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Social Estates, Occupation, and HISCO: A New Study of Odesa in 1897 社会阶层、职业与HISCO——1897年敖德萨的新研究
Q2 Arts and Humanities Pub Date : 2022-10-26 DOI: 10.21226/ewjus594
Tymofii Brik
Odesa was one of the largest and most important cities in the Russian Empire. Numerous studies have addressed the economic development and social structure of Odesa, but there are some gaps in the knowledge of the social stratification during the nineteenth century. Although most studies of the social and economic histories of Ukraine provide qualitative or highly aggregated quantitative data, micro-data at the level of individuals and households in Ukraine are rare. This paper provides new micro-data from the 1897 census in Odesa. It is the first attempt to code occupations of Odesa workers according to the Historical International Standard Classification of Occupations (HISCO). Of the 2,435 individuals in the 457 sampled households analyzed, 1,443 individuals demonstrate 86 of the unique occupations coded with the international HISCO scheme. The analysis compares these HISCO occupations by the social estates, the gender, and the language of the surveyed individuals. The study confirms several old hypotheses but also unearths new findings regarding the number of urban females involved in service and sales occupations.
敖德萨是俄罗斯帝国最大、最重要的城市之一。许多研究都涉及敖德萨的经济发展和社会结构,但对19世纪社会分层的认识存在一些差距。尽管大多数对乌克兰社会和经济历史的研究都提供了定性或高度汇总的定量数据,但乌克兰个人和家庭层面的微观数据很少。本文提供了1897年敖德萨人口普查的新微观数据。这是首次尝试根据历史国际标准职业分类(HISCO)对敖德萨工人的职业进行编码。在分析的457个抽样家庭中的2435人中,1443人展示了国际HISCO计划编码的86种独特职业。该分析根据被调查者的社会阶层、性别和语言对这些HISCO职业进行了比较。这项研究证实了几个古老的假设,但也发现了关于从事服务和销售职业的城市女性人数的新发现。
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引用次数: 0
Remembering Andrew Gregorovich (1935–2022) 缅怀安德鲁·格雷戈罗维奇(1935–2022)
Q2 Arts and Humanities Pub Date : 2022-10-26 DOI: 10.21226/ewjus745
T. Prymak
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引用次数: 0
Author Response 作者的反应
Q2 Arts and Humanities Pub Date : 2022-10-26 DOI: 10.21226/ewjus762
A. Świątek
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引用次数: 0
Review of Vladislav Davidzon. From Odessa with Love: Political and Literary Essays from Post-Soviet Ukraine. Vladislav Davidzon评论。来自爱的敖德萨:后苏联时期乌克兰的政治和文学随笔。
Q2 Arts and Humanities Pub Date : 2022-10-26 DOI: 10.21226/ewjus753
Oksana Dovgopolova
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引用次数: 0
Ukrainian Nationalism from Shevchenko to the Maidan: A Czech Perspective 从舍甫琴科到独立广场的乌克兰民族主义:一个捷克的视角
Q2 Arts and Humanities Pub Date : 2022-10-26 DOI: 10.21226/ewjus758
Radomyr Mokryk
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引用次数: 0
Polish-Ukrainian Dialogue on the Restitution of Cultural Property Displaced during World War II 波兰-乌克兰关于归还二战期间流离失所的文化财产的对话
Q2 Arts and Humanities Pub Date : 2022-10-26 DOI: 10.21226/ewjus756
Serhii Kot
Negotiations between Ukraine and Poland concerning the return of lost treasures have been ongoing since the beginning of the 1990s. In total, during 1997–2020 six sessions were held of the Intergovernmental Ukrainian-Polish Commission for the Protection and Return of Cultural Property Lost and Illegally Displaced during World War II. However, no cultural objects have been returned to Ukraine or Poland. This article analyzes current Ukrainian-Polish intergovernmental relations on the return and restitution of cultural property lost in consequence of World War II, describes the accomplishments, and examines the problematic issues concerning mutual co-operation.
自20世纪90年代初以来,乌克兰和波兰一直在就归还丢失的珍宝进行谈判。1997年至2020年期间,乌克兰-波兰保护和归还二战期间丢失和非法流离失所的文化财产政府间委员会共举行了六届会议。然而,没有任何文物归还乌克兰或波兰。本文分析了当前乌克兰与波兰在归还和归还第二次世界大战损失的文化财产方面的政府间关系,描述了所取得的成就,并探讨了有关相互合作的问题。
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引用次数: 0
Curative Mythmaking: Children's Bodies, Medical Knowledge, and the Frontier of Health in Early Soviet Odesa 治疗神话:儿童的身体、医学知识和早期苏联敖德萨的健康前沿
Q2 Arts and Humanities Pub Date : 2022-10-26 DOI: 10.21226/ewjus597
Matthew D. Pauly
This essay explores how Soviet authorities appropriated medical knowledge derived from the treatment of a “passive” juvenile population to create a new assurance of municipal well-being in the 1920s. The attempt to control and remediate the spread of disease reflected a Bolshevik certainty in the state’s ability to confront the frontier of health by applying the dictates of modern science. Revolution and civil war brought challenge—the fractured city changed hands repeatedly until a final, tentative victory by the Red Army in 1920. Odesa’s children figuratively confronted a political, moral, and social liminality, standing between the diseased, corrupt yesteryear and a salubrious, principled future. Soviet central authorities sought to revive the newly liberated city by establishing a network of children’s institutions in which they would contain contagion, but also bring the full spectrum of applied expertise to bear on young bodies. In this traumatized city at the Soviet Union’s edge, state custodians would raise a new, loyal generation. Its health would signify revolution achieved. Illness would continue to plague the city’s residents, but the myth of a community united in health created an ecology of promise and activism.
本文探讨了20世纪20年代,苏联当局如何利用从治疗“被动”青少年中获得的医学知识,为城市福祉创造新的保障。控制和补救疾病传播的努力反映了布尔什维克对国家通过应用现代科学的指令来对抗健康前沿的能力的确定性。革命和内战带来了挑战——这座支离破碎的城市一再易手,直到1920年红军取得了最后的、试探性的胜利。奥德萨的孩子们象征性地面临着政治、道德和社会的极限,站在病态、腐败的过去和健康、有原则的未来之间。苏联中央当局试图通过建立一个儿童机构网络来复兴这座新解放的城市,在这个网络中,他们将控制传染,但也将全方位的应用专业知识应用于年轻人的身体。在这个饱受创伤的苏联边缘城市,国家管理者将培养出忠诚的新一代。它的健康将意味着革命的实现。疾病将继续困扰着这座城市的居民,但社区在健康方面团结一致的神话创造了一个充满希望和行动主义的生态。
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引用次数: 0
The Odesa Image in Odesa-Themed Restaurants 敖德萨主题餐厅中的敖德萨形象
Q2 Arts and Humanities Pub Date : 2022-10-26 DOI: 10.21226/ewjus589
Oksana Dovgopolova
The popularity of Odesa-themed restaurants across the world presents an opportunity to explore a possible core of the Odesa city myth, sedimented into consumer space. The article analyzes 63 enterprises in seventeen countries, examining the cuisine, interiors, restaurant concepts, media reviews, and visitor reports on social media. The theoretical framework of this study revolves around the concept of memory entrepreneurship, the concept of travelling mnemonic plots, and instruments of marketing semiotics, especially the “cultural mélange” phenomenon. The surveyed restaurants reveal a specific picture of an Odesa “memoryscape,” formed as a dense palimpsest. The key themes are the motifs of an inverted world and of a lost Paradise. The plot of the Odesa myth in restaurants outside Odesa can be described as a temporal loop, starting at several points simultaneously, traversing the space of the world, then collapsing and returning to the departure time in a gesture of grief over the lost paradise.
敖德萨主题餐厅在世界各地的流行为探索敖德萨城市神话的可能核心提供了一个机会,这些神话沉淀在消费空间中。本文分析了17个国家的63家企业,考察了美食、室内设计、餐厅概念、媒体评论和社交媒体上的访客报道。本研究的理论框架围绕着记忆创业的概念、旅行记忆情节的概念和营销符号学的工具,特别是“文化混杂”现象。接受调查的餐厅展示了敖德萨“记忆景观”的具体图片,该图片由密集的重写本形成。关键的主题是一个颠倒的世界和一个失落的天堂的主题。敖德萨神话在敖德萨以外的餐馆中的情节可以描述为一个时间循环,同时从几个点开始,穿越世界的空间,然后崩溃,回到离开的时间,对失去的天堂表示悲痛。
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引用次数: 0
Review of Irena Kozak. “Zrodylys' my velykoi hodyny . . .”: Spohady.
Q2 Arts and Humanities Pub Date : 2022-03-30 DOI: 10.21226/ewjus720
P. Wróbel
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引用次数: 0
Cyborgs vs. Vatniks: Hybridity, Weaponized Information, and Mediatized Reality in Recent Ukrainian War Films 赛博格vs vatnik:乌克兰战争电影中的混合、武器化信息和媒介化现实
Q2 Arts and Humanities Pub Date : 2022-03-30 DOI: 10.21226/ewjus588
Yuliya V. Ladygina
Focusing on Akhtem Seitablaiev’s blockbuster Kiborhy: Heroi ne vmyraiut' (Cyborgs: Heroes Never Die, 2017) and Sergei Loznitsa’s auteur production Donbass (2018), this article argues that the latest cycle of Ukrainian war films merits critical attention as an astute record of conspicuous social transformations in today’s Ukraine and as a medium that presents an original perspective on the hybrid nature of modern war and its mediatization, the latter being a relatively new theme in war films broadly defined. The article uses post-colonial and cyborg theories of hybridity, Baudrillard’s concept of simulacra, and the Marxist notion of “false consciousness” to illustrate how post-Soviet, post-colonial, and post-truth aspects of war-torn Ukraine conflate in Seitablaev’s and Loznitsa’s works to bring to the fore a recent shift in the nature of warfare itself. As the two films unequivocally demonstrate, the latter is defined not so much by high-tech armed operations and direct annihilation of the opponent as by contactless warfare, as well as its consequences for those directly influenced by it.
关注Akhtem seitablaev的大片Kiborhy: Heroi ne vmyraiut(赛博格人):《英雄不死》(2017年)和谢尔盖·洛兹尼察的导演作品《顿巴斯》(2018年),本文认为,乌克兰战争电影的最新周期值得评论界关注,因为它敏锐地记录了当今乌克兰显著的社会变革,并作为一种媒介,呈现了现代战争及其媒介化的混合性质的原始视角,后者在广义的战争电影中是一个相对较新的主题。本文使用后殖民和半机械人混合理论,鲍德里亚的拟像概念,以及马克思主义的“虚假意识”概念来说明后苏联、后殖民和后真相是如何在Seitablaev和Loznitsa的作品中融合在一起的,从而突出了战争本身性质的最近转变。正如两部电影明确表明的那样,后者的定义与其说是高科技武装行动和直接消灭对手,不如说是非接触战争,以及它对直接受其影响的人的后果。
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引用次数: 3
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EastWest Journal of Ukrainian Studies
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