The present study is a half-shortened version of the Album, perhaps sufficient to outline the problem and reasoning. It forms a chapter in the dissertation, the topic of which is German painting ’80 and ’90 years (predecessors, opposition, followers). Unfortunately, or fortunately, it was necessary for such an extensive treatment of the emergence of meaning from the movement of the view of the image, precisely in relation to the transgressive principles of networking images outside themselves. I noticed how the look and the story were connected. The movement of the eye along the image does not have to be in a single line, but can only subsequently form a single line with a jump; this leap sometimes becomes a topic in itself. The text aimed to present a foreword to today’s network paintings (originating from the Cologne area of the eighties and nineties), which also worked in large scale with the text, context and painting principles. It may be too distant a relationship at first glance, but on the contrary: thanks to Reni, a continuous line is being created to Titian and from Reni to Kandinsky. The predecessor and distant follower worked as I will show below with the movement of the eye around the image.
{"title":"Album fantázií s Guidom Renim","authors":"Matúš Novosad","doi":"10.31577/ars-2022-0005","DOIUrl":"https://doi.org/10.31577/ars-2022-0005","url":null,"abstract":"The present study is a half-shortened version of the Album, perhaps sufficient to outline the problem and reasoning. It forms a chapter in the dissertation, the topic of which is German painting ’80 and ’90 years (predecessors, opposition, followers). Unfortunately, or fortunately, it was necessary for such an extensive treatment of the emergence of meaning from the movement of the view of the image, precisely in relation to the transgressive principles of networking images outside themselves. I noticed how the look and the story were connected. The movement of the eye along the image does not have to be in a single line, but can only subsequently form a single line with a jump; this leap sometimes becomes a topic in itself. The text aimed to present a foreword to today’s network paintings (originating from the Cologne area of the eighties and nineties), which also worked in large scale with the text, context and painting principles. It may be too distant a relationship at first glance, but on the contrary: thanks to Reni, a continuous line is being created to Titian and from Reni to Kandinsky. The predecessor and distant follower worked as I will show below with the movement of the eye around the image.","PeriodicalId":31329,"journal":{"name":"ARS","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41334570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Kontextualizmus a imanentizmus v estetike Marcela Prousta","authors":"J. Huba","doi":"10.31577/ars-2022-0004","DOIUrl":"https://doi.org/10.31577/ars-2022-0004","url":null,"abstract":"","PeriodicalId":31329,"journal":{"name":"ARS","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48049012","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Nebeský Jeruzalem – Šalamúnov chrám – kostol : sakralizácia kresťanskej architektúry (niekoľko téz k veľkej téme)","authors":"Bibiana Pomfyová","doi":"10.31577/ars-2021-0005","DOIUrl":"https://doi.org/10.31577/ars-2021-0005","url":null,"abstract":"","PeriodicalId":31329,"journal":{"name":"ARS","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41520972","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Opätovne k tzv. Monomachovej korune","authors":"Tomáš Gábriš","doi":"10.31577/ars-2021-0007","DOIUrl":"https://doi.org/10.31577/ars-2021-0007","url":null,"abstract":"","PeriodicalId":31329,"journal":{"name":"ARS","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70009606","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Landlady from Hell. The Iconography of the Medieval Wall Paintings in Rimavské Brezovo and Liptovské Sliače","authors":"P. Megyeši","doi":"10.31577/ars-2021-0008","DOIUrl":"https://doi.org/10.31577/ars-2021-0008","url":null,"abstract":"","PeriodicalId":31329,"journal":{"name":"ARS","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43470965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Beyond Defence: City Fortifications and Urban Identity in Levoča","authors":"M. Mrázová","doi":"10.31577/ars-2021-0009","DOIUrl":"https://doi.org/10.31577/ars-2021-0009","url":null,"abstract":"","PeriodicalId":31329,"journal":{"name":"ARS","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44808506","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Local and Supra-regional Significance of Romanesque Sculpture and its Place in Art History – the Example of Bas-reliefs from a Church in Inowrocław","authors":"P. Waszak","doi":"10.31577/ars-2021-0006","DOIUrl":"https://doi.org/10.31577/ars-2021-0006","url":null,"abstract":"","PeriodicalId":31329,"journal":{"name":"ARS","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43201647","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The study focuses on the events in the period of so-called normalisation, specifically between 1972 and 1989. During this period, Alex Mlynárčik continued to cooperate with French artists and art critics, notably Pierre Restany. The study points out the importance of this leading personality of Parisian New realism in terms of the presentation of Jozef Jankovič, Robert Cyprich, Jana Želibská and the White Space in White Space project in Paris. It also focuses on lesser-known publications by Geneviève Bénamou, a French art critic whose thesis was based on research conducted during her stay in Czechoslovakia. As an editor, Bénamou also prepared a book on visual artists of Czech and Slovak’s origin living outside Czechoslovakia, including Vladimir Ossif. Another personality who considerably contributed to shaping the French-Slovak relations was a young philosopher Etienne Cornevin. Over the decade he spent in Slovakia as a French language teacher, he met the circle of visual artists of his generation, members of the unofficial art scene.
{"title":"Medzi Parížom a Bratislavou II. Francúzsko-slovenské a slovensko-francúzske vzťahy vo výtvarnom umení počas sedemdesiatych a osemdesiatych rokov 20. storočia (2. časť – segment)","authors":"Zuzana Bartošová","doi":"10.31577/ars-2021-0004","DOIUrl":"https://doi.org/10.31577/ars-2021-0004","url":null,"abstract":"The study focuses on the events in the period of so-called normalisation, specifically between 1972 and 1989. During this period, Alex Mlynárčik continued to cooperate with French artists and art critics, notably Pierre Restany. The study points out the importance of this leading personality of Parisian New realism in terms of the presentation of Jozef Jankovič, Robert Cyprich, Jana Želibská and the White Space in White Space project in Paris. It also focuses on lesser-known publications by Geneviève Bénamou, a French art critic whose thesis was based on research conducted during her stay in Czechoslovakia. As an editor, Bénamou also prepared a book on visual artists of Czech and Slovak’s origin living outside Czechoslovakia, including Vladimir Ossif. Another personality who considerably contributed to shaping the French-Slovak relations was a young philosopher Etienne Cornevin. Over the decade he spent in Slovakia as a French language teacher, he met the circle of visual artists of his generation, members of the unofficial art scene.","PeriodicalId":31329,"journal":{"name":"ARS","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44910255","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Historik umenia Vojtech Tilkovský (1902 – 1978) a jeho pôsobenie na Univerzite Komenského","authors":"K. Beňová","doi":"10.31577/ars-2021-0003","DOIUrl":"https://doi.org/10.31577/ars-2021-0003","url":null,"abstract":"","PeriodicalId":31329,"journal":{"name":"ARS","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41694597","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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