Pub Date : 2020-06-01DOI: 10.21608/ijmsat.2020.179939
Abazar Emad Muhammad Sadaq AL-BAGHDADI
It is not secret to the specialist in the artistic composition that the sculptor performed a reactive interactive system that takes its aesthetic forms from its surroundings. It sometimes adds and sometimes draws from it according to cognitive references. The imaginary meditation is one of its most prominent forms. The artist is not far from his surroundings, he is the first inspiration for his creations. In the course of history, the formation of modernity and beyond, in which there is a difference in aesthetic and intellectual visions, has been reflected in a clear level of performances for various forms. The first chapter of the research includes the methodological framework of the research problem, its importance, the need for it, the purpose of research and its limits, and then defining and defining the terms used in the research. The second chapter is a representative of the theoretical framework in its two sections. The first comes to know about (the contemplative act between thought and science). The second is the Tamilah in art. The third chapter is a representative of the research procedures, the research community, its sample and tools, and then the analysis of the samples.
{"title":"The contemplative verb in contemporary sculptural work \"An analytical study\"","authors":"Abazar Emad Muhammad Sadaq AL-BAGHDADI","doi":"10.21608/ijmsat.2020.179939","DOIUrl":"https://doi.org/10.21608/ijmsat.2020.179939","url":null,"abstract":"It is not secret to the specialist in the artistic composition that the sculptor performed a reactive interactive system that takes its aesthetic forms from its surroundings. It sometimes adds and sometimes draws from it according to cognitive references. The imaginary meditation is one of its most prominent forms. The artist is not far from his surroundings, he is the first inspiration for his creations. In the course of history, the formation of modernity and beyond, in which there is a difference in aesthetic and intellectual visions, has been reflected in a clear level of performances for various forms. The first chapter of the research includes the methodological framework of the research problem, its importance, the need for it, the purpose of research and its limits, and then defining and defining the terms used in the research. The second chapter is a representative of the theoretical framework in its two sections. The first comes to know about (the contemplative act between thought and science). The second is the Tamilah in art. The third chapter is a representative of the research procedures, the research community, its sample and tools, and then the analysis of the samples.","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125326237","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-06-01DOI: 10.21608/IJMSAT.2020.179935
E. Othman
Peoples in the modern era are trying to find ways to defend their cultural identity, to preserve their privacy, and this responsibility rests with everyone, governments, peoples, intellectuals and artists. It is imperative for the person in general and the artist in particular to preserve his personality through His works in terms of the subject matter and the choice of the elements and techniques used to produce these works of art. Therefore, this research came to deal with the impact of the Egyptian identity as a source for the creativity of print paintings inspired by ancient Egyptian scrolls. The study began with an introduction on the importance of highlighting the Egyptian identity through art in light of technological development, through a descriptive study of selections from ancient Egyptian mushafs. The ancient (travel literature in Pharaonic Egypt) from the pre-dynastic era until the end of the modern state, in order to get acquainted with the plastic values of it, along with identifying the general features of ancient Egyptian art according to the different schools of art at the time, which are represented in idealism, realism, and the school in which it was mixed The two together, and the Atunian school), which these schools continued to exist throughout the various ancient Egyptian civilizations.
{"title":"The aesthetic values in ancient Egyptian stretchers as a source of creativity contemporary printing formulations","authors":"E. Othman","doi":"10.21608/IJMSAT.2020.179935","DOIUrl":"https://doi.org/10.21608/IJMSAT.2020.179935","url":null,"abstract":"Peoples in the modern era are trying to find ways to defend their cultural identity, to preserve their privacy, and this responsibility rests with everyone, governments, peoples, intellectuals and artists. It is imperative for the person in general and the artist in particular to preserve his personality through His works in terms of the subject matter and the choice of the elements and techniques used to produce these works of art. Therefore, this research came to deal with the impact of the Egyptian identity as a source for the creativity of print paintings inspired by ancient Egyptian scrolls. The study began with an introduction on the importance of highlighting the Egyptian identity through art in light of technological development, through a descriptive study of selections from ancient Egyptian mushafs. The ancient (travel literature in Pharaonic Egypt) from the pre-dynastic era until the end of the modern state, in order to get acquainted with the plastic values of it, along with identifying the general features of ancient Egyptian art according to the different schools of art at the time, which are represented in idealism, realism, and the school in which it was mixed The two together, and the Atunian school), which these schools continued to exist throughout the various ancient Egyptian civilizations.","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"105 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133562537","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-01DOI: 10.21608/ijmsat.2019.179919
Naha Sayed Mohamed Afifi, A. Hassan
The works of the cladding are considered heritage works. Ancient civilizations were characterized by the decoration of the buildings with a variety of natural materials, especially palaces and houses of worship. All types of cladding like tiles & Panels or decorative units are used to decorate architectural facades by using natural and industrial raw materials, whether in the whole building or parts thereof. Modern technologies, equipment, materials and technologies have enabled the development of the artificial materials. Among these technologies is the manufacture of rubber molds. This industry offers many economic and industrial advantages that can be utilized in the production of cladding units. The manufacture of molds depends on the manufacture of the mold and the extraction of the formulations through the material inside it. Silicone rubber is one of the best raw materials used in the manufacture of molds. The substrates are made of polyester reinforced with fiber glass, and other industrial features offered by this technique can give effects similar to the appearance of natural materials such as stones, marble and the effects of various metals. The process of production depends on many materials and tools through successive stages to reach the final product and follow some instructions when dealing with the materials used, so as not to be subjected to the product of many manufacturing defects, which may appear during the stages of manufacturing, which are done manually. The quality of the production is depending on the craftsmanship, experience and aesthetics of these industries.
{"title":"Production an external cladding units using Rubber mold and polyester","authors":"Naha Sayed Mohamed Afifi, A. Hassan","doi":"10.21608/ijmsat.2019.179919","DOIUrl":"https://doi.org/10.21608/ijmsat.2019.179919","url":null,"abstract":"The works of the cladding are considered heritage works. Ancient civilizations were characterized by the decoration of the buildings with a variety of natural materials, especially palaces and houses of worship. All types of cladding like tiles & Panels or decorative units are used to decorate architectural facades by using natural and industrial raw materials, whether in the whole building or parts thereof. Modern technologies, equipment, materials and technologies have enabled the development of the artificial materials. Among these technologies is the manufacture of rubber molds. This industry offers many economic and industrial advantages that can be utilized in the production of cladding units. The manufacture of molds depends on the manufacture of the mold and the extraction of the formulations through the material inside it. Silicone rubber is one of the best raw materials used in the manufacture of molds. The substrates are made of polyester reinforced with fiber glass, and other industrial features offered by this technique can give effects similar to the appearance of natural materials such as stones, marble and the effects of various metals. The process of production depends on many materials and tools through successive stages to reach the final product and follow some instructions when dealing with the materials used, so as not to be subjected to the product of many manufacturing defects, which may appear during the stages of manufacturing, which are done manually. The quality of the production is depending on the craftsmanship, experience and aesthetics of these industries.","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125052814","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-01DOI: 10.21608/ijmsat.2019.179928
Sherif Massad Muhammad Aref
{"title":"The aesthetic and functional relationship of the mineral gathering in Islamic arts","authors":"Sherif Massad Muhammad Aref","doi":"10.21608/ijmsat.2019.179928","DOIUrl":"https://doi.org/10.21608/ijmsat.2019.179928","url":null,"abstract":"","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130311109","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-01DOI: 10.21608/ijmsat.2019.179924
Ghadeer Elmayah
The impressionist artists' works are famous for their new distinctive visual features which resulted in an artistic revolution in the fields of drawing, painting and colours effects. They depend greatly on colour and light effects in achieving the three dimension perspective, and the effect of the sunlight on things and objects and how does it give different impressions with the sunlight's reflection. The word impressionism is actually derived from the impression on elements of nature. This term is in fact used to describe the artists of the mid nineteenth century who have contributed greatly in changing the manner of drawing forms in an enlightened way (pulsing with light), as an attempt to focus on what the human eye sees in a glance, and not what the seer feels towards this natural scene. This school marks a turning point and an inspiration in the transitional period from classical arts to modern arts. which consequently aims at recording the impression as perceived by the eye and this is achieved through the reflection of light, climate, season and time.
{"title":"Taking advantage of the the textile influence to add the dimension of concrete to the works of the artist (Claude Monet )","authors":"Ghadeer Elmayah","doi":"10.21608/ijmsat.2019.179924","DOIUrl":"https://doi.org/10.21608/ijmsat.2019.179924","url":null,"abstract":"The impressionist artists' works are famous for their new distinctive visual features which resulted in an artistic revolution in the fields of drawing, painting and colours effects. They depend greatly on colour and light effects in achieving the three dimension perspective, and the effect of the sunlight on things and objects and how does it give different impressions with the sunlight's reflection. The word impressionism is actually derived from the impression on elements of nature. This term is in fact used to describe the artists of the mid nineteenth century who have contributed greatly in changing the manner of drawing forms in an enlightened way (pulsing with light), as an attempt to focus on what the human eye sees in a glance, and not what the seer feels towards this natural scene. This school marks a turning point and an inspiration in the transitional period from classical arts to modern arts. which consequently aims at recording the impression as perceived by the eye and this is achieved through the reflection of light, climate, season and time.","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"105 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115073487","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-01DOI: 10.21608/ijmsat.2019.179926
A. Soliman
Illustrations are one of the communication tools that have been able to create for themselves the aesthetic and communicative characteristics and features that are unique to them from other communication tools. This field has been able to create for itself an artistic field that has changed and developed throughout history according to changing political and social conditions and technological progress, as well as with the development of various artistic styles. The relationship between drawings and texts was a close relationship that combines imagination, creativity and skill to express specific information or tell stories visually and create new worlds and bodies, so the drawings accompanying the texts acquired many visual and functional characteristics and characteristics in addition to providing us with a visual heritage that objectively reflects our culture. The illustrations have proven their ability to adapt to information design in communicating information and details and how they affect the perception and understanding of the recipient, as they give the viewer a detailed picture of topics that are difficult to see with the naked eye. The illustrations used in the design of the information have visual and aesthetic properties that distinguish them from other typographical elements that can appear in any design.
{"title":"The aesthetic and communicative values of illustrations used in infographic","authors":"A. Soliman","doi":"10.21608/ijmsat.2019.179926","DOIUrl":"https://doi.org/10.21608/ijmsat.2019.179926","url":null,"abstract":"Illustrations are one of the communication tools that have been able to create for themselves the aesthetic and communicative characteristics and features that are unique to them from other communication tools. This field has been able to create for itself an artistic field that has changed and developed throughout history according to changing political and social conditions and technological progress, as well as with the development of various artistic styles. The relationship between drawings and texts was a close relationship that combines imagination, creativity and skill to express specific information or tell stories visually and create new worlds and bodies, so the drawings accompanying the texts acquired many visual and functional characteristics and characteristics in addition to providing us with a visual heritage that objectively reflects our culture. The illustrations have proven their ability to adapt to information design in communicating information and details and how they affect the perception and understanding of the recipient, as they give the viewer a detailed picture of topics that are difficult to see with the naked eye. The illustrations used in the design of the information have visual and aesthetic properties that distinguish them from other typographical elements that can appear in any design.","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"80 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127440294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-01DOI: 10.21608/ijmsat.2019.179922
Hadeel Muhammad Aziz Nazmi Salem
The values of employing the mediator in the space of the painting varied, exploring the role of technology and experimentation in the dimensional and physical systems, and the relationship between form and function continued to accompany the artwork for material purposes, the mediator has played the role of the material carrier at some times, while in this research it is intended the aesthetic role and being a subject on which the idea of the artistic work itself depends that it is a re-exploration and interpretation of the medium in its ability to multiply and cross the limits of techniques and trends pertaining to artistic work to form a kind of mixing with digital technology and contemporary quality concept and to become a source of aesthetic construction among the specific interactions of the performances accompanying the artistic work space. The medium represents a material that can be added and treated for a purpose that goes beyond the construction of the visual plastic concept. Rather, it reached through the experiments of painting space and artistic work to the point of theorizing for modernist projects and trends that exceeded the limits of classification and different visual styles from the means of expression with materials and technical means, as it became crossing the limits of science and aesthetic and expressive formulas overcoming the temporal and spatial determinants of the space of the artistic work. The necessity of selective visual media with artwork and painting is not in its being to reproduce images of visible reality, but in its ability to make what is beyond the visible world a visible world. The visual medium is a diacritical language loaded with the artist's own experience in terms of expression, imaginative flexibility, a tendency towards experimentation, the ability to analyze, visual and formal composition, possessing an independent language, and the possibility of aesthetically linking the technological and technical dream world with the real world and by selecting the medium the surface turns into a visual passion. So it takes us directly to the world of art and calls for the relationships of things and their multiple phenomena to reach modernist stages of creative perception of artistic work.
{"title":"Specific selective media inspiring ideas of visual expression in the artistic space : an applied study in the field of painting for the interphone and transient exhibition “The medium survival and the surfaces is a visual passion ”","authors":"Hadeel Muhammad Aziz Nazmi Salem","doi":"10.21608/ijmsat.2019.179922","DOIUrl":"https://doi.org/10.21608/ijmsat.2019.179922","url":null,"abstract":"The values of employing the mediator in the space of the painting varied, exploring the role of technology and experimentation in the dimensional and physical systems, and the relationship between form and function continued to accompany the artwork for material purposes, the mediator has played the role of the material carrier at some times, while in this research it is intended the aesthetic role and being a subject on which the idea of the artistic work itself depends that it is a re-exploration and interpretation of the medium in its ability to multiply and cross the limits of techniques and trends pertaining to artistic work to form a kind of mixing with digital technology and contemporary quality concept and to become a source of aesthetic construction among the specific interactions of the performances accompanying the artistic work space. The medium represents a material that can be added and treated for a purpose that goes beyond the construction of the visual plastic concept. Rather, it reached through the experiments of painting space and artistic work to the point of theorizing for modernist projects and trends that exceeded the limits of classification and different visual styles from the means of expression with materials and technical means, as it became crossing the limits of science and aesthetic and expressive formulas overcoming the temporal and spatial determinants of the space of the artistic work. The necessity of selective visual media with artwork and painting is not in its being to reproduce images of visible reality, but in its ability to make what is beyond the visible world a visible world. The visual medium is a diacritical language loaded with the artist's own experience in terms of expression, imaginative flexibility, a tendency towards experimentation, the ability to analyze, visual and formal composition, possessing an independent language, and the possibility of aesthetically linking the technological and technical dream world with the real world and by selecting the medium the surface turns into a visual passion. So it takes us directly to the world of art and calls for the relationships of things and their multiple phenomena to reach modernist stages of creative perception of artistic work.","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122815156","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-01DOI: 10.21608/ijmsat.2019.189662
Aya Mohamed Kamal ElDean Amean
{"title":"The interaction between materials technology and theatrical scenography","authors":"Aya Mohamed Kamal ElDean Amean","doi":"10.21608/ijmsat.2019.189662","DOIUrl":"https://doi.org/10.21608/ijmsat.2019.189662","url":null,"abstract":"","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"95 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124634248","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-01DOI: 10.21608/ijmsat.2019.179909
Salah Shaaban Hassanein ABDEL RAHMAN
Minerals are one of the most abundant elements in nature, and they have a strong and distinctive presence and influence in human civilization, as they have contributed, with their multiple capabilities, to achieving many achievements, starting from simple metal tools to powerful compounds. The discovery of minerals is a revolution in the history of the development of human thought, as it moved from the era of stone use to the era of metal use and the subsequent discovery of its strength and uniqueness, and one of the most important minerals that had a great impact on industrial development is copper metal, which was used in the past in the manufacture of weapons and tools.
{"title":"FORGING ON COPPER BETWEEN CRAFT AND CREATIVITY","authors":"Salah Shaaban Hassanein ABDEL RAHMAN","doi":"10.21608/ijmsat.2019.179909","DOIUrl":"https://doi.org/10.21608/ijmsat.2019.179909","url":null,"abstract":"Minerals are one of the most abundant elements in nature, and they have a strong and distinctive presence and influence in human civilization, as they have contributed, with their multiple capabilities, to achieving many achievements, starting from simple metal tools to powerful compounds. The discovery of minerals is a revolution in the history of the development of human thought, as it moved from the era of stone use to the era of metal use and the subsequent discovery of its strength and uniqueness, and one of the most important minerals that had a great impact on industrial development is copper metal, which was used in the past in the manufacture of weapons and tools.","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130953394","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-01DOI: 10.21608/ijmsat.2019.179911
Shaima Salama Ibrahim Desouki
Painting is one of the most important arts that highlight the civilization of peoples, and it is one of the important means For expressing human experience and transferring knowledge across generations, photography has gone through stages Various and multiple developments, and the history of imaging on glass and its spread goes back to me The middle of the twelfth century AD, although most historians refer to the art of painting On glass for very ancient times, photography on glass depends on the ability of Designed on creativity, using a variety of materials and tools to obtain aesthetic values To photograph in his artistic works of glass, in which many glass artists have excelled It is known that local glass colorants have limited capabilities and have limited capabilities The surface appearance is less lustrous than the glass colorants produced worldwide in photography On the glass.
{"title":"FORMULATIONS FOR GLASS PAINT USING LOCAL PAINTS","authors":"Shaima Salama Ibrahim Desouki","doi":"10.21608/ijmsat.2019.179911","DOIUrl":"https://doi.org/10.21608/ijmsat.2019.179911","url":null,"abstract":"Painting is one of the most important arts that highlight the civilization of peoples, and it is one of the important means For expressing human experience and transferring knowledge across generations, photography has gone through stages Various and multiple developments, and the history of imaging on glass and its spread goes back to me The middle of the twelfth century AD, although most historians refer to the art of painting On glass for very ancient times, photography on glass depends on the ability of Designed on creativity, using a variety of materials and tools to obtain aesthetic values To photograph in his artistic works of glass, in which many glass artists have excelled It is known that local glass colorants have limited capabilities and have limited capabilities The surface appearance is less lustrous than the glass colorants produced worldwide in photography On the glass.","PeriodicalId":228688,"journal":{"name":"International Journal of Multidisciplinary Studies in Art and Technology","volume":"232 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134379691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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