Pub Date : 2020-12-01DOI: 10.21608/ijmsat.2020.209926
Sandy Samir Mohammed Muneeb
{"title":"The effect of acids and Surface treatments as an input to achieve tangible values of metal work","authors":"Sandy Samir Mohammed Muneeb","doi":"10.21608/ijmsat.2020.209926","DOIUrl":"https://doi.org/10.21608/ijmsat.2020.209926","url":null,"abstract":"","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"62 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127578372","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-01DOI: 10.21608/IJMSAT.2020.179945
Basma Khalil Ibrahim Khalil
There is no doubt that the Dutch plastic artist Rembrandt had his style separate from the artists of his time, and he influenced almost every field of Dutch art, and he was inspired by artists around the world and this influence was repeated and continued in no way in the history of art, and this influence extended until The present time includes the fields of arts, especially in cinema. For filmmakers, as well as generations of art enthusiasts, Rembrandt is the master of light and shadow, and his style of light distribution in painting has influenced many photographers and lighting designers in the history of cinema. In a study conducted to clarify the relationship between plastic art (photography and cinema or motion picture), some critics and filmmakers believed that without the paintings of the Dutch master of photography in the seventeenth century, many masterpieces of cinematography would not exist. Since the beginning of the fifteenth century, artists have used light as if it were a living element, invoking it and using it persuasively to create their own vision, light and shadow, essential components of the art of photography and cinematography, were given for the first time their true freedom by the Dutch artist Rembrandt and expanded with enthusiasm in The world of imagination, and his art was a source of inspiration for filmmakers in building the composition of the shots and the freedom of movement was given to the camera poetically through it, and he set the standard of the camera that it should be. Thus, Rembrandt, with his dramatic style, has inspired many generations in the history of art, and his influence extended to include many different branches of art, not just plastic art.
{"title":"The influence of Rembrandt on composition of image in movies","authors":"Basma Khalil Ibrahim Khalil","doi":"10.21608/IJMSAT.2020.179945","DOIUrl":"https://doi.org/10.21608/IJMSAT.2020.179945","url":null,"abstract":"There is no doubt that the Dutch plastic artist Rembrandt had his style separate from the artists of his time, and he influenced almost every field of Dutch art, and he was inspired by artists around the world and this influence was repeated and continued in no way in the history of art, and this influence extended until The present time includes the fields of arts, especially in cinema. For filmmakers, as well as generations of art enthusiasts, Rembrandt is the master of light and shadow, and his style of light distribution in painting has influenced many photographers and lighting designers in the history of cinema. In a study conducted to clarify the relationship between plastic art (photography and cinema or motion picture), some critics and filmmakers believed that without the paintings of the Dutch master of photography in the seventeenth century, many masterpieces of cinematography would not exist. Since the beginning of the fifteenth century, artists have used light as if it were a living element, invoking it and using it persuasively to create their own vision, light and shadow, essential components of the art of photography and cinematography, were given for the first time their true freedom by the Dutch artist Rembrandt and expanded with enthusiasm in The world of imagination, and his art was a source of inspiration for filmmakers in building the composition of the shots and the freedom of movement was given to the camera poetically through it, and he set the standard of the camera that it should be. Thus, Rembrandt, with his dramatic style, has inspired many generations in the history of art, and his influence extended to include many different branches of art, not just plastic art.","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116609794","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-01DOI: 10.21608/IJMSAT.2020.179948
Walid Muhammad Abdullah Qanoush
The fields of artistic creativity are distinguished from other areas of life by that ability to express the state of civilized, knowledge, social and also economic societies, and it is historically proven that there is no single example indicating that a society has witnessed its arts sophistication and distinction and its creative products achieved a special personality and made a strong impact in periods The collapse and decline, and it is also proven that all the major transformations in the art movement and its concepts were mainly related to the general societal achievement, in the ancient Egyptian civilization the flourishing arts were associated with periods of political stability and prosperity, and in Islamic history the arts of architecture, applied arts and other arts fields flourished during periods of expansion and scientific and economic progress. In Europe, the art movement and its development accompanied the stages of growth and development beginning with the Renaissance.
{"title":"Visual arts in Egypt, between re-reading history and the influences of western culture","authors":"Walid Muhammad Abdullah Qanoush","doi":"10.21608/IJMSAT.2020.179948","DOIUrl":"https://doi.org/10.21608/IJMSAT.2020.179948","url":null,"abstract":"The fields of artistic creativity are distinguished from other areas of life by that ability to express the state of civilized, knowledge, social and also economic societies, and it is historically proven that there is no single example indicating that a society has witnessed its arts sophistication and distinction and its creative products achieved a special personality and made a strong impact in periods The collapse and decline, and it is also proven that all the major transformations in the art movement and its concepts were mainly related to the general societal achievement, in the ancient Egyptian civilization the flourishing arts were associated with periods of political stability and prosperity, and in Islamic history the arts of architecture, applied arts and other arts fields flourished during periods of expansion and scientific and economic progress. In Europe, the art movement and its development accompanied the stages of growth and development beginning with the Renaissance.","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"132 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132587476","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-01DOI: 10.21608/ijmsat.2020.193003
Enas Badr Al-Din Sakr
key words: Summary Artistic trends have multiplied and varied, and the history of art has witnessed this, and new schools and different styles in form and style continued to emerge as a result of changing the context of societies, which affected the new trends and imposed the same style, even if after a good period of time, and some artistic trends appeared as a reaction to what came before them. It is one of the forms of art that may saturate the community and become unintentionally calling and looking for new ones that accompany the cultural environment and the avant-garde ideas of the same time, thus changing the concept of beauty and each time and every society has a different artistic vision formed from the womb of its environment, as well as some artists who distinguished themselves in a unique and distinctive style, One of them has become a pioneer of a school or an art direction that did not exist before. Artistic strains continuity creative vision
{"title":"Artistic strains and the continuity of creative vision","authors":"Enas Badr Al-Din Sakr","doi":"10.21608/ijmsat.2020.193003","DOIUrl":"https://doi.org/10.21608/ijmsat.2020.193003","url":null,"abstract":"key words: Summary Artistic trends have multiplied and varied, and the history of art has witnessed this, and new schools and different styles in form and style continued to emerge as a result of changing the context of societies, which affected the new trends and imposed the same style, even if after a good period of time, and some artistic trends appeared as a reaction to what came before them. It is one of the forms of art that may saturate the community and become unintentionally calling and looking for new ones that accompany the cultural environment and the avant-garde ideas of the same time, thus changing the concept of beauty and each time and every society has a different artistic vision formed from the womb of its environment, as well as some artists who distinguished themselves in a unique and distinctive style, One of them has become a pioneer of a school or an art direction that did not exist before. Artistic strains continuity creative vision","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128666163","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-01DOI: 10.21608/ijmsat.2020.187847
Walid Hussein Ahmed Ahmed Jahin
{"title":"(International Exhibition of Contemporary Art - Egypt and South Korea)","authors":"Walid Hussein Ahmed Ahmed Jahin","doi":"10.21608/ijmsat.2020.187847","DOIUrl":"https://doi.org/10.21608/ijmsat.2020.187847","url":null,"abstract":"","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116250021","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-01DOI: 10.21608/IJMSAT.2020.179946
Qadria Tawakkul Al-Bandari
The traditional crafts are considered an entry point for the development of the border areas in Algeria because they are a heritage. It expresses the national identity that characterized Algeria, as it is a group of experiences That have been passed down from generation to generation, and given that today we, as Arab countries, try to the obliteration of the Arab-Islamic identity through the flattening of the world and the melting of civilizations Arabia to dissolve into global entities, and the Arab nation becomes without an identity, no history, or no.In the past, and the features of the Arab Islamic nation disappear, and this is how the West succeeds in the name of globalization in the eradication of the landmarks of the Arab nation forever. This is a warning of the danger that the nation must pay attention to the nation.
{"title":"The role of handicrafts in the development of border areas ( Egypt as a model)","authors":"Qadria Tawakkul Al-Bandari","doi":"10.21608/IJMSAT.2020.179946","DOIUrl":"https://doi.org/10.21608/IJMSAT.2020.179946","url":null,"abstract":"The traditional crafts are considered an entry point for the development of the border areas in Algeria because they are a heritage. It expresses the national identity that characterized Algeria, as it is a group of experiences That have been passed down from generation to generation, and given that today we, as Arab countries, try to the obliteration of the Arab-Islamic identity through the flattening of the world and the melting of civilizations Arabia to dissolve into global entities, and the Arab nation becomes without an identity, no history, or no.In the past, and the features of the Arab Islamic nation disappear, and this is how the West succeeds in the name of globalization in the eradication of the landmarks of the Arab nation forever. This is a warning of the danger that the nation must pay attention to the nation.","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125654735","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-06-01DOI: 10.21608/IJMSAT.2020.179937
S. Muhammad
The landscape is one of the topics closely related to the art of drawing and photography throughout the various stages of history. Many artists have excelled in treating its elements such as the sky, mountains, trees, plants, seas and clouds. Nature, with its elements of trees and plants, are miniature worlds of human interests, and a symbol of creativity and magic. They always symbolize life and are similar in relation to birth and death. With the beginning of the nineteenth century and the emergence of technological progress, landscape painting had a real presence, and it was able to develop and adapt to most artistic trends and schools of impressionism, expressionism, experimentalism, surrealism ... etc.
{"title":"The conceptual dimension and seeing nature in postmodern arts preparation","authors":"S. Muhammad","doi":"10.21608/IJMSAT.2020.179937","DOIUrl":"https://doi.org/10.21608/IJMSAT.2020.179937","url":null,"abstract":"The landscape is one of the topics closely related to the art of drawing and photography throughout the various stages of history. Many artists have excelled in treating its elements such as the sky, mountains, trees, plants, seas and clouds. Nature, with its elements of trees and plants, are miniature worlds of human interests, and a symbol of creativity and magic. They always symbolize life and are similar in relation to birth and death. With the beginning of the nineteenth century and the emergence of technological progress, landscape painting had a real presence, and it was able to develop and adapt to most artistic trends and schools of impressionism, expressionism, experimentalism, surrealism ... etc.","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126009282","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-06-01DOI: 10.21608/IJMSAT.2020.179943
Amani Ramadan Mustafa Mansour
Since the dawn of time, symbols have expressed the human arts, so the visual language was through Functional and aesthetic values of ancient civilizations, and visual culture comes as an integrated system of signs, symbols, visual cultural formulas, shapes, relationships and contents bearing the experiences and balance of civilized The contemporary service mark with its features and carries with it the thought and civilization of the nation. The researcher has seen that the signs across ancient civilizations and the functional and aesthetic values they represent can form an important axis from which the designer can start to enrich the visual cultural formulas of the contemporary service mark peoples and is characterized by Introduction.
{"title":"The functional and aesthetic values for the sign through ancient civilizations as an entrance to enrich the visual and cultural formulas of the contemporary service sign","authors":"Amani Ramadan Mustafa Mansour","doi":"10.21608/IJMSAT.2020.179943","DOIUrl":"https://doi.org/10.21608/IJMSAT.2020.179943","url":null,"abstract":"Since the dawn of time, symbols have expressed the human arts, so the visual language was through Functional and aesthetic values of ancient civilizations, and visual culture comes as an integrated system of signs, symbols, visual cultural formulas, shapes, relationships and contents bearing the experiences and balance of civilized The contemporary service mark with its features and carries with it the thought and civilization of the nation. The researcher has seen that the signs across ancient civilizations and the functional and aesthetic values they represent can form an important axis from which the designer can start to enrich the visual cultural formulas of the contemporary service mark peoples and is characterized by Introduction.","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114800364","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-06-01DOI: 10.21608/ijmsat.2020.187845
Alaa Mohamed Mahmoud Ahmed Hassaballah
{"title":"The impact of artistic and craft heritage on the works of innate artists The artist Mabrouk Ismail Mabrouk is a model \"Analytical field study\"","authors":"Alaa Mohamed Mahmoud Ahmed Hassaballah","doi":"10.21608/ijmsat.2020.187845","DOIUrl":"https://doi.org/10.21608/ijmsat.2020.187845","url":null,"abstract":"","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126879142","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-06-01DOI: 10.21608/ijmsat.2020.179939
Abazar Emad Muhammad Sadaq AL-BAGHDADI
It is not secret to the specialist in the artistic composition that the sculptor performed a reactive interactive system that takes its aesthetic forms from its surroundings. It sometimes adds and sometimes draws from it according to cognitive references. The imaginary meditation is one of its most prominent forms. The artist is not far from his surroundings, he is the first inspiration for his creations. In the course of history, the formation of modernity and beyond, in which there is a difference in aesthetic and intellectual visions, has been reflected in a clear level of performances for various forms. The first chapter of the research includes the methodological framework of the research problem, its importance, the need for it, the purpose of research and its limits, and then defining and defining the terms used in the research. The second chapter is a representative of the theoretical framework in its two sections. The first comes to know about (the contemplative act between thought and science). The second is the Tamilah in art. The third chapter is a representative of the research procedures, the research community, its sample and tools, and then the analysis of the samples.
{"title":"The contemplative verb in contemporary sculptural work \"An analytical study\"","authors":"Abazar Emad Muhammad Sadaq AL-BAGHDADI","doi":"10.21608/ijmsat.2020.179939","DOIUrl":"https://doi.org/10.21608/ijmsat.2020.179939","url":null,"abstract":"It is not secret to the specialist in the artistic composition that the sculptor performed a reactive interactive system that takes its aesthetic forms from its surroundings. It sometimes adds and sometimes draws from it according to cognitive references. The imaginary meditation is one of its most prominent forms. The artist is not far from his surroundings, he is the first inspiration for his creations. In the course of history, the formation of modernity and beyond, in which there is a difference in aesthetic and intellectual visions, has been reflected in a clear level of performances for various forms. The first chapter of the research includes the methodological framework of the research problem, its importance, the need for it, the purpose of research and its limits, and then defining and defining the terms used in the research. The second chapter is a representative of the theoretical framework in its two sections. The first comes to know about (the contemplative act between thought and science). The second is the Tamilah in art. The third chapter is a representative of the research procedures, the research community, its sample and tools, and then the analysis of the samples.","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125326237","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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