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When Actions Speak Louder … 当行动更响亮……
Pub Date : 2017-12-01 DOI: 10.1215/10418385-4208415
M. Constable
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引用次数: 0
A Prayer for Lim Lee Ching 为林利清祈祷
Pub Date : 2017-12-01 DOI: 10.1215/10418385-4208478
J. Fernando
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引用次数: 0
Liberalism, Disfigured 自由主义,毁容
Pub Date : 2017-06-27 DOI: 10.1215/10418385-3930410
A. Barbour
It is perhaps a safe bet that at present liberalism and liberal are more often than not taken as pejoratives in academic discourse, particularly in theory cultures. As AndrewW. Mellon Professor of Humanities and English at Brown University, Amanda Anderson is sharply aware that the affiliation liberal in literary studies and the humanities can today be as risky a critical investment as humanist: not least because of the perceived difficulty of conceiving a liberalism outside of neoliberalism, liberalism is often presumed to be a retrograde, theoretically naive, even “bankrupt mode of critical political thought” (bl, 45), thoroughly debunked by the last half century of deconstructive, poststructuralist, and radical critique. Bleak Liberalism turns the tables on such critical divestments from liberalism. For Anderson, the present bankruptcy of the concept of liberalism in academic discourse—as well as in intellectual and literary history—discloses a deficit not so much in liberal thinking as in radical critique. By radical critique Anderson refers less to an explicit political affiliation or
或许可以肯定的是,目前在学术话语中,尤其是在理论文化中,自由主义和自由主义往往被视为贬义词。AndrewW。布朗大学(Brown University)梅隆大学(Mellon)人文与英语教授阿曼达·安德森(Amanda Anderson)敏锐地意识到,在文学研究和人文学科中加入自由主义,在今天可能与人文主义一样,是一项有风险的重要投资:尤其是因为在新自由主义之外设想自由主义的困难,自由主义经常被认为是一种倒退的、理论上天真的、甚至是“破产的批判政治思想模式”(bl, 45),被过去半个世纪的解构主义、后结构主义和激进批判彻底揭穿。黯淡的自由主义扭转了这种对自由主义的关键性撤资的局面。对安德森来说,目前自由主义概念在学术话语中的破产——以及在思想史和文学史上的破产——与其说暴露了自由主义思想的缺陷,不如说是激进批评的缺陷。通过激进批判,安德森较少提及明确的政治派别或
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引用次数: 0
Possum Hunting 负鼠狩猎
Pub Date : 2017-06-27 DOI: 10.1215/10418385-3822403
C. Dayan
This meditation marks a return to the South and its somewhat raucous racism, a hate so visceral that it can be known only through the tracks of the nonhuman: the possum that suffer in the destruction we have wrought against all species, vegetable and mammalian, everywhere.
这种沉思标志着对南方的回归,以及它那有些刺耳的种族主义,一种发自内心的仇恨,只能通过非人类的足迹来了解:负鼠在我们对所有物种造成的破坏中受苦,无论是植物还是哺乳动物,到处都是。
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引用次数: 0
Police Actions in Aesthetics: Rancière Reading Deleuze and Lyotard on Art 美学中的警察行为:德勒兹与利奥塔论艺术的重读
Pub Date : 2017-06-01 DOI: 10.1215/10418385-3822430
Christopher I Fynsk
Abstract:This essay addresses Jacques Rancière's attempt to critique notions of resistance invoked by Jean-François Lyotard and Gilles Deleuze. It focuses in particular on Rancière's efforts to contain Deleuze within a shallow account of the aesthetic tradition of the past two centuries and to disqualify a post-Heideggerian thought of difference in philosophy of art. It ultimately takes issue with Rancière's effort to police the function of modern art.
摘要:本文探讨了雅克·朗西对利奥塔和德勒兹所提出的抵抗概念的批判。它特别关注ranci的努力,将德勒兹包含在对过去两个世纪的美学传统的肤浅描述中,并取消了后海德格尔的艺术哲学差异思想。它最终与朗西的努力,以监督现代艺术的功能的问题。
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引用次数: 1
Thinking about Method: A Conversation with Talal Asad 思考方法:与Talal Asad的对话
Pub Date : 2017-06-01 DOI: 10.1215/10418385-3833800
B. Iqbal
In this interview, completed in November 2016, the anthropologist Talal Asad (b. 1933) reviews methodological and theoretical questions that continue to animate his work. The conversation is framed by his concept of tradition and touches on themes of temporality and sovereignty, failure and fragility, ethnographic conceits and forms of life.
在2016年11月完成的访谈中,人类学家Talal Asad(出生于1933年)回顾了方法论和理论问题,这些问题继续推动着他的工作。对话以他的传统概念为框架,触及了暂时性和主权、失败和脆弱、民族志的自负和生活形式等主题。
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引用次数: 10
The New Conflict of the Faculties and Functions: Quasi-Causality and Serendipity in the Anthropocene 能力与功能的新冲突:人类世的准因果性与偶然性
Pub Date : 2017-06-01 DOI: 10.1215/10418385-3822421
B. Stiegler, Danielle Ross
Abstract:The concept of entropy has been applied to life and, in Nicholas Georgescu-Roegen's bioeconomics of exosomatization, to human life. These accounts of "negentropy" must be reinterpreted in the age of the data economy, however, from a perspective that starts from the technological or exosomatic condition of all knowledge. This can be opened up from a reconsideration of Kant's account of intuition, understanding, and reason that must also be a critique of the absence of the technological in Kant's account of the schematism. Armed with this critique, we can understand the data economy as the use of powerful, probabilistic algorithms premised on reducing the "given" to calculable "data," a reduction in turn founded on and bringing about the reduction of knowledge to information. The entropic character of the data economy can then be conceived as the elimination of the incalculable and unexpected elements at the root of all knowledge. It is this elimination that suggests to Chris Anderson the idea of the end of theory; in other words, it is what prevents "bifurcations," that is, the prospect that new knowledge will open futures that would be not just negentropic but "neganthropological." In the Anthropocene, which is now leading to a state of absolute nonknowledge while producing massively entropic biospherical effects, it is crucial to transform data architectures and the faculties of knowledge in ways that not only undo the reduction of knowledge to information but do so starting from the neganthropological functions of knowledge, systems open to the improbable that would also amount to quasi-causal cosmologies.
摘要:熵的概念已经被应用于生命,在尼古拉斯·乔治斯库-罗根的外躯体化生物经济学中,熵的概念被应用于人类生命。然而,在数据经济时代,必须从所有知识的技术或外在条件出发,重新解释这些“负熵”的说法。这可以从对康德关于直觉,理解和理性的叙述的重新思考中打开,这也必须是对康德关于图式的叙述中缺乏技术的批判。有了这一批判,我们可以将数据经济理解为使用强大的概率算法,其前提是将“给定的”简化为可计算的“数据”,这种简化反过来又建立在并带来了将知识简化为信息的基础上。因此,数据经济的熵特性可以被理解为消除了所有知识根源中无法计算和意想不到的因素。正是这种消除向克里斯·安德森提出了理论终结的想法;换句话说,它是防止“分叉”的东西,也就是说,新知识将打开未来的前景,这不仅是负熵的,而且是“负人类学的”。在人类世(Anthropocene)中,它现在正在导致一种绝对的非知识状态,同时产生大规模的熵球效应,因此转变数据架构和知识的能力是至关重要的,不仅要撤销将知识还原为信息的做法,而且要从知识的负人类学功能开始,向不可能的系统开放,这也相当于准因果宇宙论。
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引用次数: 10
The Commerce of Anonymity 匿名商业
Pub Date : 2017-06-01 DOI: 10.1215/10418385-3822448
J. Ricco
Centered on The Andrew Project (2010–13) by artist Shaan Syed, this article is a theoretical meditation on the politics and ethics of the name, drawing, the portrait, anonymity, and the signature, as these bear on a shared sense of loss and its impossible commemoration. I invoke the figure of the urban stranger and passerby to argue for an aesthetics and ethics of social anonymity that does not rely on or demand identification and that thereby remains open to the risk, surprise, and pleasure of shared existence. In doing so, I theorize intimacy as that which remains unnameable in the "commerce" of our everyday lives.
本文以艺术家Shaan Syed的《安德鲁计划》(2010 - 2013)为中心,对名字、绘画、肖像、匿名和签名的政治和伦理进行了理论思考,因为这些都承载着一种共同的失落感和不可能的纪念。我援引城市陌生人和路人的形象来论证一种社会匿名的美学和伦理,它不依赖或要求身份,因此对共同存在的风险、惊喜和快乐保持开放。在这样做的过程中,我将亲密关系理论化,认为它在我们日常生活的“交易”中仍然是不可命名的。
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引用次数: 13
Before Truth: Walter Benjamin's "Epistemo-Critical Prologue" 在真理之前:瓦尔特·本雅明的“知识批判序言”
Pub Date : 2017-06-01 DOI: 10.1215/10418385-3822439
Kristina Mendicino
Walter Benjamin's distinction of truth from knowledge in his "Epistemo-Critical Prologue" marks a fundamental break with the truth claims of the empirical sciences, as well as those of any system of philosophy—phenomenological, neo-Kantian, or otherwise— that would be based on conscious cognition. Instead he renders the truth of philosophy as a question of presentation, beginning with one of the most famous propositions of his oeuvre: "It is proper to philosophical writing to stand, with every turn, before the question of presentation anew." Many commentators have cited this passage, yet few pursue the way Benjamin situates philosophical writing before the question of presentation, thereby suggesting that this question cannot be asked. In this essay, I elaborate the epistemological and ontological consequences of the displacements Benjamin stages between presentation and writing, through an attentive reading to the idioms of his own writerly presentation.
沃尔特·本雅明在他的《认识论-批判序言》中将真理与知识区分开来,这标志着与经验科学以及任何基于意识认知的哲学体系——现象学、新康德主义或其他哲学体系——的真理主张的根本决裂。相反,他把哲学的真理呈现为一个呈现的问题,从他的作品中最著名的命题之一开始:“对于哲学写作来说,每一次都站在呈现的问题之前是恰当的。”许多评论家都引用了这段话,但很少有人遵循本雅明将哲学写作置于呈现问题之前的方式,从而暗示这个问题不能被提出。在这篇文章中,我详细阐述了本雅明在表现和写作之间的位移的认识论和本体论后果,通过仔细阅读他自己的作家表现的习语。
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引用次数: 4
Critique, Crisis, Cri 关键,危机,irc
Pub Date : 2017-06-01 DOI: 10.1215/10418385-3822394
J. Nancy, P. Lyons
If critique supposes the possession of a criterion that allows us to discriminate between true and false or between good and evil, it is no longer certain that our culture possesses such a criterion. As such, the idea of critique now finds itself in crisis.
如果批判假定我们拥有一种标准,使我们能够区分真与假或善与恶,那么我们的文化是否拥有这样一种标准就不再确定了。因此,批判的概念现在发现自己处于危机之中。
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引用次数: 2
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Qui Parle: Critical Humanities and Social Sciences
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