Pub Date : 2019-07-25DOI: 10.24090/IBDA.V17I1.2678
I. Ismail, Moh. Wardi
This research is a case study conducted in the Central Bujur of Batumarmar District, Pamekasan Regency Madura. In some cases of carok in Madura, it is often followed by follow-up carok, but due to the role kiai, the carok that occurs in Central Bujur is unique because there is no subsequent carok like other carok. This study is to answer the research focus: (1) What is the role of kiai in social reconciliation post-mass carok in the Central Bujur of Pamekasan Madura, and (2) What is the model of social reconciliation in resolving the social conflict post-mass carok in the Central Bujur of Pamekasan Madura. In collecting data, the researchers agreed to interviews and documentation, while data analysis was carried out by data reduction techniques, data purification, verification and conclusions. From the data analysis, findings were obtained: (1) in the reconciliation kiai play a role as a reference, as a conceptor, as a negotiator and mediator, as well as an executor. (2) a model of social reconciliation based on the theory of human needs theory using economic, religious, and socio-cultural approachs.
{"title":"PERAN KIAI DALAM REKONSILIASI SOSIAL PASCA CAROK MASSAL DI BUJUR TENGAH PAMEKASAN MADURA","authors":"I. Ismail, Moh. Wardi","doi":"10.24090/IBDA.V17I1.2678","DOIUrl":"https://doi.org/10.24090/IBDA.V17I1.2678","url":null,"abstract":"This research is a case study conducted in the Central Bujur of Batumarmar District, Pamekasan Regency Madura. In some cases of carok in Madura, it is often followed by follow-up carok, but due to the role kiai, the carok that occurs in Central Bujur is unique because there is no subsequent carok like other carok. This study is to answer the research focus: (1) What is the role of kiai in social reconciliation post-mass carok in the Central Bujur of Pamekasan Madura, and (2) What is the model of social reconciliation in resolving the social conflict post-mass carok in the Central Bujur of Pamekasan Madura. In collecting data, the researchers agreed to interviews and documentation, while data analysis was carried out by data reduction techniques, data purification, verification and conclusions. From the data analysis, findings were obtained: (1) in the reconciliation kiai play a role as a reference, as a conceptor, as a negotiator and mediator, as well as an executor. (2) a model of social reconciliation based on the theory of human needs theory using economic, religious, and socio-cultural approachs.","PeriodicalId":277667,"journal":{"name":"IBDA` : Jurnal Kajian Islam dan Budaya","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131683304","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-25DOI: 10.24090/IBDA.V17I1.1382
Sofa Marwah
This study describe the dynamics of a power in Banjarnegara and to study Islam and its cultural heritage. Banjarnegara is located far from negarigung; hence, it does not become the focus study of experts. Nevertheless, Banjarnegara’s history and its culture are precious. This study is a library research based on many sources talked about Banjarnegara. The result shows that the power ruling in Banjarnegara is hereditary, but then, it has to fight against the colonial politics and higher power caused this hereditary is useless. The dynamics of a power in Banjarnegara also takes a part in developing Islam as the Walisanga ancestry are prominent figures in the area. Along with the power of Mataram, the palace gave the status of a perdikan in Kademangan Gumelem, as storage of palace’s heirlooms and burial of Islamic leaders in Banjarnegara. At this moment, Gumelem is the center of nyadran gede held by local government, a good way to fuse previous legacies and present authorities. Gumelem also bequeaths traditional batik as one of palace legacies.
{"title":"D DINAMIKA KEKUASAAN, ISLAM DAN WARISAN BUDAYA DI BANJARNEGARA","authors":"Sofa Marwah","doi":"10.24090/IBDA.V17I1.1382","DOIUrl":"https://doi.org/10.24090/IBDA.V17I1.1382","url":null,"abstract":"This study describe the dynamics of a power in Banjarnegara and to study Islam and its cultural heritage. Banjarnegara is located far from negarigung; hence, it does not become the focus study of experts. Nevertheless, Banjarnegara’s history and its culture are precious. This study is a library research based on many sources talked about Banjarnegara. The result shows that the power ruling in Banjarnegara is hereditary, but then, it has to fight against the colonial politics and higher power caused this hereditary is useless. The dynamics of a power in Banjarnegara also takes a part in developing Islam as the Walisanga ancestry are prominent figures in the area. Along with the power of Mataram, the palace gave the status of a perdikan in Kademangan Gumelem, as storage of palace’s heirlooms and burial of Islamic leaders in Banjarnegara. At this moment, Gumelem is the center of nyadran gede held by local government, a good way to fuse previous legacies and present authorities. Gumelem also bequeaths traditional batik as one of palace legacies.","PeriodicalId":277667,"journal":{"name":"IBDA` : Jurnal Kajian Islam dan Budaya","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130682574","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-15DOI: 10.24090/IBDA.V17I1.1982
Tutuk Ningsih
Indonesia has diverse tribes and traditions that make Indonesia rich of various cultures. As an ancestral heritage, cultural traditions are still preserved by Indonesian society. There are some traditions that arecarried out every year, as well as by Javanese who continue to enforce their cultural traditions, because it relates to their religion and does not harm the society. This study aims to describe and analyze Saparan Tradition of Javanese society. This research implements qualitative research method, with the data is obtained directly from the field through observation at the actual conditions in the society, among Moslem Javanese.The data collections in this study are observation, documentation and interview. The results of the study related to the socio-cultural and religious conditions of Ditotrunan society. They are unique. Geographically,their location is in the center of the city, but still holding the tradition of saparan every year. The tradition on Safar Month, which is known as saparan by the Javanese in Lumajang, is carried out by making jenang asan expression of gratitude or slametan. Each family makes jenang in Safar Month, they take turns to make jenang, and then it is served in a leafcoated plate. After everything is ready, it will be presented on the table.Then, the head of the household leads a prayer for goodness, then sharing jenang to the neighbors and the relatives next to them. In addition, in saparan tradition, there is also a festival followed by ladies dressed inkebaya (Javanese Blouse), they work together to make jenang. After cooking, they place the meal on a grounded leaf plate. Then, a prayer is conducted and led by the priest. Finally, they eat jenang together in thesociety.
{"title":"TRADISI SAPARAN DALAM BUDAYA MASYARAKAT JAWA DI LUMAJANG","authors":"Tutuk Ningsih","doi":"10.24090/IBDA.V17I1.1982","DOIUrl":"https://doi.org/10.24090/IBDA.V17I1.1982","url":null,"abstract":"Indonesia has diverse tribes and traditions that make Indonesia rich of various cultures. As an ancestral heritage, cultural traditions are still preserved by Indonesian society. There are some traditions that arecarried out every year, as well as by Javanese who continue to enforce their cultural traditions, because it relates to their religion and does not harm the society. This study aims to describe and analyze Saparan Tradition of Javanese society. This research implements qualitative research method, with the data is obtained directly from the field through observation at the actual conditions in the society, among Moslem Javanese.The data collections in this study are observation, documentation and interview. The results of the study related to the socio-cultural and religious conditions of Ditotrunan society. They are unique. Geographically,their location is in the center of the city, but still holding the tradition of saparan every year. The tradition on Safar Month, which is known as saparan by the Javanese in Lumajang, is carried out by making jenang asan expression of gratitude or slametan. Each family makes jenang in Safar Month, they take turns to make jenang, and then it is served in a leafcoated plate. After everything is ready, it will be presented on the table.Then, the head of the household leads a prayer for goodness, then sharing jenang to the neighbors and the relatives next to them. In addition, in saparan tradition, there is also a festival followed by ladies dressed inkebaya (Javanese Blouse), they work together to make jenang. After cooking, they place the meal on a grounded leaf plate. Then, a prayer is conducted and led by the priest. Finally, they eat jenang together in thesociety.","PeriodicalId":277667,"journal":{"name":"IBDA` : Jurnal Kajian Islam dan Budaya","volume":"142 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114528238","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-15DOI: 10.24090/IBDA.V17I1.2713
Arif Hidayat
penelitian ini mengungkapkan tentang wacana tarekat Islam dapat melekat dalam motif dan ideologi batik tradisional Sokaraja dan batik tradisional Sokaraja dalam mempertahankan identitas di tengah wacana kebutuhan trend dan mode pasar. Penelitian ini merupakan jenis penelitian semi-etnografi, yang di dalamnya mempelajari peristiwa tradisi dan konteksnya, yang menyajikan pandangan hidup subjek penelitian, serta kaitan antara tradisi dengan pemahaman (mind). Hasil penelitian ini, pertama, acana dalam ajaran tarekat tarekat Naqsyabandiyah-Khalidiyah dan Syadziliyah melekat dalam motif dan ideologi batik tradisional Sokaraja. Dominasi tarekat Naqsyabandiyah-Khalidiyah dalam pengaruh pada batik Sokaraja terlihat pada tahun 1950-an ketika Muhammad Rrifa’i Affandi menjdi Ketua Komunitas Batik Banyumasan. Adapun pengusaha yang kebanyakan adalah pengikut yang ikut membatik dalam rangka untuk menghidupi ekonomi keluarga. Wacana ajaran tarekat melekat dalam pola, motif, corak, isen, dan ideologi. Tarekat Naqsyabandiyah-Khalidiyah dapat terlihat dalam nuansa simbolitas unsur-unsur Islam yang cukup kental, sedangkan pengaruh tarekat Syadziliyah lebih mengarah pada unsur alam, terutama tumbuhan. Kedua, etos kerja perajin batik tradisional Sokaraja dalam mempertahankan identitas di tengah wacana kebutuhan trend dan mode pasar ditumbuhkan dengan membuat varian antara batik tulis dengan batik cap. Batik tulis yang harganya mahal ditopang dengan batik cap yang bisa dijangkau oleh kalangan menengah ke bawah. Adapun batik tulis biasanya dibeli dari kalangan menengah ke atas sebagai gaya hidup yang menghargai kualitas, dan nilai-nilai budaya. Walaupun para perajin di era sekarang ini membuat batik dalam pesanan pasar, namun doa dan keyakinan bahwa rezeki datang dari Allah tetap melekat sehingga amalan ibadah tetap dilakukan sesuai dengan ajaran Islam. Dalam keyakinan doa itulah, para perajin meyakini bahwa batik pada keberlimpahruahan ini, rezeki tidak akan tertukar sehingga mereka memiliki semangat untuk berkreasi dengan memunculkan motif baru berdasarkan kekayaan budaya di daerah sekitar.
{"title":"BATIK SOKARAJA DALAM WACANA TAREKAT ISLAM:","authors":"Arif Hidayat","doi":"10.24090/IBDA.V17I1.2713","DOIUrl":"https://doi.org/10.24090/IBDA.V17I1.2713","url":null,"abstract":"penelitian ini mengungkapkan tentang wacana tarekat Islam dapat melekat dalam motif dan ideologi batik tradisional Sokaraja dan batik tradisional Sokaraja dalam mempertahankan identitas di tengah wacana kebutuhan trend dan mode pasar. Penelitian ini merupakan jenis penelitian semi-etnografi, yang di dalamnya mempelajari peristiwa tradisi dan konteksnya, yang menyajikan pandangan hidup subjek penelitian, serta kaitan antara tradisi dengan pemahaman (mind). Hasil penelitian ini, pertama, acana dalam ajaran tarekat tarekat Naqsyabandiyah-Khalidiyah dan Syadziliyah melekat dalam motif dan ideologi batik tradisional Sokaraja. Dominasi tarekat Naqsyabandiyah-Khalidiyah dalam pengaruh pada batik Sokaraja terlihat pada tahun 1950-an ketika Muhammad Rrifa’i Affandi menjdi Ketua Komunitas Batik Banyumasan. Adapun pengusaha yang kebanyakan adalah pengikut yang ikut membatik dalam rangka untuk menghidupi ekonomi keluarga. Wacana ajaran tarekat melekat dalam pola, motif, corak, isen, dan ideologi. Tarekat Naqsyabandiyah-Khalidiyah dapat terlihat dalam nuansa simbolitas unsur-unsur Islam yang cukup kental, sedangkan pengaruh tarekat Syadziliyah lebih mengarah pada unsur alam, terutama tumbuhan. Kedua, etos kerja perajin batik tradisional Sokaraja dalam mempertahankan identitas di tengah wacana kebutuhan trend dan mode pasar ditumbuhkan dengan membuat varian antara batik tulis dengan batik cap. Batik tulis yang harganya mahal ditopang dengan batik cap yang bisa dijangkau oleh kalangan menengah ke bawah. Adapun batik tulis biasanya dibeli dari kalangan menengah ke atas sebagai gaya hidup yang menghargai kualitas, dan nilai-nilai budaya. Walaupun para perajin di era sekarang ini membuat batik dalam pesanan pasar, namun doa dan keyakinan bahwa rezeki datang dari Allah tetap melekat sehingga amalan ibadah tetap dilakukan sesuai dengan ajaran Islam. Dalam keyakinan doa itulah, para perajin meyakini bahwa batik pada keberlimpahruahan ini, rezeki tidak akan tertukar sehingga mereka memiliki semangat untuk berkreasi dengan memunculkan motif baru berdasarkan kekayaan budaya di daerah sekitar.","PeriodicalId":277667,"journal":{"name":"IBDA` : Jurnal Kajian Islam dan Budaya","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114705343","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-15DOI: 10.24090/ibda.v17i1.2238
Septi Anggita Kriskartika, T. Pitaña, S. Susanto
Religion is the main aspect in constructing a discourse because the Javanese society in the 18th are thickly related with religiosity (Islam) as an inherited principle from the previous king. Mangkunegara I is an influential and interesting figure in the history of Javanese leadership relating to Islam. The medium used in the Islamization process by Mangkunegara I are through art, culture, customs and Islamic religious education. This study aims to show the Javanese Islamic discourse during the leadership of Mangkunegara I in the Babad Kemalon (Pakunegara)/ BK manuscript. The BK manuscript is a Javanese manuscript contains of 30 macapat songs which tells about the struggle of R.M. Said until entitled Mangkunegara I. this research uses the cultural studies paradigm. The theory used is the discourse theory proposed by Michael Foucault. The method used is a qualitative method and the data analysis techniques are done descriptively and interpretatively. This research belongs to library research. The result shows how the leadership of Mangkunegara I was able to show its discourse in Javanese Islam, which was manifested by the way of Mangkunegara I leaderships towards himself, his families, and people. As well as the Islamic base struggle which is always emphasized by Mangkunegara I.
{"title":"JAVANESE ISLAM DURING MANGKUNEGARA I LEADERSHIP","authors":"Septi Anggita Kriskartika, T. Pitaña, S. Susanto","doi":"10.24090/ibda.v17i1.2238","DOIUrl":"https://doi.org/10.24090/ibda.v17i1.2238","url":null,"abstract":"Religion is the main aspect in constructing a discourse because the Javanese society in the 18th are thickly related with religiosity (Islam) as an inherited principle from the previous king. Mangkunegara I is an influential and interesting figure in the history of Javanese leadership relating to Islam. The medium used in the Islamization process by Mangkunegara I are through art, culture, customs and Islamic religious education. This study aims to show the Javanese Islamic discourse during the leadership of Mangkunegara I in the Babad Kemalon (Pakunegara)/ BK manuscript. The BK manuscript is a Javanese manuscript contains of 30 macapat songs which tells about the struggle of R.M. Said until entitled Mangkunegara I. this research uses the cultural studies paradigm. The theory used is the discourse theory proposed by Michael Foucault. The method used is a qualitative method and the data analysis techniques are done descriptively and interpretatively. This research belongs to library research. The result shows how the leadership of Mangkunegara I was able to show its discourse in Javanese Islam, which was manifested by the way of Mangkunegara I leaderships towards himself, his families, and people. As well as the Islamic base struggle which is always emphasized by Mangkunegara I.","PeriodicalId":277667,"journal":{"name":"IBDA` : Jurnal Kajian Islam dan Budaya","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126996142","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-14DOI: 10.24090/IBDA.V17I1.1753
Syamsul Bakri, Siti Nurlaili Muhadiyatiningsih
Abstract: This paper describes the process of constructing a tradition called as Malem Selikuran in Keraton Kasunanan Surakarta, the meaning of symbol in Malem Selikuran, and the relevance of the symbolic meaningtoward the people’s lives. The analytical methods implemented in this paper were historical continuity, verstehen and hermeneutic. The results are synthesized as the following. First, Malem Selikuran tradition is ahistorical product of the process from adaptation of Islam in Javanese culture. This religious cultural product simultaneously became a distinctive religious characteristic in Keraton Kasunanan Surakarta, as the successorto the relay of the Islamic Javanese Kingdom of Mataram. Second, the tradition has the orders of moralities that apply symbolic language. Javanese people use the symbols to convey moral and religious messages. The message of Malem Selikuran ritual with various ritual equipment shows that the people of Surakarta Kasunan Palace uphold the importance of maintaining the harmony between humans and Allah SWT, and also between humans and the universe (amemayu hayuning bawana) based on the spirit of monotheism, morals and sufism. Third, the relevance of the symbolic meaning of Selikuran Keraton Surakarta for the people’s lives is on the historical and cultural plains. Historically, the ceremony of it reminds us of how Islam and Javanese culture havedistinctive characteristics of integration in the history of Islamization in Java. Likewise, culturally, Malem Selikuran tradition is a creative work of Muslims in Java in order to give an identity to their community.
{"title":"TRADISI MALAM SELIKURAN KRATON KASUNANAN SURAKARTA","authors":"Syamsul Bakri, Siti Nurlaili Muhadiyatiningsih","doi":"10.24090/IBDA.V17I1.1753","DOIUrl":"https://doi.org/10.24090/IBDA.V17I1.1753","url":null,"abstract":"Abstract: This paper describes the process of constructing a tradition called as Malem Selikuran in Keraton Kasunanan Surakarta, the meaning of symbol in Malem Selikuran, and the relevance of the symbolic meaningtoward the people’s lives. The analytical methods implemented in this paper were historical continuity, verstehen and hermeneutic. The results are synthesized as the following. First, Malem Selikuran tradition is ahistorical product of the process from adaptation of Islam in Javanese culture. This religious cultural product simultaneously became a distinctive religious characteristic in Keraton Kasunanan Surakarta, as the successorto the relay of the Islamic Javanese Kingdom of Mataram. Second, the tradition has the orders of moralities that apply symbolic language. Javanese people use the symbols to convey moral and religious messages. The message of Malem Selikuran ritual with various ritual equipment shows that the people of Surakarta Kasunan Palace uphold the importance of maintaining the harmony between humans and Allah SWT, and also between humans and the universe (amemayu hayuning bawana) based on the spirit of monotheism, morals and sufism. Third, the relevance of the symbolic meaning of Selikuran Keraton Surakarta for the people’s lives is on the historical and cultural plains. Historically, the ceremony of it reminds us of how Islam and Javanese culture havedistinctive characteristics of integration in the history of Islamization in Java. Likewise, culturally, Malem Selikuran tradition is a creative work of Muslims in Java in order to give an identity to their community.","PeriodicalId":277667,"journal":{"name":"IBDA` : Jurnal Kajian Islam dan Budaya","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126025309","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-14DOI: 10.24090/IBDA.V17I1.1754
Firdaus Sutan Mamad
Taqwim is one of the methods to determine the beginning of Ramadan taught by Shaykh Burhan al-Din Ulakan in Syattariyah Tariqa. This study is interesting to be investigated because there were some dynamical phenomena happened in West Sumatra in terms of determining the beginning of Ramadan. There was a particular society that followed the Government’s decision regarding the beginning of Ramadan, there was also a certain group of people who performed the Ramadan earlier than the Government’s decision, there was even a certain society who started the fasting one day after the Government’s decision. The more interesting one, among the adherents of Syattariyah, there were also differences to determine the first day of Ramadan. The problem is why the dynamics in determining the first day of Ramadan happened in West Sumatra. This study implemented the method of philological approach to history. From this study, it can be generated that the dynamics occur because the taqwim taught by Shaykh Burhan al-Din is not just one method to determine the beginning of Ramadan, so it is being debatedamong the adherents of Syattariyah. It has happened throughout the generation within their strong basis of thought and philosophy.
{"title":"DINAMIKA HISAB TAQWIM TAREKAT SYATTARIYAH DI SUMATERA BARAT","authors":"Firdaus Sutan Mamad","doi":"10.24090/IBDA.V17I1.1754","DOIUrl":"https://doi.org/10.24090/IBDA.V17I1.1754","url":null,"abstract":"Taqwim is one of the methods to determine the beginning of Ramadan taught by Shaykh Burhan al-Din Ulakan in Syattariyah Tariqa. This study is interesting to be investigated because there were some dynamical phenomena happened in West Sumatra in terms of determining the beginning of Ramadan. There was a particular society that followed the Government’s decision regarding the beginning of Ramadan, there was also a certain group of people who performed the Ramadan earlier than the Government’s decision, there was even a certain society who started the fasting one day after the Government’s decision. The more interesting one, among the adherents of Syattariyah, there were also differences to determine the first day of Ramadan. The problem is why the dynamics in determining the first day of Ramadan happened in West Sumatra. This study implemented the method of philological approach to history. From this study, it can be generated that the dynamics occur because the taqwim taught by Shaykh Burhan al-Din is not just one method to determine the beginning of Ramadan, so it is being debatedamong the adherents of Syattariyah. It has happened throughout the generation within their strong basis of thought and philosophy.","PeriodicalId":277667,"journal":{"name":"IBDA` : Jurnal Kajian Islam dan Budaya","volume":"164 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124586790","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-27DOI: 10.24090/IBDA.V16I2.1942
Henie Kurniawati, Sofia Retnowati, B. Riyono, W. Widyawati
This article aims to literature review regarding spiritual care in Islamic culture perspective. Systematic review is done to support knowledge regarding spiritual care. Literature studies from 2007 to 2017 are identified narratively and reviewed critically in Islamic cultural perspectives. The method for literature analysis is using eight steps from Walker and Avant. The findings of this review stated that spiritual care is a dynamic activity to integrate physical, psychological, social, and spiritual aspects. Spiritual care takes the form of spiritual service that is done dynamically and integratively based on divine and human values especially Islamic cultural values. The main services include caring for the sick, identifying spiritual needs, and increasing spiritual well-being. The implications of the findings are to help building policies in nursing and to help nurses in developing positive attitude in applying spiritual care. The conclusion of this literature review produces a comprehensive definition regarding spiritual care and supports spiritual care competency in health in Islamic cultural perspective.
{"title":"Literature Review of Spiritual Care in Islamic Cultural Perspective","authors":"Henie Kurniawati, Sofia Retnowati, B. Riyono, W. Widyawati","doi":"10.24090/IBDA.V16I2.1942","DOIUrl":"https://doi.org/10.24090/IBDA.V16I2.1942","url":null,"abstract":"This article aims to literature review regarding spiritual care in Islamic culture perspective. Systematic review is done to support knowledge regarding spiritual care. Literature studies from 2007 to 2017 are identified narratively and reviewed critically in Islamic cultural perspectives. The method for literature analysis is using eight steps from Walker and Avant. The findings of this review stated that spiritual care is a dynamic activity to integrate physical, psychological, social, and spiritual aspects. Spiritual care takes the form of spiritual service that is done dynamically and integratively based on divine and human values especially Islamic cultural values. The main services include caring for the sick, identifying spiritual needs, and increasing spiritual well-being. The implications of the findings are to help building policies in nursing and to help nurses in developing positive attitude in applying spiritual care. The conclusion of this literature review produces a comprehensive definition regarding spiritual care and supports spiritual care competency in health in Islamic cultural perspective.","PeriodicalId":277667,"journal":{"name":"IBDA` : Jurnal Kajian Islam dan Budaya","volume":"90 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115868478","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-27DOI: 10.24090/IBDA.V16I2.1972
Wahyu Budiantoro
The purpose of this research is to identify the values of local wisdom in the poetry of pilgrimage (visiting graves) written by Abdul Wachid B.S. The relevance of the local wisdom with the literature has been already started since the era of Sheikh Hamzah Fansuri. He investigated the territory of his homeland to be developed as the aesthetical value of his poetry. Beside of Sheikh Hamzah Fansuri, there are some other names like Sunan Bonang, Sunan Kalijaga, and R. Ng. Ranggawarsita. In this study, the subject was the poet called Abdul Wachid B.S., while the object is the poem entitled the pilgrimage. Through the rhymes, the local wisdom values in the poetry of Abdul Wachid B.S. can be identified. The results of this study indicate some values of local wisdom in the poetry of pilgrimage authored by Abdul Wachid B.S., among others are: the first, Abdul Wachid B.S. interpreted the value of local wisdom as an effort to build the shape or sound of the poetry in terms of the aesthetical basis (language). The second, in addition to the aesthetical basis (language), Abdul Wachid B.S. interpreted the local wisdom philosophically. Abdul Wachid B.S. philosophy in the poetry of pilgrimage is attempted to examine the wisdom of those historical circumstances related to Islam. The third, the value achieved from the poetry of Abdul Wachid B.S. pilgrimage is as an effort to search for the sanad, in order to find the genealogy of the science or the transformation of the vision of Islam in daily life.
{"title":"Nilai-Nilai Kearifan Lokal dalam Sajak Ziarah Karya Abdul Wachid B.S.","authors":"Wahyu Budiantoro","doi":"10.24090/IBDA.V16I2.1972","DOIUrl":"https://doi.org/10.24090/IBDA.V16I2.1972","url":null,"abstract":"The purpose of this research is to identify the values of local wisdom in the poetry of pilgrimage (visiting graves) written by Abdul Wachid B.S. The relevance of the local wisdom with the literature has been already started since the era of Sheikh Hamzah Fansuri. He investigated the territory of his homeland to be developed as the aesthetical value of his poetry. Beside of Sheikh Hamzah Fansuri, there are some other names like Sunan Bonang, Sunan Kalijaga, and R. Ng. Ranggawarsita. In this study, the subject was the poet called Abdul Wachid B.S., while the object is the poem entitled the pilgrimage. Through the rhymes, the local wisdom values in the poetry of Abdul Wachid B.S. can be identified. The results of this study indicate some values of local wisdom in the poetry of pilgrimage authored by Abdul Wachid B.S., among others are: the first, Abdul Wachid B.S. interpreted the value of local wisdom as an effort to build the shape or sound of the poetry in terms of the aesthetical basis (language). The second, in addition to the aesthetical basis (language), Abdul Wachid B.S. interpreted the local wisdom philosophically. Abdul Wachid B.S. philosophy in the poetry of pilgrimage is attempted to examine the wisdom of those historical circumstances related to Islam. The third, the value achieved from the poetry of Abdul Wachid B.S. pilgrimage is as an effort to search for the sanad, in order to find the genealogy of the science or the transformation of the vision of Islam in daily life.","PeriodicalId":277667,"journal":{"name":"IBDA` : Jurnal Kajian Islam dan Budaya","volume":"166 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116396164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-11-23DOI: 10.24090/IBDA.V16I2.1243
P. Pramono
The manuscripts of Minangkabau are mostly the collection of surau tarekat scattered in various places in West Sumatera. Some of the surau are always crowded visited by the congregation. Based on that phenomenon, this research is designed to discover and explore the potency of Minangkabau manuscripts that can be developed as a creative industry. Through these manuscripts are expected to provide support for the development of religious pilgrimage tour in West Sumatera which has not been managed properly and maximally until now. The method of the research applied is qualitative research method with three approaches, namely philology, codicology and creative industry. The data were collected through five stages, namely observation, recording and collection of manuscripts, literature studies, interviews and textual criticism. The technique applied in analyzing the data is based on the phenomenology approach to obtain a comprehensive understanding of the subject of the research. This study concludes that through the organization of the manuscripts containing the biographical content of tarekat scholars and their thought can turn the creative industries on, particularly the publishing sector. In addition, through illumination engineering (decoration in the script) can be developed into batik motifs. The publication of the selected manuscript text and the production of illuminated batik manuscripts can be a unique souvenir of religious pilgrimage tours in surau tarekat in West Sumatera.
{"title":"Potensi Naskah-Naskah Islam Minangkabau untuk Industri Kreatif sebagai Pendukung Wisata Religi Ziarah di Sumatera Barat","authors":"P. Pramono","doi":"10.24090/IBDA.V16I2.1243","DOIUrl":"https://doi.org/10.24090/IBDA.V16I2.1243","url":null,"abstract":"The manuscripts of Minangkabau are mostly the collection of surau tarekat scattered in various places in West Sumatera. Some of the surau are always crowded visited by the congregation. Based on that phenomenon, this research is designed to discover and explore the potency of Minangkabau manuscripts that can be developed as a creative industry. Through these manuscripts are expected to provide support for the development of religious pilgrimage tour in West Sumatera which has not been managed properly and maximally until now. The method of the research applied is qualitative research method with three approaches, namely philology, codicology and creative industry. The data were collected through five stages, namely observation, recording and collection of manuscripts, literature studies, interviews and textual criticism. The technique applied in analyzing the data is based on the phenomenology approach to obtain a comprehensive understanding of the subject of the research. This study concludes that through the organization of the manuscripts containing the biographical content of tarekat scholars and their thought can turn the creative industries on, particularly the publishing sector. In addition, through illumination engineering (decoration in the script) can be developed into batik motifs. The publication of the selected manuscript text and the production of illuminated batik manuscripts can be a unique souvenir of religious pilgrimage tours in surau tarekat in West Sumatera.","PeriodicalId":277667,"journal":{"name":"IBDA` : Jurnal Kajian Islam dan Budaya","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123296660","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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