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Scaling-up sustainable Chlorella vulgaris microalgal biomass cultivation from laboratory to pilot-plant photobioreactor, towards biofuel 扩大可持续的普通小球藻微藻生物量培养,从实验室到中试植物光生物反应器,向生物燃料发展
Pub Date : 2018-10-15 DOI: 10.30955/gnj.002777
G. Papapolymerou, A. Riga
Unicellular microalgal culture represents a new opportunity for producing significant biofuel quantities in the future along with other specialty products, due to several major advantages microalgae species present when compared to conventional crops, including much faster growth rates, cultivation in a variety of environments and photobioreactor systems, and almost 100% recycling of nutrients. In the current research, the scaling-up of the cultivation of Chlorella vulgaris microalgae to a 4 m3 pilot-plant photobioreactor is examined, compared to the performance of a 25 L automated laboratory bioreactor. Beyond the size and configuration, the main differences of the two bioreactors are the mode of operation, the illumination nature and depth, the temperature, and pH. Specifically, temperature and illumination are naturally varying from day to day and season to season into the pilot-plant photobioreactor that is set inside a greenhouse. The specific growth factor appears to be higher for microalgal cultivation in the laboratory bioreactor. It is also found that the growth kinetics is severely slowed down during the winter months. This is primarily due to the low temperatures and the poor illumination observed during winter.
单细胞微藻培养代表了未来与其他特种产品一起生产大量生物燃料的新机会,因为与传统作物相比,微藻物种具有几个主要优势,包括更快的生长速度,在各种环境和光生物反应器系统中培养,以及几乎100%的养分回收。在目前的研究中,研究了将普通小球藻微藻的培养规模扩大到4立方米的中试植物光生物反应器,并与25 L自动化实验室生物反应器的性能进行了比较。除了尺寸和配置之外,这两个生物反应器的主要区别在于操作方式、照明性质和深度、温度和ph值。具体来说,在温室内设置的中试植物光生物反应器中,温度和照明自然会随时间和季节而变化。在实验室生物反应器中培养微藻的特定生长因子似乎更高。还发现,在冬季,生长动力学严重减慢。这主要是由于冬季观察到的低温和较差的照明。
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引用次数: 11
Bioconversions of olive oil mill wastewaters blends 橄榄油厂废水混合物的生物转化
Pub Date : 2018-10-15 DOI: 10.30955/gnj.002738
The ability of the anaerobic mixed bacterial culture from an upflow anaerobic sludge blanket (UASB) bioreactor to convert blends of olive mill wastewaters (OMWs) with synthetic glucose medium or molasses into ethanol simultaneously with organic acids (OAs) was studied in the present work. All fermentations were conducted by free cells under non-aerated conditions at 37 οC and the effect of OMWs concentration on ethanol and OAs production was investigated. The highest amount of bioethanol (14.7 g L-1) was produced during fermentation of 45 % v/v OMWs mixed with synthetic glucose medium (5 % w/v) in only 28 hours. In mixtures of 30 % v/v OMWs and molasses solution (3 oBe) 13.4 g L-1 of bioethanol were produced. Also, 16.2 g L-1 of succinic acid were produced, when 65 % v/v OMWs mixed with synthetic glucose medium. Moreover, totally 11.6 g L-1 of varied OAs (succinic, malic, butyric and acetic) observed in mixtures of 35 % OMWs with molasses. Finally, it has been shown that the 14C-labelled glucose uptake rate (GUR) by biomass was strongly correlated to fermentation rate.
研究了上流式厌氧污泥毯(UASB)生物反应器厌氧混合细菌培养将橄榄厂废水(OMWs)与合成葡萄糖培养基或糖蜜混合转化为乙醇和有机酸(OAs)的能力。所有发酵均由游离细胞在37 o o c无曝气条件下进行,并研究了OMWs浓度对乙醇和OAs产量的影响。45% v/v的OMWs与5% w/v的合成葡萄糖培养基在28小时内发酵产生最高的生物乙醇(14.7 g L-1)。在30% v/v的OMWs和糖蜜溶液(3 oBe)的混合物中,生产13.4 g L-1的生物乙醇。当65% v/v的OMWs与合成葡萄糖培养基混合时,琥珀酸的产量为16.2 g L-1。此外,在35%的OMWs与糖蜜的混合物中,共观察到11.6 g L-1的各种oa(琥珀酸、苹果酸、丁酸和乙酸)。最后,研究表明,生物质的14c标记葡萄糖摄取速率(GUR)与发酵速率密切相关。
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引用次数: 0
The use of bio-carriers and zeolite in a lab-scale MBR for membrane fouling mitigation 在实验室规模的MBR中使用生物载体和沸石缓解膜污染
Pub Date : 2018-09-26 DOI: 10.30955/gnj.002546
The Membrane Bio-Reactor (MBR) technology offers a series of environmentally-friendly advantages, such as high quality effluent, pathogens removal capacity and avoided use of chemicals for disinfection, allowing it to be regarded as an environmentally friendly technology, when applied for wastewater treatment. However, membrane fouling still remains a major drawback, preventing its widespread application for municipal or industrial wastewater treatment. The use of additives (i.e. adsorbents, bio-carriers etc.) is considered to be among the major strategies implemented for membrane fouling control over the last few years. The present work examines the influence of bio-carriers addition, as well as of zeolite powder on the reversible and irreversible membrane fouling of a lab-scale MBR. High-strength synthetic municipal wastewater (with BOD5 around 1000 mg/L) was fed as the substrate for the activated sludge process and a flat-sheet microfiltration membrane was operated for solids (biomass) - liquid separation at the flux of 17 L/m2h. The obtained results showed that the addition of zeolite contributed mainly to the alleviation of irreversible fouling, leaving the reversible fouling practically unaffected, while the addition of bio-carriers had quite the opposite effect. In addition, it was shown that the lab-scale MBR system operated successfully, treating a high-strength synthetic municipal wastewater, as high removals were observed in terms of both organics and especially of ammonium removal (over 98%).
膜生物反应器(MBR)技术具有出水质量高、去除病原体能力强、避免使用化学品消毒等一系列环境友好型优势,应用于废水处理时可被视为一种环境友好型技术。然而,膜污染仍然是一个主要的缺点,阻碍了它在城市或工业废水处理中的广泛应用。添加剂(即吸附剂、生物载体等)的使用被认为是近年来膜污染控制的主要策略之一。本研究考察了生物载体的添加以及沸石粉对实验室规模MBR可逆和不可逆膜污染的影响。以高强度合成城市污水(BOD5约为1000 mg/L)为底物,采用平板微滤膜,以17 L/m2h的通量进行固(生物质)液分离。结果表明,沸石的加入主要有助于缓解不可逆污染,对可逆污染几乎没有影响,而生物载体的加入则起到相反的作用。此外,实验结果表明,实验室规模的MBR系统运行成功,处理了高强度的合成城市废水,在有机物和铵的去除率方面都达到了很高的水平(超过98%)。
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引用次数: 3
Novel composite materials as P-adsorption agents and their potential application as fertilizers 新型磷吸附复合材料及其在肥料中的应用前景
Pub Date : 2018-09-26 DOI: 10.30955/gnj.002752
M. Zamparas
The main objective of this study is to review the role of phosphorus in fertilizers, emphasizing in phosphate rock which is the primary source for phosphate fertilizer, with reference to harmful heavy metals as a consequence of their use. Simultaneously, this study examined the use of P-Adsorption agents as a potential application in agriculture, as the adsorbed phosphorus can be used as fertilizer or enriching soil conditioners. Therefore, it is generated a sustainable cycle taking into account a renewable resource-based Phosphorus Adsorption Agent (P-AA) leading to environmental protection and conservation of natural resources. Finally, this study highlighted new aspects that support P bioavailability of Humic-metal-P (HMP) in soils, correlating with novel materials in water purification.
本研究的主要目的是回顾磷在肥料中的作用,重点是磷肥的主要来源磷矿,并参考其使用造成的有害重金属。同时,本研究探讨了磷吸附剂在农业上的潜在应用,因为其吸附的磷可以用作肥料或富营养化土壤调节剂。因此,它是一种以可再生资源为基础的磷吸附剂(P-AA),产生了一个可持续的循环,从而保护了环境,节约了自然资源。最后,本研究强调了支持土壤中腐殖质金属磷(HMP)生物有效性的新方面,以及与水净化新材料相关的新方面。
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引用次数: 23
“Cycle closure” in waste management: tools, procedures and examples 废物管理中的“循环封闭”:工具、程序和例子
Pub Date : 2018-09-26 DOI: 10.30955/GNJ.002679
Anastasios Zoumpoulis, E. Peleka
Green Chemistry is a philosophy of chemical research and application that encourages the design of appropriate products/ processes in order to minimize the use and production of hazardous chemicals. Green Chemistry involves the application of new, milder synthetic pathways, the avoidance of toxic solvents’ use, the use of alternative sources of raw materials, the prevention of pollution, the design of environmental friendly products, the protection of workers’ health and the reduction of energy consumption. Wastewater treatment plants consume significant amounts of energy for collection, transport, processing and final disposal of water and by-products. Attempting to reduce the respective energy costs, energy recovery is an attractive alternative, as liquid wastes considered to contain significant amounts of energy. In addition, many technologies have been developed recently to recover useful materials from liquid wastes (phosphorus is a typical example). In 2012, the EU-28 Member States discarded 2.5 billion ton of wastes, of which 4% was classified as hazardous, hence immediate and environmental friendly solutions are requested. The need to record and report the Environmental Footprint of an enterprise/industry becomes imperative. The adoption of green practices can act as catalyst to improve the processes of an enterprise, to reduce the cost of products and to maintain an environmental responsible attitude.
绿色化学是一种化学研究和应用的理念,鼓励设计适当的产品/过程,以尽量减少危险化学品的使用和生产。绿色化学涉及应用新的、温和的合成途径、避免使用有毒溶剂、使用替代原料来源、防止污染、设计环境友好型产品、保护工人健康和减少能源消耗。废水处理厂在收集、运输、处理和最终处置水和副产品方面消耗大量能源。试图降低各自的能源成本,能源回收是一个有吸引力的替代方案,因为液体废物被认为含有大量的能源。此外,最近开发了许多从液体废物中回收有用物质的技术(磷就是一个典型的例子)。2012年,欧盟28个成员国丢弃了25亿吨废物,其中4%被归类为危险废物,因此需要立即采取环保解决方案。记录和报告企业/行业的环境足迹变得势在必行。采用绿色做法可以作为催化剂,改善企业的流程,降低产品成本,并保持对环境负责的态度。
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引用次数: 11
Geochemical investigations regarding the variability of metal pollution in the Amvrakikos Bay, Greece. 希腊Amvrakikos湾金属污染变异的地球化学调查。
Pub Date : 2018-09-26 DOI: 10.30955/gnj.002733
The Amvrakikos Bay is one of the most important ecosystems in the Mediterranean with great environmental, ecological and biological value. However, over the years, water quality has suffered severe degradation and is now one of the most polluted environmental areas in Greece. In the present study, using the analytical data of concentrations of precipitated metal deposits at the bottom of Amvrakikos Gulf, at its three largest lagoons: Logaros, Tsoukalio and Rodia, and by applying the indicators PLI, Igeo and EF, an assessment of the level of pollution of the area was made. The use of these indicators may show the degree of pollution of the area with heavy metals, and reveal the source of pollution i,e. whether the heavy metals are of anthropogenic or of natural processes, assessing simultaneously the degree of anthropogenic effect. Based on the PLI indicator, the marine zone in Menidi and Paliovarka as well as the Rodia and Tsoukalio lagoons are considered to be polluted. According to the Igeo Index, the sampling areas are unchanged to slightly burden by heavy metals. The largest charge is caused by Ni, followed by Mn and Pb. Based on EF, the concentrations of Cr, Mn, Co, Pb and Ni are significantly influenced by the various anthropogenic activities.
Amvrakikos湾是地中海最重要的生态系统之一,具有巨大的环境、生态和生物价值。然而,多年来,水质严重退化,现在是希腊污染最严重的环境地区之一。在本研究中,利用阿姆瓦拉基科斯湾底部及其三个最大的泻湖:洛加罗斯、Tsoukalio和罗迪亚的沉淀金属沉积物浓度的分析数据,并通过应用PLI、Igeo和EF指标,对该地区的污染程度进行了评估。这些指标的使用可以显示该地区的重金属污染程度,并揭示污染的来源。重金属是人为的还是自然的,同时评估人为影响的程度。根据PLI指标,Menidi和Paliovarka的海洋区域以及Rodia和Tsoukalio泻湖被认为受到污染。根据Igeo指数,采样地区的重金属负担没有变化到轻微。最大的电荷是由Ni引起的,其次是Mn和Pb。基于EF, Cr、Mn、Co、Pb和Ni的浓度受到各种人为活动的显著影响。
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引用次数: 6
Simulation of soil heavy metal pollution environmental stress on plant growth characteristics in the presence of wastewater 模拟土壤重金属污染环境胁迫对废水存在下植物生长特性的影响
Pub Date : 2018-09-26 DOI: 10.30955/gnj.002758
D. Papaioannou
Soil pollution was simulated by means of artificial heavy metal enrichment, in the presence of treated wastewater, and its effect on the growth characteristics of Beta vulgaris L. (red beets) i.e. on the dry matter yield, and on beet quality expressed in terms of dry matter heavy metal, nitrogen and crude protein content, was investigated in a greenhouse pot experiment. Twelve treatment combinations of heavy metals mixtures composed of Zn, Mn, Cd, Co, Cu, Cr, Ni, and Pb, with each one metal participating in the mixture at 0, 2, 4, 6, 8, 10, 12, 14, 16, 18, 20, 22 mg.kg-1 were applied, respectively. It was found that the increase of soil DTPA extractable heavy metal concentrations reflecting high soil pollution, decreased statistically significantly the beet dry matter (dm) yield, but increased the metal and the , the nitrogen concentrations, and consequently, contributed statistisically significantly to the increase of beet crude protein yield.
在温室盆栽试验中,通过人工重金属富集模拟土壤污染,研究了处理后废水对甜菜生长特性(干物质产量)和甜菜品质(干物质重金属、氮和粗蛋白质含量)的影响。由Zn、Mn、Cd、Co、Cu、Cr、Ni和Pb组成的重金属混合物的12种处理组合,每种金属以0、2、4、6、8、10、12、14、16、18、20、22 mg的浓度参与混合物。分别施用Kg-1。结果表明,反映土壤高污染的土壤DTPA可提取重金属浓度的增加,显著降低了甜菜干物质(dm)产量,但提高了金属和氮的浓度,因此对甜菜粗蛋白质产量的提高有显著的统计学贡献。
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引用次数: 3
The developing new wave of Nollywood : a conversation with Niyi Akinmolayan 尼莱坞新浪潮的发展:与Niyi Akinmolayan的对话
Pub Date : 2018-06-12 DOI: 10.31920/2516-2713/2018/v1n1a2
Babatunde Onikoyi
The new wave of Nollywood is largely defined by the operations and vibrant undertakings of young and serious minded filmmakers in Nigeria. This crop of filmmakers are determined to take over the industry by producing film and movies that possess the much desired lasting substance. These filmmakers are those who Jonathan Haynes has referred to as the “New Nollywood” filmmakers (Haynes, 2014) that gradually emerged with the coming of age of Kunle Afolayan’s The Figurine (2010). Niyi Akinmolayan, a film director and producer is a typical example of this group of filmmakers, whose filmic oeuvre is beginning to attract global attention and significance. In this interview, I engage the cineaste in a discussion that centres on him and permeate the universe of his works. I concentrate on his background and steady rise and development, his philosophy about film in general, and then Nollywood. I tackle him on the development of the various film technologies that have defined the Nigerian cinema. The conversation takes us through particular areas of film apparatuses such as storytelling, film narratives, directors, cinemas films, home videos, audience matter and pioneers of the industries, with reference to those who are unknown and that have influenced this visual creator at Anthills Studio.
奈莱坞的新浪潮在很大程度上是由尼日利亚年轻而严肃的电影制作人的运作和充满活力的事业所定义的。这批电影人决心通过制作具有人们渴望的持久内容的电影和电影来接管整个行业。这些电影人是Jonathan Haynes所说的“新诺莱坞”电影人(Haynes, 2014),随着Kunle Afolayan的《the Figurine》(2010)的成熟,他们逐渐出现。电影导演兼制片人Niyi Akinmolayan是这一电影人群体的典型代表,他们的电影作品开始引起全球的关注和重视。在这次采访中,我将电影人带入一场以他为中心的讨论,并渗透到他的作品中。我专注于他的背景和稳定的崛起和发展,他对电影的总体哲学,然后是诺莱坞。我向他介绍了各种电影技术的发展,这些技术定义了尼日利亚电影。对话带我们通过电影设备的特定领域,如讲故事,电影叙事,导演,电影院电影,家庭录像,观众问题和行业的先驱,参考那些不为人知的,并影响了这位视觉创作者在蚁丘工作室。
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引用次数: 1
Poetics of mnemonic strategy : the art of adaptation and the spirituality of being & things in Tunde Kelani’s Saworoide and The Narrow Path 记忆策略的诗学:坦德·克兰尼《萨沃洛伊德》与《狭路》中的适应艺术与存在与事物的精神性
Pub Date : 2018-06-12 DOI: 10.31920/2516-2713/2018/V1N1A4
Lekan Balogun
This essay utilises two different but related concepts: “poetics and politics of literary memory” by Lars Eckstein and “adaptation” by Linda Hutcheon, to examine Yoruba narrative convention, characterisation and the “spirituality of Being and object(s)” in two films, Saworoide (1999) and The Narrow Path (2006), by the Nigerian filmmaker, Tunde Kelani, who has distinguished himself as one of the leading contemporary Nigerian and African cinema icons and storytellers. The essay argues that as one of the most significant voices in Nollywood, the history of film and cinema in Nigeria and beyond, Kelani has not only turned the adaptation of materials from page to screen into an art and a veritable source of history, he has also shown ways in which the process functions as the recollection of the fading glorious past of his race. In order to achieve its aim, the essay is divided into two parts: the first part examines the cultural and political considerations of memory and the aesthetics of adaptation in relation to Kelani’s body of works, and the second part discusses the two films by drawing from arguments that are developed in the first part.
本文运用了两个不同但相关的概念:Lars Eckstein的“文学记忆的诗学和政治”和Linda Hutcheon的“改编”,来研究约鲁巴人在两部电影中的叙事传统、人物塑造和“存在与客体的灵性”,分别是1999年的《Saworoide》和2006年的《the Narrow Path》,这两部电影是由尼日利亚电影制作人Tunde Kelani执导的,他是当代尼日利亚和非洲电影的主要代表人物和故事讲述者之一。本文认为,作为奈莱坞、尼日利亚及其他国家电影史上最重要的声音之一,克拉尼不仅将材料从书页上搬上银幕,变成了一种艺术和名副其实的历史来源,他还展示了这一过程的方式,即对他的种族逐渐消失的辉煌过去的回忆。为了达到其目的,本文分为两部分:第一部分考察了与克拉尼作品体有关的记忆和改编美学的文化和政治考虑,第二部分通过借鉴第一部分中发展的论点来讨论这两部电影。
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引用次数: 2
Retelling the history of Lesotho : an interplay between orality, painting and film in Kalosi Ramakhula’s works 重述莱索托的历史:卡洛西·拉马库拉作品中口头、绘画和电影的相互作用
Pub Date : 2018-06-12 DOI: 10.31920/2516-2713/2018/V1N1A5
Limakatso Pepenene, Ntsele Radebe
Kalosi Ramakhula is the producer of Moshoeshoe: The Mountain King Volumes 1, 2 and 3, a series of videofilms which narrate the history of Lesotho in the 19th century. His production emerges as a rewriting of history in a context where historical documentation is predominantly authored by historians and ethnographers who complement their research through oral resources. Ramakhula uses a unique approach which incorporates visual art by way of historical paintings created to accomplish a coherent mixture with the established print, sound and vision media of documentary cinema. He collaborates with contemporary Basotho artists commissioned to produce elaborate naturalistic paintings of historical significant characters, sites, events and social practices of the period being depicted. Through an exploration of the concepts of multimodality and intermediality, the article uses a semiotic analysis of selected paintings to examine the multiple layers of potential meanings communicated by the film-maker. We argue that Ramakhula’s retelling strategy explicitly creates a link with the experience of nation building in the past and the present. The paintings are a significantly expressive form of media in this regard, creating a consciousness of Bosotho-ness as the one concept that in principle remains constant despite transformation over the centuries. Ramakhula’s work is seen therefore, as having the potential to create space for negotiations around contemporary debates on nation building in Lesotho.
Kalosi Ramakhula是Moshoeshoe: the Mountain King卷1、2和3的制片人,这是一系列讲述19世纪莱索托历史的视频电影。他的作品是在历史文献主要由历史学家和民族学家撰写的背景下对历史的重写,他们通过口头资源补充他们的研究。Ramakhula采用了一种独特的方法,通过创造历史绘画来融合视觉艺术,以实现与纪录片电影的既定印刷,声音和视觉媒体的连贯混合。他与当代巴索托艺术家合作,制作精致的自然主义绘画,描绘历史上重要的人物、地点、事件和社会实践。通过对多模态和中间性概念的探索,本文对选定的画作进行符号学分析,以考察电影制作人传达的多层潜在意义。我们认为,罗摩修拉的复述策略明确地与过去和现在的国家建设经验建立了联系。在这方面,绘画是一种极具表现力的媒体形式,创造了一种bosothoness的意识,作为一个概念,尽管经历了几个世纪的变革,原则上仍然保持不变。因此,拉马库拉的作品被视为有可能为围绕莱索托国家建设的当代辩论创造谈判空间。
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引用次数: 0
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