This study seeks to identify traditional games, its uses and importance to the overall development (physical, mental, social, moral and intellectual) of the child. The study is participatory in approach and qualitative in nature. The work is based on the psychoanalytic theory of Sigmund Freud who opined that during play, the child expresses negative emotions which they have no control in their everyday lives. Freud sees play in terms of catharsis- purgation of emotions. It is his contention that playing provides a safe haven for the child to discharge these emotions and gain control, since play is intrinsically motivated. It is supported by the psychosocial theory of Lev Vygostsky, who views play as a significant tool for children’s development. According to him, children make meaning of their environment through play and that play helps to develop 85% of a child’s brain during the first five years of their life. The data for the study were collected using two methods, namely: practical experiment with the pupils and the participatory approach involving the researcher and primary three and four pupils of Police Children’s School, Oji River, Enugu State. The data from the various games played were assessed and analyzed using explanation analysis from the different practical sessions. Ten traditional games were selected and used by the researcher for the experiment. The researcher concludes that a child’s imaginative and problem-solving abilities are enhanced when they participate and play together as a group. The work therefore recommends the application and use of the traditional games in the education of the child as this will invariably lead to the production of a sound individual capable of contributing to the growth of our nation, Nigeria.
{"title":"Developing the child’s potentials through play: The police children’s college, Oji River experience","authors":"Emmanuel O. Iroh","doi":"10.4314/ujah.v24i2.4","DOIUrl":"https://doi.org/10.4314/ujah.v24i2.4","url":null,"abstract":"This study seeks to identify traditional games, its uses and importance to the overall development (physical, mental, social, moral and intellectual) of the child. The study is participatory in approach and qualitative in nature. The work is based on the psychoanalytic theory of Sigmund Freud who opined that during play, the child expresses negative emotions which they have no control in their everyday lives. Freud sees play in terms of catharsis- purgation of emotions. It is his contention that playing provides a safe haven for the child to discharge these emotions and gain control, since play is intrinsically motivated. It is supported by the psychosocial theory of Lev Vygostsky, who views play as a significant tool for children’s development. According to him, children make meaning of their environment through play and that play helps to develop 85% of a child’s brain during the first five years of their life. The data for the study were collected using two methods, namely: practical experiment with the pupils and the participatory approach involving the researcher and primary three and four pupils of Police Children’s School, Oji River, Enugu State. The data from the various games played were assessed and analyzed using explanation analysis from the different practical sessions. Ten traditional games were selected and used by the researcher for the experiment. The researcher concludes that a child’s imaginative and problem-solving abilities are enhanced when they participate and play together as a group. The work therefore recommends the application and use of the traditional games in the education of the child as this will invariably lead to the production of a sound individual capable of contributing to the growth of our nation, Nigeria.","PeriodicalId":298106,"journal":{"name":"UJAH: Unizik Journal of Arts and Humanities","volume":"29 S1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140257580","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Philosophers, right from the Classical Greek period, have grappled with the problem of the origin, nature, and future of the universe. On one pole of the debate evolutionists who see the universe as an organism in the process of cosmic evolution. On the other pole of the debate are creationists who hold that reality was created by a supreme being. Interestingly, this debate has led to heated disagreements between these two rival camps. In the face of this problem, this work explores the view of Pierre Teilhard de Chardin, who proposes a unique theory of evolution which integrates some ideas of the creationists. This cosmic evolution, according to him, is the ongoing and unfolding process of the creative impulse, which is personalized in the human person until it reaches its apex in personal relationship with the transcendent at the Omega Point. This work attempts to expose Teilhard de Chardin’s entire theory of cosmic evolution; the stages of the process of cosmic evolution, the laws which govern the process and the end to which it tends, that is, the Omega Point. It points out the strengths and weaknesses of his arguments as well as the implications of his entire theory for the present human society. In the final analysis, this research work maintains that despite its obvious downsides, Teilhard de Chardin’s Evolutionism is remarkable for its synthesis of science with religion, its revelation of the uniqueness of the emergence of internet in the evolutionary continuum and its prognostication of a glorious future predestined for the cosmos from the very onset of evolution. Analytic method of research was employed.
从古希腊时期开始，哲学家们就一直在探讨宇宙的起源、本质和未来。辩论的一方是进化论者，他们认为宇宙是处于宇宙进化过程中的有机体。辩论的另一方是创世论者，他们认为现实是由一个至高无上的存在创造的。有趣的是，这场辩论导致了这两个对立阵营之间的激烈分歧。面对这一问题，本著作探讨了皮埃尔-泰哈-德-夏尔丹（Pierre Teilhard de Chardin）的观点。根据他的观点，这种宇宙进化是创造性冲动的持续和不断发展的过程，这种冲动在人体内个性化，直到在欧米茄点与超验者的个人关系中达到顶峰。这部著作试图揭示 Teilhard de Chardin 的整个宇宙进化理论、宇宙进化过程的各个阶段、支配这一过程的规律以及这一过程的终点，即欧米茄点。研究指出了他的论点的优缺点，以及他的整个理论对当今人类社会的影响。归根结底，本研究著作认为，尽管泰勒哈德-德-夏尔丹的进化论有明显的缺点，但其卓越之处在于将科学与宗教相结合，揭示了互联网在连续进化过程中出现的独特性，并预言了宇宙在进化之初就已注定的辉煌未来。采用了分析研究方法。
{"title":"Teilhardian Evolutionism: A philosophical reconsideration","authors":"Hyginus Chibuike Ezebuilo, Dominic Chigozirim Iwuogu","doi":"10.4314/ujah.v24i2.5","DOIUrl":"https://doi.org/10.4314/ujah.v24i2.5","url":null,"abstract":"Philosophers, right from the Classical Greek period, have grappled with the problem of the origin, nature, and future of the universe. On one pole of the debate evolutionists who see the universe as an organism in the process of cosmic evolution. On the other pole of the debate are creationists who hold that reality was created by a supreme being. Interestingly, this debate has led to heated disagreements between these two rival camps. In the face of this problem, this work explores the view of Pierre Teilhard de Chardin, who proposes a unique theory of evolution which integrates some ideas of the creationists. This cosmic evolution, according to him, is the ongoing and unfolding process of the creative impulse, which is personalized in the human person until it reaches its apex in personal relationship with the transcendent at the Omega Point. This work attempts to expose Teilhard de Chardin’s entire theory of cosmic evolution; the stages of the process of cosmic evolution, the laws which govern the process and the end to which it tends, that is, the Omega Point. It points out the strengths and weaknesses of his arguments as well as the implications of his entire theory for the present human society. In the final analysis, this research work maintains that despite its obvious downsides, Teilhard de Chardin’s Evolutionism is remarkable for its synthesis of science with religion, its revelation of the uniqueness of the emergence of internet in the evolutionary continuum and its prognostication of a glorious future predestined for the cosmos from the very onset of evolution. Analytic method of research was employed.","PeriodicalId":298106,"journal":{"name":"UJAH: Unizik Journal of Arts and Humanities","volume":"129 S202","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140256887","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Music is a cultural expression interpreted, determined, moulded and coloured by culture and the cultural environment of a people, it plays a vital role in various aspects of celebrations amongst societies in Nigeria. In festivals, for example, music expresses the culture of the people. This study examined the role and significance of music in African culture in Ogbanigbe festival in Ukwu-nzu with emphasis on ideology, belief systems, organizational structures, significance of music practices, and mode of dressing, dialect, and communal activities. Its main objective is to critically study the music of ogbanigbe festival and collate ethnology materials that distinguish, differentiate and separate one community from another. The theory adopted for this paper is functionalism theory; the functionalism theory is used to define culture in relation to the reality of change. It traces the evolution of phenomena, the emphasis of culture on norms, tenets and values. The methodology used for the study is survey method, oral interview and fieldwork to assess the basic principles that are common in the musical culture of ukwu-nzu people during the ogbanigbe festival. In ukwu-nzu town, New Yam festival is associated with Ogbanigbe festival similar to some villages in Aniocha nomenclature. Four songs texts were selected and interpreted, the paper conclude that the significance of music in festival plays a huge role to showcase the cultural practices and beauty. Suggestions were made for the sustenance of cultural music in festivals.
{"title":"The significance of music in African culture: A study of Ogbanigbe Festival in Ukwu-Nzu Aniocha Local Government, Delta State.","authors":"Marian Edohan Chukwuma","doi":"10.4314/ujah.v24i2.9","DOIUrl":"https://doi.org/10.4314/ujah.v24i2.9","url":null,"abstract":"Music is a cultural expression interpreted, determined, moulded and coloured by culture and the cultural environment of a people, it plays a vital role in various aspects of celebrations amongst societies in Nigeria. In festivals, for example, music expresses the culture of the people. This study examined the role and significance of music in African culture in Ogbanigbe festival in Ukwu-nzu with emphasis on ideology, belief systems, organizational structures, significance of music practices, and mode of dressing, dialect, and communal activities. Its main objective is to critically study the music of ogbanigbe festival and collate ethnology materials that distinguish, differentiate and separate one community from another. The theory adopted for this paper is functionalism theory; the functionalism theory is used to define culture in relation to the reality of change. It traces the evolution of phenomena, the emphasis of culture on norms, tenets and values. The methodology used for the study is survey method, oral interview and fieldwork to assess the basic principles that are common in the musical culture of ukwu-nzu people during the ogbanigbe festival. In ukwu-nzu town, New Yam festival is associated with Ogbanigbe festival similar to some villages in Aniocha nomenclature. Four songs texts were selected and interpreted, the paper conclude that the significance of music in festival plays a huge role to showcase the cultural practices and beauty. Suggestions were made for the sustenance of cultural music in festivals.","PeriodicalId":298106,"journal":{"name":"UJAH: Unizik Journal of Arts and Humanities","volume":"13 18","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140258134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The North (or the West) considers itself superior to the South and has thus arrogated to itself the right to ‘guide’ it in many a sphere, something that has gone down badly with some countries in the South, so much so that some of them resist this domination. It is against this background that this paper analyses four texts from the two contending geo-political zones to untangle discursive strategies of positive self-presentation and negative other presentation. Using Teun van Dijk’s (2006) ideological square, the paper analyses the texts concerning aspects of ideology, dominance and resistance. It has been found that Donald Trump and the European Parliament (representing the North), as well as John Pombe Joseph Magufuli and Nicolas Maduro (representing the South), deployed semantic macrostructures, macro-speech acts, the active voice and lexical resources, among others, to do positive self-presentation and negative other-presentation. The paper contends that the two sides deployed the strategies because the North wants to continue dominating and exploiting the South and the South wants to liberate itself from the chain the former placed around its neck centuries ago. About the South’s goal, the paper shows how the South could go it alone, with a bias towards Africa.
北方（或西方）认为自己比南方优越，因此僭取了在许多领域 "指导 "南方的权利，而南方的一些国家对此很不满意，以至于其中一些国家抵制这种统治。正是在这一背景下，本文分析了来自两个相互竞争的地缘政治区的四篇文章，以揭示积极的自我表述和消极的他者表述的话语策略。本文使用 Teun van Dijk（2006 年）的意识形态方阵，分析了文本中有关意识形态、主导地位和反抗等方面的内容。结果发现，唐纳德-特朗普和欧洲议会（代表北方），以及约翰-庞贝-约瑟夫-马古富力和尼古拉斯-马杜罗（代表南方），都运用了语义宏观结构、宏观言语行为、主动语态和词汇资源等手段来进行积极的自我陈述和消极的他者陈述。本文认为，双方之所以采取这些策略，是因为北方希望继续统治和剥削南方，而南方则希望摆脱前者几百年前套在自己脖子上的枷锁。关于南方的目标，论文说明了南方如何可以单独行动，并偏向于非洲。
{"title":"A discursive reading of ideology, dominance and resistance in political texts","authors":"K. Lukanga","doi":"10.4314/ujah.v24i2.6","DOIUrl":"https://doi.org/10.4314/ujah.v24i2.6","url":null,"abstract":"The North (or the West) considers itself superior to the South and has thus arrogated to itself the right to ‘guide’ it in many a sphere, something that has gone down badly with some countries in the South, so much so that some of them resist this domination. It is against this background that this paper analyses four texts from the two contending geo-political zones to untangle discursive strategies of positive self-presentation and negative other presentation. Using Teun van Dijk’s (2006) ideological square, the paper analyses the texts concerning aspects of ideology, dominance and resistance. It has been found that Donald Trump and the European Parliament (representing the North), as well as John Pombe Joseph Magufuli and Nicolas Maduro (representing the South), deployed semantic macrostructures, macro-speech acts, the active voice and lexical resources, among others, to do positive self-presentation and negative other-presentation. The paper contends that the two sides deployed the strategies because the North wants to continue dominating and exploiting the South and the South wants to liberate itself from the chain the former placed around its neck centuries ago. About the South’s goal, the paper shows how the South could go it alone, with a bias towards Africa.","PeriodicalId":298106,"journal":{"name":"UJAH: Unizik Journal of Arts and Humanities","volume":"101 2‐3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140256940","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
On the one hand, the Age of Enlightenment in Europe triggered off scientific discoveries and technological innovations. Science and Technology became yardsticks for progress in the world. This led to industrialization and the subsequent commodification and annihilation of emotion, spiritual and even sexual life of humankind; on the other hand, in the far East, Iran for example, there is radicalization of religious life and preference of religious life over emotional and sensual life. In Europe, the intellectual life became privileged over the emotional and intuitive life, human relations degenerated so much so that even families grew apart from themselves. Writers as D.H. Lawrence felt the need to draw our attention to the havoc being wreaked on human relations; while Rushdie felt outraged by deification of a man he considered sexually perverse. D.H. Lawrence achieves his aim through the text, Lady Chatterley’s Lover, which was adjudged by the law as pornographic and was, therefore, banned; while Salman Rushdie also achieves his through his The Satanic Verses, which was rather adjudged blasphemous and was also banned with Fatwa placed on the head of the writer. The objective of this paper was to examine aspects of the narrative as lawyers or judges would examine cases to see how Lady Chatterley’s Lover yielded to obscenity to warrant it being banned as well as to understand why the prosecutors failed and why the work was later unbanned. It examined also The Satanic Verses to also see how it yielded to blasphemy and to understand why it was not banned in Western Countries. It is hoped that this study would help in further understanding the relationship between Law and literature. The methodology deployed was textual data analysis; and it was concluded that the determining of justice in law involves interpretation just as interpretation is needed in the pursuit of meaning in the text; and that legal briefs as well as judgments are in themselves narratives just as literature is. Finally is it was concluded that law will eternally be deconstructive in the pursuit truth or fact just as literature the pursuit of meaning in literature will depend on the eternal deconstructive process.
{"title":"D.H. Lawrence’s Lady Chatterley’s Lover and the legal overreach in its ban: A study of the implications for law and literature","authors":"Onyebuchi James Ile, Adaoma Igwedibia","doi":"10.4314/ujah.v24i2.1","DOIUrl":"https://doi.org/10.4314/ujah.v24i2.1","url":null,"abstract":"On the one hand, the Age of Enlightenment in Europe triggered off scientific discoveries and technological innovations. Science and Technology became yardsticks for progress in the world. This led to industrialization and the subsequent commodification and annihilation of emotion, spiritual and even sexual life of humankind; on the other hand, in the far East, Iran for example, there is radicalization of religious life and preference of religious life over emotional and sensual life. In Europe, the intellectual life became privileged over the emotional and intuitive life, human relations degenerated so much so that even families grew apart from themselves. Writers as D.H. Lawrence felt the need to draw our attention to the havoc being wreaked on human relations; while Rushdie felt outraged by deification of a man he considered sexually perverse. D.H. Lawrence achieves his aim through the text, Lady Chatterley’s Lover, which was adjudged by the law as pornographic and was, therefore, banned; while Salman Rushdie also achieves his through his The Satanic Verses, which was rather adjudged blasphemous and was also banned with Fatwa placed on the head of the writer. The objective of this paper was to examine aspects of the narrative as lawyers or judges would examine cases to see how Lady Chatterley’s Lover yielded to obscenity to warrant it being banned as well as to understand why the prosecutors failed and why the work was later unbanned. It examined also The Satanic Verses to also see how it yielded to blasphemy and to understand why it was not banned in Western Countries. It is hoped that this study would help in further understanding the relationship between Law and literature. The methodology deployed was textual data analysis; and it was concluded that the determining of justice in law involves interpretation just as interpretation is needed in the pursuit of meaning in the text; and that legal briefs as well as judgments are in themselves narratives just as literature is. Finally is it was concluded that law will eternally be deconstructive in the pursuit truth or fact just as literature the pursuit of meaning in literature will depend on the eternal deconstructive process.","PeriodicalId":298106,"journal":{"name":"UJAH: Unizik Journal of Arts and Humanities","volume":"17 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140257851","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
With the huge surge of African migrants in the West, especially in the post Covid-19 era, it becomes important to investigate these migrants’ experiences as portrayed in literary texts by writers. Hence, this research examines the representation of migrant challenges in African literature through a critical discourse on two contemporary novels: Abdulrazak Gurnah's Gravel Heart and Helon Habila's Travelers. Adopting Homi Bhabha’s theory, hybridity, the study focuses on how these literary works depict the struggles of African Migrants as they navigate and interpret both cultures– West/African while in the diaspora in order to survive. The discourse highlights the issues of displacement, dislocation, alignment, cultural identity, and the struggle for survival in a foreign land. By exploring the similarities and differences between the two novels, the paper reveals the complexity and diversity of African migrant experiences as it provides insights into the broader issues of globalization, colonialism, and migration. Ultimately, the research argues that African literature plays a crucial role in shaping our understanding of the migrant experiences and in promoting social justice and human rights.
{"title":"Translocation and migrants’ live-in experiences: A literary discourse on select novels","authors":"Abigail Oaikhena, Sandra Egbunike","doi":"10.4314/ujah.v24i2.10","DOIUrl":"https://doi.org/10.4314/ujah.v24i2.10","url":null,"abstract":"With the huge surge of African migrants in the West, especially in the post Covid-19 era, it becomes important to investigate these migrants’ experiences as portrayed in literary texts by writers. Hence, this research examines the representation of migrant challenges in African literature through a critical discourse on two contemporary novels: Abdulrazak Gurnah's Gravel Heart and Helon Habila's Travelers. Adopting Homi Bhabha’s theory, hybridity, the study focuses on how these literary works depict the struggles of African Migrants as they navigate and interpret both cultures– West/African while in the diaspora in order to survive. The discourse highlights the issues of displacement, dislocation, alignment, cultural identity, and the struggle for survival in a foreign land. By exploring the similarities and differences between the two novels, the paper reveals the complexity and diversity of African migrant experiences as it provides insights into the broader issues of globalization, colonialism, and migration. Ultimately, the research argues that African literature plays a crucial role in shaping our understanding of the migrant experiences and in promoting social justice and human rights.","PeriodicalId":298106,"journal":{"name":"UJAH: Unizik Journal of Arts and Humanities","volume":"38 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140257516","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Many individuals have made remarkable contributions to the study of music in Nigeria, with their efforts, resulting in the formulation of theories, studies on African music, manpower production, and music compositions. The role of the music scholar is fraught with challenges which include reporting research findings, that can be very tricky without an in-depth knowledge of the subject; and teaching, which can also be misleading to learners without systematically applying suitable methods. In music, combining research with composition/performance further makes itintricate, since the system in Nigeria, makes it difficult to efficiently fuse scholarship with music practice. In most cases, music graduates are left with the option of electing between being a music scholar and music artiste. These concerns notwithstanding, Professor Dan Agu, was able to efficiently combine both areas, as he excelled in African music theory and practice, composition, performance, music education, and university administration. His research findings in these areas coupled with other experiences garnered in the field of music have been of immense benefit to many a people. The paper attempts to examine these contributions with focus on his personality, research, music composition and development of manpower. In eliciting data, the author relied on descriptive method, interviews and personal experiences garnered through observation of Dan Agu. Firstly, as a teacher where the author had a first-hand experience as an undergraduate student, and later, as a postgraduate candidate. The paper found that Agu’s scholarly works are rich in scope and content. It is recommended that his creative and scholarly works be compiled and published in books of different volumes to enable wider circulation in the academic spaces.
{"title":"Reminiscences of a legendary Nigerian art music composer and scholar, Dan Agu","authors":"Oghenemudiakevwe Igbi","doi":"10.4314/ujah.v24i2.8","DOIUrl":"https://doi.org/10.4314/ujah.v24i2.8","url":null,"abstract":"Many individuals have made remarkable contributions to the study of music in Nigeria, with their efforts, resulting in the formulation of theories, studies on African music, manpower production, and music compositions. The role of the music scholar is fraught with challenges which include reporting research findings, that can be very tricky without an in-depth knowledge of the subject; and teaching, which can also be misleading to learners without systematically applying suitable methods. In music, combining research with composition/performance further makes itintricate, since the system in Nigeria, makes it difficult to efficiently fuse scholarship with music practice. In most cases, music graduates are left with the option of electing between being a music scholar and music artiste. These concerns notwithstanding, Professor Dan Agu, was able to efficiently combine both areas, as he excelled in African music theory and practice, composition, performance, music education, and university administration. His research findings in these areas coupled with other experiences garnered in the field of music have been of immense benefit to many a people. The paper attempts to examine these contributions with focus on his personality, research, music composition and development of manpower. In eliciting data, the author relied on descriptive method, interviews and personal experiences garnered through observation of Dan Agu. Firstly, as a teacher where the author had a first-hand experience as an undergraduate student, and later, as a postgraduate candidate. The paper found that Agu’s scholarly works are rich in scope and content. It is recommended that his creative and scholarly works be compiled and published in books of different volumes to enable wider circulation in the academic spaces.","PeriodicalId":298106,"journal":{"name":"UJAH: Unizik Journal of Arts and Humanities","volume":"37 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140257527","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Assimilation, no doubt, is a major co-articulatory feature of human language involving two segments in binary asymmetric relation. In the Igbo language, there are vowel-vowel assimilation, vowel-syllable assimilation, syllabic nasal-consonant assimilation, vowel-consonant assimilation, and consonant-vowel assimilation. Using the Government Phonology framework, this paper analyses assimilation in Anakụ Igbo expressions, ǹgịvụ ‘you’ and gbaa egbè ‘shot gun’, which are examples of syllabic nasal-consonant assimilation and vowel-vowel assimilation respectively. The results reveal a relation of government existing between the sounds in the context of assimilation in the two words, whereby one of the sounds is the governor that has charmed the other sound as its governee. It is confirmed that assimilation in Anakụ Igbo variety adheres to the tenets of the Government Phonology.
{"title":"A government phonology analysis of assimilation in AnakỤ Igbo expressions: “ǹgịvụ” and “gbaa egbè”","authors":"Aghaegbuna Haroldson Uwaezuoke","doi":"10.4314/ujah.v24i2.7","DOIUrl":"https://doi.org/10.4314/ujah.v24i2.7","url":null,"abstract":"Assimilation, no doubt, is a major co-articulatory feature of human language involving two segments in binary asymmetric relation. In the Igbo language, there are vowel-vowel assimilation, vowel-syllable assimilation, syllabic nasal-consonant assimilation, vowel-consonant assimilation, and consonant-vowel assimilation. Using the Government Phonology framework, this paper analyses assimilation in Anakụ Igbo expressions, ǹgịvụ ‘you’ and gbaa egbè ‘shot gun’, which are examples of syllabic nasal-consonant assimilation and vowel-vowel assimilation respectively. The results reveal a relation of government existing between the sounds in the context of assimilation in the two words, whereby one of the sounds is the governor that has charmed the other sound as its governee. It is confirmed that assimilation in Anakụ Igbo variety adheres to the tenets of the Government Phonology.","PeriodicalId":298106,"journal":{"name":"UJAH: Unizik Journal of Arts and Humanities","volume":"30 29","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140257569","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
That Nigeria is unstable is no longer a secret. That its instability is connected to Nigerian citizens who feel no belonging to the Nigerian entity is not to be disputed. Seeing a stable new Nigeria, with which one can identify, remains the desire of many Nigerians. By discussing the Nigerian personality, this article has been able to examine the major causes of instability in the country. Watching videos being a major means of relaxation in Nigeria, this article postulates the translation of movies as a real tool to reconstruct the Nigerian personality towards one who would feel Nigerian and therefore experience the desire to see a Nigeria that works. The scopos theory served as a theoretical framework for this research. It was discovered that translating movies can help Nigerians to understand and see themselves as Nigerian and therefore stop instability.
{"title":"Juguler l'instabilité en Construisant une Personnalité Nigériane Grâce à la Traduction des Films","authors":"O. Ezeafulukwe","doi":"10.4314/ujah.v23i2.10","DOIUrl":"https://doi.org/10.4314/ujah.v23i2.10","url":null,"abstract":"That Nigeria is unstable is no longer a secret. That its instability is connected to Nigerian citizens who feel no belonging to the Nigerian entity is not to be disputed. Seeing a stable new Nigeria, with which one can identify, remains the desire of many Nigerians. By discussing the Nigerian personality, this article has been able to examine the major causes of instability in the country. Watching videos being a major means of relaxation in Nigeria, this article postulates the translation of movies as a real tool to reconstruct the Nigerian personality towards one who would feel Nigerian and therefore experience the desire to see a Nigeria that works. The scopos theory served as a theoretical framework for this research. It was discovered that translating movies can help Nigerians to understand and see themselves as Nigerian and therefore stop instability.","PeriodicalId":298106,"journal":{"name":"UJAH: Unizik Journal of Arts and Humanities","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129778349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The various categories of moral evil associated with some contemporary extremists' religious ideologies have continued to raise fundamental questions about the purpose of religion in human life the world over. In Nigeria, the Northeastern region has recorded the worst form of moral evil in recent years due to religious extremism. Therefore, this essay explored the phenomenon of religious extremism to underscore how it has occasioned large-scale moral evil in North-eastern Nigeria. Data were obtained from existing literature, media reports and observation of the contemporary religious situation in the Northeastern region. Historical, content, critical and constructive methods of analysis were utilized for data interpretation. Two major religious extremist sects (Boko Haram and ISWAP) are largely responsible for most of the moral evil in north-eastern Nigeria. These two extremist groups have continued to abduct, dehumanize, displace and kill innocent people across the northeastern region in the name of God. This paper submits that religious extremists should eschew violent extremism and embrace the philosophy of peace, love and tolerance in the practice of their religious beliefs for the common good of all.
{"title":"Religious Extremism and Moral Evil in North-Eastern Nigeria: Implications of Violent Extremism in the Nigerian Society","authors":"Ewere Nelson Atoi","doi":"10.4314/ujah.v23i2.5","DOIUrl":"https://doi.org/10.4314/ujah.v23i2.5","url":null,"abstract":"The various categories of moral evil associated with some contemporary extremists' religious ideologies have continued to raise fundamental questions about the purpose of religion in human life the world over. In Nigeria, the Northeastern region has recorded the worst form of moral evil in recent years due to religious extremism. Therefore, this essay explored the phenomenon of religious extremism to underscore how it has occasioned large-scale moral evil in North-eastern Nigeria. Data were obtained from existing literature, media reports and observation of the contemporary religious situation in the Northeastern region. Historical, content, critical and constructive methods of analysis were utilized for data interpretation. Two major religious extremist sects (Boko Haram and ISWAP) are largely responsible for most of the moral evil in north-eastern Nigeria. These two extremist groups have continued to abduct, dehumanize, displace and kill innocent people across the northeastern region in the name of God. This paper submits that religious extremists should eschew violent extremism and embrace the philosophy of peace, love and tolerance in the practice of their religious beliefs for the common good of all.","PeriodicalId":298106,"journal":{"name":"UJAH: Unizik Journal of Arts and Humanities","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125569607","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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