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NAPE VERTIT: A NOTE ON OVID, AMORES 1.12 关于奥维德的笔记,爱的1.12
Pub Date : 2023-06-16 DOI: 10.1017/s0009838823000095
Natalie J. Swain
The hairdresser who carries Ovid's invitation to his puella in Amores 1.11 is almost immediately blamed for his rejection in 1.12, before that blame is transferred to the tablets carrying that invitation. Nape (the enslaved hairdresser of the puella) has been linked to the character Dipsas, appearing in 1.7, specifically through the descriptor sobria. By focussing on the use of the verb uerto, the reference to the mythical strix, and curses related to the old age of both Dipsas and the tablets in 1.7 and 1.12, this note demonstrates that the supernatural word choice further connects Nape with Dipsas.
在《爱之歌》第1.11章中,那个拿着奥维德的请柬去参加他的舞会的理发师几乎立刻被指责为他在第1.12章中拒绝了奥维德,然后这一指责被转移到携带请柬的片剂上。Nape (puella的被奴役的理发师)与角色Dipsas有关,出现在1.7中,特别是通过描述符sobria。通过关注动词“uerto”的使用,提到神话中的斯特里克斯,以及1.7和1.12中与狄psas和石碑有关的诅咒,这篇笔记表明,超自然的词汇选择进一步将Nape与狄psas联系起来。
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引用次数: 0
NEW ACROSTICS IN OVID? 奥维德的新离合诗?
Pub Date : 2023-06-16 DOI: 10.1017/s000983882300006x
Juan A. Estévez Sola
This article highlights two possible unnoticed acrostics in Ovid's Metamorphoses concerning the predictions of Calchas and Helenus.
这篇文章强调了奥维德的《变形记》中关于卡尔恰斯和海勒努斯的预言的两个可能未被注意到的离合。
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引用次数: 0
TRANSPOSITION AT VIRGIL, AENEID 8.612–13 《埃涅阿斯纪》8.612-13
Pub Date : 2023-06-15 DOI: 10.1017/s0009838823000071
Jonathan Nathan
This article argues that two words in line 8.612 of the Aeneid, promissa and perfecta, have been transposed since the poem's composition, and that the restoration of their correct order yields a preferable sense. This corruption would have happened at an early stage in the poem's transmission, but there is some reason to believe that Servius’ comment on the verse reflects its original state.
本文认为,《埃涅伊德》第8.612行中的两个词,诺言和完美,自诗歌创作以来已经被调换了,并且恢复它们的正确顺序产生了更好的意义。这种腐化可能发生在这首诗传播的早期阶段,但有理由相信塞尔维乌斯对这首诗的评论反映了它的原始状态。
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引用次数: 0
HERODOTUS 1.51.3 希罗多德1.51.3
Pub Date : 2023-06-15 DOI: 10.1017/s0009838823000046
Michele Solitario
This article presents a new conjecture on Herodotus 1.51.3.
本文提出了一个关于希罗多德1.51.3的新猜想。
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引用次数: 0
LUCRETIAN DIDO: A STICHOMETRIC ALLUSION 卢克莱蒂蒂:一个计量学的典故
Pub Date : 2023-06-15 DOI: 10.1017/s0009838823000101
S. Casali
In the fourth line of her first speech in Book 1, to Ilioneus and the Trojan castaways, Dido quotes the first word of the first line of Lucretius’ De rerum natura, and in the fourth line of her second speech, to Aeneas, she quotes the first words of the second line of the De rerum natura. This is not a coincidence but a signal of the importance of Lucretius and Epicureanism for the characterization of Dido in the Aeneid.
在第一卷的第一次演讲的第四行,对伊利奥涅斯和特洛伊的漂流者,狄多引用了卢克莱修的《自然之事》第一行的第一句话,在她对埃涅阿斯的第二次演讲的第四行,她引用了《自然之事》第二行的第一句话。这不是巧合,而是卢克莱修和伊壁鸠鲁主义对《埃涅阿斯记》中狄多的重要性的一个信号。
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引用次数: 0
APPRENTICESHIP CONTRACTS IN CLASSICAL ATHENS 古典雅典的学徒合同
Pub Date : 2023-06-15 DOI: 10.1017/s0009838823000125
Mills McArthur
Numerous apprenticeship contracts survive among the papyri of Graeco-Roman Egypt, but scholars have been left guessing whether this documentation offers a sound comparison to job training in Classical Greece. This paper points out that such apprenticeship contracts are firmly attested in a work of Xenophon, revealing that, by the mid fourth century b.c., Athens was already home to the practice of formal apprenticeship.
在希腊罗马时代的埃及纸莎草纸中,有许多学徒合同幸存下来,但学者们一直在猜测,这些文件是否能与古典希腊的职业培训进行合理的比较。本文指出,这种学徒合同在色诺芬的一部作品中得到了有力的证明,这表明,到公元前4世纪中期,雅典已经是正式学徒制度的发源地。
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引用次数: 0
A NEW TESTIMONIUM FOR NUMENIUS: PROCLUS ON THE ORIGIN OF EVIL 纽曼纽斯的新证言:论恶的起源
Pub Date : 2023-06-15 DOI: 10.1017/s0009838823000149
Kasra Abdavi Azar
In the course of examining the origin of evil in the De malorum subsistentia, Proclus reproduces a position that considers the maleficent (world-)soul as cause of evil. The same entity is held to co-govern the material realm alongside the beneficent world-soul. While scholarship tends to associate the testimonium with Plutarch (and Atticus), this survey shows why Numenius of Apamea is a much more probable candidate. The discussion concludes with further proposals for a new edition of Numenius, including possible traces of Numenius in Iamblichus’ On Soul and Porphyry's On the Faculties of Soul.
在检视《论恶的存在》中恶的起源的过程中,普罗克劳斯再现了一种观点,认为恶的灵魂(世界)是恶的原因。同一实体被认为与仁慈的世界灵魂共同统治物质领域。虽然学术界倾向于将这份证言与普鲁塔克(和阿提克斯)联系在一起,但这项调查显示了为什么阿帕米亚的努曼纽斯更有可能是一个候选人。讨论结束时,进一步提出了新版本努曼纽斯的建议,包括在伊姆布利克斯的《论灵魂》和波菲利的《论灵魂的能力》中可能出现的努曼纽斯的痕迹。
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引用次数: 0
SOPHOCLES, THYESTES FR. 260A RADT 索福克勒斯,公元260年
Pub Date : 2023-06-15 DOI: 10.1017/s0009838823000034
Tommaso Suaria
Two conjectures are proposed on Sophocles’ Thyestes (fr. 260a Radt) which restore Sophoclean language and metre.
对索福克勒斯的《提俄斯忒斯》(公元前260年)提出了两个猜想,这两个猜想恢复了索福克勒斯的语言和韵律。
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引用次数: 0
OSTRACISM IN MENANDER'S SAMIA 曼纳德家族的放逐
Pub Date : 2023-06-15 DOI: 10.1017/s0009838823000113
Mitch Brown
This article identifies an ostracism joke in Menander's Samia (364–6) during a climactic scene in which the Athenian Demeas ejects the titular Chrysis from his house. The joke, uttered by a cook who is reacting to Chrysis’ expulsion, plays on the usage of ὄστρακα—broken pieces of pottery—as ballots in the institution of ostracism. The article proposes that the joke references the final abolition of ostracism during Demetrius of Phalerum's reign and reveals Menander's support for the regime.
这篇文章在米南德的《撒米亚》(364-6)中发现了一个放逐的笑话,在一个高潮场景中,雅典人德米亚斯把名义上的克里西斯赶出了他的房子。这个笑话是一个厨师对克里斯被驱逐一事做出的反应,他利用了“στρακα”(破碎的陶器)作为排斥制度的选票。文章认为,这个笑话指的是法勒勒姆的德米特里厄斯统治时期放逐制度的最终废除,并揭示了米南德对该政权的支持。
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引用次数: 0
LUCRETIUS 6.391: AN EMENDATION 卢克莱修6.391:修订版
Pub Date : 2023-06-15 DOI: 10.1017/s0009838823000083
Boris Kayachev
This article argues that at Lucr. 6.391 (icti flammas ut fulguris halent) fulguris is a corruption, and proposes to read sulpuris instead. While the case against fulguris may in itself not be incontrovertible, the advantages of sulpuris include the acquisition of a new Homeric intertext in Il. 8.135 δεινὴ δὲ φλὸξ ὦρτο θεείου καιομένοιο.
本文认为Lucr. 6.391 (icti flammas ut fulguris halent)中的fulguris是一种腐败,并建议将其阅读为sulpuris。虽然反对fulguris的案例本身可能不是无可争议的,但sulpuris的优势包括在Il. 8.135 δειν ν δ ν φλ ο ξ ν ρτο θεε καιομ μ ο获得了一个新的荷马互文。
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引用次数: 0
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The Classical Quarterly
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