Pub Date : 2019-06-01DOI: 10.21608/ijmsat.2019.215476
Ibrahim Hassan, Atef Zaki
{"title":"3d Educational Games Supported By Augmented Reality","authors":"Ibrahim Hassan, Atef Zaki","doi":"10.21608/ijmsat.2019.215476","DOIUrl":"https://doi.org/10.21608/ijmsat.2019.215476","url":null,"abstract":"","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127994060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-01DOI: 10.21608/ijmsat.2019.179914
Imene M. Challouf
Bien qu’il soit l’élément essentiel dans la représentation photographique, puisqu’il est la surface sur laquelle sera projetée une prise de vue et sera matérialisée une empreinte (trace) lumineuse, les recherches plastiques concernant le papier photo sensible comme matière étaient très timides : elles étaient limitées au niveau de la représentation et de la plasticité de l’image uniquement. La prochaine pratique plastique, serait une série d’expérimentation à travers laquelle je cherchais à signaler le rôle indispensable du support (papier photo– sensible) dans la « fabrication » de l’image photographique ainsi que la remise en question de sa valeur artistique. Je voulais surtout ouvrir le champ à l’expérimentation dans la pratique de la photographie et remettre en évidence la matérialité du support photographique par l’intermédiaire des interventions personnelles que j’exerçais sur ce papier sensible. Le support qui était l’objet dans lequel s’incorpore et se stocke l’information à transmettre (l’image photographique) deviendra alors suite à mes manipulations un objet, autre, porteur de matérialité qui sera révélée par le geste et la répétition du geste. Ainsi la matérialité du support en soi devient une révélation et la révélation de la matérialité du support, elle, devient l’acte même fondateur de l’image photographique, qui, lors de cette expérimentation va emprunter une nouvelle dimension plastique, dont le principe de base se posera sur le comment d’un aboutissement à la concrétisation de la matérialité du support photographique.
{"title":"La Photo- Une pratique du support (poÏetique d’une experimentation plastique autour du support photographique )","authors":"Imene M. Challouf","doi":"10.21608/ijmsat.2019.179914","DOIUrl":"https://doi.org/10.21608/ijmsat.2019.179914","url":null,"abstract":"Bien qu’il soit l’élément essentiel dans la représentation photographique, puisqu’il est la surface sur laquelle sera projetée une prise de vue et sera matérialisée une empreinte (trace) lumineuse, les recherches plastiques concernant le papier photo sensible comme matière étaient très timides : elles étaient limitées au niveau de la représentation et de la plasticité de l’image uniquement. La prochaine pratique plastique, serait une série d’expérimentation à travers laquelle je cherchais à signaler le rôle indispensable du support (papier photo– sensible) dans la « fabrication » de l’image photographique ainsi que la remise en question de sa valeur artistique. Je voulais surtout ouvrir le champ à l’expérimentation dans la pratique de la photographie et remettre en évidence la matérialité du support photographique par l’intermédiaire des interventions personnelles que j’exerçais sur ce papier sensible. Le support qui était l’objet dans lequel s’incorpore et se stocke l’information à transmettre (l’image photographique) deviendra alors suite à mes manipulations un objet, autre, porteur de matérialité qui sera révélée par le geste et la répétition du geste. Ainsi la matérialité du support en soi devient une révélation et la révélation de la matérialité du support, elle, devient l’acte même fondateur de l’image photographique, qui, lors de cette expérimentation va emprunter une nouvelle dimension plastique, dont le principe de base se posera sur le comment d’un aboutissement à la concrétisation de la matérialité du support photographique.","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"83 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131570336","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-01DOI: 10.21608/ijmsat.2019.179913
Moataz Enad Ghazwan
Carpet is an applied category that is distinguished by many civilized peoples in the world, especially those peoples that enjoy a great cultural heritage rich in historical vocabulary and civilized symbols that suggest human connotations that emphasized the power of thought and thinking of civilized people and in turn sought to devise those symbols in contemporary applied arts Today, in its various forms and functions. The uses of these symbols have had a very important impact in emphasizing the value of the historical and cultural symbol in contemporary carpet design. Through the foregoing, the research problem can be identified by asking the following question: What are the intellectual and historical implications by deducing the historical symbol in contemporary carpet design?
{"title":"Intellectual and historical References and their reflections on contemporary applied arts carpets as a model","authors":"Moataz Enad Ghazwan","doi":"10.21608/ijmsat.2019.179913","DOIUrl":"https://doi.org/10.21608/ijmsat.2019.179913","url":null,"abstract":"Carpet is an applied category that is distinguished by many civilized peoples in the world, especially those peoples that enjoy a great cultural heritage rich in historical vocabulary and civilized symbols that suggest human connotations that emphasized the power of thought and thinking of civilized people and in turn sought to devise those symbols in contemporary applied arts Today, in its various forms and functions. The uses of these symbols have had a very important impact in emphasizing the value of the historical and cultural symbol in contemporary carpet design. Through the foregoing, the research problem can be identified by asking the following question: What are the intellectual and historical implications by deducing the historical symbol in contemporary carpet design?","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"8 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131539914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-01DOI: 10.21608/ijmsat.2019.179916
Yasser Badawy
Metaphysics is a universal science and philosophy that calls for philosophical and contemplative thinking and the realization of reason within the scope of "the objects of things and the being", the creative link of most modern theories in art, design and architecture, related to the inspiration of the universe and nature, However, the philosophy of metaphysics did not take enough attention from the researchers of artists and designers to put it into real application and to benefit from its principles in artistic expression, And the creation of artistic concepts that affect the prevailing artistic traditions and habits. The research was revealed as a strategic vision applicable to applied and applied arts, architecture, interior design, literature, poetry, music, visual arts, animation, audio and speech arts and media arts.
{"title":"Metaphysic of the universe a renewed inspiration strategy for artistic creativity with sustainable thought","authors":"Yasser Badawy","doi":"10.21608/ijmsat.2019.179916","DOIUrl":"https://doi.org/10.21608/ijmsat.2019.179916","url":null,"abstract":"Metaphysics is a universal science and philosophy that calls for philosophical and contemplative thinking and the realization of reason within the scope of \"the objects of things and the being\", the creative link of most modern theories in art, design and architecture, related to the inspiration of the universe and nature, However, the philosophy of metaphysics did not take enough attention from the researchers of artists and designers to put it into real application and to benefit from its principles in artistic expression, And the creation of artistic concepts that affect the prevailing artistic traditions and habits. The research was revealed as a strategic vision applicable to applied and applied arts, architecture, interior design, literature, poetry, music, visual arts, animation, audio and speech arts and media arts.","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129303550","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-01DOI: 10.21608/ijmsat.2018.179902
Sanajak Ibrahim Mustafa Muhammad, N. Mahmoud
{"title":"Creating modern designs for narrow interior spaces inspired by the art of origami","authors":"Sanajak Ibrahim Mustafa Muhammad, N. Mahmoud","doi":"10.21608/ijmsat.2018.179902","DOIUrl":"https://doi.org/10.21608/ijmsat.2018.179902","url":null,"abstract":"","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126650522","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-01DOI: 10.21608/ijmsat.2018.179907
Eman Mohamed Wajdy Ezzat Qasim
Man is a social being with his nature and instinct that allows him to diversify the tools and means of positive interaction and cultural integration with the other according to foundations, rules, traditions and symbols that are subject to modernity and development. In the 17th and 17th centuries AD, explorers caught the attention of signs and inscriptions found on Negro skins in Africa, and by studying them, he found that it is a culture enjoyed by all Tribe and constitute meanings and systems in the lives of its members.
{"title":"Formal formulations in beads inspired by African and Nubian arts symbols for students of the faculty of education (children's division)","authors":"Eman Mohamed Wajdy Ezzat Qasim","doi":"10.21608/ijmsat.2018.179907","DOIUrl":"https://doi.org/10.21608/ijmsat.2018.179907","url":null,"abstract":"Man is a social being with his nature and instinct that allows him to diversify the tools and means of positive interaction and cultural integration with the other according to foundations, rules, traditions and symbols that are subject to modernity and development. In the 17th and 17th centuries AD, explorers caught the attention of signs and inscriptions found on Negro skins in Africa, and by studying them, he found that it is a culture enjoyed by all Tribe and constitute meanings and systems in the lives of its members.","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114760767","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-01DOI: 10.21608/ijmsat.2018.179903
Eman M. Ezzat
The research is concerned with reaching a contemporary design method by directly thinking about the material of the fabrics, the techniques of khayamia, and the embroidery with the stitches of the fabric added to the handicrafts represented in the use of scraps and remnants of fabrics from ready-to-wear factories in the implementation in a simple technical way, depending on plastic formulas in an abstract style, formulas that support the collage derived from Khayamia as a heritage method that is used in modern aesthetic formulations.
{"title":"Experimental practices to develop formal and formative principles for handicrafts","authors":"Eman M. Ezzat","doi":"10.21608/ijmsat.2018.179903","DOIUrl":"https://doi.org/10.21608/ijmsat.2018.179903","url":null,"abstract":"The research is concerned with reaching a contemporary design method by directly thinking about the material of the fabrics, the techniques of khayamia, and the embroidery with the stitches of the fabric added to the handicrafts represented in the use of scraps and remnants of fabrics from ready-to-wear factories in the implementation in a simple technical way, depending on plastic formulas in an abstract style, formulas that support the collage derived from Khayamia as a heritage method that is used in modern aesthetic formulations.","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"2 9","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131437088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-06-01DOI: 10.21608/ijmsat.2018.179898
Wael Mohamed Kamel El-Sayed Afif, B. Youssef
Woodcrafts have been known since the pre-dynastic era. Wooden furniture has been depicted on tombs since the Old Kingdom, but surviving examples of them before the modern state are rare. Where the religious belief and belief in the resurrection dictated that Egyptians provide for their afterlife in the way they used to do in their religions, so their graves were deposited with supplies and equipment, and with the pictures and drawings spread on their walls, representing all matters of their lives. Egyptian furniture reached a high level of luxury, which no people could attain in that ancient time, and if the furniture is like a mirror, it reflects the personality of any people and the degree of its civilization, and then the ancient Egyptian furniture truly reflects the Egyptian environment and its civilization. In addition, if the carpentry, since the pre-dynastic period, was dry and devoid of integrity in its refinement, but the skill of the maker and his knowledge of the properties of the material enabled him to treat this industry and this formation properly.
{"title":"Ancient Egyptian furniture in the light of the characteristics that led to it’s preservation till now","authors":"Wael Mohamed Kamel El-Sayed Afif, B. Youssef","doi":"10.21608/ijmsat.2018.179898","DOIUrl":"https://doi.org/10.21608/ijmsat.2018.179898","url":null,"abstract":"Woodcrafts have been known since the pre-dynastic era. Wooden furniture has been depicted on tombs since the Old Kingdom, but surviving examples of them before the modern state are rare. Where the religious belief and belief in the resurrection dictated that Egyptians provide for their afterlife in the way they used to do in their religions, so their graves were deposited with supplies and equipment, and with the pictures and drawings spread on their walls, representing all matters of their lives. Egyptian furniture reached a high level of luxury, which no people could attain in that ancient time, and if the furniture is like a mirror, it reflects the personality of any people and the degree of its civilization, and then the ancient Egyptian furniture truly reflects the Egyptian environment and its civilization. In addition, if the carpentry, since the pre-dynastic period, was dry and devoid of integrity in its refinement, but the skill of the maker and his knowledge of the properties of the material enabled him to treat this industry and this formation properly.","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129438788","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-06-01DOI: 10.21608/ijmsat.2018.179895
Hoda Madani
{"title":"Aesthetic vision and creative in Islamic ceramics and it’s impact on contemporary pottery works","authors":"Hoda Madani","doi":"10.21608/ijmsat.2018.179895","DOIUrl":"https://doi.org/10.21608/ijmsat.2018.179895","url":null,"abstract":"","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134530684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-06-01DOI: 10.21608/ijmsat.2018.179893
Safaa Abdel Aziz Sabry Ismail
Raising and preparing generations is one of the most important issues that occupy the interest of educators in different eras, and that the need for it in this era is greater than before, as the current era witnesses many enormous and rapid challenges in all fields due to the existence of various revolutions (the information revolution the technology revolution the communication revolution) Although "the scientific and informational revolutions that society is witnessing and the use of technology and the automation and automation of most of their work, the renaissance of society requires attention to developing students' attitudes towards practicing manual work during the teaching and learning process). "Since we are in an era of challenges, we need a new mind and thinking and a generation of thinkers and creators to provide creative solutions to renewed problems in a rapidly changing era that imposes on society the inevitability of adapting to the civil explosion. Therefore, countries in different times seek to discover the talents of their children and provide them with the opportunity to experiment, care and attention.
{"title":"A Child's Creative Imaginative Aplenty Through Experimenting With Hand-Printing","authors":"Safaa Abdel Aziz Sabry Ismail","doi":"10.21608/ijmsat.2018.179893","DOIUrl":"https://doi.org/10.21608/ijmsat.2018.179893","url":null,"abstract":"Raising and preparing generations is one of the most important issues that occupy the interest of educators in different eras, and that the need for it in this era is greater than before, as the current era witnesses many enormous and rapid challenges in all fields due to the existence of various revolutions (the information revolution the technology revolution the communication revolution) Although \"the scientific and informational revolutions that society is witnessing and the use of technology and the automation and automation of most of their work, the renaissance of society requires attention to developing students' attitudes towards practicing manual work during the teaching and learning process). \"Since we are in an era of challenges, we need a new mind and thinking and a generation of thinkers and creators to provide creative solutions to renewed problems in a rapidly changing era that imposes on society the inevitability of adapting to the civil explosion. Therefore, countries in different times seek to discover the talents of their children and provide them with the opportunity to experiment, care and attention.","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130419163","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：