Cet article est une version de la communication orale donnee dans le cadre du colloque ICOM-CC de Copenhague.
本文是在哥本哈根ICOM-CC会议上发表的口头论文的一个版本。
{"title":"Autour de CeROArt et des publications EGG","authors":"Muriel Verbeeck-Boutin","doi":"10.4000/ceroart.5369","DOIUrl":"https://doi.org/10.4000/ceroart.5369","url":null,"abstract":"Cet article est une version de la communication orale donnee dans le cadre du colloque ICOM-CC de Copenhague.","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47379861","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cette recherche porte sur la mise en place d’un procede de comblement de lacune respectant la stratigraphie originale du polyester stratifie. Differentes resines sont testees sur leur stabilite chimique avant d’etre teintees dans la masse puis appliquees sur des eprouvettes. L’etude vise a degager une methode de comblement applicable a des cas d’œuvres ou objets d’art en polyester stratifie presentant des lacunes et conserves en interieur. Les approches theoriques et pratiques portent sur l’intervention de conservation-restauration d’un objet de design issu des collections de l’Art & Design Atomium Museum (ADAM) de Bruxelles.
{"title":"Une alternative réversible pour le comblement des lacunes des œuvres et objets d’art en polyester stratifié","authors":"Isabelle Cuoco","doi":"10.4000/CEROART.5314","DOIUrl":"https://doi.org/10.4000/CEROART.5314","url":null,"abstract":"Cette recherche porte sur la mise en place d’un procede de comblement de lacune respectant la stratigraphie originale du polyester stratifie. Differentes resines sont testees sur leur stabilite chimique avant d’etre teintees dans la masse puis appliquees sur des eprouvettes. L’etude vise a degager une methode de comblement applicable a des cas d’œuvres ou objets d’art en polyester stratifie presentant des lacunes et conserves en interieur. Les approches theoriques et pratiques portent sur l’intervention de conservation-restauration d’un objet de design issu des collections de l’Art & Design Atomium Museum (ADAM) de Bruxelles.","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43013792","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The documentary background on Chinese cloisonne enamels is incomplete, therefore its conservation enables the better understanding of their origin, technical nature and history. The last year of conservation studies at the Institut national du patrimoine was focused on the study of an 18th-century Chinese cloisonne enamel from the Arts decoratifs Museum (Paris). A research was carried out on the use of paper rubbers for the cleaning of copper cloisons gilded with mercury amalgam. Cleaning operations were completed by the use of peelable gel on large gilded areas, the dismantling and cleaning, as well as the conservation of the enamel.
{"title":"Etude et conservation-restauration d’un Qilin en émail cloisonné chinois provenant du musée des Arts décoratifs de Paris","authors":"A. Lafitte","doi":"10.4000/ceroart.5373","DOIUrl":"https://doi.org/10.4000/ceroart.5373","url":null,"abstract":"The documentary background on Chinese cloisonne enamels is incomplete, therefore its conservation enables the better understanding of their origin, technical nature and history. The last year of conservation studies at the Institut national du patrimoine was focused on the study of an 18th-century Chinese cloisonne enamel from the Arts decoratifs Museum (Paris). A research was carried out on the use of paper rubbers for the cleaning of copper cloisons gilded with mercury amalgam. Cleaning operations were completed by the use of peelable gel on large gilded areas, the dismantling and cleaning, as well as the conservation of the enamel.","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47733538","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cet article est une version de la communication orale donnee dans le cadre du colloque ICOM-CC de Copenhague.
本文是在哥本哈根ICOM-CC研讨会上发表的口头交流的一个版本。
{"title":"Around CeROArt and the EGG issues","authors":"Muriel Verbeeck-Boutin","doi":"10.4000/CEROART.5341","DOIUrl":"https://doi.org/10.4000/CEROART.5341","url":null,"abstract":"Cet article est une version de la communication orale donnee dans le cadre du colloque ICOM-CC de Copenhague.","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47203982","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cet article porte sur le traitement de conservation d’un portrait miniature encadre, peint sur ivoire, et datant du XIXeme siecle. L’objet etait en mauvais etat, toutes les pieces necessaires au maintien de l’objet etaient separees les unes des autres. D’autre part elles avaient ete assemblees avec des rubans adhesifs (bruns et transparents). Cet article examine l’etat de conservation de l’objet et decrit les traitements de restauration: technique employee pour retirer le ruban adhesif, reparations du papier; nettoyage de l’envers de la peinture et remontage du cadre avec des materiaux de conservation appropries pour le renforcer et assurer sa stabilite.
{"title":"The conservation of a 19th century framed miniature portrait painted on ivory. Removing adhesive tape from a historic object","authors":"Violeta Machado Prin","doi":"10.4000/CEROART.5238","DOIUrl":"https://doi.org/10.4000/CEROART.5238","url":null,"abstract":"Cet article porte sur le traitement de conservation d’un portrait miniature encadre, peint sur ivoire, et datant du XIXeme siecle. L’objet etait en mauvais etat, toutes les pieces necessaires au maintien de l’objet etaient separees les unes des autres. D’autre part elles avaient ete assemblees avec des rubans adhesifs (bruns et transparents). Cet article examine l’etat de conservation de l’objet et decrit les traitements de restauration: technique employee pour retirer le ruban adhesif, reparations du papier; nettoyage de l’envers de la peinture et remontage du cadre avec des materiaux de conservation appropries pour le renforcer et assurer sa stabilite.","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45728047","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Ce volume collectif, dirige par les anthropologues Olivier Givre et Madina Regnault, interroge le concept de patrimonialisation a travers le prisme de l’anthropologie et d’autres disciplines, telles que la geographie, l’urbanisme ou l’histoire de l’art. Les auteurs restituent une pluralite d’approches et de contextes, distribuee au fil de trois entrees non exclusives, qui concernent les parcours et les experiences concretes d’acteurs en situation patrimoniale (Bertrand Royer, Audrey Boucksom,...
{"title":"Patrimonialisations croisées. Jeux d’échelles et enjeux de développement (dir. O.Givre et M.Regnault). Lyon, Presses Universitaires de Lyon, 2015.","authors":"Édouard Nzoyihera","doi":"10.4000/ceroart.5336","DOIUrl":"https://doi.org/10.4000/ceroart.5336","url":null,"abstract":"Ce volume collectif, dirige par les anthropologues Olivier Givre et Madina Regnault, interroge le concept de patrimonialisation a travers le prisme de l’anthropologie et d’autres disciplines, telles que la geographie, l’urbanisme ou l’histoire de l’art. Les auteurs restituent une pluralite d’approches et de contextes, distribuee au fil de trois entrees non exclusives, qui concernent les parcours et les experiences concretes d’acteurs en situation patrimoniale (Bertrand Royer, Audrey Boucksom,...","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49638379","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cette recherche porte sur l’etude interdisciplinaire et la restauration de la sculpture en papier-mâche Love Me de l’artiste britannique Sarah Lucas, propriete de la Fundation Sandretto Re Rebaudengo (Torino). L’œuvre presente des deteriorations dues principalement a une mauvaise conservation, une surface souillee et des restaurations precedentes realisees avec des materiaux non adaptes. Le dialogue constant et necessaire avec l’artiste a aide a comprendre sa volonte, le concept et le sens de l’œuvre nous permettant de projeter une intervention de restauration correcte du point de vue de la methodologie.
这项研究涉及英国艺术家莎拉·卢卡斯（Sarah Lucas）的纸雕塑《爱我》（Love Me）的跨学科研究和修复，该雕塑由Sandretto Re Rebaudengo基金会（都灵）所有。这项工作的恶化主要是由于保存不善、表面污染以及之前使用不合适材料进行的修复。与艺术家A的持续和必要的对话有助于理解他的意愿、概念和作品的意义，使我们能够从方法论的角度规划正确的修复干预。
{"title":"A multisciplinary approach to the study and conservation of the contemporary Sarah Lucas’ papier-maché sculpture Love Me","authors":"Fabiola Rocco","doi":"10.4000/CEROART.5248","DOIUrl":"https://doi.org/10.4000/CEROART.5248","url":null,"abstract":"Cette recherche porte sur l’etude interdisciplinaire et la restauration de la sculpture en papier-mâche Love Me de l’artiste britannique Sarah Lucas, propriete de la Fundation Sandretto Re Rebaudengo (Torino). L’œuvre presente des deteriorations dues principalement a une mauvaise conservation, une surface souillee et des restaurations precedentes realisees avec des materiaux non adaptes. Le dialogue constant et necessaire avec l’artiste a aide a comprendre sa volonte, le concept et le sens de l’œuvre nous permettant de projeter une intervention de restauration correcte du point de vue de la methodologie.","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46349517","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the present paper we focus on the necessity of conservators-restorers to be equipped with scientific research tools such as observation skills from the beginning and throughout their education. We exemplify the necessity of this with two cases from the applied conservation-restoration practice in parchment and wax-resin lining of paintings, respectively, and show that research tools constitute an essential precondition not only for practicing scientific research but also for the performance of a number of other activities in the professional life of a conservator-restorer.
{"title":"Research as an integral part of conservation- restoration education","authors":"R. Larsen, C. K. Andersen","doi":"10.4000/CEROART.5029","DOIUrl":"https://doi.org/10.4000/CEROART.5029","url":null,"abstract":"In the present paper we focus on the necessity of conservators-restorers to be equipped with scientific research tools such as observation skills from the beginning and throughout their education. We exemplify the necessity of this with two cases from the applied conservation-restoration practice in parchment and wax-resin lining of paintings, respectively, and show that research tools constitute an essential precondition not only for practicing scientific research but also for the performance of a number of other activities in the professional life of a conservator-restorer.","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2017-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44976852","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The theory-led Master’s Research Methods course in the Department of Conservation at the University of Gothenburg was completely redesigned for the 2013 autumn term from a theory-led to a student-oriented learning format. The practical techniques and interactive skills framework enables students to become familiar with common research tools culminating with each student writing a Master’s research project proposal. This article presents a reflective case study analysis of the course redesign undertaken with the aim to improve the student learning experience of research methods, and presents a model for research methods education in cultural heritage conservation.
{"title":"The Postgraduate Research Methods Course in Conservation: The Practical Approach Taken at the University of Gothenburg","authors":"E. Peacock","doi":"10.4000/CEROART.5089","DOIUrl":"https://doi.org/10.4000/CEROART.5089","url":null,"abstract":"The theory-led Master’s Research Methods course in the Department of Conservation at the University of Gothenburg was completely redesigned for the 2013 autumn term from a theory-led to a student-oriented learning format. The practical techniques and interactive skills framework enables students to become familiar with common research tools culminating with each student writing a Master’s research project proposal. This article presents a reflective case study analysis of the course redesign undertaken with the aim to improve the student learning experience of research methods, and presents a model for research methods education in cultural heritage conservation.","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2017-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46463726","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cet article explore les facteurs de succes dans un cours de management des collections, ainsi que le role des exercices de groupe pour developper des competences en terme de methodologie de la recherche scientifique pour des etudiants non diplomes. Il cherche des pistes dans l’exploration des theories constructivistes.
{"title":"Teaching undergraduates research skills by doing and reflecting","authors":"D. V. D. Meulen","doi":"10.4000/CEROART.5055","DOIUrl":"https://doi.org/10.4000/CEROART.5055","url":null,"abstract":"Cet article explore les facteurs de succes dans un cours de management des collections, ainsi que le role des exercices de groupe pour developper des competences en terme de methodologie de la recherche scientifique pour des etudiants non diplomes. Il cherche des pistes dans l’exploration des theories constructivistes.","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2017-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43492930","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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