Pub Date : 2014-12-13DOI: 10.1590/1982-25542014219195
Cesar Baio
A critical analysis is made of the digital image, given the incompleteness of the process of assimilation of analog photography by numerical technologies. Vilem Flusser’s philosophical apparatus and Foucault’s concept of emulation are employed here to interpretthe digitization that occurred in the 1990s as an industrial project that was aimed primarily at the emulation of analog technologies by digital ones. After this historical moment of technological transformations, a detached analysis allows one to hypothesize that the digital photographic image begins to assume an interstitial position between indexical fulguration and computational algorithms. This perspective allows for a better understanding of image production in art, which does not entirely deny the indexicality of photography, but also refuses to ignore other possible contemporaneous modes of existence of the image.
{"title":"A impureza da imagem: estéticas intersticiais entre a fotografia analógica e digital","authors":"Cesar Baio","doi":"10.1590/1982-25542014219195","DOIUrl":"https://doi.org/10.1590/1982-25542014219195","url":null,"abstract":"A critical analysis is made of the digital image, given the incompleteness of the process of assimilation of analog photography by numerical technologies. Vilem Flusser’s philosophical apparatus and Foucault’s concept of emulation are employed here to interpretthe digitization that occurred in the 1990s as an industrial project that was aimed primarily at the emulation of analog technologies by digital ones. After this historical moment of technological transformations, a detached analysis allows one to hypothesize that the digital photographic image begins to assume an interstitial position between indexical fulguration and computational algorithms. This perspective allows for a better understanding of image production in art, which does not entirely deny the indexicality of photography, but also refuses to ignore other possible contemporaneous modes of existence of the image.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"14 1","pages":"134-145"},"PeriodicalIF":0.0,"publicationDate":"2014-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67208082","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-12-13DOI: 10.1590/1982-25542014216692
S. Fragoso
Resumo: O texto discute as expressoes utilizadas para caracterizar a experiencia de imersao em games narrativos. O ponto de partida e uma revisao dos significados associados a suspensao de descrenca na literatura, no cinema e na televisao, orientada pelo questionamento do mito da audiencia ingenua, incapaz de distinguir entre a representacao e a realidade. Duas caracteristicas das narrativas midiaticas interativas – o exercicio da agencia e as disparidades entre as interfaces de hardware e software – evidenciam o carater ativo do envolvimento do publico com as representacoes midiaticas. Propoe-se que, no caso dos games, essa habilidade que permite agir simultaneamente no mundo do jogo e no mundo real estaria melhor caracterizada como uma encenacao de crenca.
{"title":"Imersão em games narrativos","authors":"S. Fragoso","doi":"10.1590/1982-25542014216692","DOIUrl":"https://doi.org/10.1590/1982-25542014216692","url":null,"abstract":"Resumo: O texto discute as expressoes utilizadas para caracterizar a experiencia de imersao em games narrativos. O ponto de partida e uma revisao dos significados associados a suspensao de descrenca na literatura, no cinema e na televisao, orientada pelo questionamento do mito da audiencia ingenua, incapaz de distinguir entre a representacao e a realidade. Duas caracteristicas das narrativas midiaticas interativas – o exercicio da agencia e as disparidades entre as interfaces de hardware e software – evidenciam o carater ativo do envolvimento do publico com as representacoes midiaticas. Propoe-se que, no caso dos games, essa habilidade que permite agir simultaneamente no mundo do jogo e no mundo real estaria melhor caracterizada como uma encenacao de crenca.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"14 1","pages":"58-69"},"PeriodicalIF":0.0,"publicationDate":"2014-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67207630","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-12-13DOI: 10.1590/1982-25542014216497
Andrea França Martins, P. Machado
The vindication of the memory of the Civil-Military Dictatorship in contemporary Brazilian cinema intensifies. This article recollects documentaries of the 1980s, and ideas and authors that have been examined before in order to attain to discuss the use of testemonies and film footage from the period of the dictatorship on recent audiovisual production, and their mode of performatively assuming the lack – of documents, memory, and images. Uma longa viagem [A Long Journey] and Que bom te ver viva [How Nice to See You Alive], both by filmmaker Lucia Murat, will be analyzed, among others, from the standpoint of these issues.
{"title":"Imagem-performada e imagem-atestação: o documentário brasileiro e a reemergência dos espectros da ditadura","authors":"Andrea França Martins, P. Machado","doi":"10.1590/1982-25542014216497","DOIUrl":"https://doi.org/10.1590/1982-25542014216497","url":null,"abstract":"The vindication of the memory of the Civil-Military Dictatorship in contemporary Brazilian cinema intensifies. This article recollects documentaries of the 1980s, and ideas and authors that have been examined before in order to attain to discuss the use of testemonies and film footage from the period of the dictatorship on recent audiovisual production, and their mode of performatively assuming the lack – of documents, memory, and images. Uma longa viagem [A Long Journey] and Que bom te ver viva [How Nice to See You Alive], both by filmmaker Lucia Murat, will be analyzed, among others, from the standpoint of these issues.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"14 1","pages":"70-82"},"PeriodicalIF":0.0,"publicationDate":"2014-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67207473","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-12-13DOI: 10.1590/1982-25542014217851
P. Simões
This paper discusses the hermeneutic power ofa celebrity (seen from the concept of event), seeking to understand what it reveals about the contemporary context. Based on this premise, we attempt to recognize some aspects of contemporary social life that emerge from the trajectory of a specific celebrity: the former soccer player Ronaldo Fenomeno. This analysis brings to light the hermeneutic power of Ronaldo, i.e., how his life story reveals characteristics of contemporary social life. Individualism, machismo, emphasis on a heteronormative ideal, shifts in the construction of romantic relationships, and the overlapping spheres of public and private life, are some important aspects of contemporary society revealed by this analysis.
{"title":"Celebridade e contexto contemporâneo","authors":"P. Simões","doi":"10.1590/1982-25542014217851","DOIUrl":"https://doi.org/10.1590/1982-25542014217851","url":null,"abstract":"This paper discusses the hermeneutic power ofa celebrity (seen from the concept of event), seeking to understand what it reveals about the contemporary context. Based on this premise, we attempt to recognize some aspects of contemporary social life that emerge from the trajectory of a specific celebrity: the former soccer player Ronaldo Fenomeno. This analysis brings to light the hermeneutic power of Ronaldo, i.e., how his life story reveals characteristics of contemporary social life. Individualism, machismo, emphasis on a heteronormative ideal, shifts in the construction of romantic relationships, and the overlapping spheres of public and private life, are some important aspects of contemporary society revealed by this analysis.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"14 1","pages":"45-57"},"PeriodicalIF":0.0,"publicationDate":"2014-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67207876","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-12-01DOI: 10.1590/1982-25542014214772
C. Pereira
This study analyzes 10 ads published in the magazines Veja and Realidade in 1967 and 1968, seeking to understand how the notion of youth is constructed by the media within a particular cultural, social and political context. The methodology consists of a literature review, a documentary research of the two magazines, and an analysis of the media representations of youth culture, values and practices. This leads to the establishment of several possible ideal-type categories that are present in the advertising narrative. Throughout the analysis, one finds that the media uses positive values attributed to youth, while contributing to cement the opposition between youth and adult.
{"title":"Na página ímpar, os jovens de 1968: publicidade e representações sociais nas revistas veja e realidade","authors":"C. Pereira","doi":"10.1590/1982-25542014214772","DOIUrl":"https://doi.org/10.1590/1982-25542014214772","url":null,"abstract":"This study analyzes 10 ads published in the magazines Veja and Realidade in 1967 and 1968, seeking to understand how the notion of youth is constructed by the media within a particular cultural, social and political context. The methodology consists of a literature review, a documentary research of the two magazines, and an analysis of the media representations of youth culture, values and practices. This leads to the establishment of several possible ideal-type categories that are present in the advertising narrative. Throughout the analysis, one finds that the media uses positive values attributed to youth, while contributing to cement the opposition between youth and adult.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"14 1","pages":"217-234"},"PeriodicalIF":0.0,"publicationDate":"2014-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67207420","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-12-01DOI: 10.1590/1982-25542014217218
M. Kischinhevsky, Lena Benzecry
This paper investigates interactional practices on expanded musical radio (from Hertzian airwaves to the Internet), taking as a case study the podcast Muqueca de Siri, which is dedicated to samba. Throughout the text, we discuss the pertinence of the ethnographic approach in researches about the reception/consumption of music radio in a new media environment with continually multiplying possibilities of sound production and circulation, shaping communities of listeners who switch between online and offline worlds.
本文研究了扩展音乐广播(从赫兹电波到互联网)的互动实践，并以致力于桑巴的播客Muqueca de Siri为例进行了研究。在整个文本中，我们讨论了民族志方法在新媒体环境下音乐广播的接收/消费研究中的针对性，这种环境不断增加声音制作和流通的可能性，塑造了在在线和离线世界之间切换的听众社区。
{"title":"Interações no rádio musical expandido: um aporte etnográfico","authors":"M. Kischinhevsky, Lena Benzecry","doi":"10.1590/1982-25542014217218","DOIUrl":"https://doi.org/10.1590/1982-25542014217218","url":null,"abstract":"This paper investigates interactional practices on expanded musical radio (from Hertzian airwaves to the Internet), taking as a case study the podcast Muqueca de Siri, which is dedicated to samba. Throughout the text, we discuss the pertinence of the ethnographic approach in researches about the reception/consumption of music radio in a new media environment with continually multiplying possibilities of sound production and circulation, shaping communities of listeners who switch between online and offline worlds.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"14 1","pages":"184-198"},"PeriodicalIF":0.0,"publicationDate":"2014-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67207822","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-12-01DOI: 10.1590/1982-25542014216190
G. Alzamora, N. Cortez
Este artigo investiga os agenciamentos hibridos entre agentes de interface e agentes humanos nos ambientes sociocomunicacionais de streaming de musicas LastFM, Grooveshark e Deezer, com base nas nocoes de agenciamento (Deleuze e Guattari) e semiose (Peirce). O modelo peirceano da semiose e tomado como parâmetro conceitual para explicar o funcionamento do agenciamento hibrido entre homem e maquina nesses ambientes. Propoe-se a nocao de agenciamento semiotico para compreender o aprendizado continuo e aprimorado da maquina a partir das acoes humanas nos ambientes pesquisados, assim como as articulacoes das acoes humanas baseadas nos mecanismos de recomendacao. As relacoes de continuidade entre as mentes dos agentes humanos e as dos agentes de interface sao abordadas na perspectiva da Teoria do Sinequismo de Peirce, relacionada a sua nocao de semiose.
{"title":"Agenciamentos semióticos em ambientes de streaming de músicas: mente, aprendizado e continuidade","authors":"G. Alzamora, N. Cortez","doi":"10.1590/1982-25542014216190","DOIUrl":"https://doi.org/10.1590/1982-25542014216190","url":null,"abstract":"Este artigo investiga os agenciamentos hibridos entre agentes de interface e agentes humanos nos ambientes sociocomunicacionais de streaming de musicas LastFM, Grooveshark e Deezer, com base nas nocoes de agenciamento (Deleuze e Guattari) e semiose (Peirce). O modelo peirceano da semiose e tomado como parâmetro conceitual para explicar o funcionamento do agenciamento hibrido entre homem e maquina nesses ambientes. Propoe-se a nocao de agenciamento semiotico para compreender o aprendizado continuo e aprimorado da maquina a partir das acoes humanas nos ambientes pesquisados, assim como as articulacoes das acoes humanas baseadas nos mecanismos de recomendacao. As relacoes de continuidade entre as mentes dos agentes humanos e as dos agentes de interface sao abordadas na perspectiva da Teoria do Sinequismo de Peirce, relacionada a sua nocao de semiose.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"14 1","pages":"173-183"},"PeriodicalIF":0.0,"publicationDate":"2014-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67207465","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-12-01DOI: 10.1590/1982-25542014219108
M. Nunes
This paper maps some relevant events for an understanding of the cosplay scene in Brazil’s southeastern state capitals. It discusses part of the interpretation of data collected during the Anime Winter Fest in Belo Horizonte, MG, in 2013, and the Vitoria Anime Show in Vitoria, ES, in 2013, based on a comparative analysis and considering the heterogeneity of the cosplay scene. Studies about the contemporary city and notions about circulation, as well as research about youth culture, are linked with reflections about material and media consumption in the cosplay scene, forming the theoretical framework and methodology on which this study is based.
{"title":"Circulação de artefatos entre cosplayers de Beagá e Vitória","authors":"M. Nunes","doi":"10.1590/1982-25542014219108","DOIUrl":"https://doi.org/10.1590/1982-25542014219108","url":null,"abstract":"This paper maps some relevant events for an understanding of the cosplay scene in Brazil’s southeastern state capitals. It discusses part of the interpretation of data collected during the Anime Winter Fest in Belo Horizonte, MG, in 2013, and the Vitoria Anime Show in Vitoria, ES, in 2013, based on a comparative analysis and considering the heterogeneity of the cosplay scene. Studies about the contemporary city and notions about circulation, as well as research about youth culture, are linked with reflections about material and media consumption in the cosplay scene, forming the theoretical framework and methodology on which this study is based.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"14 1","pages":"235-247"},"PeriodicalIF":0.0,"publicationDate":"2014-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67208038","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-12-01DOI: 10.1590/1982-25542014216757
Jan Alyne Barbosa e Silva
This article starts from the premise that a considerable part of the interpretations and criticisms of the agenda-setting theory focus on statements about the most general conclusions in agenda-setting research rather than on its fundamentals, limits and conditions of validity. On the other hand, it defends the legitimacy of some criticisms of the theory, more specifically those related to the design of agenda-setting research, the methods whereby it is investigated, and how the relevance (salience) of its themes is presented. In this regard, the intention is to point out how some of these criticisms have been overcome through the systematization of some possibilities for the expansion of the centripetal and centrifugal dimensions of this paradigm when investigated by means of WWW systems and environments.
{"title":"A expansão da teoria do agenda-setting em sistemas informativos da Web","authors":"Jan Alyne Barbosa e Silva","doi":"10.1590/1982-25542014216757","DOIUrl":"https://doi.org/10.1590/1982-25542014216757","url":null,"abstract":"This article starts from the premise that a considerable part of the interpretations and criticisms of the agenda-setting theory focus on statements about the most general conclusions in agenda-setting research rather than on its fundamentals, limits and conditions of validity. On the other hand, it defends the legitimacy of some criticisms of the theory, more specifically those related to the design of agenda-setting research, the methods whereby it is investigated, and how the relevance (salience) of its themes is presented. In this regard, the intention is to point out how some of these criticisms have been overcome through the systematization of some possibilities for the expansion of the centripetal and centrifugal dimensions of this paradigm when investigated by means of WWW systems and environments.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"14 1","pages":"262-273"},"PeriodicalIF":0.0,"publicationDate":"2014-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67207698","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-12-01DOI: 10.1590/1982-25542014217066
L. Alvim
The French director Robert Bresson was known for his creative use of sound elements and the scanty insertion of music in his films. In films produced during the intermediary phase of his career, such as A man escaped (1956), Pickpocket (1959) and Au hasard Balthazar (1966), preexisting classical music pieces, which contain formal aspects that are analogous to their distribution in the respective films, were used as non-diegetic music. Moreover, in Pickpocket, the preexisting music by Lully also relates to the voice-in and voice-over. The voice-in at the end of the dialogues usually triggers musical excerpts, which are inserted in situations of movement and whose function resembles that of divertissements in baroque opera. We also consider the relations between voice-in and voice-over and the lag between the latter and the action and the image of the main character’s diary as it is being written.
{"title":"Música e vozes em Pickpocket (1959), de Robert Bresson","authors":"L. Alvim","doi":"10.1590/1982-25542014217066","DOIUrl":"https://doi.org/10.1590/1982-25542014217066","url":null,"abstract":"The French director Robert Bresson was known for his creative use of sound elements and the scanty insertion of music in his films. In films produced during the intermediary phase of his career, such as A man escaped (1956), Pickpocket (1959) and Au hasard Balthazar (1966), preexisting classical music pieces, which contain formal aspects that are analogous to their distribution in the respective films, were used as non-diegetic music. Moreover, in Pickpocket, the preexisting music by Lully also relates to the voice-in and voice-over. The voice-in at the end of the dialogues usually triggers musical excerpts, which are inserted in situations of movement and whose function resembles that of divertissements in baroque opera. We also consider the relations between voice-in and voice-over and the lag between the latter and the action and the image of the main character’s diary as it is being written.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"14 1","pages":"146-158"},"PeriodicalIF":0.0,"publicationDate":"2014-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67207782","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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