This paper unfolds systematically organized requisite performance composition defined in words and with exemplary scores to buttress the texture. The communication principles of behaviour, protocols, skill and tools needed to achieve music dissemination set objectives are highlighted in the study. The very last facet of the study given deserved attention addresses varieties of vocal devices including use of imagery, repetition of musical extracts and the like. Data are collected through interview as well as participant observation medium. In the long run, the study justifies the uniqueness of Abigbo in musical inventiveness as it affects its application of the keystones constituting the thrust of the paper. In keeping with this observation, the study concludes that musical repetition in their varieties, made use of imagery and, of course, performance composition cannot be dispensed with if the peculiarity of Abigbo must be maintained.
{"title":"Creativity Inherent in Abigbo Performance Composition: Use of Imagery and Musical Repetitions","authors":"Justice Chukwudi Okoro","doi":"10.4314/UJAH.V22I1.10","DOIUrl":"https://doi.org/10.4314/UJAH.V22I1.10","url":null,"abstract":"This paper unfolds systematically organized requisite performance composition defined in words and with exemplary scores to buttress the texture. The communication principles of behaviour, protocols, skill and tools needed to achieve music dissemination set objectives are highlighted in the study. The very last facet of the study given deserved attention addresses varieties of vocal devices including use of imagery, repetition of musical extracts and the like. Data are collected through interview as well as participant observation medium. In the long run, the study justifies the uniqueness of Abigbo in musical inventiveness as it affects its application of the keystones constituting the thrust of the paper. In keeping with this observation, the study concludes that musical repetition in their varieties, made use of imagery and, of course, performance composition cannot be dispensed with if the peculiarity of Abigbo must be maintained.","PeriodicalId":298106,"journal":{"name":"UJAH: Unizik Journal of Arts and Humanities","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121665158","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Le griot dans la société traditionnelle africaine de l’ère précoloniale est un personnage complexe chargé d’une myriade de fonctions. Il est bien respecté et honoré. La présente étude se donne l’objectif d’examiner profondément la peinture du griot dans la littérature africaine postcoloniale utilisant Guelwaar de Sembène Ousmane comme texte de base tout en établissant ses fonctions et ses portraits. L’étude privilégie quelques théories critiques comme le postcolonialisme, les théories marxiste et féministe. De plus, l’examen s’effectue à la lumière de l’image du griot d’antan et des sept catégories de nouveaux griots postulés par Ifeoma Mabel Onyemelukwe. Nous découvrons deux types de griot dépeints par Ousmane dans Guelwaar : le griot personnage littéraire nommé Guelwaar et le griot écrivain contemporain africain, Sembène Ousmane lui-même. Ces deux griots entretiennent des rapports de similitude et de divergence avec le vrai griot. Mais le griot écrivain contemporain africain ressemble beaucoup plus au griot d’antan en dépit des points de divergence. Nous finissons par déceler dix-huit fonctions du griot et par-là arriver aux dix-huit portraits du griot dans Guelwaar dont le griot bibliothèque publique bien documentée et le griot détenteur de la littérature écrite africaine postcoloniale. Nous parvenons à la conclusion que la littérature postcoloniale, comme l’atteste Guelwaar de Sembène Ousmane, se caractérise par une revalorisation des valeurs authentiques, honorables et louables du griot de caste. Ceci est symbolisé par l’apparition du griot personnage littéraire dans certaines oeuvres de la littérature écrite postcoloniale africaine comme Guelwaar et surtout la prééminence accordée aux griots écrivains contemporains africains tel Sembène Ousmane. The griot, in the traditional African society is a complex personality charged with multiple functions. He is well respected and honoured. The objective of the present research is to make an in-depth study of the depiction of the griot in post-colonial literature using Guelwaar as study text while establishing his functions and portraits. Postcolonialism, Marxist and Feminist theories constitute the theoretical framework. Furthermore, the examination is carried out in the light of the image of the real griot and the seven categories of new griots promulgated by Ifeoma Mabel Onyemelukwe. It is found that Sembène Ousmane depicts two types of griots in Guelwaar, namely: the griot as literary character named Guelwaar and the griot as contemporary African writer, Sembène Ousmane, himself. These two griots have certain similarities and differences with the real griot. But the findings show that the griot as contemporary African writer resembles more the real griot, their points of disparity notwithstanding. Eighteen functions and eighteen portraits of the griot are established, among which are: the griot as well documented library and the griot as custodian of written postcolonial African Literature.
在前殖民时代的传统非洲社会中，格里奥是一个复杂的人物，有着无数的功能。他受到尊敬和尊敬。本研究以sembene Ousmane的Guelwaar为基础，对后殖民时期非洲文学中的格里奥绘画进行了深入的考察，并确立了格里奥绘画的功能和肖像。本研究着重于一些批判理论，如后殖民主义、马克思主义和女权主义理论。此外，审查是根据过去的格里奥形象和Ifeoma Mabel Onyemelukwe提出的七个新格里奥类别进行的。奥斯曼在《圭尔瓦尔》中描绘了两种类型的格里奥:格里奥文学人物圭尔瓦尔和当代非洲作家塞本·奥斯曼本人。这两个格里奥与真正的格里奥有着相似和不同的关系。但当代非洲作家格里奥与过去的格里奥更相似，尽管有一些不同之处。我们最终发现了格里奥的18个功能，从而在圭尔瓦尔找到了格里奥的18幅肖像，包括格里奥公共图书馆和格里奥后殖民时期非洲书面文学的持有者。我们得出的结论是，sembene Ousmane的Guelwaar所证明的后殖民文学的特点是重新评价种姓格里奥的真实、可敬和值得称赞的价值。这一点体现在格里奥文学人物出现在一些后殖民时期的非洲文学作品中，如圭尔瓦尔，特别是格里奥当代非洲作家的突出地位，如sembene Ousmane。= =地理= =根据美国人口普查，这个县的总面积是，其中土地和(1.641平方公里)水。他很受尊敬和尊敬。客观of The此证research is to make an深度study of The depiction in后殖民文学利用Guelwaar as study of The大牌text while建立他的功能和肖像。后殖民主义、马克思主义和女性主义理论构成了理论框架。此外,各种is the examination carried out in the light of the of the real游吟诗人形象and the seven of new类别griots promulgated by Ifeoma Mabel Onyemelukwe。它发现sembene Ousmane描述了圭尔瓦尔的两种格里奥特，分别是格里奥特作为文学人物圭尔瓦尔和格里奥特作为当代非洲作家sembene Ousmane。这两个格里奥与真正的格里奥有一些相似之处和不同之处。= =地理= =根据美国人口普查，这个县的面积为，其中土地面积为，其中土地面积为。姑娘功能与美丽的画像are the大牌中间,which are the大牌:as well文件有没有托管人of library and the游吟诗人写非洲后殖民文学。我们得出了一个坚定的结论，即sembene ousmane的Guelwaar所反映的后殖民文学的特点是重新评价真正的格里奥特的真实、可敬和值得称赞的价值。圣母大牌as This is in the symbolized投影文学(character in和一些文学作品like Guelwaar and the preeminence露面的谈话,to griots you as typified by sembene Ousmane当代非洲作家。
{"title":"Le Griot Dans La Litterature Postcoloniale: Une Etude De Guelwaar De Sembene Ousmane","authors":"I. Onyemelukwe, Abubakar Dauda Adamu, C. Muotoo","doi":"10.4314/UJAH.V22I1.3","DOIUrl":"https://doi.org/10.4314/UJAH.V22I1.3","url":null,"abstract":"Le griot dans la société traditionnelle africaine de l’ère précoloniale est un personnage complexe chargé d’une myriade de fonctions. Il est bien respecté et honoré. La présente étude se donne l’objectif d’examiner profondément la peinture du griot dans la littérature africaine postcoloniale utilisant Guelwaar de Sembène Ousmane comme texte de base tout en établissant ses fonctions et ses portraits. L’étude privilégie quelques théories critiques comme le postcolonialisme, les théories marxiste et féministe. De plus, l’examen s’effectue à la lumière de l’image du griot d’antan et des sept catégories de nouveaux griots postulés par Ifeoma Mabel Onyemelukwe. Nous découvrons deux types de griot dépeints par Ousmane dans Guelwaar : le griot personnage littéraire nommé Guelwaar et le griot écrivain contemporain africain, Sembène Ousmane lui-même. Ces deux griots entretiennent des rapports de similitude et de divergence avec le vrai griot. Mais le griot écrivain contemporain africain ressemble beaucoup plus au griot d’antan en dépit des points de divergence. Nous finissons par déceler dix-huit fonctions du griot et par-là arriver aux dix-huit portraits du griot dans Guelwaar dont le griot bibliothèque publique bien documentée et le griot détenteur de la littérature écrite africaine postcoloniale. Nous parvenons à la conclusion que la littérature postcoloniale, comme l’atteste Guelwaar de Sembène Ousmane, se caractérise par une revalorisation des valeurs authentiques, honorables et louables du griot de caste. Ceci est symbolisé par l’apparition du griot personnage littéraire dans certaines oeuvres de la littérature écrite postcoloniale africaine comme Guelwaar et surtout la prééminence accordée aux griots écrivains contemporains africains tel Sembène Ousmane. \u0000 \u0000The griot, in the traditional African society is a complex personality charged with multiple functions. He is well respected and honoured. The objective of the present research is to make an in-depth study of the depiction of the griot in post-colonial literature using Guelwaar as study text while establishing his functions and portraits. Postcolonialism, Marxist and Feminist theories constitute the theoretical framework. Furthermore, the examination is carried out in the light of the image of the real griot and the seven categories of new griots promulgated by Ifeoma Mabel Onyemelukwe. It is found that Sembène Ousmane depicts two types of griots in Guelwaar, namely: the griot as literary character named Guelwaar and the griot as contemporary African writer, Sembène Ousmane, himself. These two griots have certain similarities and differences with the real griot. But the findings show that the griot as contemporary African writer resembles more the real griot, their points of disparity notwithstanding. Eighteen functions and eighteen portraits of the griot are established, among which are: the griot as well documented library and the griot as custodian of written postcolonial African Literature. ","PeriodicalId":298106,"journal":{"name":"UJAH: Unizik Journal of Arts and Humanities","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122675232","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Rice is one of those staples that Nigerians cannot do without; several tonnes of rice are consumed by Nigerians on daily basis. Yet its domestic cultivation and processing are largely ignored by a greater percentage of ordinary Nigerians. Although scholars have produced fascinating studies on both the domestic production of rice, its international trade, and the border closures that are contrived to facilitate local production, there is scarcely any serious scholarly effort that attempts to examine Nigeria’s rice economy from the political-economic perspective, especially with attention on the gainers and losers during periods of border closures in Nigeria. This study intervenes in the discourse by focusing on the political-economic implications of Nigeria's rice economy. The major thrust of the research is to discover how far the trade protectionist efforts of the governments of Nigeria impact the domestic economy. In essence, it seeks to discover the gainers and losers of Nigeria's border closures.
{"title":"Trade Protectionism and Border Closure in Nigeria: The Rice Economy in Perspective","authors":"A. A. Ugwuja, Chimdi Chukwukere","doi":"10.4314/UJAH.V22I1.4","DOIUrl":"https://doi.org/10.4314/UJAH.V22I1.4","url":null,"abstract":"Rice is one of those staples that Nigerians cannot do without; several tonnes of rice are consumed by Nigerians on daily basis. Yet its domestic cultivation and processing are largely ignored by a greater percentage of ordinary Nigerians. Although scholars have produced fascinating studies on both the domestic production of rice, its international trade, and the border closures that are contrived to facilitate local production, there is scarcely any serious scholarly effort that attempts to examine Nigeria’s rice economy from the political-economic perspective, especially with attention on the gainers and losers during periods of border closures in Nigeria. This study intervenes in the discourse by focusing on the political-economic implications of Nigeria's rice economy. The major thrust of the research is to discover how far the trade protectionist efforts of the governments of Nigeria impact the domestic economy. In essence, it seeks to discover the gainers and losers of Nigeria's border closures. \u0000 ","PeriodicalId":298106,"journal":{"name":"UJAH: Unizik Journal of Arts and Humanities","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130765083","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper explores the disputed concept of security. It is a modest attempt at investigating the perceived repercussions of the outbreak of Covid 19 on Nigeria’s National Security. In this regard, the paper deployed the qualitative approach of research, such that historical research method is applied via secondary sources of data, including textbooks, official documents, and internet sources, among others. The paper is nested around the changing notion of security, highlighting non-military threats repercussions of Covid 19 on Nigeria’s National Security. A key finding of the paper underscores that there exists a strong fact that threat to contemporary Nigeria’s National Security now includes non- military issues.
{"title":"Covid-19 and Nigeria: Rethinking the Architecture of National Security","authors":"U. Eke, Chinedu Emmanuel Ejor","doi":"10.4314/UJAH.V22I1.9","DOIUrl":"https://doi.org/10.4314/UJAH.V22I1.9","url":null,"abstract":"This paper explores the disputed concept of security. It is a modest attempt at investigating the perceived repercussions of the outbreak of Covid 19 on Nigeria’s National Security. In this regard, the paper deployed the qualitative approach of research, such that historical research method is applied via secondary sources of data, including textbooks, official documents, and internet sources, among others. The paper is nested around the changing notion of security, highlighting non-military threats repercussions of Covid 19 on Nigeria’s National Security. A key finding of the paper underscores that there exists a strong fact that threat to contemporary Nigeria’s National Security now includes non- military issues. ","PeriodicalId":298106,"journal":{"name":"UJAH: Unizik Journal of Arts and Humanities","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124480561","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Uche S. Odozor, H. Obilor, O. O. Thompson, Ngozi S. Odozor
The ethic of care proposed by Carol Gilligan in late twentieth century instantly elicited a wide range of adaptations and elaborations in numerous disciplines, under the banner of ‘relational ethics’. Sally Gadow’s ‘relational narrative’ is one of these adaptations. Like Gilligan, Gadow aims to dismantle ethical rationalism or universalism, wherein the foregoing mainstream nursing practice had purportedly focused on applying existing philosophical theories of ethics to all conceivable clinical situations. For Gadow, every moral engagement, such as that between a nursing professional and a patient, comes with inherent unique features that render impotent any attempt at universalisation. Each clinical encounter is rather defined by the ability of the professional to engage the client in an intimate, caring relationship that enables healing to take place. Against this backdrop, this paper argues that the theory of Relational Narrative, particularly as conceptualised and articulated by Sally Gadow, cannot be carried through without making some rationalist assumptions, because professionalism in nursing practice is by definition, a deeply embedded ingredient of rational reflection. Furthermore, nursing professionals can make progress or impact only by having recourse to the code of ethics; also, direct application of Gadow’s theory puts the nurse in a dilemma when it comes to dealing with patients suffering from chronic contagious diseases, such as the Ebola or the coronavirus disease (COVID-19). Finally, juxtaposing Gadow’s work with the ideas of the earlier scholars she criticises unsparingly, the paper found that traces of universalist, rationalist assumptions abound in her thought precisely because of the wealth of influence she has garnered from philosophers and psychologists; influences going as far back as Descartes and Kant, down to Rawls and Kohlberg. The data used for this study came from library and archival materials, as well as from internet resources.
{"title":"A Rationalist Critique of Sally Gadow’s Relational Nursing Ethics","authors":"Uche S. Odozor, H. Obilor, O. O. Thompson, Ngozi S. Odozor","doi":"10.4314/UJAH.V22I1.2","DOIUrl":"https://doi.org/10.4314/UJAH.V22I1.2","url":null,"abstract":"The ethic of care proposed by Carol Gilligan in late twentieth century instantly elicited a wide range of adaptations and elaborations in numerous disciplines, under the banner of ‘relational ethics’. Sally Gadow’s ‘relational narrative’ is one of these adaptations. Like Gilligan, Gadow aims to dismantle ethical rationalism or universalism, wherein the foregoing mainstream nursing practice had purportedly focused on applying existing philosophical theories of ethics to all conceivable clinical situations. For Gadow, every moral engagement, such as that between a nursing professional and a patient, comes with inherent unique features that render impotent any attempt at universalisation. Each clinical encounter is rather defined by the ability of the professional to engage the client in an intimate, caring relationship that enables healing to take place. Against this backdrop, this paper argues that the theory of Relational Narrative, particularly as conceptualised and articulated by Sally Gadow, cannot be carried through without making some rationalist assumptions, because professionalism in nursing practice is by definition, a deeply embedded ingredient of rational reflection. Furthermore, nursing professionals can make progress or impact only by having recourse to the code of ethics; also, direct application of Gadow’s theory puts the nurse in a dilemma when it comes to dealing with patients suffering from chronic contagious diseases, such as the Ebola or the coronavirus disease (COVID-19). Finally, juxtaposing Gadow’s work with the ideas of the earlier scholars she criticises unsparingly, the paper found that traces of universalist, rationalist assumptions abound in her thought precisely because of the wealth of influence she has garnered from philosophers and psychologists; influences going as far back as Descartes and Kant, down to Rawls and Kohlberg. The data used for this study came from library and archival materials, as well as from internet resources. \u0000 ","PeriodicalId":298106,"journal":{"name":"UJAH: Unizik Journal of Arts and Humanities","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115869933","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This ethnography explores the traditional mortuary rites of the Nawfia, an Igbo group of Southeast Nigeria, aiming to understand the mortuary rites of the Nawfia, how and why it has changed and the factors responsible for the changes. The main data collection strategy was participant observation that began in April 2014. It was supplemented with in-depth interviews and focus group discussions. The study found Christianity as a major acculturative factor that has altered almost all the facets of the traditional mortuary rites of the Nawfia Igbo. Furthermore, mortuary rites do not only reinforce social solidarity among the Nawfia Igbo people but also according to what the Nawfia people believe, enable the deceased to attain his rightful position in the spirit world.
{"title":"Acculturation and Traditional Mortuary Rites of the Nawfia of Southeastern Nigeria","authors":"U. Ugwu","doi":"10.4314/UJAH.V22I1.1","DOIUrl":"https://doi.org/10.4314/UJAH.V22I1.1","url":null,"abstract":"This ethnography explores the traditional mortuary rites of the Nawfia, an Igbo group of Southeast Nigeria, aiming to understand the mortuary rites of the Nawfia, how and why it has changed and the factors responsible for the changes. The main data collection strategy was participant observation that began in April 2014. It was supplemented with in-depth interviews and focus group discussions. The study found Christianity as a major acculturative factor that has altered almost all the facets of the traditional mortuary rites of the Nawfia Igbo. Furthermore, mortuary rites do not only reinforce social solidarity among the Nawfia Igbo people but also according to what the Nawfia people believe, enable the deceased to attain his rightful position in the spirit world.","PeriodicalId":298106,"journal":{"name":"UJAH: Unizik Journal of Arts and Humanities","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125685834","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Postcolonial Nigerian society is confronted by corruption and oppression that emerged in the wake of independence. In recent times, these challenges have evolved in the creative consciousness of writers in their versified writings. Poetry, which serves as a veritable medium for the projection of philosophical thought, reflects these vagaries as the unique genre employed by poets for humanity that is dismayed by the irony of hope and survival. This paper examines corruption in politics and oppression of the masses. It showed that the drawbacks witnessed in the country attribute to the aforementioned variables. The choice of Essien’s Rage Alive. Stabbed Alive (2010) and Amali’s I Want to Join Them (2016) is informed by the fact that there is a lack of scholarly research on these collections. The paper adopts spivak’s postcolonial framework in the context of the Nigerian society, while the descriptive method of textual analysis aimed to show how political leaders in their deployment of corrupt and oppressive schemes, advance their kleptomaniac agenda. Thus, the study submits that for a functional and progressive society to exist, fundamental changes in its socio-political affairs must be undertaken.
{"title":"Versifying Unease in Postcolonial Nigerian Society: Politics of Corruption and Oppression in Akan Essien’s Stabbed Alive. Rage Alive and Halima Amali’s I Want to Join Them","authors":"Raphael Chukwuemeka Onyejizu","doi":"10.4314/UJAH.V22I1.8","DOIUrl":"https://doi.org/10.4314/UJAH.V22I1.8","url":null,"abstract":"Postcolonial Nigerian society is confronted by corruption and oppression that emerged in the wake of independence. In recent times, these challenges have evolved in the creative consciousness of writers in their versified writings. Poetry, which serves as a veritable medium for the projection of philosophical thought, reflects these vagaries as the unique genre employed by poets for humanity that is dismayed by the irony of hope and survival. This paper examines corruption in politics and oppression of the masses. It showed that the drawbacks witnessed in the country attribute to the aforementioned variables. The choice of Essien’s Rage Alive. Stabbed Alive (2010) and Amali’s I Want to Join Them (2016) is informed by the fact that there is a lack of scholarly research on these collections. The paper adopts spivak’s postcolonial framework in the context of the Nigerian society, while the descriptive method of textual analysis aimed to show how political leaders in their deployment of corrupt and oppressive schemes, advance their kleptomaniac agenda. Thus, the study submits that for a functional and progressive society to exist, fundamental changes in its socio-political affairs must be undertaken. \u0000 ","PeriodicalId":298106,"journal":{"name":"UJAH: Unizik Journal of Arts and Humanities","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132551555","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cette étude se plonge dans l’interlangue d’un groupe d’apprenants nigérians de Français Langue Étrangère pour évaluer leur compétence en construction dans le domaine de l’orthographe lexicale. Cette compétence est évaluée par le biais des erreurs qui représentent des symptômes révélateurs des difficultés d’apprentissage et des points d’appui pour un enseignement meilleur. L’étude cherche dans un premier temps à expliquer les difficultés liées au processus d’apprentissage de l’orthographe lexicale et dans un deuxième temps à proférer des voies et moyens pour aider l’apprenant à mieux apprendre. Le corpus est constitué de productions écrites collectées auprès d’étudiants de première année de licence inscrits au cours de rédaction en français. Les résultats montrent que les types d’erreurs qui prédominent sont les erreurs liées aux accents, suivies des erreurs à dominante phonétique et des erreurs à dominante non-fonctionnelle. Par ailleurs, l’anglais, la langue seconde de ces apprenants, constitue la langue pourvoyeuse de la plus grande influence sur leur comportement orthographique. L’étude recommande que plus d’attention soit accordée à l’enseignement de l’orthographe lexicale dans les activités de classe de FLE au Nigéria. This study focuses on the interlanguage of a group of Nigerian learners of French as a Foreign Language in order to assess their competence level in lexical spelling. This competence in phonographic encoding is measured through errors, which can be seen as symptoms showing learning difficulties and at the same as tools through which the learning process can be improved upon. Specifically, the study investigates the difficulties associated with learning of lexical spelling and suggest ways through which the learner can learn it better. Data for the study are elicited through written productions of first-year undergraduate students enrolled in a French Composition course. Results reveal that errors of diacritic marks predominate in the written productions of these students, followed by phonetic induced spelling errors and errors related to non-functional alphabetic letters. English, the second language of these learners, is the language with the greatest influence on their spelling behaviour. The study recommends that more attention should be accorded to the teaching of lexical orthography in French Language classroom activities in Nigeria.
本研究以一组尼日利亚法语学习者为研究对象，以评估他们在词汇正字法领域的建构能力。这种能力是通过错误来评估的，错误代表了学习困难的症状，并为更好的教学提供了支持。本研究首先试图解释与词汇拼写学习过程相关的困难，其次提出帮助学习者更好地学习的方法和方法。该语料库包括从注册法语写作课程的本科一年级学生那里收集的书面作品。结果表明，主要的错误类型是重音错误，其次是语音错误和非功能错误。此外，作为这些学习者的第二语言，英语是对他们的拼写行为影响最大的语言。该研究建议在尼日利亚的英语课堂活动中更多地关注词汇拼写教学。本研究的重点是一组尼日利亚法语学习者作为外语的中介语，以评估他们在词汇拼写方面的能力水平。这种录音编码能力是通过错误来衡量的，这些错误可以看作是显示学习困难的症状，也可以看作是可以改进学习过程的工具。具体关于the study the尴尬investigates associated with learning of字母词汇选择》ways the learner through which can learn it better。这项研究的资料是通过参加法国作文课程的一年级本科生的书面作品获得的。结果显示，在这些学生的书面作品中，变音标记的错误占主导地位，其次是语音拼写错误和与非功能字母有关的错误。英语，这些学习者的第二种语言，是对他们拼写行为影响最大的语言。该研究建议，应更加重视尼日利亚法语课堂活动中的词汇正字法教学。
{"title":"Une Analyse Descriptive Des Erreurs D’orthographe Lexicale Dans L’interlangue D’apprenants Nigérians Du Français","authors":"T. Osunniran","doi":"10.4314/UJAH.V22I1.7","DOIUrl":"https://doi.org/10.4314/UJAH.V22I1.7","url":null,"abstract":"Cette étude se plonge dans l’interlangue d’un groupe d’apprenants nigérians de Français Langue Étrangère pour évaluer leur compétence en construction dans le domaine de l’orthographe lexicale. Cette compétence est évaluée par le biais des erreurs qui représentent des symptômes révélateurs des difficultés d’apprentissage et des points d’appui pour un enseignement meilleur. L’étude cherche dans un premier temps à expliquer les difficultés liées au processus d’apprentissage de l’orthographe lexicale et dans un deuxième temps à proférer des voies et moyens pour aider l’apprenant à mieux apprendre. Le corpus est constitué de productions écrites collectées auprès d’étudiants de première année de licence inscrits au cours de rédaction en français. Les résultats montrent que les types d’erreurs qui prédominent sont les erreurs liées aux accents, suivies des erreurs à dominante phonétique et des erreurs à dominante non-fonctionnelle. Par ailleurs, l’anglais, la langue seconde de ces apprenants, constitue la langue pourvoyeuse de la plus grande influence sur leur comportement orthographique. L’étude recommande que plus d’attention soit accordée à l’enseignement de l’orthographe lexicale dans les activités de classe de FLE au Nigéria. \u0000 \u0000This study focuses on the interlanguage of a group of Nigerian learners of French as a Foreign Language in order to assess their competence level in lexical spelling. This competence in phonographic encoding is measured through errors, which can be seen as symptoms showing learning difficulties and at the same as tools through which the learning process can be improved upon. Specifically, the study investigates the difficulties associated with learning of lexical spelling and suggest ways through which the learner can learn it better. Data for the study are elicited through written productions of first-year undergraduate students enrolled in a French Composition course. Results reveal that errors of diacritic marks predominate in the written productions of these students, followed by phonetic induced spelling errors and errors related to non-functional alphabetic letters. English, the second language of these learners, is the language with the greatest influence on their spelling behaviour. The study recommends that more attention should be accorded to the teaching of lexical orthography in French Language classroom activities in Nigeria. \u0000 ","PeriodicalId":298106,"journal":{"name":"UJAH: Unizik Journal of Arts and Humanities","volume":"401 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115918404","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper is anchored on the use of Theatre for Development (TfD) as a restructuring mechanism and strategy for sustainable growth and development. However, there is no gainsaying that within the academic environment that irregularity abound especially arising from misconducts like: sexual harassment, buying of grades, flirting with lecturers, victimization and indecent dressing. The TfD pilot project executed in the year 2017 by the students of Theatre and Media Arts, Department of Theatre and Film Studies, University of Port-Harcourt Rivers State, has been carefully reviewed to show the potency of performance arts (TfD) as a restructuring mechanism for development. This paper adopts the analytical research method and the TfD official eye approach. The finding reveals that Theatre for Development (TfD) is a grass root mobilization and concientization mechanism for sustainable growth and development especially as it relates to the recent trend in the academic communities.
{"title":"Restructuring the Academic Environment through TfDs for Sustainable Development: A Case Study of “Dr. Lecturer” a PhD Class Project on University of Port-Harcourt Community","authors":"Charles Agha","doi":"10.4314/UJAH.V21I4.17","DOIUrl":"https://doi.org/10.4314/UJAH.V21I4.17","url":null,"abstract":"This paper is anchored on the use of Theatre for Development (TfD) as a restructuring mechanism and strategy for sustainable growth and development. However, there is no gainsaying that within the academic environment that irregularity abound especially arising from misconducts like: sexual harassment, buying of grades, flirting with lecturers, victimization and indecent dressing. The TfD pilot project executed in the year 2017 by the students of Theatre and Media Arts, Department of Theatre and Film Studies, University of Port-Harcourt Rivers State, has been carefully reviewed to show the potency of performance arts (TfD) as a restructuring mechanism for development. This paper adopts the analytical research method and the TfD official eye approach. The finding reveals that Theatre for Development (TfD) is a grass root mobilization and concientization mechanism for sustainable growth and development especially as it relates to the recent trend in the academic communities.","PeriodicalId":298106,"journal":{"name":"UJAH: Unizik Journal of Arts and Humanities","volume":"107 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131347529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Breaking away from the shackles of unemployment and ridicules of poverty is the dream of every individual and every nation. This paper on catering entrepreneurship opportunities open to women for wealth creation and sustainable development in Nigeria is very timing considering the weight of hunger, anger and illnesses in many homes in Nigeria due to poverty. Women are nation builders but unfortunately, many are unemployed. For economic development and sustainability, women who are nation builders need to strive hard to create wealth and generate income. This paper looked at the concept of wealth, wealth creation and opportunities open to women in catering business ventures for survival. Looking at the strategies stimulating women participation in catering wealth creation, nonformal education and extension services among others were highlighted. It was suggested that in the creation of wealth, money must be wisely spent and other principles of money management strictly adhered to.
{"title":"Catering Entrepreneurship Opportunities Open to Women for Wealth Creation and Sustainable Development in Nigeria","authors":"A. Oladokun","doi":"10.4314/UJAH.V21I4.13","DOIUrl":"https://doi.org/10.4314/UJAH.V21I4.13","url":null,"abstract":"Breaking away from the shackles of unemployment and ridicules of poverty is the dream of every individual and every nation. This paper on catering entrepreneurship opportunities open to women for wealth creation and sustainable development in Nigeria is very timing considering the weight of hunger, anger and illnesses in many homes in Nigeria due to poverty. Women are nation builders but unfortunately, many are unemployed. For economic development and sustainability, women who are nation builders need to strive hard to create wealth and generate income. This paper looked at the concept of wealth, wealth creation and opportunities open to women in catering business ventures for survival. Looking at the strategies stimulating women participation in catering wealth creation, nonformal education and extension services among others were highlighted. It was suggested that in the creation of wealth, money must be wisely spent and other principles of money management strictly adhered to.","PeriodicalId":298106,"journal":{"name":"UJAH: Unizik Journal of Arts and Humanities","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115231802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：