L'etude explore l'utilisation de cheveux humains dans l'art contemporain a travers des oeuvres d'art de l'artiste belge Helene de Gottal. Elle emploie la technique traditionnelle utilisee par les dentellieres, ainsi que des fixatifs de cheveux, pour creer des masques utilisant son visage comme modele. Les cheveux humains sont une matiere organique fragile qui est sensible a la lumiere, la temperature et l'humidite relative.
该研究通过比利时艺术家Helene de Gottal的艺术作品探索了人类头发在当代艺术中的使用。她使用蕾丝制作者使用的传统技术，以及发胶，以她的脸为模型制作面具。人的头发是一种脆弱的有机物质，对光线、温度和相对湿度很敏感。
{"title":"Human hair in contemporary art: conservation issues and solutions","authors":"Amélie Pirotte","doi":"10.4000/CEROART.5071","DOIUrl":"https://doi.org/10.4000/CEROART.5071","url":null,"abstract":"L'etude explore l'utilisation de cheveux humains dans l'art contemporain a travers des oeuvres d'art de l'artiste belge Helene de Gottal. Elle emploie la technique traditionnelle utilisee par les dentellieres, ainsi que des fixatifs de cheveux, pour creer des masques utilisant son visage comme modele. Les cheveux humains sont une matiere organique fragile qui est sensible a la lumiere, la temperature et l'humidite relative.","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2017-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41893489","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Silvia García Fernández-Villa, M. S. Andrés, R. Chércoles, Isabel M. García
La recherche est un element fondamental dans le developpement et l’amelioration de l’enseignement, tout particulierement dans le domaine de la conservation et de la restauration. Cet article detaille un exemple concret sur les liens, les benefices et les synergies entre la recherche et l’education dans le cadre de l’etude des materiaux polymeriques utilises pour la conservation et la restauration de patrimoine.
{"title":"Education and Research in New Materials: Looking at the market, working with manufacturers","authors":"Silvia García Fernández-Villa, M. S. Andrés, R. Chércoles, Isabel M. García","doi":"10.4000/CEROART.5064","DOIUrl":"https://doi.org/10.4000/CEROART.5064","url":null,"abstract":"La recherche est un element fondamental dans le developpement et l’amelioration de l’enseignement, tout particulierement dans le domaine de la conservation et de la restauration. Cet article detaille un exemple concret sur les liens, les benefices et les synergies entre la recherche et l’education dans le cadre de l’etude des materiaux polymeriques utilises pour la conservation et la restauration de patrimoine.","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2017-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45843397","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper examines some of the current science policy paradigms set at international level to promote open science and participatory research, and discusses how key factors necessary for successful collaboration can usefully contribute to the training of future conservation professionals through group work and research-based learning programmes.
{"title":"The role of educators in promoting collaborative research","authors":"S. Golfomitsou, Theocharis Katrakazis","doi":"10.4000/CEROART.5051","DOIUrl":"https://doi.org/10.4000/CEROART.5051","url":null,"abstract":"This paper examines some of the current science policy paradigms set at international level to promote open science and participatory research, and discusses how key factors necessary for successful collaboration can usefully contribute to the training of future conservation professionals through group work and research-based learning programmes.","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2017-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42669272","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Au cours des dernieres decennies, les volumes de mobilier archeologique ont connu une croissance sans precedent, due entre autres a l'essor de l'archeologie preventive et a la reconnaissance progressive de l'interet que represente ce patrimoine, a mesure que se multiplient les moyens techniques et technologiques de l'interroger. Pourtant, il y a peu encore, on ne s'interessait guere qu'au "bel objet" et le reste n'avait que peu d'attrait. Apres la fouille et l'etude, le "materiel" archeol...
{"title":"Silvia PAÏN, Manuel de gestion du mobilier archéologique, Méthodologie et pratiques, . Paris, Edition de la maison des sciences de l'homme, 2015","authors":"Noémie Drouguet","doi":"10.4000/ceroart.4978","DOIUrl":"https://doi.org/10.4000/ceroart.4978","url":null,"abstract":"Au cours des dernieres decennies, les volumes de mobilier archeologique ont connu une croissance sans precedent, due entre autres a l'essor de l'archeologie preventive et a la reconnaissance progressive de l'interet que represente ce patrimoine, a mesure que se multiplient les moyens techniques et technologiques de l'interroger. Pourtant, il y a peu encore, on ne s'interessait guere qu'au \"bel objet\" et le reste n'avait que peu d'attrait. Apres la fouille et l'etude, le \"materiel\" archeol...","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2016-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70488991","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article describes the study of iron-gall inks in the Gradual of Lviv Benedictine from Krzeszow (Poland). During the conservation and restoration work some untypical color changes of iron-gall inks were observed. This phenomenon contributed to further analysis of the inks in the manuscript and for this purpose some instrumental analysis were conducted, i.a. macro-X-Ray Fluorescence (macro-XRF), optical coherence tomography (OCT) and LIBS. The results provided information about the composition of iron-gall inks in the Gradual from Krzeszow and helped to identify the probable cause of the change in the text layer.
{"title":"Study of discoloured iron-gall ink inscriptions – case of the Gradual of Lviv Benedictines from Krzeszow","authors":"Aleksandra Surmak","doi":"10.4000/ceroart.4909","DOIUrl":"https://doi.org/10.4000/ceroart.4909","url":null,"abstract":"This article describes the study of iron-gall inks in the Gradual of Lviv Benedictine from Krzeszow (Poland). During the conservation and restoration work some untypical color changes of iron-gall inks were observed. This phenomenon contributed to further analysis of the inks in the manuscript and for this purpose some instrumental analysis were conducted, i.a. macro-X-Ray Fluorescence (macro-XRF), optical coherence tomography (OCT) and LIBS. The results provided information about the composition of iron-gall inks in the Gradual from Krzeszow and helped to identify the probable cause of the change in the text layer.","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2016-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70487671","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cet article resume les principales etapes de la restauration des deux « Mobiles Lumineux » de Nino Calos (1926-1990), conserves au musee d'Art moderne de la Ville de Paris, ainsi que les processus decisionnels qui ont accompagne l’etude. L’article se centre essentiellement sur les problemes du systeme lumineux et de son obsolescence.
本文总结了巴黎现代艺术博物馆(musee d’Art moderne de la Ville de Paris)保存的Nino Calos(1926-1990)的两件“发光手机”修复的主要步骤，以及伴随研究而来的决策过程。本文主要讨论了照明系统及其过时的问题。
{"title":"Restaurer l’art lumino-cinétique. Mobile Lumineux 130, 1966, et Mobile Lumineux 267B (Bleu), 1970, réalisés par Nino CALOS (1926 - 1990)","authors":"Olivier Steib","doi":"10.4000/CEROART.4956","DOIUrl":"https://doi.org/10.4000/CEROART.4956","url":null,"abstract":"Cet article resume les principales etapes de la restauration des deux « Mobiles Lumineux » de Nino Calos (1926-1990), conserves au musee d'Art moderne de la Ville de Paris, ainsi que les processus decisionnels qui ont accompagne l’etude. L’article se centre essentiellement sur les problemes du systeme lumineux et de son obsolescence.","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":"96 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2016-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70488252","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
La triethanolamine est l’un des ingredients principaux des savons resiniques et biliaires. Elle presente un mauvais vieillissement (jaunissement) ainsi qu’une affinite avec la couche huileuse des peintures, laissant des residus apres utilisation. Il est donc interessant de comprendre comment fonctionnent ces savons de facon a remplacer cet ingredient problematique par des substituts facilement accessibles aux restaurateurs. Une breve introduction des savons sera faite, puis leurs principales utilisations, leur composition et fonctionnement seront expliques. Ensuite, la polemique autour de ces produits sera resumee et permettra d’introduire la partie pratique, dans laquelle les nombreux essais realises dans le but de remplacer l’un des ingredients principaux suppose problematique seront presentes.
{"title":"Remplacement de la triéthanolamine au sein des savons résiniques et biliaires de R. Wolbers","authors":"Camille Polkownik","doi":"10.4000/CEROART.4822","DOIUrl":"https://doi.org/10.4000/CEROART.4822","url":null,"abstract":"La triethanolamine est l’un des ingredients principaux des savons resiniques et biliaires. Elle presente un mauvais vieillissement (jaunissement) ainsi qu’une affinite avec la couche huileuse des peintures, laissant des residus apres utilisation. Il est donc interessant de comprendre comment fonctionnent ces savons de facon a remplacer cet ingredient problematique par des substituts facilement accessibles aux restaurateurs. Une breve introduction des savons sera faite, puis leurs principales utilisations, leur composition et fonctionnement seront expliques. Ensuite, la polemique autour de ces produits sera resumee et permettra d’introduire la partie pratique, dans laquelle les nombreux essais realises dans le but de remplacer l’un des ingredients principaux suppose problematique seront presentes.","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":"10 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2016-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70487537","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Le pinceau electrolytique Pleco, developpe au sein de la Haute Ecole Arc de conservation-restauration (Neuchâtel), a ete fabrique dans un FabLab nantais puis teste dans le cadre de la reduction localisee des produits de corrosion du plomb de type carbonate sur les objets composites indissociables. Apres avoir defini les parametres de traitement, des tests ont ete conduits sur des echantillons simulant des bulles afin de reduire les produits de corrosion situes a l'interface metal/lacs (textile) et ont mene au traitement d’une bulle papale des Archives departementales de Loire-Atlantique (France).
{"title":"Traitement localisé des produits de corrosion du plomb d’une bulle papale attachée à son parchemin. Nouvelle application du pinceau électrolytique Pleco","authors":"C. Fontaine","doi":"10.4000/CEROART.4855","DOIUrl":"https://doi.org/10.4000/CEROART.4855","url":null,"abstract":"Le pinceau electrolytique Pleco, developpe au sein de la Haute Ecole Arc de conservation-restauration (Neuchâtel), a ete fabrique dans un FabLab nantais puis teste dans le cadre de la reduction localisee des produits de corrosion du plomb de type carbonate sur les objets composites indissociables. Apres avoir defini les parametres de traitement, des tests ont ete conduits sur des echantillons simulant des bulles afin de reduire les produits de corrosion situes a l'interface metal/lacs (textile) et ont mene au traitement d’une bulle papale des Archives departementales de Loire-Atlantique (France).","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2016-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70487643","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Le generateur Cockcroft-Walton qui, pendant 50 ans, a alimente en haute tension un accelerateur de particules, doit aujourd’hui etre restaure et presente sur le campus de l’Universite Lyon 1. Comment aborder sa materialite composite et son gigantisme ? L’enquete emprunte sa methode autant a l’ethnologue qu’au technologue et vise a integrer au mieux la rupture entre ses modes d’existence passes et son destin patrimonial.
{"title":"Étude préalable à la restauration d'un objet technico-scientifique contemporain. Le générateur Cockcroft-Walton de l’Institut de Physique Nucléaire de Lyon","authors":"Rémy Geindreau","doi":"10.4000/CEROART.4933","DOIUrl":"https://doi.org/10.4000/CEROART.4933","url":null,"abstract":"Le generateur Cockcroft-Walton qui, pendant 50 ans, a alimente en haute tension un accelerateur de particules, doit aujourd’hui etre restaure et presente sur le campus de l’Universite Lyon 1. Comment aborder sa materialite composite et son gigantisme ? L’enquete emprunte sa methode autant a l’ethnologue qu’au technologue et vise a integrer au mieux la rupture entre ses modes d’existence passes et son destin patrimonial.","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2016-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70487882","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The sculpture of the eastern Naiad Fountain at Schonbrunn made of white marble is covered with calcareous encrustations and secondary grown tufa. These biologically induced accretions influence its actual appearance significantly. Examinations of structure and composition of the crusts and tufa, and the inhabiting organisms responsible for the precipitation, as well as, considerations of historic issues enable the development of a concept for the conservation.
{"title":"Conservation concept for the treatment of biologically induced encrustations and formation of tufa. The eastern Naiad fountain in the gardens of Schönbrunn Palace","authors":"Martina Haselberger","doi":"10.4000/CEROART.4944","DOIUrl":"https://doi.org/10.4000/CEROART.4944","url":null,"abstract":"The sculpture of the eastern Naiad Fountain at Schonbrunn made of white marble is covered with calcareous encrustations and secondary grown tufa. These biologically induced accretions influence its actual appearance significantly. Examinations of structure and composition of the crusts and tufa, and the inhabiting organisms responsible for the precipitation, as well as, considerations of historic issues enable the development of a concept for the conservation.","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2016-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70488463","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：