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An Artistic Description of History -A Study on 《Shi Kui Shu》 历史的艺术描述——《史夔书》研究
IF 0.1 Q4 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.21192/SCLL.106..202102.009
Lee Jin
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引用次数: 0
AI and Education Modernization in China 人工智能与中国教育现代化
IF 0.1 Q4 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.21192/SCLL.106..202102.004
P. Hyun
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引用次数: 0
A Study on the Development of Verse Meaning and Form of a Four-word Poem - Jeongun (停雲) -Focused on Tao Yuanming (陶淵明) and Su Shi (蘇軾) 四字诗《全坤》的韵意和形式发展研究——以陶渊明和苏轼为例
IF 0.1 Q4 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.21192/SCLL.106..202102.006
Park So Hyun
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引用次数: 0
A Comparative Study on the Urban Festival’s Performing Arts of China and Japan in the Modern Times -Through the Contrast between Writing and Painting 近代中日城市节日表演艺术比较研究——以文字与绘画的对比为视角
IF 0.1 Q4 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.21192/SCLL.106..202102.012
SangKyung An
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引用次数: 0
The Usage of the Chinese Auxiliary Verb ‘YAO(要)’ as a Habitual Marker 汉语助动词“么”作为习惯标记的用法
IF 0.1 Q4 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.21192/SCLL.106..202102.014
Liang Zhu-jun
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引用次数: 0
A Study on Translation Quality of Neural Network Machines in Korean-Chinese -Focused on Korean Homonymous Words 神经网络机器汉汉翻译质量研究——以韩语同音词为例
IF 0.1 Q4 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.21192/SCLL.106..202102.016
Yeonok Hong, L. Yafei
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引用次数: 0
The Fall of the Dynasty and Things ―An Introduction to Bada Shanren's Flower-and-Bird Painting 朝亡物——八达山人花鸟画简介
IF 0.1 Q4 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.21192/SCLL.106..202102.010
L. Hyun
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引用次数: 0
Editor’s Note 编者按
IF 0.1 Q4 Arts and Humanities Pub Date : 2020-07-02 DOI: 10.1080/21514399.2020.1896230
Jonathan Stalling
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引用次数: 0
Gina Anne Tam. Dialect and Nationalism in China, 1860–1960 吉娜·安妮·谭。中国的方言与民族主义,1860-1960
IF 0.1 Q4 Arts and Humanities Pub Date : 2020-07-02 DOI: 10.1080/21514399.2020.1852045
Yuqing Liu
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引用次数: 0
The Banquet 宴会
IF 0.1 Q4 Arts and Humanities Pub Date : 2020-07-02 DOI: 10.1080/21514399.2020.1851960
Minhui Lu, Michael Day
Lu Min has a sharp mind, a sensitive soul, and a big heart. In “The Banquet,” she leverages this unique combination of qualities to give us, as if by magic, a story that is satirical, sentimental, hilarious, empathetic, whip-smart, biting, and soothing, all at the same time. The banquet of the title—spoiler alert—fizzles out, but the story is a delicious brew bubbling with effervescent life. Yang Zao, a humble bus driver, gets it in his head to invite a gang leader to dinner. He and his friends are convinced that the godfather-like Brother Rong can solve all their problems, whether related to money, health, or love, if only they can get on his good side. The banquet turns to a fiasco, and the emptiness and neediness at the core of these ambitions are laid bare, but with gentle humor; the story spares sympathy for these big dreamers, showing that Lu Min has a warm heart to match her cutting intellect. Lu Min’s tales of the countryside, often set in the village of Dongba, made a name for her in China and are loved by many. Her recent work, like “The Banquet” (2016), shows a new dimension of her talent, focusing on the lives of everyday people and the experiences of women in urbanizing China. “The Banquet” can be read as comedy and/or social commentary, suggesting questions like, do the saviors we believe in truly have the powers we think they do? Are dreams of modern urban wealth really desirable or within reach? Though the satire cuts, it has a warm, soft touch that could only be Lu Min’s, as if she clasps her readers’ hands beneath the table. This magical, heart-to-heart approach is one few other authors could pull off. From Issue 2 of Chinese Arts and Literature, published by Xanadu Press, 2016; reprinted with revisions by permission of Chinese Arts and Literature.
陆敏有敏锐的头脑,敏感的灵魂和宽广的胸怀。在《宴会》中,她利用了这些特质的独特组合,仿佛被施了魔法,给了我们一个讽刺、感伤、搞笑、同情、聪明、尖刻和抚慰的故事,所有这些都在同一时间发生。标题的盛宴——剧透警报——失败了,但这个故事是一杯美味的啤酒,充满了沸腾的生命。杨藻,一个卑微的公交车司机,突然萌生了邀请黑帮头目吃饭的念头。他和他的朋友们都相信,只要他们能站在荣哥的一边,这位教父般的荣哥就能解决他们所有的问题,无论是金钱、健康还是爱情。宴会变成了一场惨败,这些野心核心的空虚和贫乏被暴露出来,但带着温和的幽默;这个故事没有对这些大梦想家的同情,显示出吕敏有一颗温暖的心,与她敏锐的智慧相匹配。陆敏的乡村故事通常以东坝村为背景,她在中国声名鹊起,受到许多人的喜爱。她最近的作品,如《宴会》(2016),展示了她才华的新维度,关注日常生活和中国城市化中女性的经历。《宴会》可以被解读为喜剧和/或社会评论,它提出了这样的问题:我们相信的救世主真的有我们认为他们拥有的力量吗?现代城市财富的梦想是真的令人向往还是遥不可及?虽然讽刺很伤人,但它有一种温暖、柔软的触感,这种触感只能是陆敏的,就好像她在桌子下面握住了读者的手。这种神奇的,心与心的方法是少数其他作者可以做到的。摘自《中国文艺》2016年第2期,世外桃源出版社出版;经《中国艺术与文学》许可修改后转载。
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引用次数: 0
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Chinese Literature Today
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