Journal Article Valentin Gerlier. Shakespeare and the Grace of Words: Language, Theology, Metaphysics Get access Valentin Gerlier. Shakespeare and the Grace of Words: Language, Theology, Metaphysics. Pp. 228. New York and London: Routledge, 2022. Hardback, £120. Christopher Burlinson Christopher Burlinson Jesus College, University of Cambridge, UK Search for other works by this author on: Oxford Academic Google Scholar The Review of English Studies, hgad072, https://doi.org/10.1093/res/hgad072 Published: 30 August 2023 Article history Received: 30 July 2023 Editorial decision: 01 August 2023 Accepted: 01 August 2023 Corrected and typeset: 30 August 2023 Published: 30 August 2023
期刊文章Valentin Gerlier。《莎士比亚与语言之美:语言、神学、形而上学》《莎士比亚与语言之美:语言、神学、形而上学》。228页。纽约和伦敦:劳特利奇出版社，2022。精装,£120。克里斯托弗·伯林森克里斯托弗·伯林森耶稣学院，英国剑桥大学搜索作者其他作品，网址:Oxford Academic谷歌Scholar The Review of English Studies, hgad072, https://doi.org/10.1093/res/hgad072出版日期:2023年8月30日文章历史收稿日期:2023年7月30日编辑决定:2023年8月1日接受日期:2023年8月1日校正排版:2023年8月30日出版日期:2023年8月30日
{"title":"<scp>Valentin Gerlier</scp>. <i>Shakespeare and the Grace of Words: Language, Theology, Metaphysics</i>","authors":"Christopher Burlinson","doi":"10.1093/res/hgad072","DOIUrl":"https://doi.org/10.1093/res/hgad072","url":null,"abstract":"Journal Article Valentin Gerlier. Shakespeare and the Grace of Words: Language, Theology, Metaphysics Get access Valentin Gerlier. Shakespeare and the Grace of Words: Language, Theology, Metaphysics. Pp. 228. New York and London: Routledge, 2022. Hardback, £120. Christopher Burlinson Christopher Burlinson Jesus College, University of Cambridge, UK Search for other works by this author on: Oxford Academic Google Scholar The Review of English Studies, hgad072, https://doi.org/10.1093/res/hgad072 Published: 30 August 2023 Article history Received: 30 July 2023 Editorial decision: 01 August 2023 Accepted: 01 August 2023 Corrected and typeset: 30 August 2023 Published: 30 August 2023","PeriodicalId":255318,"journal":{"name":"The Review of English Studies","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136143571","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Journal Article Terence Cave. Live Artefacts: Literature in a Cognitive Environment Get access Terence Cave. Live Artefacts: Literature in a Cognitive Environment. Pp. xvii+244. Oxford: Oxford University Press, 2022. Hardback, £60. Michael Benveniste Michael Benveniste Golden Gate University, USA Search for other works by this author on: Oxford Academic Google Scholar The Review of English Studies, hgad075, https://doi.org/10.1093/res/hgad075 Published: 29 August 2023 Article history Editorial decision: 04 August 2023 Received: 04 August 2023 Accepted: 09 August 2023 Corrected and typeset: 29 August 2023 Published: 29 August 2023
期刊文章Terence Cave。活的人工制品:认知环境中的文学活的人工制品:认知环境中的文学。Pp.第十七章+ 244。牛津:牛津大学出版社，2022。精装,£60。Michael Benveniste，美国金门大学搜索作者其他作品:Oxford Academic Google Scholar The Review of English Studies, hgad075, https://doi.org/10.1093/res/hgad075发布时间:2023年8月29日文章历史编辑决定:2023年8月4日接收时间:2023年8月4日接收时间:2023年8月9日校正排版:2023年8月29日发布时间:2023年8月29日
{"title":"<scp>Terence Cave</scp>. <i>Live Artefacts: Literature in a Cognitive Environment</i>","authors":"Michael Benveniste","doi":"10.1093/res/hgad075","DOIUrl":"https://doi.org/10.1093/res/hgad075","url":null,"abstract":"Journal Article Terence Cave. Live Artefacts: Literature in a Cognitive Environment Get access Terence Cave. Live Artefacts: Literature in a Cognitive Environment. Pp. xvii+244. Oxford: Oxford University Press, 2022. Hardback, £60. Michael Benveniste Michael Benveniste Golden Gate University, USA Search for other works by this author on: Oxford Academic Google Scholar The Review of English Studies, hgad075, https://doi.org/10.1093/res/hgad075 Published: 29 August 2023 Article history Editorial decision: 04 August 2023 Received: 04 August 2023 Accepted: 09 August 2023 Corrected and typeset: 29 August 2023 Published: 29 August 2023","PeriodicalId":255318,"journal":{"name":"The Review of English Studies","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136248841","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Journal Article Martin P Eve. The Digital Humanities and Literary Studies Get access Martin P Eve. The Digital Humanities and Literary Studies. Pp. 260. Oxford: Oxford University Press, 2022. Paperback, £15.99. Siddharth Soni Siddharth Soni University of Cambridge, UK Search for other works by this author on: Oxford Academic Google Scholar The Review of English Studies, hgad073, https://doi.org/10.1093/res/hgad073 Published: 25 August 2023 Article history Editorial decision: 01 August 2023 Received: 01 August 2023 Accepted: 01 August 2023 Corrected and typeset: 25 August 2023 Published: 25 August 2023
期刊文章马丁·P·伊夫。数字人文与文学研究获取访问Martin P Eve。数字人文与文学研究。260页。牛津:牛津大学出版社，2022。平装,£15.99。Siddharth Soni Siddharth Soni，英国剑桥大学搜索作者的其他作品:Oxford Academic Google Scholar The Review of English Studies, hgad073, https://doi.org/10.1093/res/hgad073发布日期:2023年8月25日文章历史编辑决定:2023年8月1日接收日期:2023年8月1日接收日期:2023年8月1日校正排版:2023年8月25日发布日期:2023年8月25日
{"title":"<scp>Martin P Eve</scp>. <i>The Digital Humanities and Literary Studies</i>","authors":"Siddharth Soni","doi":"10.1093/res/hgad073","DOIUrl":"https://doi.org/10.1093/res/hgad073","url":null,"abstract":"Journal Article Martin P Eve. The Digital Humanities and Literary Studies Get access Martin P Eve. The Digital Humanities and Literary Studies. Pp. 260. Oxford: Oxford University Press, 2022. Paperback, £15.99. Siddharth Soni Siddharth Soni University of Cambridge, UK Search for other works by this author on: Oxford Academic Google Scholar The Review of English Studies, hgad073, https://doi.org/10.1093/res/hgad073 Published: 25 August 2023 Article history Editorial decision: 01 August 2023 Received: 01 August 2023 Accepted: 01 August 2023 Corrected and typeset: 25 August 2023 Published: 25 August 2023","PeriodicalId":255318,"journal":{"name":"The Review of English Studies","volume":"68 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135286205","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract The name of Tristan Corbière (1847–1875) appears repeatedly in T. S. Eliot’s criticism, notably in his Clark and Turnbull lectures where Eliot characterized Corbière as a metaphysical poet and observed that he is a ‘finer poet, though a lesser intellect, than Laforgue’. Corbière’s influence on Eliot has long been recognized, but few critics acknowledge the particular resonance of his maritime poems. It is time to revisit Corbière’s crucial influence on Eliot, who drew on his writing for Poems (1920), and most significantly in the draft sea passages of The Waste Land. Identifying Corbière’s presence in the draft allows us to hear the French poet in the final version of ‘Death by Water’, and reveals that Eliot owes more to Corbière than has previously been acknowledged. I argue that Eliot was captivated by Corbière’s resolutely unsentimental depiction of maritime elements in Les Amours jaunes, and that this Breton poet offered Eliot a new voice.
{"title":"Tristan Corbière and T. S. Eliot’s Salt-Encrusted Poetry","authors":"Suzannah V Evans","doi":"10.1093/res/hgad064","DOIUrl":"https://doi.org/10.1093/res/hgad064","url":null,"abstract":"Abstract The name of Tristan Corbière (1847–1875) appears repeatedly in T. S. Eliot’s criticism, notably in his Clark and Turnbull lectures where Eliot characterized Corbière as a metaphysical poet and observed that he is a ‘finer poet, though a lesser intellect, than Laforgue’. Corbière’s influence on Eliot has long been recognized, but few critics acknowledge the particular resonance of his maritime poems. It is time to revisit Corbière’s crucial influence on Eliot, who drew on his writing for Poems (1920), and most significantly in the draft sea passages of The Waste Land. Identifying Corbière’s presence in the draft allows us to hear the French poet in the final version of ‘Death by Water’, and reveals that Eliot owes more to Corbière than has previously been acknowledged. I argue that Eliot was captivated by Corbière’s resolutely unsentimental depiction of maritime elements in Les Amours jaunes, and that this Breton poet offered Eliot a new voice.","PeriodicalId":255318,"journal":{"name":"The Review of English Studies","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135930529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Journal Article Alex Niven (ed.). Letters of Basil Bunting Get access Alex Niven (ed.). Letters of Basil Bunting. Pp. xxxi+429. Oxford: Oxford University Press, 2022. Hardback, £35. Reem Abbas Reem Abbas University of Cambridge, UK https://orcid.org/0000-0003-0766-8145 Search for other works by this author on: Oxford Academic Google Scholar The Review of English Studies, hgad071, https://doi.org/10.1093/res/hgad071 Published: 28 July 2023 Article history Received: 07 May 2023 Editorial decision: 24 July 2023 Accepted: 25 July 2023 Corrected and typeset: 28 July 2023 Published: 28 July 2023
期刊文章Alex Niven(编辑)。巴兹尔·邦廷的信件获得访问亚历克斯·尼文(编辑)。巴兹尔·邦廷的信件。Pp.第三十一章+ 429。牛津:牛津大学出版社，2022。精装,£35。Reem Abbas Reem Abbas英国剑桥大学https://orcid.org/0000-0003-0766-8145作者其他作品检索:Oxford Academic Google Scholar The Review of English Studies, hgad071, https://doi.org/10.1093/res/hgad071出版日期:2023年7月28日文章历史收稿日期:2023年5月7日编辑决定:2023年7月24日接受日期:2023年7月25日校正排版:2023年7月28日出版日期:2023年7月28日
{"title":"<scp>Alex Niven</scp> (ed.). <i>Letters of Basil Bunting</i>","authors":"Reem Abbas","doi":"10.1093/res/hgad071","DOIUrl":"https://doi.org/10.1093/res/hgad071","url":null,"abstract":"Journal Article Alex Niven (ed.). Letters of Basil Bunting Get access Alex Niven (ed.). Letters of Basil Bunting. Pp. xxxi+429. Oxford: Oxford University Press, 2022. Hardback, £35. Reem Abbas Reem Abbas University of Cambridge, UK https://orcid.org/0000-0003-0766-8145 Search for other works by this author on: Oxford Academic Google Scholar The Review of English Studies, hgad071, https://doi.org/10.1093/res/hgad071 Published: 28 July 2023 Article history Received: 07 May 2023 Editorial decision: 24 July 2023 Accepted: 25 July 2023 Corrected and typeset: 28 July 2023 Published: 28 July 2023","PeriodicalId":255318,"journal":{"name":"The Review of English Studies","volume":"227 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135557489","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Harry R McCarthy. Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre","authors":"Simon Smith","doi":"10.1093/res/hgad065","DOIUrl":"https://doi.org/10.1093/res/hgad065","url":null,"abstract":"","PeriodicalId":255318,"journal":{"name":"The Review of English Studies","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122707708","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Peter J Kalliney. The Aesthetic Cold War: Decolonization and Global Literature","authors":"Asha Rogers","doi":"10.1093/res/hgad068","DOIUrl":"https://doi.org/10.1093/res/hgad068","url":null,"abstract":"","PeriodicalId":255318,"journal":{"name":"The Review of English Studies","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116779487","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Elizabeth Sandis. Early Modern Drama at the Universities: Institutions, Intertexts, Individuals","authors":"Daniel Blank","doi":"10.1093/res/hgad062","DOIUrl":"https://doi.org/10.1093/res/hgad062","url":null,"abstract":"","PeriodicalId":255318,"journal":{"name":"The Review of English Studies","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125237722","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
For years scholars have realized that Demogorgon owes his existence to a misreading of demiurgus in a commentary on Statius’ Thebaid and that Boccaccio’s Genealogy of the Pagan Gods was the most important text for establishing Demogorgon as the ancestor of the gods for the Renaissance. But the extent of scepticism about Demogorgon in Milton’s day is not widely known. In an early example of the polemical imitation that characterizes much of his mature poetry, Milton indicates his own scepticism in Prolusion I by extensively correcting Boccaccio’s account of Demogorgon and his progeny. Unlike his frighteningly powerful namesake in Boiardo, Ariosto, and Spenser, the Demogorgon of Paradise Lost is simply one member of the court of Chaos. The multivalent periphrasis—‘the dreaded name $|$ Of Demogorgon’—suggests that Boccaccio’s ancestor of the gods is nothing more than a name.
{"title":"Milton, Boccaccio, and Demogorgon","authors":"G. W. Pigman","doi":"10.1093/res/hgad051","DOIUrl":"https://doi.org/10.1093/res/hgad051","url":null,"abstract":"\u0000 For years scholars have realized that Demogorgon owes his existence to a misreading of demiurgus in a commentary on Statius’ Thebaid and that Boccaccio’s Genealogy of the Pagan Gods was the most important text for establishing Demogorgon as the ancestor of the gods for the Renaissance. But the extent of scepticism about Demogorgon in Milton’s day is not widely known. In an early example of the polemical imitation that characterizes much of his mature poetry, Milton indicates his own scepticism in Prolusion I by extensively correcting Boccaccio’s account of Demogorgon and his progeny. Unlike his frighteningly powerful namesake in Boiardo, Ariosto, and Spenser, the Demogorgon of Paradise Lost is simply one member of the court of Chaos. The multivalent periphrasis—‘the dreaded name $|$ Of Demogorgon’—suggests that Boccaccio’s ancestor of the gods is nothing more than a name.","PeriodicalId":255318,"journal":{"name":"The Review of English Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129694657","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract National Library of Scotland, Advocates’ MS 19.3.1 (the Heege Manuscript) is a large, late-fifteenth-century English miscellany manuscript from the border of Derbyshire and Nottinghamshire. Its first booklet, which existed independently of the manuscript’s other eight booklets throughout much or all of its medieval life, contains three texts: the tail-rhyme burlesque romance The Hunting of the Hare, a mock sermon in prose, and the alliterative nonsense verse The Battle of Brackonwet. This essay proposes that Richard Heege, the booklet’s scribe, copied these texts from the repertoire of a local entertainer, be that a gifted amateur or, very plausibly, a travelling minstrel working a regular beat. In this light, the booklet’s comic, crude, and sometimes frivolous contents take on new significance in the history of English literature, as they provide close evidence for what made up the entertainments of English oral culture—or minstrelsy—at the end of the Middle Ages.
{"title":"Entertainments from a Medieval Minstrel’s Repertoire Book","authors":"James Wade","doi":"10.1093/res/hgad053","DOIUrl":"https://doi.org/10.1093/res/hgad053","url":null,"abstract":"Abstract National Library of Scotland, Advocates’ MS 19.3.1 (the Heege Manuscript) is a large, late-fifteenth-century English miscellany manuscript from the border of Derbyshire and Nottinghamshire. Its first booklet, which existed independently of the manuscript’s other eight booklets throughout much or all of its medieval life, contains three texts: the tail-rhyme burlesque romance The Hunting of the Hare, a mock sermon in prose, and the alliterative nonsense verse The Battle of Brackonwet. This essay proposes that Richard Heege, the booklet’s scribe, copied these texts from the repertoire of a local entertainer, be that a gifted amateur or, very plausibly, a travelling minstrel working a regular beat. In this light, the booklet’s comic, crude, and sometimes frivolous contents take on new significance in the history of English literature, as they provide close evidence for what made up the entertainments of English oral culture—or minstrelsy—at the end of the Middle Ages.","PeriodicalId":255318,"journal":{"name":"The Review of English Studies","volume":"134 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135394304","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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