Pub Date : 1900-01-01DOI: 10.36253/978-88-5518-338-3.17
Pedro Luis Ladrón de Guevara
Magris appears so often in the Spanish national press as to make it nearly impossible to be exhaustive. It is very difficult and complicated to talk about Claudio Magris’ presence in Spain and the presence of Spain in his journalistic articles within a limited space. Therefore, the current essay focuses on some of his most important contributions, starting with his first interventions and relationships with the main newspapers, magazines and writers, as well as the editions of volumes in Castilian and Catalan, and the awards he has won. Magris is a fundamental point of reference for the intellectual world in Spain, where he is never perceived as a foreigner, let alone a stranger.
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Pub Date : 1900-01-01DOI: 10.36253/978-88-5518-417-5
Adelia Noferi
Adelia Noferi (1922-2014) was one the greatest scholars of Petrarch, Bruno, and D’Annunzio and twentieth-century poetry, as well as one of the most refined theorists of the twentieth century and its poetics. This book collects previously unpublished texts, some of which arose from the courses that Noferi taught at university; they reflect with a wealth of doctrine and suggestions on poetry and criticism through Petrarchan readings and an adventurous journey through the topoi of the forest in literature. From the locus amoenus to the labyrinth, the investigation takes place at a structural, formal, symbolic and cultural level and retraces forms and junctions of the imagination through exemplary texts (from Dante to Bigongiari and Zanzotto). The second section, enriched by an iconographic apparatus, collects profiles and testimonies in multiple voices, a biography between generations, and a complete bibliography.
{"title":"Attraversamento di luoghi simbolici. Petrarca, il bosco e la poesia","authors":"Adelia Noferi","doi":"10.36253/978-88-5518-417-5","DOIUrl":"https://doi.org/10.36253/978-88-5518-417-5","url":null,"abstract":"Adelia Noferi (1922-2014) was one the greatest scholars of Petrarch, Bruno, and D’Annunzio and twentieth-century poetry, as well as one of the most refined theorists of the twentieth century and its poetics. This book collects previously unpublished texts, some of which arose from the courses that Noferi taught at university; they reflect with a wealth of doctrine and suggestions on poetry and criticism through Petrarchan readings and an adventurous journey through the topoi of the forest in literature. From the locus amoenus to the labyrinth, the investigation takes place at a structural, formal, symbolic and cultural level and retraces forms and junctions of the imagination through exemplary texts (from Dante to Bigongiari and Zanzotto). The second section, enriched by an iconographic apparatus, collects profiles and testimonies in multiple voices, a biography between generations, and a complete bibliography.","PeriodicalId":270497,"journal":{"name":"Biblioteca di Studi di Filologia Moderna","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124118028","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.36253/978-88-5518-338-3.20
E. Biagini
The current essay aims to highlighting a few aspects of the fine ‘art of the monologue’ practiced by Claudio Magris in his remarkable theatrical achievements (three dramatic monologues and two choral plays), in particular, on his most compelling play, Lei dunque capirà (2006). On one hand, the play highlights his masterly use of the stylistic/dialogic capacity of the monologue on stage and, on the other, it offers an unprecedented and extraordinary (parodic) re-actualization of the myth of Orpheus.
{"title":"L’io nello sguardo dell’altra. L’arte del monologo di Claudio Magris","authors":"E. Biagini","doi":"10.36253/978-88-5518-338-3.20","DOIUrl":"https://doi.org/10.36253/978-88-5518-338-3.20","url":null,"abstract":"The current essay aims to highlighting a few aspects of the fine ‘art of the monologue’ practiced by Claudio Magris in his remarkable theatrical achievements (three dramatic monologues and two choral plays), in particular, on his most compelling play, Lei dunque capirà (2006). On one hand, the play highlights his masterly use of the stylistic/dialogic capacity of the monologue on stage and, on the other, it offers an unprecedented and extraordinary (parodic) re-actualization of the myth of Orpheus.","PeriodicalId":270497,"journal":{"name":"Biblioteca di Studi di Filologia Moderna","volume":"217 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132550755","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.36253/978-88-5518-338-3
Ernestina Pellegrini, F. Fastelli, D. Salvadori
This volume brings together a selection of essays on Claudio Magris’ work, aiming to enrich critical debate with a specific focus on interdisciplinary dimension and continuous dialogue with the main European literary traditions. The outcome is an overall study on Magris’ narrative, essayistic and theatrical production, trying to fix his plural and prismatic identity: from the narration of places to an unavoidable ideological tension; from philosophical alphabets to the weight of History; from Myth’s remediation to the abroad reception; from hypotext filigree to real case studies. According to a diachronic perspective, they focus attention on Magris’ works, such as Microcosmi, Alla cieca, Non luogo a procedere and Tempo curvo a Krems.
本卷汇集了对克劳迪奥·马格里斯的工作散文的选择，旨在丰富与跨学科的维度和持续对话的主要欧洲文学传统的具体重点关键辩论。结果是对马格里斯的叙事、散文和戏剧作品进行全面的研究，试图确定他的多元和棱镜身份:从对地方的叙述到不可避免的意识形态紧张;从哲学字母到历史的重量;从神话的修复到国外的接受;从伪文本到真实的案例研究。根据历时的视角，他们将注意力集中在Magris的作品上，如《Microcosmi》、《Alla cieca》、《Non luogo a procedures》和《Tempo curvo a Krems》。
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Pub Date : 1900-01-01DOI: 10.36253/978-88-5518-487-8
Sara Svolacchia
“Born on 25th May 1936. Two specific desires: not to become an adult, and to write”. Jacqueline Risset (1936-2014) was a translator from French (Ponge, Sollers, the Tel Quel poets) and Italian (Dante, Machiavelli, Balestrini), as well as a well-known scholar for her work on Scève, Proust and Bataille. The aim of this volume is to analyse Risset’s poetic work, from the beginnings with textual writing in the experimentalism of Tel Quel, through a trajectory that, crossing Dante and Stilnovism through the translation of the Divine Comedy, led the author to the elaboration of a poetics centred on “privileged instants” that open “to the elsewhere”.
{"title":"Jacqueline Risset. Scritture dell’istante","authors":"Sara Svolacchia","doi":"10.36253/978-88-5518-487-8","DOIUrl":"https://doi.org/10.36253/978-88-5518-487-8","url":null,"abstract":"“Born on 25th May 1936. Two specific desires: not to become an adult, and to write”. Jacqueline Risset (1936-2014) was a translator from French (Ponge, Sollers, the Tel Quel poets) and Italian (Dante, Machiavelli, Balestrini), as well as a well-known scholar for her work on Scève, Proust and Bataille. The aim of this volume is to analyse Risset’s poetic work, from the beginnings with textual writing in the experimentalism of Tel Quel, through a trajectory that, crossing Dante and Stilnovism through the translation of the Divine Comedy, led the author to the elaboration of a poetics centred on “privileged instants” that open “to the elsewhere”.","PeriodicalId":270497,"journal":{"name":"Biblioteca di Studi di Filologia Moderna","volume":"159 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133083332","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.36253/978-88-5518-338-3.21
Ernestina Pellegrini
The contribution reworks an essay published in the journal «LEA» (2015) through combining it with a short paper presented at a Conference (2019) introducing readings of excerpts from Magris’ Non luogo a procedere. The essay also adds some critical considerations suggested by more recent studies published at an international level close to the translations and corresponds to the conclusion of the second Meridiano of Mondadori devoted to the writer’s works. It takes on a sum of knowledge that transformed it, gradually assuming a somewhat exorbitant dimension. A work represents for Magris the sea into which all the rivers of writing have flowed, just as for Pirandello with his Uno, nessuno e centomila.
该贡献通过将发表在《LEA》杂志(2015)上的一篇文章与在会议(2019)上发表的一篇介绍Magris的《Non luogo a process》节选的文章结合起来，对其进行了改写。这篇文章还增加了一些批评性的考虑，这些考虑是最近在国际上发表的研究中提出的，这些研究接近于翻译，并与蒙达多里第二篇致力于作者作品的子午论的结论相对应。它需要大量的知识，这些知识改变了它，逐渐呈现出一种有点过高的维度。对马格里斯来说，一部作品代表着所有写作的河流都流入的海洋，就像皮兰德娄的《Uno》一样，《Uno》是他的杰作。
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Pub Date : 1900-01-01DOI: 10.36253/978-88-5518-338-3.12
Hermann Dorowin
The vast extension of the Habsburg Empire, as well as its heterogeneous cultural and linguistic composition, were both the causes of its richness and demise. This gave way to a debate on the specific traits of Austrian literature, which in 1963 was enriched by Claudio Magris’ degree thesis, published under the title Il mito absburgico nella letteratura austriaca moderna. Starting from the assumptions of a Lukacian-style historicist critique, the book ended up offering a fascinating evocation of the cultural world of great Austria. Together with his subsequent Germanic and non-fiction works (Lontano da dove, L’anello di Clarisse, Danubio), this debut book forms a "Central European tetralogy".
哈布斯堡帝国的巨大扩张，以及其异质的文化和语言构成，都是其丰富和灭亡的原因。1963年，克劳迪奥·马格里斯(Claudio Magris)的学位论文《现代奥地利文学》(Il mito absburgico nella letteratura austria moderna)丰富了奥地利文学的具体特征。从卢卡契式历史主义批判的假设出发，这本书最终提供了对伟大奥地利文化世界的迷人召唤。与他随后的日耳曼和非虚构作品(Lontano da dove, L 'anello di Clarisse, Danubio)一起，这本处女作形成了一个“中欧四部曲”。
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Pub Date : 1900-01-01DOI: 10.36253/979-12-215-0026-4
Federica Rocchi
«Auf Wiedersehen in Florenz!» Voci di ebrei tedeschi dall’Italia presents a new Italian perspective on German exile literature, which is related to the migration of German-Jewish intellectuals to Florence after 1933. A reconstruction of the historical context is provided by shedding light on the intersections between Italian, German and Jewish cultures in the Florentine context but also on the literary production of the involved authors. Migration writers such as Alice Berend, Rudolf Borchardt, Karl Wolfskehl and Walter Hasenclever are presented in relation to the process of writing in exile, whereas the works of Max Krell, Monika Mann, Otti Binswanger-Lilienthal and Georg Strauss are analyzed in the section devoted to post-exile.
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Pub Date : 1900-01-01DOI: 10.36253/978-88-5518-338-3.25
S. Rebora
This essay traces and analyses the various representations of technology in Claudio Magris’ work. From the answering machines of Le voci to the war machines of Non luogo a procedere, a controversial and conflicting relationship has always been established between the protagonists of Magris’ narratives and the various declinations of technological progress. The essay explores the concepts of cognitive sciences and digital humanities (such as the “extended mind” and word embeddings), while also referring to Magris’ own reflections on writing and figureheads, to illustrate the profoundly ethical value of the relationship established between human beings and the tools that they create.
本文对克劳迪奥·马格里斯作品中技术的各种表现形式进行了追溯和分析。从《Le voci》中的应答机到《Non luogo a procedures》中的战争机器，马格里斯叙事中的主角与技术进步的各种衰退之间总是建立起一种充满争议和冲突的关系。这篇文章探讨了认知科学和数字人文学科的概念(如“扩展思维”和词嵌入)，同时也参考了Magris自己对写作和假头的反思，以说明人类与他们创造的工具之间建立的关系的深刻伦理价值。
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Pub Date : 1900-01-01DOI: 10.36253/978-88-5518-476-2
Annalisa Martelli
«The good comic novel». La narrativa comica di Henry Fielding e l’importanza dell’esempio cervantino analyses the influence of Don Quixote on Henry Fielding’s fiction, starting with a survey of the reception of the Spanish novel in England. Joseph Andrews and Tom Jones are analyzed and compared with the Spanish novel, from which Fielding overtly borrowed some characters, episodes, and Cervantes’ parodic strategies. Fielding’s and Cervantes’s narrative proceeded from the parodic deconstruction and subsequent innovation of previous literature, with the main purpose of teaching and amusing the reader at the same time. Finally, the volume examines the role of Fielding and Cervantes in the rise of the fictional and the self-conscious novel.
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