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The aesthetics of moving carved threads in the light of quantum theory 量子理论下的动线雕花美学
Pub Date : 2023-06-01 DOI: 10.21608/ijmsat.2023.142561.1012
Eman Mohammed Abdo Al-Moaz, Zainab Sabra
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引用次数: 0
The prospects for theatrical performance arts in tradition and experimentation “Analytical study” 戏剧表演艺术在传统与实验中的前景——“分析研究”
Pub Date : 2023-06-01 DOI: 10.21608/ijmsat.2023.124189.1008
Mohamed Elshafei
This study explores the opportunities available to the performing arts in traditional and experimental aspects. Theatrical performance opportunities span a long history of tradition and innovative experimentation. This study aims to explore the current situation and future prospects for theatrical arts in the light of new traditions and experiences. The study includes a comprehensive analysis of traditional and experimental theatrical experiences and the study of the impact of social, cultural and technological changes on the theatrical scene. A variety of topics are covered including experiences of classical and traditional theatre, modern and experimental theatre, multimedia arts and the innovative use of technology in stage performances. By examining these diverse aspects, the study aims to identify the challenges and opportunities facing the performing arts in the modern world and how to foster interaction between traditions and new experiences. The results of the study contribute to directing the future interests of playwrights, producers and artists in their endeavor to enhance and develop theatrical performances and direct them positively towards the future.
本研究探讨表演艺术在传统和实验方面的机会。戏剧表演的机会跨越了悠久的历史传统和创新实验。本研究旨在探讨戏剧艺术在新传统与新经验下的现状与未来展望。该研究包括对传统和实验戏剧经验的综合分析,以及对戏剧场景的社会,文化和技术变革的影响的研究。课程涵盖了各种主题,包括古典和传统戏剧、现代和实验戏剧、多媒体艺术和舞台表演中技术的创新应用。通过研究这些不同的方面,本研究旨在确定表演艺术在现代世界面临的挑战和机遇,以及如何促进传统与新体验之间的互动。研究结果有助于指导剧作家、制片人和艺术家在努力提高和发展戏剧表演方面的未来兴趣,并积极地指导他们走向未来。
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引用次数: 0
Employing graphic designs to promote healthcare for the deaf and dumb using mobile applications 采用图形设计,利用移动应用程序促进聋哑人的医疗保健
Pub Date : 2023-06-01 DOI: 10.21608/ijmsat.2023.208490.1015
Maisoun Mahmoud Samy, Hassan Mohamed Mohamed Abul Naga
: Nowadays, the deaf and dumb category represents many people in our society. Sign language is the main way to communicate with the deaf and dumb, but most of the normal people have no ideas about this language. For this reason, there is an increasing need to find alternative solutions to communicate with them. We can suggest three different ways to help the deaf and mute to enjoy a better and easier life. First, LIFE BEATS helps deaf and mute people use the app during health emergencies and accidents. Secondly, the "Keyboard for Deaf" feature supports design language images and symbols in the keyboard as a different feature for graphics and graphic designs. Finally, helping the doctor and health units to understand the patient and the injured easily that can help the deaf to understand all the information explain the location of the pain. Deaf and mute people mainly rely on sign language to send or receive information from or to others around them. As is known, sign language uses hand gestures, facial expressions, and hand movements to communicate with others. It was difficult to know these expressions to the audience which caused a great problem for the deaf and dumb to convey their thoughts or thoughts to others.
当前,聋哑人这个类别代表了我们社会中的许多人。手语是与聋哑人交流的主要方式,但大多数正常人对这种语言一无所知。出于这个原因,越来越需要找到与他们沟通的替代解决方案。我们可以提出三种不同的方法来帮助聋哑人享受更好更轻松的生活。首先,LIFE BEATS帮助聋哑人在突发卫生事件和事故中使用这款应用。其次,“聋人键盘”功能支持键盘中的设计语言图像和符号,作为图形和平面设计的不同功能。最后,帮助医生和卫生单位了解病人和受伤容易,可以帮助聋哑人理解所有的信息,解释疼痛的位置。聋哑人主要依靠手语向周围的人发送或接收信息。众所周知,手语使用手势、面部表情和手部动作与他人交流。听众很难理解这些表达,这给聋哑人向他人传达他们的想法或想法造成了很大的问题。
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引用次数: 0
The aesthetics of the artistic image in light of the crisis between the physical and the digital 物理与数字危机下的艺术形象美学
Pub Date : 2023-06-01 DOI: 10.21608/ijmsat.2023.136430.1009
Taha El Lail
: This research paper explores the aesthetics of the artistic image in the context of the crisis between the physical and the digital realms. The advent of digital technology has significantly transformed the creation, dissemination, and interpretation of artistic images, leading to a profound shift in aesthetic experiences. This study investigates the evolving relationship between the physical and the digital in contemporary art and examines how this crisis influences the aesthetics of the artistic image. Through a critical analysis of relevant literature, art theories, and case studies, this research explores the tensions, challenges, and opportunities presented by the collision of the physical and the digital in the realm of visual arts. It delves into concepts such as authenticity, materiality, temporality, and the role of the viewer in shaping the aesthetic perception of the artistic image. By examining the impact of digital technologies, virtual environments, and internet culture on artistic practices, this study aims to shed light on the evolving aesthetics in the digital age. The findings of this research contribute to a deeper understanding of the ways in which artists navigate and negotiate the crisis between the physical and the digital, providing insights into the possibilities for new forms of artistic expression, audience engagement, and the redefinition of aesthetic boundaries.
本研究探讨在实体与数位领域危机的背景下,艺术影像的美学。数字技术的出现极大地改变了艺术图像的创作、传播和解读,导致审美体验的深刻转变。本研究探讨了当代艺术中物理和数字之间不断演变的关系,并探讨了这种危机如何影响艺术形象的美学。通过对相关文献、艺术理论和案例研究的批判性分析,本研究探讨了视觉艺术领域中物理和数字碰撞所带来的紧张、挑战和机遇。它深入探讨了真实性、物质性、时间性以及观众在塑造艺术形象的审美感知中的作用等概念。通过研究数字技术、虚拟环境和网络文化对艺术实践的影响,本研究旨在揭示数字时代不断发展的美学。这项研究的发现有助于更深入地理解艺术家在物理和数字之间的危机中导航和协商的方式,为新形式的艺术表达、观众参与和审美界限的重新定义提供了洞见。
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引用次数: 0
The Benefit from the technical skills of Bach through Suite No. (3) for the cello 从巴赫的技术技巧到第一号组曲的益处。(3)大提琴演奏
Pub Date : 2022-12-01 DOI: 10.21608/ijmsat.2022.275545
Angie Alfy Anwr
: The Music history is divided into several eras, each of which has its own characteristics and style that distinguished it from other eras. In the ninth century, t he spread of polyphony began in Europe, which means polyphony, through lyrical performance without a instrumental until the Renaissance, bu t in t he sixt eenth century it was Music notation for instruments is able t o convey musical ideas clearly, and with the development of the musical instrument industry so did writing methods. With
当前位置音乐史分为几个时代,每个时代都有自己的特点和风格,区别于其他时代。9世纪,复调在欧洲开始传播,复调是指复调,直到文艺复兴时期都是通过没有乐器的抒情表演,但到了16世纪,乐器的乐谱才能够清晰地传达音乐思想,随着乐器工业的发展,书写方法也随之发展。与
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引用次数: 0
The art of prominent sculpture and its role in preserving cultural heritage in Egypt 杰出的雕塑艺术及其在保护埃及文化遗产中的作用
Pub Date : 2022-12-01 DOI: 10.21608/ijmsat.2022.275843
Salah Shaaban Hassanein
: Egypt is
埃及是
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引用次数: 0
Design values of the shape in Egyptian heritage arts between essence and function Experimental study 埃及遗产艺术中造型的设计价值:本质与功能之间的实验研究
Pub Date : 2022-12-01 DOI: 10.21608/ijmsat.2022.282251
Mohamed Abdel-Fattah Ahmed Al-Muslimani
: Reading and taking inspiration from heritage is a process based on a philosophical understanding of heritage. When a designer is fully aware of what they choose or exclude from heritage, a designer must answer the following questions: What kind of heritage do we deal with? What units, components or shapes do we choose? How do we address elements of heritage and inspire contemporary design? There is a difference between meditation leading to evolution and meditation leading to transport, simulation and imitation and heritage is a wide and complex formative field. Are we inspired by the formal concepts and patterns of heritage, or do we take the design values of the structure of the different formats, whether linear, geometric, simple, or composite in formations of overlap, overlap, abstraction, alteration, and simplification to produce different formations that are authentic and contemporary? Since the curriculum of the Faculty of Artistic Education in the material of decorative designs of the Second Division provides for interest in heritage, study and taste formally, the problem of current research on finding an innovative and different vision for addressing elements of heritage in order to reach decorative designs based on the inspiration of Egyptian heritage (Ancient Egyptian Art - Coptic Art - Islamic Art - Popular Art),
阅读和从遗产中获得灵感是一个基于对遗产的哲学理解的过程。当设计师充分意识到他们选择或排除哪些遗产时,设计师必须回答以下问题:我们处理的是什么样的遗产?我们选择什么样的单位、成分或形状?我们如何处理遗产元素并激发当代设计?冥想导致进化和冥想导致迁移是有区别的,模拟和模仿和遗产是一个广泛而复杂的形成领域。我们是受到传统的形式概念和模式的启发,还是从不同形式的结构中汲取设计价值,无论是线性的,几何的,简单的,还是重叠,重叠,抽象,改变和简化的组合形式,产生真实和现代的不同形式?由于第二学院艺术教育学院的装饰设计材料课程正式规定了对遗产,研究和品味的兴趣,目前的研究问题是寻找一种创新的和不同的视角来处理遗产元素,以达到基于埃及遗产灵感的装饰设计(古埃及艺术-科普特艺术-伊斯兰艺术-流行艺术),
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引用次数: 0
What is heritage and pioneers of modern and contemporary Egyptian art 什么是现代和当代埃及艺术的遗产和先驱
Pub Date : 2022-12-01 DOI: 10.21608/ijmsat.2022.276310
Bishoy Salah Gerges
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引用次数: 0
Study of Fashion Theories by James Laver 詹姆斯·拉弗的时尚理论研究
Pub Date : 2022-12-01 DOI: 10.21608/ijmsat.2022.275853
Laila Abdel Rahim El Maghraby
: Laver's approach to clothing forms was based on his belief, that there were no accidents in the history of clothing, and when examining the previous fashions, it was found that, the forms of “clothing depended primarily on the designer. As it is highlighted in the culture or civilization of this age, which affects the form of clothing in the social, and political structures of each era, as it is evident in his book "taste and fashion" from the French Revolution to this day, as confirms James Laver that, the presence of fashions is evidence of the impact of the place. It is clear that the fashion process has two aspects. First: Objective rhythms: change style clothes. Second: Personal subjective: which depends on the aesthetics of change in taste varies from costume to another.
当前位置Laver对服装形式的研究是基于他的信念,即在服装的历史上没有偶然,当研究以前的时尚时,他发现,“服装的形式主要取决于设计师”。正如它在这个时代的文化或文明中所强调的那样,它影响着每个时代的社会和政治结构中的服装形式,正如詹姆斯·拉弗(James Laver)在他的书《品味与时尚》(taste and fashion)中所强调的那样,从法国大革命到今天,时尚的存在证明了这个地方的影响。很明显,时尚的过程有两个方面。第一:客观节奏:换装风格。第二:个人主观:这取决于审美的变化,品味因服装而异。
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引用次数: 0
The relation of mental disorders with technical treatments in the work of the artist "Vincent van Gogh" 艺术家文森特·梵高作品中精神障碍与技术治疗的关系
Pub Date : 2022-06-01 DOI: 10.21608/ijmsat.2022.253402
Jailane hussein mohamed
Hence, the objectives of the research are determined in reading plastic art based on scientifically proven psychological diagnoses, and thus the research benefits specialists and researchers in the field of plastic art and psychology in discovering the psychological mysteries inherent in artistic works. So, we conclude that the psychological state of the artist is the base of the artwork and its main engine, and we also deduce the extent to which the psychologist and the artist can cooperate to decipher the symbols and metaphorical images of the artwork
因此,研究的目标是在阅读造型艺术的基础上,根据科学证明的心理诊断来确定的,因此,研究有利于造型艺术和心理学领域的专家和研究人员发现艺术作品中固有的心理奥秘。因此,我们得出结论,艺术家的心理状态是艺术作品的基础和主要引擎,我们也推断出心理学家和艺术家可以在多大程度上合作来破译艺术作品的符号和隐喻图像
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International Journal of Multidisciplinary Studies in Art and Technology
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