Pub Date : 2024-03-28DOI: 10.36733/sphota.v16i1.7707
Siti Marya Ulpah, Tatang
This research was conducted because there are problems with written Arabic script in children with dyslexia which has the potential to affect language abilities. This research aims to find out, understand, explain and describe the forms of written Arabic script in children with dyslexia. This research uses descriptive qualitative research. The subject of this research was RSK, a 10-year-old child who was in the fifth grade of elementary school. The data source for this research comes from written language documentation of the research subjects. Data collection techniques used in this research are interviews, documentation and observation. Research data was analyzed using data reduction techniques, data presentation, data verification and conclusions. The results of this research are that dyslexia in children causes various errors in children's written language. These errors include inversion (writing backward), writing the wrong period, substitution (replacing letters), and deletion (removing letters). This error occurs in hijaiyah letters which have similar visual shape and sound proximity to other hijaiyah letters.
{"title":"Analisis Bahasa Tulis Aksara Arab pada Anak dengan Gangguan Disleksia: Kajian Psikolinguistik","authors":"Siti Marya Ulpah, Tatang","doi":"10.36733/sphota.v16i1.7707","DOIUrl":"https://doi.org/10.36733/sphota.v16i1.7707","url":null,"abstract":"This research was conducted because there are problems with written Arabic script in children with dyslexia which has the potential to affect language abilities. This research aims to find out, understand, explain and describe the forms of written Arabic script in children with dyslexia. This research uses descriptive qualitative research. The subject of this research was RSK, a 10-year-old child who was in the fifth grade of elementary school. The data source for this research comes from written language documentation of the research subjects. Data collection techniques used in this research are interviews, documentation and observation. Research data was analyzed using data reduction techniques, data presentation, data verification and conclusions. The results of this research are that dyslexia in children causes various errors in children's written language. These errors include inversion (writing backward), writing the wrong period, substitution (replacing letters), and deletion (removing letters). This error occurs in hijaiyah letters which have similar visual shape and sound proximity to other hijaiyah letters.","PeriodicalId":269744,"journal":{"name":"SPHOTA: Jurnal Linguistik dan Sastra","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140369753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-28DOI: 10.36733/sphota.v16i1.7176
Zalikha, Dian Budiarti
This article delves into the linguistic and discursive aspects of communication, exploring the application of theories proposed by J.L. Austin (1975) and John Searle (1969) to understand the illocutionary acts employed by the male and female judges in Indonesia's Next Top Model. Within the context of reality television, where judgments and critiques are integral components, the language used by judges holds particular significance. This study aims to delve into the illocutionary acts employed by male and female judges in the popular television show "Indonesia's Next Top Model Cycle 3." The research method for this study employed a qualitative research approach, involved describing data from real-life situations or phenomena in their natural context within the reality show to explore the nuances and meanings of illocutionary acts in judges' comments. A sample of episodes from Indonesia's Next Top Model Cycle 3 was selected for analysis, ensuring representation of both male and female judges' comments. The dataset consisted of 266 utterances, 132 utterances from male judges' comments and 134 utterances from female judges' comments. In this study, it is found that the female judges had a greater variety of speech acts where they used all types of speech acts when giving comments. Whereas male judges only used three types of speech acts. The most dominant type of speech act of both male and female judges is assertives/representatives. It is inferred that both male and female judges are having or showing a confident and forceful personality in their utterances. In this study, it can also be seen that female judges are more to the point or overt than male judges.
{"title":"Examining Illocutionary Acts: Male and Female Judges’ Comments on Indonesia’s Next Top Model","authors":"Zalikha, Dian Budiarti","doi":"10.36733/sphota.v16i1.7176","DOIUrl":"https://doi.org/10.36733/sphota.v16i1.7176","url":null,"abstract":"This article delves into the linguistic and discursive aspects of communication, exploring the application of theories proposed by J.L. Austin (1975) and John Searle (1969) to understand the illocutionary acts employed by the male and female judges in Indonesia's Next Top Model. Within the context of reality television, where judgments and critiques are integral components, the language used by judges holds particular significance. This study aims to delve into the illocutionary acts employed by male and female judges in the popular television show \"Indonesia's Next Top Model Cycle 3.\" The research method for this study employed a qualitative research approach, involved describing data from real-life situations or phenomena in their natural context within the reality show to explore the nuances and meanings of illocutionary acts in judges' comments. A sample of episodes from Indonesia's Next Top Model Cycle 3 was selected for analysis, ensuring representation of both male and female judges' comments. The dataset consisted of 266 utterances, 132 utterances from male judges' comments and 134 utterances from female judges' comments. In this study, it is found that the female judges had a greater variety of speech acts where they used all types of speech acts when giving comments. Whereas male judges only used three types of speech acts. The most dominant type of speech act of both male and female judges is assertives/representatives. It is inferred that both male and female judges are having or showing a confident and forceful personality in their utterances. In this study, it can also be seen that female judges are more to the point or overt than male judges.","PeriodicalId":269744,"journal":{"name":"SPHOTA: Jurnal Linguistik dan Sastra","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140370488","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-28DOI: 10.36733/sphota.v16i1.7068
Gusti Ayu, Vina Widiadnya Putri, I. Dewa, Ayu Devi Maharani Santika, Ida Bagus Gde, Nova Winartha
This study aims to analyze words, sense, and denotation in Pupuh Ginanti, entitled "Saking Tuhu Manah Guru". Pupuh is one of the Balinese poem that is still preserved nowadays. This pupuh has a moral value that needs to be conveyed to listeners. The message is conveyed through the form of the words that compose it. Every word or sentence in a literary work has meant that unknowingly, so an analysis of the word, sense, and meaning of denotation in Pupuh Ginanti needs to be discussed more deeply. Data was initially categorised for this study using some kind of word classification. Start data coding after categorization. By analysing text-based data, data analysis techniques employ qualitative methods. The researcher also employed documentation strategies to obtain the data. The theory used in this study is (Allan, 2014) to analyze sense meaning and supported by theory from (Kreidler, 2002) to analyze denotation meaning. This study uses a descriptive qualitative approach. The result of this research is that the meaning of the poem in Pupuh Ginanti entitled "Saking tuhu manah guru" has a denotative meaning and sense meaning in each line. Sense meaning in this poem was used to clarify the message to be conveyed by the author.
本研究旨在分析题为 "Saking Tuhu Manah Guru "的 Pupuh Ginanti 中的词语、意义和指称。Pupuh 是巴厘诗歌中的一首，至今仍被保留。这首诗需要向听众传达一种道德价值观。信息是通过文字的形式传达的。文学作品中的每一个词或句子都在不知不觉中蕴含着这样的含义，因此需要对《Pupuh Ginanti》中的词语、意义和指代含义进行更深入的讨论分析。本研究最初使用某种词语分类法对数据进行分类。分类后开始数据编码。通过分析基于文本的数据，数据分析技术采用了定性方法。 研究人员还采用了文献策略来获取数据。本研究使用的理论是（Allan，2014）分析意义含义，并得到（Kreidler，2002）分析指称含义的理论支持。本研究采用描述性定性方法。研究结果表明，《Pupuh Ginanti》中题为 "Saking tuhu manah guru "的诗句的每一行都具有指称意义和意义意义。这首诗中的意义被用来阐明作者要传达的信息。
{"title":"Words, Sense, and Denotation Meaning in Pupuh Ginanti “Saking Tuhu Manah Guru”","authors":"Gusti Ayu, Vina Widiadnya Putri, I. Dewa, Ayu Devi Maharani Santika, Ida Bagus Gde, Nova Winartha","doi":"10.36733/sphota.v16i1.7068","DOIUrl":"https://doi.org/10.36733/sphota.v16i1.7068","url":null,"abstract":"This study aims to analyze words, sense, and denotation in Pupuh Ginanti, entitled \"Saking Tuhu Manah Guru\". Pupuh is one of the Balinese poem that is still preserved nowadays. This pupuh has a moral value that needs to be conveyed to listeners. The message is conveyed through the form of the words that compose it. Every word or sentence in a literary work has meant that unknowingly, so an analysis of the word, sense, and meaning of denotation in Pupuh Ginanti needs to be discussed more deeply. Data was initially categorised for this study using some kind of word classification. Start data coding after categorization. By analysing text-based data, data analysis techniques employ qualitative methods. The researcher also employed documentation strategies to obtain the data. The theory used in this study is (Allan, 2014) to analyze sense meaning and supported by theory from (Kreidler, 2002) to analyze denotation meaning. This study uses a descriptive qualitative approach. The result of this research is that the meaning of the poem in Pupuh Ginanti entitled \"Saking tuhu manah guru\" has a denotative meaning and sense meaning in each line. Sense meaning in this poem was used to clarify the message to be conveyed by the author.","PeriodicalId":269744,"journal":{"name":"SPHOTA: Jurnal Linguistik dan Sastra","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140370472","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-28DOI: 10.36733/sphota.v16i1.8606
I. K. Wardana
The surge in research addressing code-switching (CS) and code-mixing (CM) occurrences between English and Indonesian languages within podcasts has garnered significant attention.. Nonetheless, the comparative analysis of the structure, categories, and purpose of employing these linguistic blends, along with the audience's interpretations of such bilingual variations, remains somewhat limited. Consequently, the present study endeavors to contrast the distinct manifestations of CS and CM exhibited by Deddy Corbuzier and Cinta Laura, as perceived by participants. The study employed a qualitative approach where the data was analyzed with content analysis. Concurrently, participants' viewpoints regarding CS and CM were elicited through questionnaires distributed among a purposive sample of 20 individuals selected from a population of 200. The data were analyzed using a paired sample t-test. The findings of this research indicate Cinta Laura employed a greater degree of CS and CM in comparison to Deddy Corbuzier in the podcasts due to her fluency in both languages and her speech mostly indicated her social status and addressed topics of conversation. Meanwhile, Dedy Corbuzier used the variation to demonstrate solidarity and persuade the audience. The paired sample t-test revealed a significant divergence in participants' perceptions of code-switching and code-mixing between Deddy Corbuzier and Cinta Laura.
针对播客中英语和印尼语之间的语码转换（CS）和语码混合（CM）现象的研究激增，引起了广泛关注。然而，对这些语言混合的结构、类别和使用目的的比较分析，以及受众对这种双语变体的解读，仍然十分有限。因此，本研究试图对比 Deddy Corbuzier 和 Cinta Laura 所表现出的 CS 和 CM 的不同表现形式。本研究采用定性方法，对数据进行内容分析。同时，从 200 人中有目的性地抽取 20 人进行问卷调查，以了解参与者对 CS 和 CM 的看法。数据采用配对样本 t 检验法进行分析。研究结果表明，与 Deddy Corbuzier 相比，Cinta Laura 在播客中更多地使用了 CS 和 CM，因为她能流利地使用这两种语言，而且她的言语大多能表明她的社会地位并涉及谈话主题。与此同时，Dedy Corbuzier 使用变体来展示团结和说服听众。配对样本 t 检验显示，参与者对 Deddy Corbuzier 和 Cinta Laura 的语码转换和语码混合的看法存在显著差异。
{"title":"Comparative exploration of podcasted code-switching and code-mixing utterances: A study case Deddy Corbuzier and Cinta Laura","authors":"I. K. Wardana","doi":"10.36733/sphota.v16i1.8606","DOIUrl":"https://doi.org/10.36733/sphota.v16i1.8606","url":null,"abstract":"The surge in research addressing code-switching (CS) and code-mixing (CM) occurrences between English and Indonesian languages within podcasts has garnered significant attention.. Nonetheless, the comparative analysis of the structure, categories, and purpose of employing these linguistic blends, along with the audience's interpretations of such bilingual variations, remains somewhat limited. Consequently, the present study endeavors to contrast the distinct manifestations of CS and CM exhibited by Deddy Corbuzier and Cinta Laura, as perceived by participants. The study employed a qualitative approach where the data was analyzed with content analysis. Concurrently, participants' viewpoints regarding CS and CM were elicited through questionnaires distributed among a purposive sample of 20 individuals selected from a population of 200. The data were analyzed using a paired sample t-test. The findings of this research indicate Cinta Laura employed a greater degree of CS and CM in comparison to Deddy Corbuzier in the podcasts due to her fluency in both languages and her speech mostly indicated her social status and addressed topics of conversation. Meanwhile, Dedy Corbuzier used the variation to demonstrate solidarity and persuade the audience. The paired sample t-test revealed a significant divergence in participants' perceptions of code-switching and code-mixing between Deddy Corbuzier and Cinta Laura.","PeriodicalId":269744,"journal":{"name":"SPHOTA: Jurnal Linguistik dan Sastra","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140369679","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-28DOI: 10.36733/sphota.v16i1.7747
Dewi Herlina, Siti Sulistiyarini
This research aims to describe the circumfix "ke-an" in the Indonesian language, focusing on its phonological changes, grammatical functions, and meanings. The data were taken from excerpts from the novel "Negeri Para Bedebah" by Tere Liye and sentences created by the researcher as a native speaker of the Indonesian language. The researcher used distribution and paraphrasing methods to address the research questions. Based on the research results, three phonological change rules were found in forming the circumfix "ke-an" from its base form to a polymorphemic word. The allomorphs are "ke-yan," "ke-wan," and "ke-Ɂan." In terms of its grammatical function, the circumfix "ke-an" was examined both derivationally and inflectionally. Based on its grammatical meaning, the circumfix "ke-an" can express at least four things, namely, expressing abstract concepts, indicating a place, indicating suffering, and indicating quality.
{"title":"Konfiks Ke-an dalam Bahasa Indonesia","authors":"Dewi Herlina, Siti Sulistiyarini","doi":"10.36733/sphota.v16i1.7747","DOIUrl":"https://doi.org/10.36733/sphota.v16i1.7747","url":null,"abstract":"This research aims to describe the circumfix \"ke-an\" in the Indonesian language, focusing on its phonological changes, grammatical functions, and meanings. The data were taken from excerpts from the novel \"Negeri Para Bedebah\" by Tere Liye and sentences created by the researcher as a native speaker of the Indonesian language. The researcher used distribution and paraphrasing methods to address the research questions. Based on the research results, three phonological change rules were found in forming the circumfix \"ke-an\" from its base form to a polymorphemic word. The allomorphs are \"ke-yan,\" \"ke-wan,\" and \"ke-Ɂan.\" In terms of its grammatical function, the circumfix \"ke-an\" was examined both derivationally and inflectionally. Based on its grammatical meaning, the circumfix \"ke-an\" can express at least four things, namely, expressing abstract concepts, indicating a place, indicating suffering, and indicating quality.","PeriodicalId":269744,"journal":{"name":"SPHOTA: Jurnal Linguistik dan Sastra","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140370884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-28DOI: 10.36733/sphota.v16i1.8739
I. K. Sulatra, Desak Putu, E. Pratiwi
This research aims to determine the symbolic meaning of pupuh pucung entitled 'Bibi Anu' which is used as an accompaniment to nelu bulanin rituals. The data were taken from a video of the Nelu Bulanin ceremony from YouTube with the address https://www.youtube.com/watch?v=TTNtDppLjc0. The data were collected by applying the observation method through watching the video, transcribing the lyrics, reading, and note-taking the words or phrases that contain symbolic meaning. There were five stanzas of pupuh pucung used as data sources. This research used a qualitative approach. The analysis was carried out by applying the cultural-linguistic theory proposed by Palmer (1996). This research shows that the lyrics of 'Bibi Anu' use linguistic units like words and phrases with symbolic meaning as a means of expressing the beliefs of Balinese Hindu society. This research has proven that Pupuh Pucung ‘Bibi Anu’ not only accompanies the ritual but is an inseparable part of the ritual itself because the lyrics contain belief values as an inseparable part of Balinese culture.
{"title":"Makna Pupuh Pucung ‘Bibi Anu’ Pengiring Ritual Nelu Bulanin Masyarakat Hindu Bali","authors":"I. K. Sulatra, Desak Putu, E. Pratiwi","doi":"10.36733/sphota.v16i1.8739","DOIUrl":"https://doi.org/10.36733/sphota.v16i1.8739","url":null,"abstract":"This research aims to determine the symbolic meaning of pupuh pucung entitled 'Bibi Anu' which is used as an accompaniment to nelu bulanin rituals. The data were taken from a video of the Nelu Bulanin ceremony from YouTube with the address https://www.youtube.com/watch?v=TTNtDppLjc0. The data were collected by applying the observation method through watching the video, transcribing the lyrics, reading, and note-taking the words or phrases that contain symbolic meaning. There were five stanzas of pupuh pucung used as data sources. This research used a qualitative approach. The analysis was carried out by applying the cultural-linguistic theory proposed by Palmer (1996). This research shows that the lyrics of 'Bibi Anu' use linguistic units like words and phrases with symbolic meaning as a means of expressing the beliefs of Balinese Hindu society. This research has proven that Pupuh Pucung ‘Bibi Anu’ not only accompanies the ritual but is an inseparable part of the ritual itself because the lyrics contain belief values as an inseparable part of Balinese culture.","PeriodicalId":269744,"journal":{"name":"SPHOTA: Jurnal Linguistik dan Sastra","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140372156","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-31DOI: 10.36733/sphota.v15i1.5079
Ni Dewi, Desak Putu Eka Pratiwi
The research aims to identify types of figurative language, especially hyperbole, and analyze the meanings. The data are taken from the novel entitled "Remember Me” by Sophie Kinsella. The method used in collecting the data was the qualitative method. First, reading the novel repeatedly and understanding the novel "Remember Me" by Sophie Kinsella. Second, note-taking to find out a figurative language is used in the novel "Remember Me” by Sophie Kinsella. Third, analyzing the data. The writer analyzed the data descriptively by using the qualitative method. Two theories are used in this analyzing the data, the first theory is proposed by Perrine (1977) which is used to find out the types of figurative language used in the novel "Remember Me" by Sophie Kinsella. The second theory is delivered by Leech (1981) which is used to find out the meaning of the figurative language used in the novel "Remember Me" by Sophie Kinsella. The finding shows that the whole of the figurative language has connotative meaning. The writer found ten types of hyperbole used in the novel “Remember Me”. This research is expected to contribute as a medium for learning language styles because there are so many enthusiasts of novels that it makes more and more people like to read novels. After all, novels will be more interesting and have high scores in language style.
{"title":"Analysis Of Hyperbole In The Novel \"Remember Me\" By Sophie Kinsella","authors":"Ni Dewi, Desak Putu Eka Pratiwi","doi":"10.36733/sphota.v15i1.5079","DOIUrl":"https://doi.org/10.36733/sphota.v15i1.5079","url":null,"abstract":"The research aims to identify types of figurative language, especially hyperbole, and analyze the meanings. The data are taken from the novel entitled \"Remember Me” by Sophie Kinsella. The method used in collecting the data was the qualitative method. First, reading the novel repeatedly and understanding the novel \"Remember Me\" by Sophie Kinsella. Second, note-taking to find out a figurative language is used in the novel \"Remember Me” by Sophie Kinsella. Third, analyzing the data. The writer analyzed the data descriptively by using the qualitative method. Two theories are used in this analyzing the data, the first theory is proposed by Perrine (1977) which is used to find out the types of figurative language used in the novel \"Remember Me\" by Sophie Kinsella. The second theory is delivered by Leech (1981) which is used to find out the meaning of the figurative language used in the novel \"Remember Me\" by Sophie Kinsella. The finding shows that the whole of the figurative language has connotative meaning. The writer found ten types of hyperbole used in the novel “Remember Me”. This research is expected to contribute as a medium for learning language styles because there are so many enthusiasts of novels that it makes more and more people like to read novels. After all, novels will be more interesting and have high scores in language style.","PeriodicalId":269744,"journal":{"name":"SPHOTA: Jurnal Linguistik dan Sastra","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125319514","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-31DOI: 10.36733/sphota.v15i1.5686
Meisha Rahmania, Havid Ardi
This research was conducted to analyze the translation techniques of anger-expressive utterances found in the Novel The Hate U Give by Angie Thomas, translated into Indonesia. The purpose of the research was to study anger expressions and classify the translation techniques of anger used by the translator in The Hate U Give Novel and its translation. The data were gathered from reading the novel. There are 182 utterances that fall into the category of "expressions of anger" found in the novel. From the result of data analysis, there were eleven types of translation techniques used by the translator in translated anger utterances found in the Novel, there were borrowing with 9 data, compensation with 9 data, transposition with 8 data, modulation with 12 data, amplification with 21 data, adaptation with 39 data, established equivalent with 61 data, generalization with 1 data, reduction with 11 data, variation with 2 data, and one technique that not include in Molina and Albir theory’s called neutralization with 9 data. Establish Equivalent was the most dominant translation technique.
本研究旨在分析Angie Thomas的小说《the Hate U Give》中表达愤怒的话语的翻译技巧。本研究的目的是研究愤怒的表达，并对《恨你》及其翻译中译者使用的愤怒翻译技巧进行分类。这些资料是从阅读小说中收集来的。小说中有182句话属于“愤怒的表达”。从数据分析的结果来看，译者在翻译《小说》中的愤怒话语时使用的翻译技巧共有11种，分别是借用9种、补偿9种、换位8种、调制12种、放大21种、改编39种、建立等效61种、泛化1种、还原11种、变异2种。莫利纳和阿尔比尔理论中没有包括的一种技术叫做数据中和。建立等效是最主要的翻译方法。
{"title":"Translation Techniques of Anger Expressive Utterances in the Novel The Hate U Give (2017) by Angie Thomas","authors":"Meisha Rahmania, Havid Ardi","doi":"10.36733/sphota.v15i1.5686","DOIUrl":"https://doi.org/10.36733/sphota.v15i1.5686","url":null,"abstract":"This research was conducted to analyze the translation techniques of anger-expressive utterances found in the Novel The Hate U Give by Angie Thomas, translated into Indonesia. The purpose of the research was to study anger expressions and classify the translation techniques of anger used by the translator in The Hate U Give Novel and its translation. The data were gathered from reading the novel. There are 182 utterances that fall into the category of \"expressions of anger\" found in the novel. From the result of data analysis, there were eleven types of translation techniques used by the translator in translated anger utterances found in the Novel, there were borrowing with 9 data, compensation with 9 data, transposition with 8 data, modulation with 12 data, amplification with 21 data, adaptation with 39 data, established equivalent with 61 data, generalization with 1 data, reduction with 11 data, variation with 2 data, and one technique that not include in Molina and Albir theory’s called neutralization with 9 data. Establish Equivalent was the most dominant translation technique.","PeriodicalId":269744,"journal":{"name":"SPHOTA: Jurnal Linguistik dan Sastra","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121324657","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-31DOI: 10.36733/sphota.v15i1.5122
Putu Devi Maharani, N. Sari
This research is aimed to analyse the illocutionary act which were found in Soul movie. Movie is one of entertainment that can show the use of language in society. Speech act is the focus of this research especially in illocutionary act. By using descriptive qualitative analysis, this research is conducted. The data were collected from observation, documentation, and note taking techniques. After the data collected, the result was analysed based on the speech act theory from Searle in (Yule, 2017). Besides, theory of context of situation proposed by Halliday & Ruqaiya (1989) was used in explaining the situation happened in the story. The findings were explained by using context of situation of this research showed that there were 86 all of 5 illocutionary acts found. There were 23 Representative, 30 Directive, 12 Commissive, 19 Expressive, and 2 Declarative. The directive illocutionary act was the most speech act found in the movie. By conducting this research, it is intended to help people to understand and comprehend what message that discovered in the utterances in a movie.
本研究旨在分析灵魂电影中的言外行为。电影是一种可以展示语言在社会中的使用的娱乐方式。言语行为是本研究的重点，尤其是言外行为。本研究采用描述性定性分析方法进行。数据通过观察、记录和笔记技术收集。收集数据后，根据Searle in (Yule, 2017)的言语行为理论对结果进行分析。此外，Halliday & Ruqaiya(1989)提出的情境语境理论被用来解释故事中发生的情境。研究结果表明，五种言外行为共发现86种。有23个代表词，30个指示词，12个委员会词，19个表达词，2个声明词。指示性言外行为是电影中发现的最多的言语行为。通过进行这项研究，它的目的是帮助人们理解和理解在电影中的话语中发现了什么信息。
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Pub Date : 2023-03-31DOI: 10.36733/sphota.v15i1.5964
Chendy Sulistyo, Safrina Felayati
A film has a complex narrative and relates to coherence between the caption (a lingual unit) and moving images (a visual context). A narrative approach is needed in analyzing the film to see the context of the situation when the caption appears in the scene. This is a consideration in making captions so that the translation is acceptable and not literal. The subtitle of this film is studied by looking at the illocution speech acts that are present without consideration in the narrative and audio-visual interplay that plays in it. There have been a lot of research on film subtitles before, but only focused on the linguistic unit. Some of them have tried to see the speech act in film subtitles. The studies that have been carried out have not considered the audio-visual element when the caption appears so that it only sees it as a linguistic unit and only sees the environment linguistically. One form of speech act that appears in the film caption F.R.I.E.N.D.S is the illocution speech act. According to Anggraeni & Sari (2021:213) illocution speech acts are speech acts that aim to state something or also called The Act of Saying Something. The problems studied in this study are; 1) how are the subtitles translated in the F.R.I.E.N.D.S film, 2) how are the subtitles translated in the F.R.I.E.N.D.S film with time constraints. Based on the data analysis that has been carried out, it can be concluded that illocution speech acts are also included in the film's caption but have not considered the visual context. In the film, the role of characters and narrative theory becomes important to be able to express illocution speech acts in conveying their speech
{"title":"Kajian Terjemahan Takarir Verdictives Dengan Pendekatan Multi Semiotika","authors":"Chendy Sulistyo, Safrina Felayati","doi":"10.36733/sphota.v15i1.5964","DOIUrl":"https://doi.org/10.36733/sphota.v15i1.5964","url":null,"abstract":"A film has a complex narrative and relates to coherence between the caption (a lingual unit) and moving images (a visual context). A narrative approach is needed in analyzing the film to see the context of the situation when the caption appears in the scene. This is a consideration in making captions so that the translation is acceptable and not literal. The subtitle of this film is studied by looking at the illocution speech acts that are present without consideration in the narrative and audio-visual interplay that plays in it. There have been a lot of research on film subtitles before, but only focused on the linguistic unit. Some of them have tried to see the speech act in film subtitles. The studies that have been carried out have not considered the audio-visual element when the caption appears so that it only sees it as a linguistic unit and only sees the environment linguistically. One form of speech act that appears in the film caption F.R.I.E.N.D.S is the illocution speech act. According to Anggraeni & Sari (2021:213) illocution speech acts are speech acts that aim to state something or also called The Act of Saying Something. The problems studied in this study are; 1) how are the subtitles translated in the F.R.I.E.N.D.S film, 2) how are the subtitles translated in the F.R.I.E.N.D.S film with time constraints. Based on the data analysis that has been carried out, it can be concluded that illocution speech acts are also included in the film's caption but have not considered the visual context. In the film, the role of characters and narrative theory becomes important to be able to express illocution speech acts in conveying their speech","PeriodicalId":269744,"journal":{"name":"SPHOTA: Jurnal Linguistik dan Sastra","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132909347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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