlooking the pain and suffering inflicted upon nonhuman animals targeted as threats to that cause. Martha Nussbaum’s capabilities approach is used to examine the case of wild horses in the American West. Federal law protecting them predates amendments requiring managers to regulate their numbers because of conservation. I conclude that the wild horse program meets Nussbaum’s definition of compassion in important respects, and that temporary fertility control, long-term pastures, and adoptions fulfill her criteria of justice, but with important qualifications. The capabilities approach relies on the possibility of rational discourse about the protection of wildlife individuals, but that consensus might apply only to certain species. In addition, “culture wars” plaguing the U.S. threaten the possibility of a consensus about compassion and justice for nonhuman animals.
人类动物研究出现了“疯狂的转变”,因为人们越来越担心,保护或恢复本土物种和生态系统的紧迫性导致忽视了作为威胁的非人类动物所遭受的痛苦和折磨。Martha Nussbaum的能力方法被用于研究美国西部的野马案例。保护它们的联邦法律早于要求管理者出于保护目的对其数量进行监管的修正案。我的结论是,野马项目在重要方面符合努斯鲍姆对同情的定义,临时生育控制、长期牧场和收养符合她的正义标准,但具有重要的资格。能力方法依赖于对野生动物个体保护进行理性讨论的可能性,但这种共识可能只适用于某些物种。此外,困扰美国的“文化战争”威胁到对非人类动物的同情和正义达成共识的可能性。
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引用次数: 1
Announcing the First Society & Animals Early Career Research Prize 宣布首届社会与动物早期职业研究奖
IF 0.8 4区 农林科学 Q4 SOCIOLOGY Pub Date : 2021-08-25 DOI: 10.1163/15685306-00001963
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引用次数: 0
Boundaries and Histories in Nonhuman Animal Activism 非人类动物活动主义的边界与历史
IF 0.8 4区 农林科学 Q4 SOCIOLOGY Pub Date : 2021-08-12 DOI: 10.1163/15685306-bja10039
C. Oliver
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引用次数: 0
Biopolitics in the National Parks: The Life and Death of Cecil the Lion 国家公园里的生物政治:狮子塞西尔的生与死
IF 0.8 4区 农林科学 Q4 SOCIOLOGY Pub Date : 2021-08-11 DOI: 10.1163/15685306-12341576
A. Levin
Cecil the Lion lived in Hwange National Park in Zimbabwe and was a part of an Oxford conservation study until his death by poaching, outside of Park boundaries, at the hands of an American hunter, in July 2015. Cecil’s death caused unique levels of international outrage, though wildlife poaching in general remains an all-too-ubiquitous phenomenon. This paper enquires as to why this particular death caused such outrage. I will examine this question through two Foucauldian lenses: first, through the Parks’ discursive production of subjects – human and nonhuman animal; and secondly, by investigating Parks’ practices of understanding biopower and pastoral power. I argue that though wildlife conservation in the National Parks is generally interested in conserving the species, not individuals, Cecil’s status as a named individual in a scientific study resulted in the outrage and speaks to the paradox at the heart of Foucault’s idea of pastoral power.
狮子塞西尔生活在津巴布韦的万基国家公园,是牛津大学保护研究的一部分,直到2015年7月在公园边界外被一名美国猎人偷猎致死。塞西尔的死引起了国际社会前所未有的愤怒,尽管野生动物偷猎总体上仍然是一个无处不在的现象。这篇文章探讨了为什么这个特别的死亡会引起如此的愤怒。我将通过福柯式的两个视角来审视这个问题:首先,通过帕克斯夫妇对主体的话语生产——人类和非人类动物;其次,通过调查帕克斯理解生物权力和田园权力的实践。我认为,尽管国家公园的野生动物保护通常是对物种的保护,而不是对个体的保护,但塞西尔在科学研究中作为一个被点名的个体的地位导致了愤怒,并说明了福柯关于田园权力的核心悖论。
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引用次数: 0
How to Mound a Horse? Remembrance and Thoughts of Afterlife at Finnish Companion Animal Cemetery 如何养马?芬兰伴侣动物公墓的追思与来世
IF 0.8 4区 农林科学 Q4 SOCIOLOGY Pub Date : 2021-07-12 DOI: 10.1163/15685306-BJA10044
T. Äikäs, J. Ikäheimo, Riitta-Marja Leinonen
This article presents the results of a combined archaeological and cultural anthropological study of 170 horse burials at a pet (companion animal) cemetery in Mikonkangas, Oulu, Finland. The applied methods include archaeological documentation, interviews with the horse caretakers, and visits to the site. Contrary to socially and legislatively controlled human burial grounds with organized maintenance, companion animal cemeteries with their inherent do-it-yourself character are often displays for more spontaneous expressions of grief and longing. The evidence of remembrance varies from nearly unmarked graves to elaborate memorials with headstones, epitaphs, flowers, and personal objects. The thought of a reunion in the afterlife is evident in some of the epitaphs and could also have influenced the use of crosses and angel symbols on some of the graves.
本文介绍了对芬兰奥卢市米孔坎加斯宠物(伴侣动物)墓地170座马墓进行的考古和文化人类学联合研究的结果。应用的方法包括考古文献、对马匹管理员的采访以及对遗址的参观。与社会和立法控制的有组织维护的人类墓地相反,伴侣动物墓地具有其固有的“自己动手”的特点,通常会更自然地表达悲伤和渴望。纪念的证据各不相同,从几乎没有标记的坟墓到精心制作的带有墓碑、墓志铭、鲜花和个人物品的纪念物。在一些墓志铭中可以明显看出死后重逢的想法,也可能影响了一些坟墓上十字架和天使符号的使用。
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引用次数: 1
To Read or Not to Eat: Anthropomorphism in Children’s Books 读还是不吃:儿童书籍中的拟人论
IF 0.8 4区 农林科学 Q4 SOCIOLOGY Pub Date : 2021-07-07 DOI: 10.1163/15685306-BJA10045
Anastassiya Andrianova
Anthropomorphic nonhuman animals figure prominently in children’s literature, teaching young readers relevant life lessons and adding variety, humor, and emotional distance to safely consider otherwise traumatizing ideas. Despite its educational and developmental value, however, using animal characters to tell human stories normalizes the very same mechanisms that adult humans use to subjugate real animals. Bringing animal-studies insights to bear on children’s literature and development, this article critiques the use of anthropomorphism in children’s books and urges that, short of the unrealistic demand to abandon the animal as metaphor, young readers and their adult mentors reread children’s books critically and discuss ways of making animals matter. The article examines the debate about anthropomorphism in science and its application to childhood development. It then turns to the pros and cons of anthropomorphizing animals in children’s books and discusses specific examples of books featuring anthropomorphic animal characters.
拟人化的非人类动物在儿童文学中占有重要地位,教给年轻读者相关的生活经验,并增加了多样性、幽默和情感距离,以安全地考虑否则会造成创伤的想法。然而,尽管具有教育和发展价值,但用动物角色来讲述人类故事使成年人用来征服真实动物的机制正常化。本文将动物研究的见解带入儿童文学和发展,批评儿童书籍中拟人化的使用,并敦促年轻读者和他们的成人导师,在不现实地要求放弃动物作为隐喻的情况下,批判性地重新阅读儿童书籍,讨论使动物变得重要的方法。本文探讨了科学中关于拟人论的争论及其在儿童发展中的应用。然后讨论了在儿童书籍中拟人化动物的利弊,并讨论了拟人化动物角色的具体例子。
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引用次数: 2
“A Winged but Grounded Bird”: Morrison’s Mixed Treatment of Animality in The Bluest Eye “有翼但接地气的鸟”:莫里森在《最蓝的眼睛》中对动物的混合处理
IF 0.8 4区 农林科学 Q4 SOCIOLOGY Pub Date : 2021-07-02 DOI: 10.1163/15685306-bja10041
R. Warner
This literary analysis of Toni Morrison’s first novel, The Bluest Eye (1970), answers the call issued by scholars in the growing interdisciplinary field of animal studies to privilege nonhuman animal others as its central analytical focus. It thus examines the productive and harmful overlaps between Black subjects and animality and determines how Morrison speaks to both a history of racist dehumanization as well as manners of ameliorating such oppression. In prioritizing the intersection of human subjectivity and nonhuman others, the article explores new models for human-animal relationships, including animals as sensual partners and animals as looking subjects. Ultimately, this article looks to Morrison’s canonical novel portraying the scapegoating practices that can destroy Black girlhood to unearth the profound significance of nonhuman others to language, history, and communities.
这篇对托尼·莫里森的第一部小说《最蓝的眼睛》(1970)的文学分析回应了日益增长的跨学科动物研究领域的学者们发出的呼吁,即将非人类动物他人作为其中心分析焦点。因此,它审视了黑人主体和动物性之间富有成效和有害的重叠,并确定了莫里森如何讲述种族主义非人化的历史以及改善这种压迫的方式。在优先考虑人类主体性和非人类他人的交叉点时,文章探索了人与动物关系的新模式,包括动物作为感官伴侣和动物作为外表主体。最终,这篇文章着眼于莫里森的经典小说,该小说描绘了可能破坏黑人少女时代的替罪羊行为,以挖掘非人类他人对语言、历史和社区的深刻意义。
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Society & Animals
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