Abstract Benjamin Bragge and Edmund Curll published one of the most popular poetry collections of the eighteenth century: The Miscellaneous Works of the Right Honourable the late Earls of Rochester and Roscommon. Originally produced by Bragge in 1706, then reissued the following year under Curll’s imprint, its first part initiated what David Vieth termed the C series of Rochester’s collected poems that enjoyed at least 25 iterations until c.1798. The inaccuracy of the title—no place was found for Rochester’s play Valentinian, his letters, his lyrics or the Alexander Bendo advertisement—was compounded not only by the absence of any texts scholars now perceive to be authoritative but by incorrect attributions for three-quarters of its predominantly libertine and satiric matter, the majority of which, surprisingly, had already been printed under Rochester’s name. Curll published two further editions which continued Bragge’s emphasis and increased the publications’ attraction for the unsophisticated reader. From 1718 the miscellany was published anonymously, perhaps initially under Curll’s direction, and the now settled contents formed the basis on which Rochester’s poetry was understood and appreciated. Despite Vieth’s accurate definition of the canon in 1968, the record of the Bragge-Curll misattributions continues to impede an accurate public perception of Rochester’s poetic achievement.
{"title":"Defining Rochester’s Canon in the Eighteenth Century: The Role of Bragge and Curll","authors":"Nicholas Fisher","doi":"10.1093/res/hgad084","DOIUrl":"https://doi.org/10.1093/res/hgad084","url":null,"abstract":"Abstract Benjamin Bragge and Edmund Curll published one of the most popular poetry collections of the eighteenth century: The Miscellaneous Works of the Right Honourable the late Earls of Rochester and Roscommon. Originally produced by Bragge in 1706, then reissued the following year under Curll’s imprint, its first part initiated what David Vieth termed the C series of Rochester’s collected poems that enjoyed at least 25 iterations until c.1798. The inaccuracy of the title—no place was found for Rochester’s play Valentinian, his letters, his lyrics or the Alexander Bendo advertisement—was compounded not only by the absence of any texts scholars now perceive to be authoritative but by incorrect attributions for three-quarters of its predominantly libertine and satiric matter, the majority of which, surprisingly, had already been printed under Rochester’s name. Curll published two further editions which continued Bragge’s emphasis and increased the publications’ attraction for the unsophisticated reader. From 1718 the miscellany was published anonymously, perhaps initially under Curll’s direction, and the now settled contents formed the basis on which Rochester’s poetry was understood and appreciated. Despite Vieth’s accurate definition of the canon in 1968, the record of the Bragge-Curll misattributions continues to impede an accurate public perception of Rochester’s poetic achievement.","PeriodicalId":255318,"journal":{"name":"The Review of English Studies","volume":" 487","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135186501","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This article explores the relationship between Tide-race, a 1962 memoir by the Welsh poet and artist Brenda Chamberlain, and medieval culture and literature on Ynys Enlli. Written in the decades after the Second World War when Chamberlain had left mainland Wales, Tide-race is a memoir of the artist’s time on Enlli living with its small community of fishermen and farmers. In contrast to other works of twentieth-century island literature, I argue, Chamberlain rejected dominant, medieval patriarchal histories of Enlli, refusing to read the island as a male monastic site, or as a Welsh nationalist or cultural space. Tide-race is a medieval modern text that is deeply ambivalent about what medieval culture means for modern conceptions of identity, specifically Welshness and womanhood. Chamberlain’s late modernist work has been neglected because of her status as a Welsh woman writer working outside of the centres of modernism, and she has never been considered in the context of Medievalism Studies. By bringing archival material from the Brenda Chamberlain papers at the National Library of Wales together with the published memoir, this article brings to light an unremarked upon interest in Old English literature and traces the development of Chamberlain’s medievalism in the post-war period. Although her use of the Old English elegies—The Wanderer, The Seafarer and The Wife’s Lament—has remained unnoticed by Chamberlain’s critics, these early medieval poems are translated and adapted in her prose in ways that allow her to exorcize old grudges and challenge masculine ideals.
{"title":"The Haunted Island: Medieval History and the Old English Elegies in Brenda Chamberlain’s <i>Tide-race</i> (1962)","authors":"Francesca Brooks","doi":"10.1093/res/hgad092","DOIUrl":"https://doi.org/10.1093/res/hgad092","url":null,"abstract":"Abstract This article explores the relationship between Tide-race, a 1962 memoir by the Welsh poet and artist Brenda Chamberlain, and medieval culture and literature on Ynys Enlli. Written in the decades after the Second World War when Chamberlain had left mainland Wales, Tide-race is a memoir of the artist’s time on Enlli living with its small community of fishermen and farmers. In contrast to other works of twentieth-century island literature, I argue, Chamberlain rejected dominant, medieval patriarchal histories of Enlli, refusing to read the island as a male monastic site, or as a Welsh nationalist or cultural space. Tide-race is a medieval modern text that is deeply ambivalent about what medieval culture means for modern conceptions of identity, specifically Welshness and womanhood. Chamberlain’s late modernist work has been neglected because of her status as a Welsh woman writer working outside of the centres of modernism, and she has never been considered in the context of Medievalism Studies. By bringing archival material from the Brenda Chamberlain papers at the National Library of Wales together with the published memoir, this article brings to light an unremarked upon interest in Old English literature and traces the development of Chamberlain’s medievalism in the post-war period. Although her use of the Old English elegies—The Wanderer, The Seafarer and The Wife’s Lament—has remained unnoticed by Chamberlain’s critics, these early medieval poems are translated and adapted in her prose in ways that allow her to exorcize old grudges and challenge masculine ideals.","PeriodicalId":255318,"journal":{"name":"The Review of English Studies","volume":"64 s91","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135430919","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Journal Article Lauren Robertson. Entertaining Uncertainty in the Early Modern Theater: Stage Spectacle and Audience Response Get access Lauren Robertson. Entertaining Uncertainty in the Early Modern Theater: Stage Spectacle and Audience Response. Pp. xi+258. Cambridge: Cambridge University Press, 2023. Hardback, £75. Eoin Price Eoin Price Swansea University, UK https://orcid.org/0000-0001-9546-9183 Search for other works by this author on: Oxford Academic Google Scholar The Review of English Studies, hgad096, https://doi.org/10.1093/res/hgad096 Published: 03 November 2023 Article history Received: 26 October 2023 Editorial decision: 27 October 2023 Accepted: 30 October 2023 Published: 03 November 2023 Corrected and typeset: 06 November 2023
期刊文章劳伦·罗伯逊。早期现代戏剧中的娱乐不确定性:舞台奇观和观众反应。早期现代戏剧中的娱乐不确定性:舞台奇观与观众反应。Pp.ξ+ 258。剑桥:剑桥大学出版社，2023。精装,£75。Eoin Price Eoin Price英国斯旺西大学https://orcid.org/0000-0001-9546-9183搜索作者的其他作品:Oxford Academic Google Scholar The Review of English Studies, hgad096, https://doi.org/10.1093/res/hgad096发布日期:2023年11月3日文章历史接收日期:2023年10月26日编辑决定:2023年10月27日接收日期:2023年10月30日发布日期:2023年11月3日校正排版:2023年11月6日
{"title":"<scp>Lauren Robertson</scp>. <i>Entertaining Uncertainty in the Early Modern Theater: Stage Spectacle and Audience Response</i>","authors":"Eoin Price","doi":"10.1093/res/hgad096","DOIUrl":"https://doi.org/10.1093/res/hgad096","url":null,"abstract":"Journal Article Lauren Robertson. Entertaining Uncertainty in the Early Modern Theater: Stage Spectacle and Audience Response Get access Lauren Robertson. Entertaining Uncertainty in the Early Modern Theater: Stage Spectacle and Audience Response. Pp. xi+258. Cambridge: Cambridge University Press, 2023. Hardback, £75. Eoin Price Eoin Price Swansea University, UK https://orcid.org/0000-0001-9546-9183 Search for other works by this author on: Oxford Academic Google Scholar The Review of English Studies, hgad096, https://doi.org/10.1093/res/hgad096 Published: 03 November 2023 Article history Received: 26 October 2023 Editorial decision: 27 October 2023 Accepted: 30 October 2023 Published: 03 November 2023 Corrected and typeset: 06 November 2023","PeriodicalId":255318,"journal":{"name":"The Review of English Studies","volume":"5 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135875260","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Journal Article Nicole R Rice. The Medieval Hospital: Literary Culture and Community in England, 1350–1550 Get access Nicole R Rice. The Medieval Hospital: Literary Culture and Community in England, 1350–1550. Pp. xvi+392 (ReFormations: Medieval and Early Modern). Notre Dame, Indiana: University of Notre Dame Press, 2023. Hardback, $95.00. Hannah Lucas Hannah Lucas Newnham College, Cambridge, UK https://orcid.org/0000-0003-0664-2859 Search for other works by this author on: Oxford Academic Google Scholar The Review of English Studies, hgad097, https://doi.org/10.1093/res/hgad097 Published: 02 November 2023 Article history Received: 25 October 2023 Editorial decision: 27 October 2023 Accepted: 30 October 2023 Published: 02 November 2023 Corrected and typeset: 06 November 2023
期刊文章Nicole R Rice。中世纪医院:1350-1550年英国文学文化与社区中世纪医院:1350-1550年英国的文学文化与社区。第xvi+392页(改革:中世纪和近代早期)。印第安纳州圣母大学:圣母大学出版社，2023。精装,95.00美元。汉娜·卢卡斯汉娜·卢卡斯纽纳姆学院，英国剑桥https://orcid.org/0000-0003-0664-2859作者其他作品搜索:牛津学术谷歌学者The Review of English Studies, hgad097, https://doi.org/10.1093/res/hgad097发布日期:2023年11月2日文章历史接收日期:2023年10月25日编辑决定:2023年10月27日接收日期:2023年10月30日发布日期:2023年11月2日校正排版:2023年11月6日
{"title":"<scp>Nicole R Rice</scp>. <i>The Medieval Hospital: Literary Culture and Community in England, 1350–1550</i>","authors":"Hannah Lucas","doi":"10.1093/res/hgad097","DOIUrl":"https://doi.org/10.1093/res/hgad097","url":null,"abstract":"Journal Article Nicole R Rice. The Medieval Hospital: Literary Culture and Community in England, 1350–1550 Get access Nicole R Rice. The Medieval Hospital: Literary Culture and Community in England, 1350–1550. Pp. xvi+392 (ReFormations: Medieval and Early Modern). Notre Dame, Indiana: University of Notre Dame Press, 2023. Hardback, $95.00. Hannah Lucas Hannah Lucas Newnham College, Cambridge, UK https://orcid.org/0000-0003-0664-2859 Search for other works by this author on: Oxford Academic Google Scholar The Review of English Studies, hgad097, https://doi.org/10.1093/res/hgad097 Published: 02 November 2023 Article history Received: 25 October 2023 Editorial decision: 27 October 2023 Accepted: 30 October 2023 Published: 02 November 2023 Corrected and typeset: 06 November 2023","PeriodicalId":255318,"journal":{"name":"The Review of English Studies","volume":"24 5","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135975179","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Journal Article Jo Gill. Modern American Poetry and the Architectural Imagination: The Harmony of Forms Get access Jo Gill. Modern American Poetry and the Architectural Imagination: The Harmony of Forms. Pp. 304. Oxford: Oxford University Press, 2023. Hardback, £78. Bethany Hicok Bethany Hicok Williams College, USA Search for other works by this author on: Oxford Academic Google Scholar The Review of English Studies, hgad095, https://doi.org/10.1093/res/hgad095 Published: 01 November 2023 Article history Received: 22 October 2023 Editorial decision: 25 October 2023 Accepted: 25 October 2023 Corrected and typeset: 01 November 2023 Published: 01 November 2023
期刊文章乔·吉尔。现代美国诗歌与建筑想象:形式的和谐。现代美国诗歌与建筑想象:形式的和谐。304页。牛津:牛津大学出版社，2023。精装,£78。Bethany Hicok Bethany Hicok Williams College, USA作者其他作品搜索:Oxford Academic Google Scholar The Review of English Studies, hgad095, https://doi.org/10.1093/res/hgad095发布日期:2023年11月1日文章历史接收日期:2023年10月22日编辑决定:2023年10月25日接收日期:2023年10月25日校正和打字日期:2023年11月1日发布日期:2023年11月1日
{"title":"<scp>Jo Gill</scp>. <i>Modern American Poetry and the Architectural Imagination: The Harmony of Forms</i>","authors":"Bethany Hicok","doi":"10.1093/res/hgad095","DOIUrl":"https://doi.org/10.1093/res/hgad095","url":null,"abstract":"Journal Article Jo Gill. Modern American Poetry and the Architectural Imagination: The Harmony of Forms Get access Jo Gill. Modern American Poetry and the Architectural Imagination: The Harmony of Forms. Pp. 304. Oxford: Oxford University Press, 2023. Hardback, £78. Bethany Hicok Bethany Hicok Williams College, USA Search for other works by this author on: Oxford Academic Google Scholar The Review of English Studies, hgad095, https://doi.org/10.1093/res/hgad095 Published: 01 November 2023 Article history Received: 22 October 2023 Editorial decision: 25 October 2023 Accepted: 25 October 2023 Corrected and typeset: 01 November 2023 Published: 01 November 2023","PeriodicalId":255318,"journal":{"name":"The Review of English Studies","volume":"18 7","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135455739","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Journal Article Eva von Contzen and James Simpson (eds). Enlistment: Lists in Medieval and Early Modern Literature Get access Eva von Contzen and James Simpson (eds). Enlistment: Lists in Medieval and Early Modern Literature. Pp. viii+226 (Interventions: New Studies in Medieval Culture). Columbus: Ohio State University Press, 2022. Hardback, $99.95. William Rhodes William Rhodes University of Iowa, USA Search for other works by this author on: Oxford Academic Google Scholar The Review of English Studies, hgad093, https://doi.org/10.1093/res/hgad093 Published: 01 November 2023 Article history Received: 18 October 2023 Editorial decision: 22 October 2023 Accepted: 23 October 2023 Published: 01 November 2023 Corrected and typeset: 02 November 2023
期刊文章Eva von Contzen和James Simpson(编辑)。入伍:名单在中世纪和早期现代文学获得访问伊娃冯孔岑和詹姆斯辛普森(编)。入伍:在中世纪和早期现代文学列表。页8 +226(干预:中世纪文化的新研究)。哥伦布:俄亥俄州立大学出版社，2022。精装,99.95美元。威廉·罗兹威廉·罗兹美国爱荷华大学搜索作者其他作品:牛津学术谷歌学者The Review of English Studies, hgad093, https://doi.org/10.1093/res/hgad093发布日期:2023年11月1日文章历史收稿日期:2023年10月18日编辑决定:2023年10月22日接收日期:2023年10月23日发布日期:2023年11月1日校正排版:2023年11月2日
{"title":"<scp>Eva von Contzen</scp> and <scp>James Simpson</scp> (eds). <i>Enlistment: Lists in Medieval and Early Modern Literature</i>","authors":"William Rhodes","doi":"10.1093/res/hgad093","DOIUrl":"https://doi.org/10.1093/res/hgad093","url":null,"abstract":"Journal Article Eva von Contzen and James Simpson (eds). Enlistment: Lists in Medieval and Early Modern Literature Get access Eva von Contzen and James Simpson (eds). Enlistment: Lists in Medieval and Early Modern Literature. Pp. viii+226 (Interventions: New Studies in Medieval Culture). Columbus: Ohio State University Press, 2022. Hardback, $99.95. William Rhodes William Rhodes University of Iowa, USA Search for other works by this author on: Oxford Academic Google Scholar The Review of English Studies, hgad093, https://doi.org/10.1093/res/hgad093 Published: 01 November 2023 Article history Received: 18 October 2023 Editorial decision: 22 October 2023 Accepted: 23 October 2023 Published: 01 November 2023 Corrected and typeset: 02 November 2023","PeriodicalId":255318,"journal":{"name":"The Review of English Studies","volume":"68 9-10","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135455544","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract This article finds in the Italianate form of sesta rima an additional strand of influence on English ottava rima in the nineteenth century. It explores the verse history that has led to six-line stanzas becoming a formal training ground for octave rhymes, and conducts the first sustained examination of Byron’s engagement with the Italianate sestain. Drawing together Byron’s Italian reading, his correspondence, and his manuscript experiments, the article opens up a cluster of poems between 1813 and 1816 which reveal how his movements towards ottava rima predate his arrival in Italy and intertwine with the history of sesta rima. Only two lines shorter than ottava rima and sharing its pattern of ab rhymes closed by a cc couplet, the stanza has received sparse attention in criticism of modern verse. Exploring how sesta rima became a mode for parodying ottava rima, the paper’s second part examines how the young Tennyson shaped his manuscript rhymes to emulate a Byronic voice. Closely engaging with the genesis and uses of these stanzas in both poets’ manuscripts, the article forms a wider case study in experimental stanza switching and hybrid forms in Romantic and post-Romantic verse.
{"title":"<i>Sesta Rima</i> as a Mode of Imitation: Hybrid Forms in Anglo-Italian Verse","authors":"Michael J Sullivan","doi":"10.1093/res/hgad079","DOIUrl":"https://doi.org/10.1093/res/hgad079","url":null,"abstract":"Abstract This article finds in the Italianate form of sesta rima an additional strand of influence on English ottava rima in the nineteenth century. It explores the verse history that has led to six-line stanzas becoming a formal training ground for octave rhymes, and conducts the first sustained examination of Byron’s engagement with the Italianate sestain. Drawing together Byron’s Italian reading, his correspondence, and his manuscript experiments, the article opens up a cluster of poems between 1813 and 1816 which reveal how his movements towards ottava rima predate his arrival in Italy and intertwine with the history of sesta rima. Only two lines shorter than ottava rima and sharing its pattern of ab rhymes closed by a cc couplet, the stanza has received sparse attention in criticism of modern verse. Exploring how sesta rima became a mode for parodying ottava rima, the paper’s second part examines how the young Tennyson shaped his manuscript rhymes to emulate a Byronic voice. Closely engaging with the genesis and uses of these stanzas in both poets’ manuscripts, the article forms a wider case study in experimental stanza switching and hybrid forms in Romantic and post-Romantic verse.","PeriodicalId":255318,"journal":{"name":"The Review of English Studies","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135976779","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"<scp>Jill Rappoport</scp>. <i>Imagining Women’s Property in Victorian Fiction</i>","authors":"Noa Reich","doi":"10.1093/res/hgad094","DOIUrl":"https://doi.org/10.1093/res/hgad094","url":null,"abstract":"","PeriodicalId":255318,"journal":{"name":"The Review of English Studies","volume":"64 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135929007","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Journal Article Cristanne Miller and Karen Sánchez-Eppler (eds). The Oxford Handbook of Emily Dickinson Get access Cristanne Miller and Karen Sánchez-Eppler (eds). The Oxford Handbook of Emily Dickinson. Pp. xxiv+631. Oxford: Oxford University Press, 2022. Hardback, £110. Justin C Tackett Justin C Tackett University of Warwick, UK Search for other works by this author on: Oxford Academic Google Scholar The Review of English Studies, hgad091, https://doi.org/10.1093/res/hgad091 Published: 28 October 2023 Article history Received: 02 October 2023 Editorial decision: 13 October 2023 Accepted: 13 October 2023 Corrected and typeset: 28 October 2023 Published: 28 October 2023
期刊文章Cristanne Miller和Karen Sánchez-Eppler(编辑)。牛津手册的艾米莉·狄金森获得访问克里斯坦·米勒和凯伦Sánchez-Eppler(编辑)。艾米莉·狄金森牛津手册。第二十四Pp. + 631。牛津:牛津大学出版社，2022。精装,£110。贾斯汀·C·塔克特贾斯汀·C·塔克特英国华威大学搜索作者其他作品网址:Oxford Academic Google Scholar The Review of English Studies, hgad091, https://doi.org/10.1093/res/hgad091发布日期:2023年10月28日文章历史接收日期:2023年10月02日编辑决定:2023年10月13日接收日期:2023年10月13日校正排版:2023年10月28日发布日期:2023年10月28日
{"title":"<scp>Cristanne Miller</scp> and <scp>Karen Sánchez-Eppler</scp> (eds). <i>The Oxford Handbook of Emily Dickinson</i>","authors":"Justin C Tackett","doi":"10.1093/res/hgad091","DOIUrl":"https://doi.org/10.1093/res/hgad091","url":null,"abstract":"Journal Article Cristanne Miller and Karen Sánchez-Eppler (eds). The Oxford Handbook of Emily Dickinson Get access Cristanne Miller and Karen Sánchez-Eppler (eds). The Oxford Handbook of Emily Dickinson. Pp. xxiv+631. Oxford: Oxford University Press, 2022. Hardback, £110. Justin C Tackett Justin C Tackett University of Warwick, UK Search for other works by this author on: Oxford Academic Google Scholar The Review of English Studies, hgad091, https://doi.org/10.1093/res/hgad091 Published: 28 October 2023 Article history Received: 02 October 2023 Editorial decision: 13 October 2023 Accepted: 13 October 2023 Corrected and typeset: 28 October 2023 Published: 28 October 2023","PeriodicalId":255318,"journal":{"name":"The Review of English Studies","volume":"12 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136158453","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"<scp>Debora Shuger</scp>, <i>Paratexts of the English Bible, 1525-1611</i>","authors":"Thomas Fulton","doi":"10.1093/res/hgad083","DOIUrl":"https://doi.org/10.1093/res/hgad083","url":null,"abstract":"","PeriodicalId":255318,"journal":{"name":"The Review of English Studies","volume":"82 6","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135266547","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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