Pub Date : 2023-01-01DOI: 10.47743/aic-2023-1-0012
SARA SHIRVAN
The body has been scrutinized in various researches as a representation device capable of revealing certain states of existence of the person in his different aspects of life. It has been the subject of sociological, philosophical, biological, anthropological or psychologi - cal studies. Certain subjects such as illness, passion, pleasure and suffering, metamorphoses, identity or social taboos have been studied in their relationship to the body and have allowed a deeper knowledge of the individual, the “self” and personal identity. Hervé Guibert follows in his work a project of self-unveiling that is realized in a hybrid field of image and text; especially when he falls ill and tells the story of a suffering body. A recurring theme in his work is the body, through which he tries to show what constitutes his identity, the deconstruction and finally the reconstruction of this identity through the prism of illness. Guibert observes himself from the outside look through the mirror or through the camera. Therefore, through the image of the body, he constructs the distinct levels of his self-narrative. Furthermore, writing thus becomes a way of survival for the author, a way of reconstructing a new identity.
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Pub Date : 2023-01-01DOI: 10.47743/aic-2022-2-0006
Ana María Alonso Fernández
{"title":"La palabra poética ante el espejo: Habitaciones separadas de Luis García Montero","authors":"Ana María Alonso Fernández","doi":"10.47743/aic-2022-2-0006","DOIUrl":"https://doi.org/10.47743/aic-2022-2-0006","url":null,"abstract":"","PeriodicalId":30923,"journal":{"name":"Acta Iassyensia Comparationis","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70889380","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.47743/aic-2023-1-0015
FLORINA MATU
, la guerre (2020), analyse les représentations corporelles hybrides en contexte colonial, dans un Maroc qui ressent l’urgence d’une in-dépendance imminente. Dans ce contexte historique, le corps féminin, tendu ou libéré, contrôlé ou bien débridé, résonne avec les espaces symboliquement ou littéralement hostiles, décrits sans souci pour la sensibilité ou l’esthétique. En perpétuelle métamorphose, le corps féminin chez Slimani abonde d’un potentiel d’hybridité identi-taire puisqu’il est porteur d’équilibre et de tolérance.
{"title":"Identités corporelles dans les romans de Leïla Slimani","authors":"FLORINA MATU","doi":"10.47743/aic-2023-1-0015","DOIUrl":"https://doi.org/10.47743/aic-2023-1-0015","url":null,"abstract":", la guerre (2020), analyse les représentations corporelles hybrides en contexte colonial, dans un Maroc qui ressent l’urgence d’une in-dépendance imminente. Dans ce contexte historique, le corps féminin, tendu ou libéré, contrôlé ou bien débridé, résonne avec les espaces symboliquement ou littéralement hostiles, décrits sans souci pour la sensibilité ou l’esthétique. En perpétuelle métamorphose, le corps féminin chez Slimani abonde d’un potentiel d’hybridité identi-taire puisqu’il est porteur d’équilibre et de tolérance.","PeriodicalId":30923,"journal":{"name":"Acta Iassyensia Comparationis","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135653667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.47743/aic-2022-2-0004
ANA-MARIA Plumb
The totalitarianism of the XX century deeply marked the social, political, economic, intellectual, and cultural life. Romania is going through many changes after the Second World War
{"title":"Cărțile ca instrument de îndoctrinare în regimul comunist din România (1947-1965)","authors":"ANA-MARIA Plumb","doi":"10.47743/aic-2022-2-0004","DOIUrl":"https://doi.org/10.47743/aic-2022-2-0004","url":null,"abstract":"The totalitarianism of the XX century deeply marked the social, political, economic, intellectual, and cultural life. Romania is going through many changes after the Second World War","PeriodicalId":30923,"journal":{"name":"Acta Iassyensia Comparationis","volume":"38 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70888843","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.47743/aic-2023-1-0001
FLORENT RÉTHORÉ
This title may surprise at first sight. What connection can exist between the idea of the mutilated body and the few Tristan manuscripts, a myth famous for praising the idyllic love of a young and physically harmonious couple but whose morals may be considered extraordinary? I suggest in this essay that Béroul’s Tristan does not celebrate a unique form of love as it uses the image of deformed bodies to weave a narrative on a plot that cannot work nor go the distance without them. After showing how the image of the deviant body occupies every page, I propose to consider what this omnipre sence of other bodies tells us about how to interpret the text itself. In other words, the body of the text and its form, i.e. the mutilated shape of the manuscript of Béroul’s Tristan, are directly connected. À première vue, ce titre peut paraître étonnant. Quel rapport entre l’idée du corps violenté et les quelques manuscrits de Tristan, mythe manifestement connu pour chanter au contraire l’idylle d’un couple jeune et physiquement harmonieux mais moralement hors norme ? Je soutiendrai ici que l’idée que Tristan ne célèbre pas autant une certaine forme d’amour qu’elle utilise l’image de corps meurtris dans leurs difformités respectives pour tisser une histoire qui ne peut pas fonctionner pas sans eux. Après avoir montré que l’image de l’altérité corporelle borde chaque page du texte, on s’interrogera sur ce que l’omniprésence du corps déviant nous dit sur l’interprétation du roman lui-même. Autrement dit, on indiquera comment forme (corps du texte) et herméneutique sont intrinsèquement liées et pourquoi l’état « mutilé » du Tristan de Béroul n’a rien de fortuit.
{"title":"Tristan démembré : l’impossibilité de trancher","authors":"FLORENT RÉTHORÉ","doi":"10.47743/aic-2023-1-0001","DOIUrl":"https://doi.org/10.47743/aic-2023-1-0001","url":null,"abstract":"This title may surprise at first sight. What connection can exist between the idea of the mutilated body and the few Tristan manuscripts, a myth famous for praising the idyllic love of a young and physically harmonious couple but whose morals may be considered extraordinary? I suggest in this essay that Béroul’s Tristan does not celebrate a unique form of love as it uses the image of deformed bodies to weave a narrative on a plot that cannot work nor go the distance without them. After showing how the image of the deviant body occupies every page, I propose to consider what this omnipre sence of other bodies tells us about how to interpret the text itself. In other words, the body of the text and its form, i.e. the mutilated shape of the manuscript of Béroul’s Tristan, are directly connected. À première vue, ce titre peut paraître étonnant. Quel rapport entre l’idée du corps violenté et les quelques manuscrits de Tristan, mythe manifestement connu pour chanter au contraire l’idylle d’un couple jeune et physiquement harmonieux mais moralement hors norme ? Je soutiendrai ici que l’idée que Tristan ne célèbre pas autant une certaine forme d’amour qu’elle utilise l’image de corps meurtris dans leurs difformités respectives pour tisser une histoire qui ne peut pas fonctionner pas sans eux. Après avoir montré que l’image de l’altérité corporelle borde chaque page du texte, on s’interrogera sur ce que l’omniprésence du corps déviant nous dit sur l’interprétation du roman lui-même. Autrement dit, on indiquera comment forme (corps du texte) et herméneutique sont intrinsèquement liées et pourquoi l’état « mutilé » du Tristan de Béroul n’a rien de fortuit.","PeriodicalId":30923,"journal":{"name":"Acta Iassyensia Comparationis","volume":"128 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135653653","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.47743/aic-2023-1-0002
LETICIA DING
Medieval hagiographic legends are rich in lives of transvestite saints. The question of the body is central insofar as its gender is hi - dden. The case of the life of St. Marina presents a particularity since the young girl does not choose to assume a man’s habit, it is her father who disguises her when she is still young in order to take her with him to the monastery. She then led a chaste life under a monk’s habit, but she was falsely accused of seduction and of getting a woman pregnant. St. Marina did not seek to reveal her true identity in order to be cleared of these accusations, but agreed to do penance. The punishment she undergoes places her on the fringes of society and mistreats her body. This terrestrial body, damaged by physical needs, is sublimated when it becomes celestial, that is when the saint joins the kingdom of heaven. A dialogue is established between the terrestrial body and the celestial body, between the flesh and the soul, with the aim of edifying Christians to learn to see beyond appearances. Les légendes hagiographiques médiévales sont riches en vies de saintes travesties. La question du corps est centrale dans la mesure où son genre est caché. Le cas de la vie de sainte Marine présente une particularité puisque la jeune fille ne choisit pas de prendre l’habit d’homme, c’est son père qui la déguise lorsqu’elle est encore en bas âge pour l’emmener avec lui au monastère. Elle va alors mener une vie chaste sous l’habit de moine, mais elle va être victime d’une fausse accusation de séduction et d’avoir mis une femme enceinte. Sainte Marine ne cherche pas à dévoiler sa vraie identité pour être innocentée de ces accusations, elle accepte de faire pénitence. Le châtiment qu’elle subit la place en marge de
{"title":"Le corps terrestre et le corps céleste de la sainte travestie : La Vie de Sainte Marine (XIIIe siècle)","authors":"LETICIA DING","doi":"10.47743/aic-2023-1-0002","DOIUrl":"https://doi.org/10.47743/aic-2023-1-0002","url":null,"abstract":"Medieval hagiographic legends are rich in lives of transvestite saints. The question of the body is central insofar as its gender is hi - dden. The case of the life of St. Marina presents a particularity since the young girl does not choose to assume a man’s habit, it is her father who disguises her when she is still young in order to take her with him to the monastery. She then led a chaste life under a monk’s habit, but she was falsely accused of seduction and of getting a woman pregnant. St. Marina did not seek to reveal her true identity in order to be cleared of these accusations, but agreed to do penance. The punishment she undergoes places her on the fringes of society and mistreats her body. This terrestrial body, damaged by physical needs, is sublimated when it becomes celestial, that is when the saint joins the kingdom of heaven. A dialogue is established between the terrestrial body and the celestial body, between the flesh and the soul, with the aim of edifying Christians to learn to see beyond appearances. Les légendes hagiographiques médiévales sont riches en vies de saintes travesties. La question du corps est centrale dans la mesure où son genre est caché. Le cas de la vie de sainte Marine présente une particularité puisque la jeune fille ne choisit pas de prendre l’habit d’homme, c’est son père qui la déguise lorsqu’elle est encore en bas âge pour l’emmener avec lui au monastère. Elle va alors mener une vie chaste sous l’habit de moine, mais elle va être victime d’une fausse accusation de séduction et d’avoir mis une femme enceinte. Sainte Marine ne cherche pas à dévoiler sa vraie identité pour être innocentée de ces accusations, elle accepte de faire pénitence. Le châtiment qu’elle subit la place en marge de","PeriodicalId":30923,"journal":{"name":"Acta Iassyensia Comparationis","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135653655","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.47743/aic-2023-1-0020
SANTA VANESSA CAVALLARI
The present study aims to illustrate the route towards the sexual appropriation of the female body in the literary fiction of the Puerto Rican writer Giannina Braschi (1957 -). The case of Yo-Yo Boing! , belonging to the Puerto Rican diaspora literature, problematizes the perception of the body in connection with the (de)construction of a social identity. First, an overview of feminist issues in the Carribbean will lead us to better understand the choice made in the representation of the human body by the writer. Later, we will look at the self-eroti-cism generated by the protagonist’s body, both source of pleasure and disgust, and on the way in which it allows to upset the male authority over the female corporality. Thus, the radicalization of the en-joyment and sexualization of the female body, in a context like that of Puerto Rico, where hybridism is the dominant, becomes not only a reappropriation of biopolitical freedom, but a foreshadow of the gender binarism’s deconstruction toward a queer era. La présente étude se propose d’illustrer l’acheminement vers l’ap-propriation sexuelle du corps féminin dans la fiction littéraire de l’écrivaine portoricaine Giannina Braschi (1957 -). Le cas de Yo-Yo Boing ! , un ouvrage issu de la littérature portoricaine de la diaspora, nous permettra de problématiser la perception du corps en lien avec la (dé)construction d’une identité sociale. Dans un premier temps, un aperçu des enjeux féministes aux Caraïbes nous mènera à mieux comprendre le choix accompli dans la représentation du corps humain par l’écrivaine. Par la suite, nous nous pencherons sur l’auto-érotisme engendré par le corps de la protagoniste, à la fois source de plaisir et dégoût, et sur la manière dont ce dernier permet de bouleverser l’au-torité masculine sur la corporalité féminine. Ainsi, la radicalisation de la jouissance et de la sexualisation du corps féminin, dans un contexte comme celui portoricain où l’hybridisme est la dominante, devient non seulement réappropriation de la liberté biopolitique, mais préfig-uration d’une déconstruction de la binarité de genre vers une ère queer
{"title":"Pour un érotisme kitsch dans Yo-Yo Boing ! Bouleverser la corporalité dans les rôles sociaux","authors":"SANTA VANESSA CAVALLARI","doi":"10.47743/aic-2023-1-0020","DOIUrl":"https://doi.org/10.47743/aic-2023-1-0020","url":null,"abstract":"The present study aims to illustrate the route towards the sexual appropriation of the female body in the literary fiction of the Puerto Rican writer Giannina Braschi (1957 -). The case of Yo-Yo Boing! , belonging to the Puerto Rican diaspora literature, problematizes the perception of the body in connection with the (de)construction of a social identity. First, an overview of feminist issues in the Carribbean will lead us to better understand the choice made in the representation of the human body by the writer. Later, we will look at the self-eroti-cism generated by the protagonist’s body, both source of pleasure and disgust, and on the way in which it allows to upset the male authority over the female corporality. Thus, the radicalization of the en-joyment and sexualization of the female body, in a context like that of Puerto Rico, where hybridism is the dominant, becomes not only a reappropriation of biopolitical freedom, but a foreshadow of the gender binarism’s deconstruction toward a queer era. La présente étude se propose d’illustrer l’acheminement vers l’ap-propriation sexuelle du corps féminin dans la fiction littéraire de l’écrivaine portoricaine Giannina Braschi (1957 -). Le cas de Yo-Yo Boing ! , un ouvrage issu de la littérature portoricaine de la diaspora, nous permettra de problématiser la perception du corps en lien avec la (dé)construction d’une identité sociale. Dans un premier temps, un aperçu des enjeux féministes aux Caraïbes nous mènera à mieux comprendre le choix accompli dans la représentation du corps humain par l’écrivaine. Par la suite, nous nous pencherons sur l’auto-érotisme engendré par le corps de la protagoniste, à la fois source de plaisir et dégoût, et sur la manière dont ce dernier permet de bouleverser l’au-torité masculine sur la corporalité féminine. Ainsi, la radicalisation de la jouissance et de la sexualisation du corps féminin, dans un contexte comme celui portoricain où l’hybridisme est la dominante, devient non seulement réappropriation de la liberté biopolitique, mais préfig-uration d’une déconstruction de la binarité de genre vers une ère queer","PeriodicalId":30923,"journal":{"name":"Acta Iassyensia Comparationis","volume":"92 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135653673","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.47743/aic-2022-2-0008
Mihai Baltag
The Christian poetry of the Late Roman Empire has a rather delayed start when compared to the bulk of the other patristic writings. However, these tarried beginnings are spectacularly recovered during the second half of the 4th century through the significant contributions of learned authors such as Ambrose of Mediolanum and Prudentius. Our present study dwells on a few poetic fragments of Prudentius’s works in which the Spaniard writer deals with the pro blem of writing itself. When read attentively, these fragments reveal that the writer is aware of the novelty of his Christian poetry within the context of a monumental pagan culture. An admirer of the achievements of the Roman-Greek world, Prudentius does not proceed to a complete rebuttal of the classical writers. Instead, he makes good use of the cultural thesaurus of the Antiquity to create a worthy and ori ginal corpus of poetic writings. Lirica religioasă de expresie latină are un debut tardiv (a doua jumătate a secolului IV) în raport cu restul literaturii patristice. Această întârziere este „recuperată” rapid şi spectaculos, prin condeiele unor scriitori de excepţie, precum Ambrozie al Mediolanului ori poetul Prudenţiu. În studiul nostru, observăm câteva fragmente din scrierile lui Prudenţiu care indică un efort creator pentru a înzestra Biserica începuturilor cu o operă consistentă care să poată sta alături de lucrările consacrate ale Antichităţii clasice păgâne. Pasajele avute în vedere creionează elemente de artă poetică, o reflecţie asupra scrisului propriu şi asupra finalităţilor acestuia; Prudenţiu îşi rodeşte talentul poetic şi abilităţile culturale de excepţie pentru a crea o operă valoroasă şi fascinantă care şi astăzi oferă cercetătorului posibilităţi nebănuite de interpretare.
晚期罗马帝国的基督教诗歌与其他教父的作品相比起步较晚。然而，这些迟滞的开端在公元4世纪下半叶通过博学的作家的重要贡献，如米第奥拉努的安布罗斯和普鲁登修斯，得到了惊人的恢复。我们目前的研究集中在普律修斯作品中的一些诗歌片段上，这位西班牙作家在这些片段中探讨了写作本身的问题。当仔细阅读时，这些片段揭示了作者意识到他的基督教诗歌在一个巨大的异教文化背景下的新颖性。作为罗马-希腊世界成就的仰慕者，普鲁登修斯并没有对古典作家进行彻底的反驳。相反，他很好地利用了古代的文化词典，创造了一个有价值和原创的诗歌作品语料库。拉丁美洲的宗教表达是拉丁美洲的首次亮相(a doua jumurtate a secolului IV)。 ntziere este“休养所”迅速 i spectaculos, priin condeiele unor scriitori de excepţie, precum Ambrozie al Mediolanului ori poel Prudenţiu。În studiul nostru, observulm cteva fragment in scrierile lui Prudenţiu care indicu un -努力creator pentru a nzestra Biserica nceputurilor or operu consistent care souru poatu sta alalturi de lucrrecrile consacrate ale Antichităţii clasice precgale ne。Pasajele avute n vedere creioneazei elemente de artiticticei, o reflecţie asupra scrisului propriu i asupra finalităţilor acestuia;属于ţiu我ş骑şte talentul诗意şabilităţile culturale de excepţie pentru克雷亚oă歌剧院valoroasăş我fascinantăş我astăzi oferăcercetătorului posibilităţ我内ănuite de interpretare。
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