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Constructing the Capital of Peace: Changing Branding Strategies for Istanbul’s Eyüp Quarter 建设和平之都:伊斯坦布尔ey<s:1>区品牌战略的变化
Pub Date : 2019-06-25 DOI: 10.17192/META.2019.12.7931
Annegret Roelcke
This article analyzes how the Justice and Development Party (AKP)-led local municipality changed branding strategies for Istanbul’s Eyup quarter since its predecessor took office in 1994. Portraying itself as the savior of Eyup’s heritage and Eyup as the symbol of a larger imagined Islamic-Ottoman community, the AKP legitimizes its political rule on various levels. The diachronic comparison of municipal city guidebooks illustrates how the framing of Eyup and its branding strategies changed with shifting political contexts. The recent strategy to attract diverse tourists as multipliers to consume and spread the AKP’s identity narratives demonstrates the political nature of tourism branding.
本文分析了正义与发展党(AKP)领导的地方市政当局自其前任1994年上任以来如何改变伊斯坦布尔Eyup区的品牌战略。正义与发展党将自己描绘成埃尤普遗产的救世主,将埃尤普描绘成一个更大的伊斯兰奥斯曼社区的象征,使其在各个层面的政治统治合法化。市政城市指南的历时比较说明了Eyup的框架及其品牌策略是如何随着政治背景的变化而变化的。最近吸引多样化游客作为消费和传播AKP身份叙事的乘数的策略表明了旅游品牌的政治性质。
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引用次数: 1
Qom After Islamic Neoliberalism: A Narrative of the City in Limbo 伊斯兰新自由主义之后的库姆:林波城市叙事
Pub Date : 2019-06-25 DOI: 10.17192/META.2019.12.7932
Kamaluddin Duaei
Despite its classically appreciated rank in the constellation of the Shia world and its key but contentious role in the politics of modern Iran, Qom has been one of the least-researched cities of the country. Especially taking into account the archstructures of capitalist political economy and the undercurrents of middle-class consumerism, this study aims at building up a critical, materialist take on the neo-liberal politics of Qom, particularly with regard to the developments of the last decade. It argues that recent trends in the urban formation and municipal policy of Qom betray the historical image they pretend to sustain and the ideological ideals they seem to pursue.
尽管库姆在什叶派世界的地位备受推崇,在现代伊朗政治中扮演着关键但有争议的角色,但库姆一直是该国研究最少的城市之一。特别是考虑到资本主义政治经济的结构和中产阶级消费主义的暗流,本研究旨在建立一个批判的、唯物主义的库姆新自由主义政治,特别是关于过去十年的发展。它认为库姆的城市形成和市政政策的最新趋势背叛了他们假装维持的历史形象和他们似乎追求的意识形态理想。
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引用次数: 0
Towards a New Master Narrative of Trauma: A Reading of Terrance Hayes’ “American Sonnet for my Past and Future Assassin” and Mostafa Ibrahim’s “I Have Seen Today” 走向新的创伤叙事大师——读特伦斯·海斯的《我过去和未来的刺客的美国十四行诗》和穆斯塔法·易卜拉欣的《我今天看到了》
Pub Date : 2018-11-13 DOI: 10.17192/META.2018.11.7788
Sahar Elmougy
The Egyptian revolutionaries, who in 2011 called for “bread, freedom and social justice,” witnessed the shattering of their dream and suffered the pain of being abandoned by the masses and silenced by the post-revolution regime in Egypt. The aim of this article is to explore indications of the creation of a “cultural trauma” (Alexander, “Towards”) for the Egyptian revolutionaries through a reading of Mustafa Ibrahim’s poem “I Have Seen Today.” In order to accomplish this task, this paper will first examine how the cultural trauma of African Americans (Eyerman, Slavery) responds to fresh triggers. In Terrance Hayes’s “American Sonnets for My Past and Future Assassin,” the election of Donald Trump as US president is the trigger to the older trauma. Comparing Ibrahim’s poem to Hayes’s aims at underlining the tools used by the Egyptian revolutionaries to create “a new master narrative” of trauma (Alexander, “Towards” 12) that could reconstruct the collective identity and redirect the course of political action.
埃及革命者在2011年呼吁“面包、自由和社会正义”,目睹了他们梦想的破灭,并遭受了被群众抛弃和被埃及革命后政权噤声的痛苦。本文的目的是通过阅读穆斯塔法·易卜拉欣的诗歌《我今天看到了》,探索埃及革命者遭受“文化创伤”(亚历山大,《走向》)的迹象。为了完成这一任务,本文将首先研究非裔美国人的文化创伤(Eyerman,《奴隶制》)如何应对新的触发因素。在特伦斯·海斯的《我的过去和未来刺客的美国十四行诗》中,唐纳德·特朗普当选美国总统是引发旧创伤的导火索。将易卜拉欣的诗与海斯的诗进行比较,旨在强调埃及革命者用来创造创伤“新的主叙事”的工具(亚历山大,《走向》12),这可以重建集体身份并重新引导政治行动的方向。
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引用次数: 0
No Such Thing as Society? A Critique of Hegemonic Notions of Trauma in the Research on Cultural Production 没有社会这样的东西?文化生产研究中的霸权创伤观批判
Pub Date : 2018-11-13 DOI: 10.17192/META.2018.11.7790
Felix J. Lang
The notion of trauma is widely used in contemporary research on literature, film, music, and other forms of cultural production in the Arab world. Building on a tradition of trauma studies in the humanities, much of this work is predicated on an essentialist, naturalized notion of trauma as developed in the seminal work of the literary scholar Cathy Caruth, among others. In this article I suggest that such a notion of trauma is problematic as it depoliticizes human suffering and marginalizes non-hegemonic ways of dealing with experiences of violence. In order to address these problems, I propose to turn to social constructivist approaches to trauma.
创伤的概念在当代阿拉伯世界的文学、电影、音乐和其他形式的文化生产研究中被广泛使用。在人文学科创伤研究传统的基础上,这部作品的大部分都是基于文学学者凯西·卡鲁斯等人的开创性著作中提出的本质主义、自然化的创伤概念。在这篇文章中,我认为这种创伤的概念是有问题的,因为它将人类痛苦非政治化,并将处理暴力经历的非霸权方式边缘化。为了解决这些问题,我建议转向社会建构主义的创伤方法。
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引用次数: 1
Basma Abdelaziz - A Portrait Basma Abdelaziz-肖像
Pub Date : 2018-11-13 DOI: 10.17192/meta.2018.11.7826
S. Nader
I saw Basma Abdelaziz for the first time on March 15th, 2018. She was discussing her book Huna badan (Abdelaziz). Since that day, over a period of four months, I have read five of her books. I have also started following her Facebook page and reading her weekly newspaper column. Each one of her works added to my knowledge about a certain subject, made me think about an issue from a different point of view, or made me feel the pain of a certain group of people. I hope that by drawing this portrait of her, I may introduce her to new readers who may benefit from her writings as I did. Aside from this personal reason that may seem quite subjective, many objective reasons make me want to present her work in this portrait.
2018年3月15日,我第一次见到Basma Abdelaziz。她正在讨论她的书《胡娜·巴丹》(阿卜杜拉齐兹)。从那天起,在四个多月的时间里,我已经读了她的五本书。我也开始关注她的Facebook页面,阅读她的周报专栏。她的每一部作品都增加了我对某一主题的了解,让我从不同的角度思考一个问题,或者让我感受到某一群人的痛苦。我希望通过画这幅她的肖像,我可以把她介绍给新的读者,他们可能会像我一样从她的作品中受益。除了这个可能看起来相当主观的个人原因之外,许多客观原因让我想在这幅肖像中展示她的作品。
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引用次数: 0
Trauma in the Novels of the Iraqi-Kuwaiti Writer, IsmāꜤīl Fahd IsmāꜤīl 伊拉克-科威特作家伊斯玛小说中的创伤Ꜥīl Fahd IsmāꜤīl
Pub Date : 2018-11-13 DOI: 10.17192/META.2018.11.7796
O. I. Tijani
A prolific Iraqi-Kuwaiti writer, Ismaʿil Fahd Ismaʿil (1940-) has published over thirty novels among other literary works. Though a less-studied Arabic novelist, his writings are comparable—in terms of quantity, genre, length, technique, and subject matter—to those of the Egyptians Najib Mahfuz and Tawfiq al-Hakim. This article argues that trauma is reflected not just in Ismaʿil’s fiction, but also in his own conflicted persona, his identity as an Iraqi-Kuwaiti writer. The article reads al-Ḥabl, in particular, as an autobiographical novel that portrays Ismaʿil’s personal experiences of trauma in 1960s Iraq.
伊斯玛·伊勒·法赫德·伊斯玛·伊勒(1940-)是一位多产的伊拉克-科威特作家,出版了30多部小说和其他文学作品。虽然他是一位研究较少的阿拉伯小说家,但他的作品在数量、体裁、篇幅、技巧和主题方面都可与埃及作家纳吉布·马福兹和陶菲克·哈基姆相媲美。这篇文章认为,创伤不仅反映在伊斯玛·伊勒的小说中,也反映在他自己冲突的人格中,他作为伊拉克-科威特作家的身份。这篇文章特别将al-Ḥabl视为一部自传体小说,它描绘了伊斯梅尔在20世纪60年代伊拉克的个人创伤经历。
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引用次数: 0
No More “Eloquent Silence”: Narratives of Occupation, Civil War, and Intifada Write Everyday Violence and Challenge Trauma Theory 不再有“雄辩的沉默”:占领、内战和起义的叙述书写日常暴力和挑战创伤理论
Pub Date : 2018-11-13 DOI: 10.17192/META.2018.11.7792
Nora Parr
Discourse on trauma has re-emerged in an era where media and mobility bring it to global doorsteps. Frameworks for understanding trauma remain dictated by thinking that emerged from Europe’s “great wars” and American deployment to Vietnam. This framework—which sees trauma and the terrible as “out of time” or “other” to a perceived normal daily experience—has formed what critics call the “empire of trauma.” This empire limits how war, violence, and the terrible can be talked about and understood as part of (or not part of) contemporary life. Looking at two trauma narratives, Taḥta shams al-ḍuḥā (2004) by Ibrahim Nasrallah and Bāʾ mithl Baīt... mthl Baīrūt (1997; Trans B as in Beirut, 2008) by Iman Humaydan, the paper gives short readings that disrupt what has emerged as a binary of trauma theory. It shows how repetition and open endings turn everyday/trauma into everyday trauma, then goes on to explore how the novels develop language and generic structures so that they hold—rather than silence—tellings of the terrible.
在媒体和流动性将创伤带到全球门口的时代,关于创伤的讨论再次出现。理解创伤的框架仍然由欧洲“大战”和美国部署到越南产生的思想决定。这个框架将创伤和可怕视为一种正常的日常体验的“不合时宜”或“其他”,形成了批评者所说的“创伤帝国”。这个帝国限制了如何将战争、暴力和可怕作为当代生活的一部分(或不作为)来谈论和理解。看看两个创伤叙事,Taḥta shams al-ḍuḥIbrahim Nasrallah和Bāʾmithl Baīt。。。伊曼·胡马伊丹(Iman Humaydan)的mthl Baīrút(1997;2008年贝鲁特的Trans B),这篇论文给出了简短的解读,打破了创伤理论的二元性。它展示了重复和开放的结局是如何将日常/创伤转化为日常创伤的,然后探讨了小说如何发展语言和一般结构,从而保持——而不是沉默——讲述可怕的事情。
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引用次数: 2
Beyond Trauma, What Kept them Going? An Analysis of the Lives and Narratives of Five Syrian Women in Lebanon 除了创伤,是什么让他们继续前行?五位叙利亚妇女在黎巴嫩的生活与叙述分析
Pub Date : 2018-11-13 DOI: 10.17192/META.2018.11.7802
Kholoud Saber Barakat, P. Philippot
Using interpretive phenomenological analysis, this paper analyzes the narratives of five women who fled from Syria to Lebanon, with the objective of understanding how they continue to lead their lives beyond trauma. Results showed that these women’s ability to create meaning of their traumatic experiences and link it to their current lives is a determining factor in understanding their ability to move on. Finding a reason to keep going, creating a way to cope with loss, and perceiving an evolving sense of agency were significant aspects of getting over the traumatic event or enduring pain. Finally, changes in gender roles were identified by all five women, but their evaluation of these changes differed.
本文运用解释性现象学分析方法,分析了五名从叙利亚逃到黎巴嫩的女性的故事,目的是了解她们如何在创伤之外继续生活。结果表明,这些女性创造创伤经历意义并将其与当前生活联系起来的能力是理解她们继续前行能力的决定性因素。找到继续前行的理由、创造应对损失的方法以及感知不断发展的代理感是克服创伤事件或忍受痛苦的重要方面。最后,所有五名妇女都发现了性别角色的变化,但她们对这些变化的评价各不相同。
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引用次数: 0
Trauma: Social Realities and Cultural Texts 创伤:社会现实与文化文本
Pub Date : 2018-11-13 DOI: 10.17192/META.2018.11.7941
Stephan Milich, Lamia Moghnieh
This special issue aims to contribute to a deeper and critical understanding of trauma in the societies, cultures, and histories of the Middle East and North Africa. The collection of essays brings together perspectives from the social sciences, humanities and literary studies, not least by exploring the narrativization of suffering, its performative and its non-verbal expression both in social reality and cultural production. In presenting explorations of literary texts, theatre, social realities and theoretical reflection, we hope to contribute to a more comprehensive, nuanced and inclusive view on trauma and memory production both as a cultural and social materiality and as a political formation. The diverse array of different approaches, topics, and disciplines expresses our concern to include and map the diversity and multiplicity of current trauma studies research related to the MENA.
本期特刊旨在促进对中东和北非社会、文化和历史创伤的更深入和批判性理解。这本散文集汇集了社会科学、人文科学和文学研究的观点,尤其是通过探索苦难的叙事、苦难在社会现实和文化生产中的表演和非语言表达。在介绍对文学文本、戏剧、社会现实和理论反思的探索时,我们希望有助于对创伤和记忆产生作为一种文化和社会物质性以及一种政治形式的更全面、细致和包容的看法。不同方法、主题和学科的多样性表达了我们对包括和绘制当前与中东和北非地区相关的创伤研究的多样性和多样性的关注。
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引用次数: 4
Injustice Turned Inward? Continuous Traumatic Stress and Social Polarization in Egypt 不公转向内化?埃及持续的创伤压力和社会两极分化
Pub Date : 2018-11-13 DOI: 10.17192/META.2018.11.7807
Vivienne Matthies-Boon
Based on 40 life-story testimonies with young Cairene activists, this article argues that post-revolutionary Egypt was marked by Continuous Traumatic Stress (CTS). CTS is a phenomenological term that accounts for the structurally traumatic nature of political repression. It emphasizes the continuing temporality of such pervasive traumatizaton and the structural political stressors that underpin it. CTS thus entails a specifically political conception of trauma, according to which traumatic stress is in fact constituted by a violent, corrupt, unaccountable political and judicial system. This article argues that the traumatic experiences of activists in pre-and post-revolutionary Egypt are best perceived through the lens of CTS. It also insists that such traumatic stress—particularly the lack of justice and formal recourse—provided a fertile breeding ground for revenge and social polarization, which was directly incited by counter-revolutionary actors (such as the military and Muslim Brotherhood leadership), thereby sadly further contributing to the (seemingly endless) continuous cycle of continued traumatic stress.
基于年轻的凯恩斯活动家的40个生活故事证词,本文认为革命后的埃及具有持续的创伤压力(CTS)。CTS是一个现象学术语,解释了政治镇压的结构性创伤。它强调了这种普遍存在的创伤的持续时间性以及支撑它的结构性政治压力。因此,CTS提出了一个特定的创伤政治概念,根据该概念,创伤压力实际上是由暴力、腐败、不负责任的政治和司法系统构成的。本文认为,革命前后埃及活动家的创伤经历最好通过CTS的镜头来感知。它还坚持认为,这种创伤压力——特别是缺乏正义和正式追索权——为复仇和社会两极分化提供了肥沃的温床,而这是由反革命行为者(如军队和穆斯林兄弟会领导层)直接煽动的,从而可悲地进一步助长了持续创伤压力的(看似无休止的)持续循环。
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引用次数: 1
期刊
Middle East Topics Arguments
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