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O Crasto de Soure no Estuário do Mondego no Final do I Milénio a.C.: as evidências materiais O Crasto de source no Estuário do Mondego no Final do I milacnio a.c.: as evidências材料
Pub Date : 2022-01-01 DOI: 10.21747/09714290/port43a2
Sara Almeida, Ricardo Correa da Silva, A. J. N. Monteiro
The Crasto de Soure pairs up among the archaeological sites linked to protohistory and Romanisation of the Mondego lower basin. However, despite the interventions made and the supposed relevance of the archaeological settlement, only the preliminary news of the first archaeological excavations carried out in 1987 and 1990 are known. These were the most extensive works carried out at the site and provided a significant set of artefacts that have remained partially unpublished. In this regard, rather than reporting new findings at the site, this paper aims to explore the data gathered in those campaigns. A special focus is given to the study of material remains, which constitute the fundamental element to link the site to what will be a turning point in the occupation of this territory - the end of the 1st millennium BC
克拉斯托·德·Soure与与蒙台戈盆地下游的原始历史和罗马化有关的考古遗址配对。然而,尽管进行了干预,并假定考古定居点的相关性,只有1987年和1990年进行的第一次考古发掘的初步消息是已知的。这些是在该地点进行的最广泛的工作,并提供了一套重要的人工制品,其中部分尚未发表。在这方面,本文的目的不是报告现场的新发现,而是探讨在这些活动中收集的数据。特别关注的是对材料的研究,这些材料构成了将该遗址与占领该领土的转折点联系起来的基本要素-公元前1千年结束
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引用次数: 0
De contexto religioso a contexto civil – A descoberta de um friso visigótico em Évora 从宗教背景到公民背景——在evora中发现西哥特frieze
Pub Date : 2022-01-01 DOI: 10.21747/09714290/port43a7
E. Basílio, R. Sarmento
In 2019, during the rehabilitation project of the building located between Rua Miguel Bombarda, Rua da Misericórdia and Travessa das Peras, in Évora, a set of archaeological materials that range from Late Antiquity to the Modern Period were collected. From this set of materials, a frieze from the Visigothic period was chosen for study, dating from the 6th to 7th centuries AD, which was found completely out of context, in the building’s courtyard. In this sense, the present study offers a formulation of an analysis and interpretation of its function, typology and evidenced morphology, in order to promote a decorative-style and chronological framwork, through parallels found and already studied on peninsular territory.
2019年,在位于Évora的Rua Miguel Bombarda、Rua da Misericórdia和Travessa das Peras之间的建筑修复项目中,收集了一系列从古代晚期到现代的考古材料。从这组材料中,我们选择了一段西哥特时期的楣条进行研究,这段楣条可以追溯到公元6世纪到7世纪,在建筑的院子里被发现,完全脱离了背景。从这个意义上说,本研究提供了对其功能、类型学和证据形态的分析和解释,以便通过在半岛领土上发现和已经研究的相似之处,促进装饰风格和时间框架。
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引用次数: 0
Ofícios e Pequena Indústria em Penafiel Caldeireiros 佩尼亚菲耶尔的手工业和小型工业
Pub Date : 2022-01-01 DOI: 10.21747/09714290/port43a8
T. Soeiro
Following the overview of the coppersmith craft in the country we now focus on Penafiel where, since the 1840s, it gained unprecedented visibility due to the setting up of a professional coppersmith, Manuel Cunha, in the city. We trace the “Coppersmiths Cunha” family path investigating how they settled in, the strategies adopted to ensure economic viability, and the transmission of know-how from generation to generation. Later, with the Penafiel region needs met, the newer generations set out to conquer new markets. In this expansion process they established coppersmith shops all over Entre-Douro-e-Minho. These were in great demand when the family, at the turn of the 20th century, added to their traditional activity the preparing and installation of complex alembics, and the making and repairing of sprayers for agricultural use that became indispensable since the blight emergence
在对该国铜匠工艺的概述之后,我们现在将重点放在Penafiel,自19世纪40年代以来,由于在该市设立了专业铜匠Manuel Cunha,它获得了前所未有的知名度。我们追溯了“Coppersmiths Cunha”家族的发展历程,调查了他们是如何定居下来的,为确保经济可行性而采取的策略,以及代代相传的技术诀窍。后来,随着Penafiel地区的需求得到满足,新一代开始征服新的市场。在这一扩张过程中,他们在Entre-Douro-e-Minho各地建立了铜匠店。在20世纪之交,当这个家庭在他们的传统活动中增加了准备和安装复杂的除尘器,以及制造和修理农业用途的喷雾器时,这些都是非常需要的。自从疫病出现以来,喷雾器变得必不可少
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引用次数: 0
ACEITABILIDADE DA COMPOTA DE CUBIU (Solanum sessiliflorum) CUBIU果盘(茄)的可接受性
Pub Date : 2022-01-01 DOI: 10.29327/1171535.2-1
Giovana Araújo Alcantara, Lara Soares Machado, Amanda Gabriela Soares Lins, Blenda De Souza Costa, Ana Júlia Lira Bernardo, Vanessa de Souza Marinho, Bianca Cordovil Gouvêa, Rodolfo Pessoa de Melo Moura, Eyde Cristianne Saraiva Bonatto, Carlos Victor Lamarão Pereira
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引用次数: 0
Pandemonium and postmedia animism 大混乱和后媒体万物有灵论
Pub Date : 2022-01-01 DOI: 10.21747/21836892/fil39a8
Joff P. N. Bradley
In what follows I distinguish «postmodern animism» from my preferred term «postmedia animism», which I propose is a better term to express a minor, virtual, contrarian art and media. In the time of planetary trauma, ecological devastation and collapse, this term will serve as a heuristic concept to trace the passage from pandemic, panic, catastrophe and crisis to the series pandemonium, delirium and the carnivalesque. My gambit is to invoke a rebellious and affirmative Yōkai imaginary (妖怪, ghost, phantom, strange apparition) in order to contest passive forms of «transcendental narcissism» or «transcendental miserabilism».This we shall designate s an aesthetics of existence. In particular, I will analyse the relationship between natural disasters and politics within the Japanese imagination through reference to Namazu-e (鯰絵, woodblock prints depicting catfish), and their political effects in the aftermath of the earthquake of October 1855 (安政江戸地震, Ansei Edo Jishin) in the Edo period of Japanese history (FIG 1). My intention is to show that this historic art form, which grew out of trauma, demonstrates a fabulatory, dissensual and political aesthetics of resistance and creativity. It is an imaginary which appears conspicuously absent in our contemporary moment
在接下来的文章中,我将“后现代万物有灵论”与我喜欢的术语“后媒体万物有灵论”区分开来,我认为后者是一个更好的术语,可以表达一种次要的、虚拟的、相反的艺术和媒体。在地球遭受创伤、生态破坏和崩溃的时代,这个词将作为一个启发式概念,追溯从流行病、恐慌、灾难和危机到一系列混乱、谵妄和狂欢的过程。我的策略是唤起一种反叛和肯定的Yōkai想象(鬼,幽灵,幽灵,奇怪的幽灵),以对抗被动形式的“先验自恋”或“先验悲惨主义”。我们将此称为一种存在美学。特别是,我将通过参考日本江户时期的“Namazu-e”(鯰,描绘鲶鱼的木版画)来分析日本人想象中的自然灾害与政治之间的关系,以及它们在1855年10月地震后的政治影响(图1)。我的意图是表明,这种从创伤中成长起来的历史艺术形式,展示了一种虚构的,对政治美学的抗拒和创造性。这是一种想象,在我们这个时代显然是不存在的
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引用次数: 0
On the existential link of catastrophe and tragedy 论灾难与悲剧的存在联系
Pub Date : 2022-01-01 DOI: 10.21747/21836892/fil39a4
Victor G. Rivas López
The main thesis of this dissertation is set out in its very title, and to prove it will be necessary to eliminate the usual negative or melodramatic meaning of the two concepts that appear there and take them rather as the two extremes of the dialectical process of redefining the sociopersonal consciousness. In accordance with this, any catastrophe implies the violent breakup of the normal conditions of existence due to a natural or human factor whose direct consequences each one must understand and overcome on the triple ontological, social, and psychological determinations of the self. For its part, tragedy stands for the phase of critical and reflective integration that follows the catastrophe, which goes a lot beyond the sheer negativity of sorrow and even death, since even if the person or the people carried away by the catastrophe die, others will be able to make the most of that and the sociopersonal consciousness will be rearticulated. Of course, this implies that the self at issue is not only the individual one, so that other members of the lifeworld must be considered for the phenomenon to reveal a new or critical sense of existence beyond any previous approach to it. Thus, although there is an undeniably negativity throughout, it aims at a deeper level of comprehension of existence, which finally implicates that catastrophe is contextualized in a concrete cultural framework and not only as a sudden unsettlement and that tragedy is accordingly conceived as a philosophical tool more than as a literary genre that deals with the cruelty of fate. To get its aims, the dissertation will be divided into three sections of variable length: in the first one it will be analysed the experience and sense of catastrophe; in the second one, that of tragedy; in the third one, it will briefly be shown why understanding the nexus of both phenomena is axial for the current intellectual dynamics.
这篇论文的主要论点就在它的标题中,为了证明这一点,有必要消除通常出现在那里的两个概念的消极或夸张的意义,而把它们看作是重新定义社会个人意识的辩证过程的两个极端。与此相一致,任何灾难都意味着由于自然或人为因素而导致的正常生存条件的暴力破坏,其直接后果是每个人都必须理解和克服自我的三重本体论,社会和心理决定。就其本身而言,悲剧代表了灾难之后的批判和反思的整合阶段,这远远超出了悲伤甚至死亡的纯粹消极,因为即使被灾难带走的人或人死亡,其他人也能够充分利用这一点,社会个人意识将重新表达出来。当然,这就意味着所讨论的自我不仅仅是个人的自我,因此,必须考虑到生活世界的其他成员,才能使这种现象揭示出一种超越以往任何方法的新的或批判性的存在感。因此,尽管不可否认的否定贯穿始终,但它旨在更深层次地理解存在,这最终意味着灾难在具体的文化框架中被语境化,而不仅仅是一种突然的不安,因此悲剧被视为一种哲学工具,而不是一种处理残酷命运的文学类型。为了达到其目的,本文将分为三个不同长度的部分:第一部分将分析灾难的经验和意识;第二种是悲剧;在第三章中,将简要说明为什么理解这两种现象之间的联系对当前的智力动态至关重要。
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引用次数: 0
Aceitabilidade do doce em massa de Puruí (Alibertia edulis (Rich) A. Rich. ex DC) purui面团甜的可接受性(Alibertia edulis (Rich) A. Rich)。前的)
Pub Date : 2022-01-01 DOI: 10.29327/1171535.2-4
Blenda De Souza Costa, Amanda Gabriela Soares Lins, Ana Júlia Lira Bernardo, Bianca Cordovil Gouvêa, Giovana Araújo Alcantara, Lara Soares Machado, Vanessa de Souza Marinho, Rodolfo Pessoa de Melo Moura, Carlos Victor Lamarão Pereira, Eyde Cristianne Saraiva Bonatto
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引用次数: 0
Na antecâmara da catástrofe ou pensar o peresente a partir do impensado 在灾难的前厅里,或者从未思考的东西中思考顽固的东西
Pub Date : 2022-01-01 DOI: 10.21747/21836892/fil39a9
I. Afonso
Expressions of nationalisms, identity-based conflicts and violent (de)territorializations are increasingly frequent and widespread throughout the world, related very often to the dynamics of human mobilities and geopolitical reconfigurations. They embody a complexity which, in this article, will serve a theoretical critique of the present and the equation of transformations in the processes of production of social relations, structures of social living and subjectivity. Contemporary socio-political conflicts are thus aligned with questions about the possibility of collective endeavours and its conditions of applicability - in contexts of dispersion, conflict, and inequality - as preventive or mitigatory efforts for potential disasters.
民族主义的表现、基于身份的冲突和暴力(去)领土化在世界各地越来越频繁和普遍,这往往与人类流动的动态和地缘政治的重新配置有关。它们体现了一种复杂性,在本文中,这种复杂性将服务于对社会关系、社会生活结构和主体性的生产过程中的现状和转换方程的理论批判。因此,当代的社会政治冲突与集体努力的可能性及其在分散、冲突和不平等的情况下作为预防或减轻潜在灾害的努力的适用条件的问题是一致的。
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引用次数: 0
Sondagens Arqueológicas no Castro da Madalena (Vila Nova de Gaia) Notícia preliminar das Campanhas de 2020 e 2021 卡斯特罗达马达莱纳(Vila Nova de Gaia)考古调查2020年和2021年活动的初步消息
Pub Date : 2022-01-01 DOI: 10.21747/09714290/port43a5
A. M. S. Silva, E. Sá
This article presents a summary of the results from the archaeological campaigns which took place in 2020 and 2021, in the Castro of Madalena, at Vila Nova de Gaia. The excavations in this small Atlantic Iron Age settlement, allowed us to collect the first data related to the dwelling structures and adjacent areas. We highlight the preferential use of building materials such as clay, cob, grit, and plant elements, which differ from more traditionally used stone elements. These ones emerge as a finishing element, suggesting the existence of mixed building materials. Also, is of particular interest the evidence of walkways, built with similar materials, surrounding the houses. We believe that further research will provide an important contribute to increase the knowledge of the internal organization of regional Iron Age settlements, prior to the Roman domain.
本文概述了2020年和2021年在加亚新城(Vila Nova de Gaia)的卡斯特罗(Castro of Madalena)进行的考古活动的结果。在这个小的大西洋铁器时代定居点的挖掘,使我们能够收集到与住宅结构和邻近地区有关的第一批数据。我们强调优先使用建筑材料,如粘土、玉米芯、砂砾和植物元素,这与传统上使用的石头元素不同。这些元素作为装饰元素出现,表明混合建筑材料的存在。此外,房屋周围用类似材料建造的人行道的证据也特别令人感兴趣。我们相信,进一步的研究将为增加对区域铁器时代定居点内部组织的了解做出重要贡献,在罗马领域之前。
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引用次数: 0
Lucernas romanas de Ossonoba O conjunto a intervenção da Rua Infante D. Henrique nº 58-60 (Faro, Portugal) 罗马Lucernas de Ossonoba the conjunto干预Rua Infante D. Henrique nº58-60 (Faro,葡萄牙)
Pub Date : 2022-01-01 DOI: 10.21747/09714290/port43a6
Sara Filipa Lopes Martins, C. Pereira
This work presents the results of the study of the set of roman lamps collected during the archaeological excavation carried out in 2004 at Rua Infante D. Henrique Nº 58-60 (Faro, Portugal). This intervention was carried out in a site that use to belong to the roman city of Ossonoba and that had its chronology defined between the first half of the 1st century AD and the first third/half of the 5th. The ceramological study that we present here had as main focus the chronotypological analysis, as well as the iconography and epigraphy present in the lamp fragments. The studied set presents a great diversification in terms of morphologies and the chronology that reflects a more intense occupation of the site is marked out between the middle of the 1st century and the end of the 3rd/beginning of the 4th.
这项工作展示了2004年在Rua Infante D. Henrique Nº58-60(葡萄牙法罗)进行的考古发掘中收集的一组罗马灯的研究结果。这项干预是在一个曾经属于罗马城市Ossonoba的地点进行的,它的年代定义在公元1世纪上半叶和5世纪上半叶之间。我们在这里展示的陶艺学研究主要集中在时间类型分析,以及灯碎片中的图像和铭文。所研究的遗址在形态上呈现出极大的多样性,时间顺序反映了该遗址在1世纪中叶到3世纪末/ 4世纪初之间的密集占领。
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引用次数: 0
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Historia Revista da Faculdade de Letras da Universidade do Porto
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