Pub Date : 2022-01-01DOI: 10.21747/09714290/port43a2
Sara Almeida, Ricardo Correa da Silva, A. J. N. Monteiro
The Crasto de Soure pairs up among the archaeological sites linked to protohistory and Romanisation of the Mondego lower basin. However, despite the interventions made and the supposed relevance of the archaeological settlement, only the preliminary news of the first archaeological excavations carried out in 1987 and 1990 are known. These were the most extensive works carried out at the site and provided a significant set of artefacts that have remained partially unpublished. In this regard, rather than reporting new findings at the site, this paper aims to explore the data gathered in those campaigns. A special focus is given to the study of material remains, which constitute the fundamental element to link the site to what will be a turning point in the occupation of this territory - the end of the 1st millennium BC
{"title":"O Crasto de Soure no Estuário do Mondego no Final do I Milénio a.C.: as evidências materiais","authors":"Sara Almeida, Ricardo Correa da Silva, A. J. N. Monteiro","doi":"10.21747/09714290/port43a2","DOIUrl":"https://doi.org/10.21747/09714290/port43a2","url":null,"abstract":"The Crasto de Soure pairs up among the archaeological sites linked to protohistory and Romanisation of the Mondego lower basin. However, despite the interventions made and the supposed relevance of the archaeological settlement, only the preliminary news of the first archaeological excavations carried out in 1987 and 1990 are known. These were the most extensive works carried out at the site and provided a significant set of artefacts that have remained partially unpublished. In this regard, rather than reporting new findings at the site, this paper aims to explore the data gathered in those campaigns. A special focus is given to the study of material remains, which constitute the fundamental element to link the site to what will be a turning point in the occupation of this territory - the end of the 1st millennium BC","PeriodicalId":30039,"journal":{"name":"Historia Revista da Faculdade de Letras da Universidade do Porto","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86830059","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21747/09714290/port43a7
E. Basílio, R. Sarmento
In 2019, during the rehabilitation project of the building located between Rua Miguel Bombarda, Rua da Misericórdia and Travessa das Peras, in Évora, a set of archaeological materials that range from Late Antiquity to the Modern Period were collected. From this set of materials, a frieze from the Visigothic period was chosen for study, dating from the 6th to 7th centuries AD, which was found completely out of context, in the building’s courtyard. In this sense, the present study offers a formulation of an analysis and interpretation of its function, typology and evidenced morphology, in order to promote a decorative-style and chronological framwork, through parallels found and already studied on peninsular territory.
2019年，在位于Évora的Rua Miguel Bombarda、Rua da Misericórdia和Travessa das Peras之间的建筑修复项目中，收集了一系列从古代晚期到现代的考古材料。从这组材料中，我们选择了一段西哥特时期的楣条进行研究，这段楣条可以追溯到公元6世纪到7世纪，在建筑的院子里被发现，完全脱离了背景。从这个意义上说，本研究提供了对其功能、类型学和证据形态的分析和解释，以便通过在半岛领土上发现和已经研究的相似之处，促进装饰风格和时间框架。
{"title":"De contexto religioso a contexto civil – A descoberta de um friso visigótico em Évora","authors":"E. Basílio, R. Sarmento","doi":"10.21747/09714290/port43a7","DOIUrl":"https://doi.org/10.21747/09714290/port43a7","url":null,"abstract":"In 2019, during the rehabilitation project of the building located between Rua Miguel Bombarda, Rua da Misericórdia and Travessa das Peras, in Évora, a set of archaeological materials that range from Late Antiquity to the Modern Period were collected. From this set of materials, a frieze from the Visigothic period was chosen for study, dating from the 6th to 7th centuries AD, which was found completely out of context, in the building’s courtyard. In this sense, the present study offers a formulation of an analysis and interpretation of its function, typology and evidenced morphology, in order to promote a decorative-style and chronological framwork, through parallels found and already studied on peninsular territory.","PeriodicalId":30039,"journal":{"name":"Historia Revista da Faculdade de Letras da Universidade do Porto","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87653151","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21747/09714290/port43a8
T. Soeiro
Following the overview of the coppersmith craft in the country we now focus on Penafiel where, since the 1840s, it gained unprecedented visibility due to the setting up of a professional coppersmith, Manuel Cunha, in the city. We trace the “Coppersmiths Cunha” family path investigating how they settled in, the strategies adopted to ensure economic viability, and the transmission of know-how from generation to generation. Later, with the Penafiel region needs met, the newer generations set out to conquer new markets. In this expansion process they established coppersmith shops all over Entre-Douro-e-Minho. These were in great demand when the family, at the turn of the 20th century, added to their traditional activity the preparing and installation of complex alembics, and the making and repairing of sprayers for agricultural use that became indispensable since the blight emergence
{"title":"Ofícios e Pequena Indústria em Penafiel Caldeireiros","authors":"T. Soeiro","doi":"10.21747/09714290/port43a8","DOIUrl":"https://doi.org/10.21747/09714290/port43a8","url":null,"abstract":"Following the overview of the coppersmith craft in the country we now focus on Penafiel where, since the 1840s, it gained unprecedented visibility due to the setting up of a professional coppersmith, Manuel Cunha, in the city. We trace the “Coppersmiths Cunha” family path investigating how they settled in, the strategies adopted to ensure economic viability, and the transmission of know-how from generation to generation. Later, with the Penafiel region needs met, the newer generations set out to conquer new markets. In this expansion process they established coppersmith shops all over Entre-Douro-e-Minho. These were in great demand when the family, at the turn of the 20th century, added to their traditional activity the preparing and installation of complex alembics, and the making and repairing of sprayers for agricultural use that became indispensable since the blight emergence","PeriodicalId":30039,"journal":{"name":"Historia Revista da Faculdade de Letras da Universidade do Porto","volume":"28 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91271647","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Giovana Araújo Alcantara, Lara Soares Machado, Amanda Gabriela Soares Lins, Blenda De Souza Costa, Ana Júlia Lira Bernardo, Vanessa de Souza Marinho, Bianca Cordovil Gouvêa, Rodolfo Pessoa de Melo Moura, Eyde Cristianne Saraiva Bonatto, Carlos Victor Lamarão Pereira
{"title":"ACEITABILIDADE DA COMPOTA DE CUBIU (Solanum sessiliflorum)","authors":"Giovana Araújo Alcantara, Lara Soares Machado, Amanda Gabriela Soares Lins, Blenda De Souza Costa, Ana Júlia Lira Bernardo, Vanessa de Souza Marinho, Bianca Cordovil Gouvêa, Rodolfo Pessoa de Melo Moura, Eyde Cristianne Saraiva Bonatto, Carlos Victor Lamarão Pereira","doi":"10.29327/1171535.2-1","DOIUrl":"https://doi.org/10.29327/1171535.2-1","url":null,"abstract":"","PeriodicalId":30039,"journal":{"name":"Historia Revista da Faculdade de Letras da Universidade do Porto","volume":"92 2 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83114210","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21747/21836892/fil39a8
Joff P. N. Bradley
In what follows I distinguish «postmodern animism» from my preferred term «postmedia animism», which I propose is a better term to express a minor, virtual, contrarian art and media. In the time of planetary trauma, ecological devastation and collapse, this term will serve as a heuristic concept to trace the passage from pandemic, panic, catastrophe and crisis to the series pandemonium, delirium and the carnivalesque. My gambit is to invoke a rebellious and affirmative Yōkai imaginary (妖怪, ghost, phantom, strange apparition) in order to contest passive forms of «transcendental narcissism» or «transcendental miserabilism».This we shall designate s an aesthetics of existence. In particular, I will analyse the relationship between natural disasters and politics within the Japanese imagination through reference to Namazu-e (鯰絵, woodblock prints depicting catfish), and their political effects in the aftermath of the earthquake of October 1855 (安政江戸地震, Ansei Edo Jishin) in the Edo period of Japanese history (FIG 1). My intention is to show that this historic art form, which grew out of trauma, demonstrates a fabulatory, dissensual and political aesthetics of resistance and creativity. It is an imaginary which appears conspicuously absent in our contemporary moment
{"title":"Pandemonium and postmedia animism","authors":"Joff P. N. Bradley","doi":"10.21747/21836892/fil39a8","DOIUrl":"https://doi.org/10.21747/21836892/fil39a8","url":null,"abstract":"In what follows I distinguish «postmodern animism» from my preferred term «postmedia animism», which I propose is a better term to express a minor, virtual, contrarian art and media. In the time of planetary trauma, ecological devastation and collapse, this term will serve as a heuristic concept to trace the passage from pandemic, panic, catastrophe and crisis to the series pandemonium, delirium and the carnivalesque. My gambit is to invoke a rebellious and affirmative Yōkai imaginary (妖怪, ghost, phantom, strange apparition) in order to contest passive forms of «transcendental narcissism» or «transcendental miserabilism».This we shall designate s an aesthetics of existence. In particular, I will analyse the relationship between natural disasters and politics within the Japanese imagination through reference to Namazu-e (鯰絵, woodblock prints depicting catfish), and their political effects in the aftermath of the earthquake of October 1855 (安政江戸地震, Ansei Edo Jishin) in the Edo period of Japanese history (FIG 1). My intention is to show that this historic art form, which grew out of trauma, demonstrates a fabulatory, dissensual and political aesthetics of resistance and creativity. It is an imaginary which appears conspicuously absent in our contemporary moment","PeriodicalId":30039,"journal":{"name":"Historia Revista da Faculdade de Letras da Universidade do Porto","volume":"22 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85941359","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21747/21836892/fil39a4
Victor G. Rivas López
The main thesis of this dissertation is set out in its very title, and to prove it will be necessary to eliminate the usual negative or melodramatic meaning of the two concepts that appear there and take them rather as the two extremes of the dialectical process of redefining the sociopersonal consciousness. In accordance with this, any catastrophe implies the violent breakup of the normal conditions of existence due to a natural or human factor whose direct consequences each one must understand and overcome on the triple ontological, social, and psychological determinations of the self. For its part, tragedy stands for the phase of critical and reflective integration that follows the catastrophe, which goes a lot beyond the sheer negativity of sorrow and even death, since even if the person or the people carried away by the catastrophe die, others will be able to make the most of that and the sociopersonal consciousness will be rearticulated. Of course, this implies that the self at issue is not only the individual one, so that other members of the lifeworld must be considered for the phenomenon to reveal a new or critical sense of existence beyond any previous approach to it. Thus, although there is an undeniably negativity throughout, it aims at a deeper level of comprehension of existence, which finally implicates that catastrophe is contextualized in a concrete cultural framework and not only as a sudden unsettlement and that tragedy is accordingly conceived as a philosophical tool more than as a literary genre that deals with the cruelty of fate. To get its aims, the dissertation will be divided into three sections of variable length: in the first one it will be analysed the experience and sense of catastrophe; in the second one, that of tragedy; in the third one, it will briefly be shown why understanding the nexus of both phenomena is axial for the current intellectual dynamics.
{"title":"On the existential link of catastrophe and tragedy","authors":"Victor G. Rivas López","doi":"10.21747/21836892/fil39a4","DOIUrl":"https://doi.org/10.21747/21836892/fil39a4","url":null,"abstract":"The main thesis of this dissertation is set out in its very title, and to prove it will be necessary to eliminate the usual negative or melodramatic meaning of the two concepts that appear there and take them rather as the two extremes of the dialectical process of redefining the sociopersonal consciousness. In accordance with this, any catastrophe implies the violent breakup of the normal conditions of existence due to a natural or human factor whose direct consequences each one must understand and overcome on the triple ontological, social, and psychological determinations of the self. For its part, tragedy stands for the phase of critical and reflective integration that follows the catastrophe, which goes a lot beyond the sheer negativity of sorrow and even death, since even if the person or the people carried away by the catastrophe die, others will be able to make the most of that and the sociopersonal consciousness will be rearticulated. Of course, this implies that the self at issue is not only the individual one, so that other members of the lifeworld must be considered for the phenomenon to reveal a new or critical sense of existence beyond any previous approach to it. Thus, although there is an undeniably negativity throughout, it aims at a deeper level of comprehension of existence, which finally implicates that catastrophe is contextualized in a concrete cultural framework and not only as a sudden unsettlement and that tragedy is accordingly conceived as a philosophical tool more than as a literary genre that deals with the cruelty of fate. To get its aims, the dissertation will be divided into three sections of variable length: in the first one it will be analysed the experience and sense of catastrophe; in the second one, that of tragedy; in the third one, it will briefly be shown why understanding the nexus of both phenomena is axial for the current intellectual dynamics.","PeriodicalId":30039,"journal":{"name":"Historia Revista da Faculdade de Letras da Universidade do Porto","volume":"12 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72690443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Blenda De Souza Costa, Amanda Gabriela Soares Lins, Ana Júlia Lira Bernardo, Bianca Cordovil Gouvêa, Giovana Araújo Alcantara, Lara Soares Machado, Vanessa de Souza Marinho, Rodolfo Pessoa de Melo Moura, Carlos Victor Lamarão Pereira, Eyde Cristianne Saraiva Bonatto
{"title":"Aceitabilidade do doce em massa de Puruí (Alibertia edulis (Rich) A. Rich. ex DC)","authors":"Blenda De Souza Costa, Amanda Gabriela Soares Lins, Ana Júlia Lira Bernardo, Bianca Cordovil Gouvêa, Giovana Araújo Alcantara, Lara Soares Machado, Vanessa de Souza Marinho, Rodolfo Pessoa de Melo Moura, Carlos Victor Lamarão Pereira, Eyde Cristianne Saraiva Bonatto","doi":"10.29327/1171535.2-4","DOIUrl":"https://doi.org/10.29327/1171535.2-4","url":null,"abstract":"","PeriodicalId":30039,"journal":{"name":"Historia Revista da Faculdade de Letras da Universidade do Porto","volume":"52 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87688353","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21747/21836892/fil39a9
I. Afonso
Expressions of nationalisms, identity-based conflicts and violent (de)territorializations are increasingly frequent and widespread throughout the world, related very often to the dynamics of human mobilities and geopolitical reconfigurations. They embody a complexity which, in this article, will serve a theoretical critique of the present and the equation of transformations in the processes of production of social relations, structures of social living and subjectivity. Contemporary socio-political conflicts are thus aligned with questions about the possibility of collective endeavours and its conditions of applicability - in contexts of dispersion, conflict, and inequality - as preventive or mitigatory efforts for potential disasters.
{"title":"Na antecâmara da catástrofe ou pensar o peresente a partir do impensado","authors":"I. Afonso","doi":"10.21747/21836892/fil39a9","DOIUrl":"https://doi.org/10.21747/21836892/fil39a9","url":null,"abstract":"Expressions of nationalisms, identity-based conflicts and violent (de)territorializations are increasingly frequent and widespread throughout the world, related very often to the dynamics of human mobilities and geopolitical reconfigurations. They embody a complexity which, in this article, will serve a theoretical critique of the present and the equation of transformations in the processes of production of social relations, structures of social living and subjectivity. Contemporary socio-political conflicts are thus aligned with questions about the possibility of collective endeavours and its conditions of applicability - in contexts of dispersion, conflict, and inequality - as preventive or mitigatory efforts for potential disasters.","PeriodicalId":30039,"journal":{"name":"Historia Revista da Faculdade de Letras da Universidade do Porto","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85550071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21747/09714290/port43a5
A. M. S. Silva, E. Sá
This article presents a summary of the results from the archaeological campaigns which took place in 2020 and 2021, in the Castro of Madalena, at Vila Nova de Gaia. The excavations in this small Atlantic Iron Age settlement, allowed us to collect the first data related to the dwelling structures and adjacent areas. We highlight the preferential use of building materials such as clay, cob, grit, and plant elements, which differ from more traditionally used stone elements. These ones emerge as a finishing element, suggesting the existence of mixed building materials. Also, is of particular interest the evidence of walkways, built with similar materials, surrounding the houses. We believe that further research will provide an important contribute to increase the knowledge of the internal organization of regional Iron Age settlements, prior to the Roman domain.
本文概述了2020年和2021年在加亚新城(Vila Nova de Gaia)的卡斯特罗(Castro of Madalena)进行的考古活动的结果。在这个小的大西洋铁器时代定居点的挖掘，使我们能够收集到与住宅结构和邻近地区有关的第一批数据。我们强调优先使用建筑材料，如粘土、玉米芯、砂砾和植物元素，这与传统上使用的石头元素不同。这些元素作为装饰元素出现，表明混合建筑材料的存在。此外，房屋周围用类似材料建造的人行道的证据也特别令人感兴趣。我们相信，进一步的研究将为增加对区域铁器时代定居点内部组织的了解做出重要贡献，在罗马领域之前。
{"title":"Sondagens Arqueológicas no Castro da Madalena (Vila Nova de Gaia) Notícia preliminar das Campanhas de 2020 e 2021","authors":"A. M. S. Silva, E. Sá","doi":"10.21747/09714290/port43a5","DOIUrl":"https://doi.org/10.21747/09714290/port43a5","url":null,"abstract":"This article presents a summary of the results from the archaeological campaigns which took place in 2020 and 2021, in the Castro of Madalena, at Vila Nova de Gaia. The excavations in this small Atlantic Iron Age settlement, allowed us to collect the first data related to the dwelling structures and adjacent areas. We highlight the preferential use of building materials such as clay, cob, grit, and plant elements, which differ from more traditionally used stone elements. These ones emerge as a finishing element, suggesting the existence of mixed building materials. Also, is of particular interest the evidence of walkways, built with similar materials, surrounding the houses. We believe that further research will provide an important contribute to increase the knowledge of the internal organization of regional Iron Age settlements, prior to the Roman domain.","PeriodicalId":30039,"journal":{"name":"Historia Revista da Faculdade de Letras da Universidade do Porto","volume":"11 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91339568","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.21747/09714290/port43a6
Sara Filipa Lopes Martins, C. Pereira
This work presents the results of the study of the set of roman lamps collected during the archaeological excavation carried out in 2004 at Rua Infante D. Henrique Nº 58-60 (Faro, Portugal). This intervention was carried out in a site that use to belong to the roman city of Ossonoba and that had its chronology defined between the first half of the 1st century AD and the first third/half of the 5th. The ceramological study that we present here had as main focus the chronotypological analysis, as well as the iconography and epigraphy present in the lamp fragments. The studied set presents a great diversification in terms of morphologies and the chronology that reflects a more intense occupation of the site is marked out between the middle of the 1st century and the end of the 3rd/beginning of the 4th.
这项工作展示了2004年在Rua Infante D. Henrique Nº58-60(葡萄牙法罗)进行的考古发掘中收集的一组罗马灯的研究结果。这项干预是在一个曾经属于罗马城市Ossonoba的地点进行的，它的年代定义在公元1世纪上半叶和5世纪上半叶之间。我们在这里展示的陶艺学研究主要集中在时间类型分析，以及灯碎片中的图像和铭文。所研究的遗址在形态上呈现出极大的多样性，时间顺序反映了该遗址在1世纪中叶到3世纪末/ 4世纪初之间的密集占领。
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