Pub Date : 2022-06-09DOI: 10.33153/abdiseni.v13i1.4220
Kukuh Pamuji
The phenomenon of coastal sintren performing arts in the border areas of West Java (Cirebon and Indramayu) and Central Java (Brebes, Tegal, Pemalang) which has local genius by carrying out cultural transformations between traditions and mystical traditional arts transforming with modern culture as an effect of urban culture, finally with the transformation of culture will be transformed into urban culture. The problems that exist in the Sintren Pesisitran art community include: (1) the lack of support for the development and preservation of coastal traditional arts, (2) How the art of performing the Coastal Sintren can holistically rediscover the essence of aspects of cultural expression and the development of other creative aspects. This empowerment program is carried out through various mentoring programs including; (1) empowering creative human resources, (2) choreography training, musical instruments, (3) costume assistance for several Sintren Pesisiran communities. The results of community empowerment assistance, including: The performing arts of coastal sintren can be studied holistically, aspects of art as expression, art as pragmatics, anthropological and sociological studies. Pragmatically, this typical coastal art performs practical activities for various aspects of interest. It was then realized by the performing arts community that their creative activities are not just expressions. Social aspects are also interpreted more broadly when we look at the educational aspect, of course with multidimensional and multi-interpreted discourses.
西爪哇(Cirebon和Indramayu)和中爪哇(Brebes, Tegal, Pemalang)边境地区的沿海sintren表演艺术现象,它具有当地的天才,通过传统和神秘的传统艺术之间的文化转换,以现代文化作为城市文化的影响进行文化转换,最终将文化转化为城市文化。“滨海新乡”艺术界存在的问题包括:(1)缺乏对沿海传统艺术发展和保护的支持;(2)“滨海新乡”的表演艺术如何从整体上重新发现文化表现方面的本质和其他创造性方面的发展。这项授权计划通过各种指导计划进行,包括;(1)赋予创意人力资源,(2)舞蹈训练,乐器,(3)为几个Sintren Pesisiran社区提供服装援助。社区赋权援助的结果包括:沿海城镇的表演艺术可以被整体地研究,艺术作为表达,艺术作为语用学,人类学和社会学研究的各个方面。在实用主义上,这种典型的沿海艺术为各种兴趣方面进行实践活动。表演艺术界意识到,他们的创作活动不仅仅是表达。当我们看教育方面时,社会方面也被更广泛地解释,当然是多维的,多重解释的话语。
{"title":"Fenomena Seni Pertunjukan Sintren Pesisiran dan Pemberdayaan Masyarakat melalui Pedekatan Antropologis","authors":"Kukuh Pamuji","doi":"10.33153/abdiseni.v13i1.4220","DOIUrl":"https://doi.org/10.33153/abdiseni.v13i1.4220","url":null,"abstract":"The phenomenon of coastal sintren performing arts in the border areas of West Java (Cirebon and Indramayu) and Central Java (Brebes, Tegal, Pemalang) which has local genius by carrying out cultural transformations between traditions and mystical traditional arts transforming with modern culture as an effect of urban culture, finally with the transformation of culture will be transformed into urban culture. The problems that exist in the Sintren Pesisitran art community include: (1) the lack of support for the development and preservation of coastal traditional arts, (2) How the art of performing the Coastal Sintren can holistically rediscover the essence of aspects of cultural expression and the development of other creative aspects. This empowerment program is carried out through various mentoring programs including; (1) empowering creative human resources, (2) choreography training, musical instruments, (3) costume assistance for several Sintren Pesisiran communities. The results of community empowerment assistance, including: The performing arts of coastal sintren can be studied holistically, aspects of art as expression, art as pragmatics, anthropological and sociological studies. Pragmatically, this typical coastal art performs practical activities for various aspects of interest. It was then realized by the performing arts community that their creative activities are not just expressions. Social aspects are also interpreted more broadly when we look at the educational aspect, of course with multidimensional and multi-interpreted discourses.","PeriodicalId":325403,"journal":{"name":"Abdi Seni","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126267454","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-09DOI: 10.33153/abdiseni.v13i1.4179
FP Sri Wuryani, Rahel Olivia Chandra Estoni Putri
ABSTRACTWomen from low-income families encounter some challenges because of their gender status. Thus, attention is required to improve women’s engagement in the socioeconomic development process, a program implemented by the government in the scope of women’s welfare. However, the program’s impact on women has not been totally positive. Providing training related to Jumputan (tie-dye) batik making is one of the alternatives for women empowerment, particularly among local housewives community (PKK) members in Perum Solo Elok, Mojosongo, Surakarta. Batik is a method of decorating cloth with dye techniques; however, in the majority of Indonesian society, the term batik refers to batik-patterned textiles or printed batik rather than actual batik. This course is intended to support attempts to preserve traditional art, particularly batik artworks. Activities are carried out in collaboration with program partners PKK Perum Solo Elok, Mojosongo, Surakarta. The approach used to carry out this introductory activity prioritizes participant and mentor activeness, which is supported by the use of media and effective and efficient training models, with the goal of training materials being well accepted by trainees, who are PKK members. In accordance with this, the program design, particularly this creative workshop, refers to David Gibson’s concept of design phases divided into three broad groups: planning, design, and implementation. The stages of activity implementation include three methods: mutual approach, personal approach, and partnership approach. This skill is to add a variety of skills to partners in order to develop a hobby and business related to tie-dye batik.
来自低收入家庭的女性因其性别地位而面临一些挑战。因此,需要注意提高妇女在社会经济发展过程中的参与度,这是政府在妇女福利范围内实施的一项计划。然而,该项目对女性的影响并不完全是积极的。提供与Jumputan(扎染)蜡染制作相关的培训是赋予妇女权力的另一种选择,特别是在泗水市Mojosongo Perum Solo Elok的当地家庭主妇社区(PKK)成员中。蜡染是一种用染料技术装饰布料的方法;然而,在印度尼西亚社会的大多数地区,“蜡染”一词指的是蜡染图案的纺织品或印染,而不是真正的蜡染。本课程旨在支持保护传统艺术,特别是蜡染艺术的尝试。活动是与项目伙伴库尔德工人党Perum Solo Elok, Mojosongo, Surakarta合作开展的。用于开展这一介绍性活动的方法优先考虑参与者和导师的积极性,这是通过使用媒体和有效和高效的培训模式来支持的,其目标是培训材料得到库尔德工人党成员受训人员的广泛接受。据此,本次方案设计,尤其是本次创意工作坊,参考了David Gibson的设计阶段概念,将设计阶段分为三大类:规划、设计和实施。活动实施的阶段包括三种方法:相互方法、个人方法和伙伴方法。这种技能是给合作伙伴增加各种技能,以发展与扎染蜡染相关的爱好和业务。
{"title":"Pengenalan Batik Jumputan Sebagai Media Alternatif Keterampilan Kepada Ibu PKK Perum Solo Elok, Mojosongo, Surakarta","authors":"FP Sri Wuryani, Rahel Olivia Chandra Estoni Putri","doi":"10.33153/abdiseni.v13i1.4179","DOIUrl":"https://doi.org/10.33153/abdiseni.v13i1.4179","url":null,"abstract":"ABSTRACTWomen from low-income families encounter some challenges because of their gender status. Thus, attention is required to improve women’s engagement in the socioeconomic development process, a program implemented by the government in the scope of women’s welfare. However, the program’s impact on women has not been totally positive. Providing training related to Jumputan (tie-dye) batik making is one of the alternatives for women empowerment, particularly among local housewives community (PKK) members in Perum Solo Elok, Mojosongo, Surakarta. Batik is a method of decorating cloth with dye techniques; however, in the majority of Indonesian society, the term batik refers to batik-patterned textiles or printed batik rather than actual batik. This course is intended to support attempts to preserve traditional art, particularly batik artworks. Activities are carried out in collaboration with program partners PKK Perum Solo Elok, Mojosongo, Surakarta. The approach used to carry out this introductory activity prioritizes participant and mentor activeness, which is supported by the use of media and effective and efficient training models, with the goal of training materials being well accepted by trainees, who are PKK members. In accordance with this, the program design, particularly this creative workshop, refers to David Gibson’s concept of design phases divided into three broad groups: planning, design, and implementation. The stages of activity implementation include three methods: mutual approach, personal approach, and partnership approach. This skill is to add a variety of skills to partners in order to develop a hobby and business related to tie-dye batik. ","PeriodicalId":325403,"journal":{"name":"Abdi Seni","volume":"28 9","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120987665","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
It is very rare to find an integrated textile industry center in Indonesia until now, apart from the integrated textile industry with Pekalongan batik in Central Java which is synergistic with the growth of the fashion business and the proliferation of tailor and fashion design. However, this landscape can be found in Pedan Klaten District, which is a center for ATBM weaving production whose business growth is getting stronger into an integrated area. The original ATBM weaving of Pedan Klaten has been known to be very skilled and detailed in its workmanship so that the resulting product is very smooth and compact, with the main motif called lurik. The participatory approach of the colleague team and partners of the Lurik Pedan ATBM Weaving MSMEs with various strengthening programs includes: design training, technical development workshops, IPR regulations and other E-Commerce strengthening activities. This article is intended to explain field findings with a clear, objective, systematic, and careful description of the facts obtained. The results of the MSME assistance program for 1 year made impacts as follows; (1) The Lurik Pedan brand encourages the pioneering of an integrated cultural tourism industry area. (2) Strengthening the Marketing Communication (MARCOM) system as an effort to increase sales turnover and strengthen business strategy. (3) The strategy of strengthening the ATBM weaving culture for traditional Lurik weaving craftsmen in Pedan Klaten
{"title":"Penguatan Budaya Tenun ATBM Lurik Khas Pedan Klaten","authors":"Moh. Rusnoto Susanto, Rahayu Retnaningsih, Flora Grace Putrianti, Shafa’ Selimanorita, Puspa Eka Ayu Febriana","doi":"10.33153/abdiseni.v13i1.4219","DOIUrl":"https://doi.org/10.33153/abdiseni.v13i1.4219","url":null,"abstract":"It is very rare to find an integrated textile industry center in Indonesia until now, apart from the integrated textile industry with Pekalongan batik in Central Java which is synergistic with the growth of the fashion business and the proliferation of tailor and fashion design. However, this landscape can be found in Pedan Klaten District, which is a center for ATBM weaving production whose business growth is getting stronger into an integrated area. The original ATBM weaving of Pedan Klaten has been known to be very skilled and detailed in its workmanship so that the resulting product is very smooth and compact, with the main motif called lurik. The participatory approach of the colleague team and partners of the Lurik Pedan ATBM Weaving MSMEs with various strengthening programs includes: design training, technical development workshops, IPR regulations and other E-Commerce strengthening activities. This article is intended to explain field findings with a clear, objective, systematic, and careful description of the facts obtained. The results of the MSME assistance program for 1 year made impacts as follows; (1) The Lurik Pedan brand encourages the pioneering of an integrated cultural tourism industry area. (2) Strengthening the Marketing Communication (MARCOM) system as an effort to increase sales turnover and strengthen business strategy. (3) The strategy of strengthening the ATBM weaving culture for traditional Lurik weaving craftsmen in Pedan Klaten","PeriodicalId":325403,"journal":{"name":"Abdi Seni","volume":"17 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"113975111","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-09DOI: 10.33153/abdiseni.v13i1.4212
Hartanto Hartanto
This report is the result of Community Service with the theme of ‘Creativity of Sang Citra Budaya Art Studio Surakarta in Dance Training during the Covid-19 Pandemic.’ The purpose of the training is to accommodate the talents, abilities and enrichment in the field of dance for the art studio students. The targets of the activity are students and teachers at the art studio. The training activities are carried out using the dialogical method, the lecture method, the demonstration method, and the drill method. The output of this activity is to direct and make students develop creativity in learning dance. The result of the creativity in training activity is the creation of the offering dance “Sesaji Nur Citra Laksita” and Wayang Bocah “Dewa Ruci”.
本报告是社区服务的成果,主题为“新冠肺炎大流行期间泗水桑西拉布达亚艺术工作室在舞蹈培训中的创造力”。培训的目的是为艺术工作室的学生提供在舞蹈领域的才能、能力和丰富。活动的对象是美术工作室的学生和老师。培训活动采用对话法、讲授法、示范法和演练法进行。该活动的输出是引导和使学生在舞蹈学习中发挥创造性。在培训活动中创造性的结果是创造了供舞“Sesaji Nur Citra Laksita”和Wayang Bocah“Dewa Ruci”。
{"title":"Kreativitas Sanggar Sang Citra Budaya Surakarta dalam Pelatihan Tari Masa Pandemi Covid-19","authors":"Hartanto Hartanto","doi":"10.33153/abdiseni.v13i1.4212","DOIUrl":"https://doi.org/10.33153/abdiseni.v13i1.4212","url":null,"abstract":" This report is the result of Community Service with the theme of ‘Creativity of Sang Citra Budaya Art Studio Surakarta in Dance Training during the Covid-19 Pandemic.’ The purpose of the training is to accommodate the talents, abilities and enrichment in the field of dance for the art studio students. The targets of the activity are students and teachers at the art studio. The training activities are carried out using the dialogical method, the lecture method, the demonstration method, and the drill method. The output of this activity is to direct and make students develop creativity in learning dance. The result of the creativity in training activity is the creation of the offering dance “Sesaji Nur Citra Laksita” and Wayang Bocah “Dewa Ruci”.","PeriodicalId":325403,"journal":{"name":"Abdi Seni","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126982957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-09DOI: 10.33153/abdiseni.v13i1.4150
Cito Yasuki Rahmad
Cultural diversity and natural beauty make the southern part of Java, particularly the coastal villages, well-known for tourist objects, both cultural and natural. Watukarung Village is one of the most fascinating tourist destinations in Pacitan Regency. Watukarung Village, in addition to natural beach attractions, offers beautiful views. Watukarung Village contains tourism assets with the potential to be developed. The potentials of Watukarung Village may immediately stimulate tourist growth, which will have an impact on the community around tourism. On the other hand, the positive potential of Watukarung Village people in the face of limitations must be fostered. These issues must be resolved by enhancing the existing potential through the use of art in the promotion of tourism villages through trainings. This activity is very beneficial to the people of Watukarung Village because it allows village residents to upgrade their skills in developing community resources and natural resources in the village, allowing the community to actively participate in developing their village’s potential through creative fields with a touch of art.
{"title":"Menumbuhkembangkan Potensi Promosi Desa Wisata dengan Sentuhan Seni di Desa Watukarung, Pringkuku, Pacitan, Jawa Timur","authors":"Cito Yasuki Rahmad","doi":"10.33153/abdiseni.v13i1.4150","DOIUrl":"https://doi.org/10.33153/abdiseni.v13i1.4150","url":null,"abstract":"Cultural diversity and natural beauty make the southern part of Java, particularly the coastal villages, well-known for tourist objects, both cultural and natural. Watukarung Village is one of the most fascinating tourist destinations in Pacitan Regency. Watukarung Village, in addition to natural beach attractions, offers beautiful views. Watukarung Village contains tourism assets with the potential to be developed. The potentials of Watukarung Village may immediately stimulate tourist growth, which will have an impact on the community around tourism. On the other hand, the positive potential of Watukarung Village people in the face of limitations must be fostered. These issues must be resolved by enhancing the existing potential through the use of art in the promotion of tourism villages through trainings. This activity is very beneficial to the people of Watukarung Village because it allows village residents to upgrade their skills in developing community resources and natural resources in the village, allowing the community to actively participate in developing their village’s potential through creative fields with a touch of art. ","PeriodicalId":325403,"journal":{"name":"Abdi Seni","volume":"192 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133818891","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The activity of creating musical works based on Community Service activities with the title “Exploration of Harmonious Composition Techniques and Interlocking Vocal Techniques in Metal Musical Works of the Djiwoastra Group” seeks to express musical works that show the marriage between Nusantara aesthetics and Western aesthetics through working on choir vocal compositions. The agreement to collaborate in composing music with an emphasis on the Gregorian choir composite strategy that explores Nusantara vocal forms such as Senggakan and Gerongan (Javanese), as well as the Balinese Kecak vocal interlocking technique is a problem solving point in overcoming the problem of diversity in metal music production techniques required by Djiwoastra music group as partners. The Participation Action Research method is prioritized in this activity. This activity is a vehicle for realizing mutual understanding between the team implementing the activity and the metal music group Djiwoastra, in order to strengthen each other’s potential for the challenges of musical works based on the internalization of diverse experiences. Community service activities that aim to solve problems in balancing the aesthetics of music between West and East have been achieved to some extent by strengthening the trans-medium composite technique of Javanese vocal forms such as Senggakan, Gerongan, and Balinese Kecak which are packaged in a gregorian choral style, which can become a new techniques mastered by partners to develop subsequent works
{"title":"Ekplorasi Komposisi Choir Nusantara pada Karya Musik Metal Kelompok Djiwoastra","authors":"Wahyudi Purnomo, Bondan Aji Manggala, Denis Setiaji","doi":"10.33153/abdiseni.v13i1.4229","DOIUrl":"https://doi.org/10.33153/abdiseni.v13i1.4229","url":null,"abstract":"The activity of creating musical works based on Community Service activities with the title “Exploration of Harmonious Composition Techniques and Interlocking Vocal Techniques in Metal Musical Works of the Djiwoastra Group” seeks to express musical works that show the marriage between Nusantara aesthetics and Western aesthetics through working on choir vocal compositions. The agreement to collaborate in composing music with an emphasis on the Gregorian choir composite strategy that explores Nusantara vocal forms such as Senggakan and Gerongan (Javanese), as well as the Balinese Kecak vocal interlocking technique is a problem solving point in overcoming the problem of diversity in metal music production techniques required by Djiwoastra music group as partners. The Participation Action Research method is prioritized in this activity. This activity is a vehicle for realizing mutual understanding between the team implementing the activity and the metal music group Djiwoastra, in order to strengthen each other’s potential for the challenges of musical works based on the internalization of diverse experiences. Community service activities that aim to solve problems in balancing the aesthetics of music between West and East have been achieved to some extent by strengthening the trans-medium composite technique of Javanese vocal forms such as Senggakan, Gerongan, and Balinese Kecak which are packaged in a gregorian choral style, which can become a new techniques mastered by partners to develop subsequent works","PeriodicalId":325403,"journal":{"name":"Abdi Seni","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127352174","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-09DOI: 10.33153/abdiseni.v13i1.4180
Dede Pramayoza, Emri Emri, Susas Rita Loravianti
This paper describes the implementation of the Randai Creation Workshop in South Solok Regency, which was carried out by ISI Padangpanjang Community Service Team. The workshops are carried out with problems solving approach and artistic research, which are oriented towards finding answers to problems through the practice of artwork creation. The process of creating Randai began with shared research for folklore that developed in South Solok, using the Focus Group Discussion (FGD) method, which resulted in findings in the form of the Bancah Birunguik story, which was then processed together as a screenplay. The process of creating Randai continued with the creation of Legaran with the method of practical mentoring, which departed from the repertoire of Silek Luncua, a silek genre that developed in South Solok. The last process of the workshop, also employing the method of practical assistance, is the blending of movements with sounds. This process is codified as an aspect of Randai musicality, using the Balam-Balam sung from Saluang Panjang tradition, a type of South Solok traditional song, as the main guide. The results of the workshop are several scenes of Randai as an embryo that can be developed into the typical Randai repertoire of South Solok.
本文描述了ISI Padangpanjang社区服务队在南索洛县实施的Randai创作工作坊。工作坊以解决问题和艺术研究的方式进行,旨在通过艺术创作的实践来寻找问题的答案。Randai的创作过程始于对South Solok地区民间传说的共同研究,使用焦点小组讨论(Focus Group Discussion, FGD)方法,结果以Bancah Birunguik故事的形式出现,然后将其作为剧本进行处理。创造Randai的过程继续着Legaran的创作,采用了实践指导的方法,这与Silek Luncua的曲目不同,Silek Luncua是一种在南索洛克发展起来的丝绸流派。工作坊的最后一个过程,也是采用实际辅助的方法,是动作与声音的融合。这一过程被编纂为兰代音乐性的一个方面,使用来自Saluang Panjang传统的Balam-Balam,一种南索罗克传统歌曲,作为主要指导。工作坊的结果是几个场景的蓝代作为一个胚胎,可以发展成典型的蓝代剧目南索洛克。
{"title":"Menceritakan Bancah Birunguik, Memperagakan Silek Luncua Mendendangkan Balam-balam : Pelatihan Repertoar Baru Randai di Solok Selatan","authors":"Dede Pramayoza, Emri Emri, Susas Rita Loravianti","doi":"10.33153/abdiseni.v13i1.4180","DOIUrl":"https://doi.org/10.33153/abdiseni.v13i1.4180","url":null,"abstract":"This paper describes the implementation of the Randai Creation Workshop in South Solok Regency, which was carried out by ISI Padangpanjang Community Service Team. The workshops are carried out with problems solving approach and artistic research, which are oriented towards finding answers to problems through the practice of artwork creation. The process of creating Randai began with shared research for folklore that developed in South Solok, using the Focus Group Discussion (FGD) method, which resulted in findings in the form of the Bancah Birunguik story, which was then processed together as a screenplay. The process of creating Randai continued with the creation of Legaran with the method of practical mentoring, which departed from the repertoire of Silek Luncua, a silek genre that developed in South Solok. The last process of the workshop, also employing the method of practical assistance, is the blending of movements with sounds. This process is codified as an aspect of Randai musicality, using the Balam-Balam sung from Saluang Panjang tradition, a type of South Solok traditional song, as the main guide. The results of the workshop are several scenes of Randai as an embryo that can be developed into the typical Randai repertoire of South Solok.","PeriodicalId":325403,"journal":{"name":"Abdi Seni","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128797829","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-02-18DOI: 10.33153/abdiseni.v12i2.3891
Achmad Dipoyono
Penelitian ini berjudul Pembinaan Seni Dan Budaya Warga Dukuh Ingasrejo, Desa Plesungan, Kecamatan Gondangrejo, Kabupaten Karanganyar melalui Pendekatan Seni Teater. Penelitian dilakukan dengan fokus pada pemberdayaan masyarakat dengan memantik daya kreatif warga Dukuh Ingasrejo menggunakan pendekatan intim kepada tokoh masyarakat terlebih dahulu. Peneliti meyakini bahwa penerapan keilmuan seni teater dapat menjadi metode untuk mempererat kembali sikap gotong-royong dan kerukunan dalam lingkungan Dukuh Ingasrejo sebagai tujuan dari penelitian. Dari kegiatan survei awal peneliti dengan tokoh masyarkat di Dukuh Ingasrejo, diketahui bahwa warga dukuh membutuhkan wadah baru di luar kegiatan PKK, Karang Taruna, atau perkumpulan formal lainnya sebagai tempat meningkatkan kegotongroyongan dan daya kreatif. Hal itu digunakan dalam rangka menguatkan sikat kerukunan antar warga di Dukuh Ingasrejo. Luaran dari penelitian ini adalah laporan karya tulis dan juga dokumentasi kegiatan. Kata Kunci: Warga Dukuh Ingasrejo, gotong-royong, kerukunan, daya kreatif, seni teater.This research is entitled Art and Culture Development for residents of Dukuh Ingasrejo, Desa Plesungan, Kecamatan Gondangrejo, Kabupaten Karanganyar through the Theater Arts Approach. The research was conducted with a focus on community empowerment by igniting the creative power of residents of Dukuh Ingasrejo using an intimate approach to community leaders first. Researchers believe that the application of theater arts science can be a method to re-strengthen the attitude of mutual cooperation and harmony within the Dukuh Ingasrejo as the aim of the research. From the initial survey activities of researchers with community leaders in Dukuh Ingasrejo, it was found that residents needed a new forum outside the activities of the PKK, Karang Taruna, or other formal associations as a place to increase mutual cooperation and creative power. This was used in order to strengthen harmony between residents in Dukuh Ingasrejo. The output of this research is a paper report and documentation of activities. Keywords: Dukuh Ingasrejo residents, mutual cooperation, harmony, creative power, theater arts
{"title":"PEMBINAAN SENI DAN BUDAYA WARGA DUKUH INGASREJO, MELALUI PENDEKATAN SENI TEATER","authors":"Achmad Dipoyono","doi":"10.33153/abdiseni.v12i2.3891","DOIUrl":"https://doi.org/10.33153/abdiseni.v12i2.3891","url":null,"abstract":"Penelitian ini berjudul Pembinaan Seni Dan Budaya Warga Dukuh Ingasrejo, Desa Plesungan, Kecamatan Gondangrejo, Kabupaten Karanganyar melalui Pendekatan Seni Teater. Penelitian dilakukan dengan fokus pada pemberdayaan masyarakat dengan memantik daya kreatif warga Dukuh Ingasrejo menggunakan pendekatan intim kepada tokoh masyarakat terlebih dahulu. Peneliti meyakini bahwa penerapan keilmuan seni teater dapat menjadi metode untuk mempererat kembali sikap gotong-royong dan kerukunan dalam lingkungan Dukuh Ingasrejo sebagai tujuan dari penelitian. Dari kegiatan survei awal peneliti dengan tokoh masyarkat di Dukuh Ingasrejo, diketahui bahwa warga dukuh membutuhkan wadah baru di luar kegiatan PKK, Karang Taruna, atau perkumpulan formal lainnya sebagai tempat meningkatkan kegotongroyongan dan daya kreatif. Hal itu digunakan dalam rangka menguatkan sikat kerukunan antar warga di Dukuh Ingasrejo. Luaran dari penelitian ini adalah laporan karya tulis dan juga dokumentasi kegiatan. Kata Kunci: Warga Dukuh Ingasrejo, gotong-royong, kerukunan, daya kreatif, seni teater.This research is entitled Art and Culture Development for residents of Dukuh Ingasrejo, Desa Plesungan, Kecamatan Gondangrejo, Kabupaten Karanganyar through the Theater Arts Approach. The research was conducted with a focus on community empowerment by igniting the creative power of residents of Dukuh Ingasrejo using an intimate approach to community leaders first. Researchers believe that the application of theater arts science can be a method to re-strengthen the attitude of mutual cooperation and harmony within the Dukuh Ingasrejo as the aim of the research. From the initial survey activities of researchers with community leaders in Dukuh Ingasrejo, it was found that residents needed a new forum outside the activities of the PKK, Karang Taruna, or other formal associations as a place to increase mutual cooperation and creative power. This was used in order to strengthen harmony between residents in Dukuh Ingasrejo. The output of this research is a paper report and documentation of activities. Keywords: Dukuh Ingasrejo residents, mutual cooperation, harmony, creative power, theater arts","PeriodicalId":325403,"journal":{"name":"Abdi Seni","volume":"338 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116446197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-02-18DOI: 10.33153/abdiseni.v12i2.3912
I. G. P. Sudarta, I. B. W. Bratanatyam, Nina Hartini
AbstrakPenelitian ini mengenai pembinaan atau pelatihan gending Banaspati dari Desa Tenganan Pegringsingan. Komposisi gending Banaspati ini merupakan gending gender terpanjang setelah gending Bimaniu yang terdiri dari 11 palet (bagian). Saat sekarang ini Gending Banaspati di Desa Tenganan Pegringsingan tidak lagi ada yang mempelajarinya karena generasi muda di sana tidak ada yang tertarik dan berminat untuk belajar menabuh gender wayang. Metode pelaksanaan dalam pembinaan ini yaitu metode demonstrasi dengan cara menceritakan dan memperagakan bagian-bagian dari Gending Banaspati. Tujuan penelitian ini adalah menyelamatkan atau merekontruksi gending Banaspati sehingga tidak mengalami kepunahan. Hasil dari pembinaan ini menunjukkan Gending Banaspati dapat dikuasai dengan baik oleh peserta pelatihan di Sanggar Seni Pasraman Prabha Budaya Denpasar. Keberhasilan penguasaan gending yang tergolong panjang ini karena diterapkannya metode pelaksanaan penuangan gending yang tepat dan efektif, seperti membagi gending yang panjang menjadi phrase-phrase dan pattern-pattern. Phrase-phrase dan pattern-pattern yang menjadi vokabuler pembelajaran untuk menguasai keseluruhan lagu dan secara otomatis juga meningkatkan kemampuan teknik permainan menabuh gender wayang. Kata Kunci: Pembinaan, Gending Banaspati, Gender Wayang AbstractThis research is about the couching or training of song or gending Banaspati from Tenganan Pegringsingan Village. Gending Banaspati's composition is the longest gending gender wayang after Bimaniu consisting of 11 pallets (parts). Currently Gending Banaspati in Tenganan Pegringsingan Village is almost gone since the interest in learning of gender wayang decreasing especially for the younger generation. The method of implementation in this training is a method of demonstration by demonstrating parts of Gending Banaspati. The purpose of this study was to preserve or reconstruct gending Banaspati so that it would not be extinct.. The results of this training has shown Gending Banaspati could be mastered well by trainees in Sanggar Seni Pasraman Prabha Budaya Denpasar. The successful in mastering of this relatively long gending or song because of the appropriate application and effective methods of presenting gending, such as dividing long gending into phrases and patterns. Phrases and patterns that became learning vocabuler to master the entire gending and automatically also improved the ability of playing techniques in gender wayang . Keywords: Construction, Gending Banaspati, Gender Wayang
{"title":"DEVELOPMENT OF GENDING GENDER WAYANG BANASPATI TENGANAN PEGRINGSINGAN KARANGASEM STYLE IN BANJAR LUMINTANG, DAUH PURI KAJA VILLAGE, DENPASAR UTARA DISTRICT, KODYA. DENPASAR","authors":"I. G. P. Sudarta, I. B. W. Bratanatyam, Nina Hartini","doi":"10.33153/abdiseni.v12i2.3912","DOIUrl":"https://doi.org/10.33153/abdiseni.v12i2.3912","url":null,"abstract":"AbstrakPenelitian ini mengenai pembinaan atau pelatihan gending Banaspati dari Desa Tenganan Pegringsingan. Komposisi gending Banaspati ini merupakan gending gender terpanjang setelah gending Bimaniu yang terdiri dari 11 palet (bagian). Saat sekarang ini Gending Banaspati di Desa Tenganan Pegringsingan tidak lagi ada yang mempelajarinya karena generasi muda di sana tidak ada yang tertarik dan berminat untuk belajar menabuh gender wayang. Metode pelaksanaan dalam pembinaan ini yaitu metode demonstrasi dengan cara menceritakan dan memperagakan bagian-bagian dari Gending Banaspati. Tujuan penelitian ini adalah menyelamatkan atau merekontruksi gending Banaspati sehingga tidak mengalami kepunahan. Hasil dari pembinaan ini menunjukkan Gending Banaspati dapat dikuasai dengan baik oleh peserta pelatihan di Sanggar Seni Pasraman Prabha Budaya Denpasar. Keberhasilan penguasaan gending yang tergolong panjang ini karena diterapkannya metode pelaksanaan penuangan gending yang tepat dan efektif, seperti membagi gending yang panjang menjadi phrase-phrase dan pattern-pattern. Phrase-phrase dan pattern-pattern yang menjadi vokabuler pembelajaran untuk menguasai keseluruhan lagu dan secara otomatis juga meningkatkan kemampuan teknik permainan menabuh gender wayang. Kata Kunci: Pembinaan, Gending Banaspati, Gender Wayang AbstractThis research is about the couching or training of song or gending Banaspati from Tenganan Pegringsingan Village. Gending Banaspati's composition is the longest gending gender wayang after Bimaniu consisting of 11 pallets (parts). Currently Gending Banaspati in Tenganan Pegringsingan Village is almost gone since the interest in learning of gender wayang decreasing especially for the younger generation. The method of implementation in this training is a method of demonstration by demonstrating parts of Gending Banaspati. The purpose of this study was to preserve or reconstruct gending Banaspati so that it would not be extinct.. The results of this training has shown Gending Banaspati could be mastered well by trainees in Sanggar Seni Pasraman Prabha Budaya Denpasar. The successful in mastering of this relatively long gending or song because of the appropriate application and effective methods of presenting gending, such as dividing long gending into phrases and patterns. Phrases and patterns that became learning vocabuler to master the entire gending and automatically also improved the ability of playing techniques in gender wayang . Keywords: Construction, Gending Banaspati, Gender Wayang ","PeriodicalId":325403,"journal":{"name":"Abdi Seni","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-02-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126090035","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-18DOI: 10.33153/abdiseni.v12i2.3922
Deny Tri Ardianto
Fotografi dalam perkembangannya menjadi sebuah kebutuhan penting dalam kehidupan manusia. Penguasaan kompetensi fotografi sangatlah penting sebagai salah satu modal dalam mengembangkan kompetensi keahlian multimedia. Fotografi merupakan keahlian yang penting dikuasai oleh siswa SMK jurusan Multimedia karena bidang tersebut dapat dikembangkan secara profesional, bahkan sebelum lulus dari jenjang sekolah. Program Pengabdian Kepada Masyarakat oleh Dosen S1 Desain Komunikasi Visual (DKV), Fakultas Seni Rupa dan Desain (FSRD), Universitas Sebelas Maret (UNS) yang tergabung dalam Grup Riset Desain dan Media Baru, bertujuan untuk mengadakan “Pelatihan Fotografi Dasar untuk Siswa Jurusan Multimedia di SMK Muhammadiyah 3 Gemolong”. Dengan adanya pelatihan ini diharapkan Siswa Jurusan Multimedia SMK Muhammadiyah 3 Gemolong memiliki wawasan tentang perkembangan dunia fotografi serta pengetahuan dan ketrampilan dalam bidang fotografi untuk mendukung kompetensi kejuruan bidang keahlian multimedia.
{"title":"Pelatihan Fotografi Dasar untuk Peningkatan Potensi Profesional Siswa Jurusan Multimedia SMK Muhammadiyah 3 Gemolong","authors":"Deny Tri Ardianto","doi":"10.33153/abdiseni.v12i2.3922","DOIUrl":"https://doi.org/10.33153/abdiseni.v12i2.3922","url":null,"abstract":"Fotografi dalam perkembangannya menjadi sebuah kebutuhan penting dalam kehidupan manusia. Penguasaan kompetensi fotografi sangatlah penting sebagai salah satu modal dalam mengembangkan kompetensi keahlian multimedia. Fotografi merupakan keahlian yang penting dikuasai oleh siswa SMK jurusan Multimedia karena bidang tersebut dapat dikembangkan secara profesional, bahkan sebelum lulus dari jenjang sekolah. Program Pengabdian Kepada Masyarakat oleh Dosen S1 Desain Komunikasi Visual (DKV), Fakultas Seni Rupa dan Desain (FSRD), Universitas Sebelas Maret (UNS) yang tergabung dalam Grup Riset Desain dan Media Baru, bertujuan untuk mengadakan “Pelatihan Fotografi Dasar untuk Siswa Jurusan Multimedia di SMK Muhammadiyah 3 Gemolong”. Dengan adanya pelatihan ini diharapkan Siswa Jurusan Multimedia SMK Muhammadiyah 3 Gemolong memiliki wawasan tentang perkembangan dunia fotografi serta pengetahuan dan ketrampilan dalam bidang fotografi untuk mendukung kompetensi kejuruan bidang keahlian multimedia.","PeriodicalId":325403,"journal":{"name":"Abdi Seni","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132875843","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}