The Dayak Sintang Ikat Weaving is a cultural heritage that becomes an identity and a part of the Dayak Sintang community. Dayak ikat weaving was born from the cultural elements that make up Dayak Sintang Community. The motifs developed in the Dayak ikat weaving are adopted from various objects derived from plants, animals, life – gear, beliefs, and stories that come from a weaver’s environment. The motifs on woven fabric serve as reminders for users and contain values held by the Dayak community. The meaning contained in Dayak weaving was passed down orally. The verbal decline resulted in easy changes in meaning, it was necessary to study and document meanings in writing, thus the meaning that is derived is always the same. This study uses a qualitative research method with an interpretative anthropological approach. By looking at the meaning of Dayak Sintang Ikat Weaving from the point of view of the people who own the culture, so that the correct meaning is captured from the beliefs and lives of the Sintang Dayak people.
{"title":"Kajian Motif Tenun Ikat Dayak Sintang","authors":"Asyfa Nurani, Setyawan Setyawan","doi":"10.30998/vh.v5i2.4873","DOIUrl":"https://doi.org/10.30998/vh.v5i2.4873","url":null,"abstract":"The Dayak Sintang Ikat Weaving is a cultural heritage that becomes an identity and a part of the Dayak Sintang community. Dayak ikat weaving was born from the cultural elements that make up Dayak Sintang Community. The motifs developed in the Dayak ikat weaving are adopted from various objects derived from plants, animals, life – gear, beliefs, and stories that come from a weaver’s environment. The motifs on woven fabric serve as reminders for users and contain values held by the Dayak community. The meaning contained in Dayak weaving was passed down orally. The verbal decline resulted in easy changes in meaning, it was necessary to study and document meanings in writing, thus the meaning that is derived is always the same. This study uses a qualitative research method with an interpretative anthropological approach. By looking at the meaning of Dayak Sintang Ikat Weaving from the point of view of the people who own the culture, so that the correct meaning is captured from the beliefs and lives of the Sintang Dayak people.","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":"167 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85984909","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-21DOI: 10.24114/gondang.v6i2.42539
Herlinda Mansyur
This research aims to provide a new discourse to the younger generation about the world of creating dance works. The field of development dance work creation has resulted in new discoveries ranging from creation methodologies to movement techniques that require dancers to improve fast. A choreographer must investigate every dance element that has been "considered" as a support in a dance performance, in addition to the body. These elements include music, clothing, make-up, lighting and artistic performances. The author, a choreographer, has created a lighting system for composing and staging the dance works he creates, one of which uses light from ultraviolet lamps, which can provide a different visual impact than the use of spotlights in dance performances. This research was internal research because this approach was a reconstruction of the author's thoughts on the lighting exploration process in every work process. The development of lighting in the staging of dance works should provide creative discourse for young choreographers in their work. So that young choreographers do not rely exclusively on exercise to create new movements. The stages of exploration involved in processing lighting vary significantly from the process of exploring the body. Lighting exploration focuses on using ultraviolet light on objects that are presentations of ideas and creative ideas. As a result, the author's development of elements that are "considered" supporters in a dance performance was presented in several dance works. Combining body techniques with ultraviolet-ray-irradiated objects takes dance performances to a new level.
{"title":"Dismantle Rules of Lighting In Dance Creation","authors":"Herlinda Mansyur","doi":"10.24114/gondang.v6i2.42539","DOIUrl":"https://doi.org/10.24114/gondang.v6i2.42539","url":null,"abstract":"This research aims to provide a new discourse to the younger generation about the world of creating dance works. The field of development dance work creation has resulted in new discoveries ranging from creation methodologies to movement techniques that require dancers to improve fast. A choreographer must investigate every dance element that has been \"considered\" as a support in a dance performance, in addition to the body. These elements include music, clothing, make-up, lighting and artistic performances. The author, a choreographer, has created a lighting system for composing and staging the dance works he creates, one of which uses light from ultraviolet lamps, which can provide a different visual impact than the use of spotlights in dance performances. This research was internal research because this approach was a reconstruction of the author's thoughts on the lighting exploration process in every work process. The development of lighting in the staging of dance works should provide creative discourse for young choreographers in their work. So that young choreographers do not rely exclusively on exercise to create new movements. The stages of exploration involved in processing lighting vary significantly from the process of exploring the body. Lighting exploration focuses on using ultraviolet light on objects that are presentations of ideas and creative ideas. As a result, the author's development of elements that are \"considered\" supporters in a dance performance was presented in several dance works. Combining body techniques with ultraviolet-ray-irradiated objects takes dance performances to a new level.","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48837174","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this era where technology is vastly developed, and even children can use or utilise smartphones, technology has become something general because of its ease. Therefore, technology can keep learning materials relevant to create suitable learning media for learners in this era. This study aimed to elaborate on the product's specifications and the learning media of Gandrung dance using the android application's developmental process. The research and Development method was used, and ADDIE-model was featured to assess the product's effectiveness. The data was collected using observation and interviews. The result of the study shows that the product development of Gandrung dance into a smartphone application consisting of Gandrung dance's graded material study from the synopsis, dance movements, makeup and wardrobe to quizzes. The three developmental processes that have been done up until this point are analysis, design, and development. The research problems were decided during the analysis stage, and the design and development stage was developed, developing the material or the product's display and bringing the idea into the product.
{"title":"Multimedia Design Of Gandrung Dance Using Android Application","authors":"Ciptaning Rahajeng Prawesti, Trisakti Trisakti, Setyo Yanuartuti","doi":"10.24114/gondang.v6i2.39465","DOIUrl":"https://doi.org/10.24114/gondang.v6i2.39465","url":null,"abstract":"In this era where technology is vastly developed, and even children can use or utilise smartphones, technology has become something general because of its ease. Therefore, technology can keep learning materials relevant to create suitable learning media for learners in this era. This study aimed to elaborate on the product's specifications and the learning media of Gandrung dance using the android application's developmental process. The research and Development method was used, and ADDIE-model was featured to assess the product's effectiveness. The data was collected using observation and interviews. The result of the study shows that the product development of Gandrung dance into a smartphone application consisting of Gandrung dance's graded material study from the synopsis, dance movements, makeup and wardrobe to quizzes. The three developmental processes that have been done up until this point are analysis, design, and development. The research problems were decided during the analysis stage, and the design and development stage was developed, developing the material or the product's display and bringing the idea into the product.","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42596044","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-31DOI: 10.24114/gondang.v6i2.38965
Abdillah Hamdani Ritonga, M. H. Ritonga
The family is the place for the most basic moral education received by children,therefore the family has a significant role in guiding the children for not consumingany drugs. Communication based on religious values created by a family is certainlyvery influential on children in avoiding drug use. This study aimed to determine theculture of family communication based on religious values in preventing drug useamong Muslim families. The method in this research was descriptive qualitativemethod. The results showed that the parties who have a very important role inpreventing drug abuse are families, especially parents. Parents and dearest familyare the closest environment that can influence adolescent’s behavior. Therefore, therole of parents is needed in strengthening the mental and personality of adolescents.It will cause the children are not easily persuaded and fall into drug abuse. Theculture of communication based on religious values created for preventing drug useamong Muslim families so that the family can develop positive environment orvalues for their children, for creating effective communication, being a role modelfor children and supporting the healthy and positive children's activities. Theresearchers would like to thank the two families who were willing to be participantsin this study and provide the data for this research.
{"title":"The Family Communication Culture Based on Religious Values in Preventing the Drug Use among Muslim Families in Pulo Padang Village","authors":"Abdillah Hamdani Ritonga, M. H. Ritonga","doi":"10.24114/gondang.v6i2.38965","DOIUrl":"https://doi.org/10.24114/gondang.v6i2.38965","url":null,"abstract":"The family is the place for the most basic moral education received by children,therefore the family has a significant role in guiding the children for not consumingany drugs. Communication based on religious values created by a family is certainlyvery influential on children in avoiding drug use. This study aimed to determine theculture of family communication based on religious values in preventing drug useamong Muslim families. The method in this research was descriptive qualitativemethod. The results showed that the parties who have a very important role inpreventing drug abuse are families, especially parents. Parents and dearest familyare the closest environment that can influence adolescent’s behavior. Therefore, therole of parents is needed in strengthening the mental and personality of adolescents.It will cause the children are not easily persuaded and fall into drug abuse. Theculture of communication based on religious values created for preventing drug useamong Muslim families so that the family can develop positive environment orvalues for their children, for creating effective communication, being a role modelfor children and supporting the healthy and positive children's activities. Theresearchers would like to thank the two families who were willing to be participantsin this study and provide the data for this research.","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44154122","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-31DOI: 10.24114/gondang.v6i2.40186
Rio Fernandez Tamba
The implementation of the Cultural Carnival at the 2022 G20 Culture Ministers Meeting Series was carried out by taking values from the Jataka of the Borobudur Temple. Not from the implementation of the Cultural Carnival using 20 Jataka reliefs by combining dances, costumes, props, and ogoh-ogoh to be performed. Jataka reliefs is a medium to introduce and instill the value of Jataka reliefs in everyday life. This study uses an approach of processing research data in a descriptive way to explain how to instill the value of the temple's jataka reliefs in implementing the G20 Cultural Carnival. Implementing the CMM G20 Cultural Carnival can be carried out well by presenting performances from 20 villages in Borobudur District using performances in the Cultural Carnival. The results of this study explain the planting of values from the Jataka Reliefs of Borobudur Temple in implementing the production of the Cultural Carnival. This activity gains a positive perspective from character by developing the abilities of local communities and increasing creativity so that it becomes a new type of art that instills value from the Jataka reliefs of Borobudur Temple. The values depicted from each of the fable reliefs of Borobudur Temple are expected to become cultural icons of the community in welcoming tourists visiting Borobudur Temple, Central Java, Indonesia.
{"title":"Culture Ministry Meeting G20 Cultural Carnival as an Introduction to the Value of Borobudur Temple Relief","authors":"Rio Fernandez Tamba","doi":"10.24114/gondang.v6i2.40186","DOIUrl":"https://doi.org/10.24114/gondang.v6i2.40186","url":null,"abstract":"The implementation of the Cultural Carnival at the 2022 G20 Culture Ministers Meeting Series was carried out by taking values from the Jataka of the Borobudur Temple. Not from the implementation of the Cultural Carnival using 20 Jataka reliefs by combining dances, costumes, props, and ogoh-ogoh to be performed. Jataka reliefs is a medium to introduce and instill the value of Jataka reliefs in everyday life. This study uses an approach of processing research data in a descriptive way to explain how to instill the value of the temple's jataka reliefs in implementing the G20 Cultural Carnival. Implementing the CMM G20 Cultural Carnival can be carried out well by presenting performances from 20 villages in Borobudur District using performances in the Cultural Carnival. The results of this study explain the planting of values from the Jataka Reliefs of Borobudur Temple in implementing the production of the Cultural Carnival. This activity gains a positive perspective from character by developing the abilities of local communities and increasing creativity so that it becomes a new type of art that instills value from the Jataka reliefs of Borobudur Temple. The values depicted from each of the fable reliefs of Borobudur Temple are expected to become cultural icons of the community in welcoming tourists visiting Borobudur Temple, Central Java, Indonesia.","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41809219","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-30DOI: 10.24114/gondang.v6i2.38003
Ilham Rifandi
This study aims to develop a Makyong acting training method based on the Malay tradition for enrichment in the North Sumatra Traditional Theater course at the UNIMED Performing Arts Study Program. In particular, this study aims to: (1) be able to interpret Malay advice as spiritual values; (2) identifying Malay dance techniques to prepare for body movements; (3) Identifying the Malay pantun tradition as the improvisational power of makyong actors. This study was designed with a research and development approach. This research was followed up by developing methods and applying methods in training and performances. In analyzing the data the author uses qualitative analysis techniques. As a reference in preparing the training model, the author uses the folklore approach, actor dramaturgical theory from Eugenio Barba and Asrul Sani's postcolonial acting approach as a reference in developing acting training methods.
{"title":"The Development Of Makyong Acting Training Method For Environment Of Traditional Theater Courses","authors":"Ilham Rifandi","doi":"10.24114/gondang.v6i2.38003","DOIUrl":"https://doi.org/10.24114/gondang.v6i2.38003","url":null,"abstract":"This study aims to develop a Makyong acting training method based on the Malay tradition for enrichment in the North Sumatra Traditional Theater course at the UNIMED Performing Arts Study Program. In particular, this study aims to: (1) be able to interpret Malay advice as spiritual values; (2) identifying Malay dance techniques to prepare for body movements; (3) Identifying the Malay pantun tradition as the improvisational power of makyong actors. This study was designed with a research and development approach. This research was followed up by developing methods and applying methods in training and performances. In analyzing the data the author uses qualitative analysis techniques. As a reference in preparing the training model, the author uses the folklore approach, actor dramaturgical theory from Eugenio Barba and Asrul Sani's postcolonial acting approach as a reference in developing acting training methods.","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42565946","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-30DOI: 10.24114/gondang.v6i2.39435
Rivaldi Ihsan
The study of musical performances in this study focuses on the musical performance itself. Where music performance events are present through two important roles, namely musicians and audiences who are the center when the music performance takes place. The success of a musical performance is through a procession of intense rehearsals, ongoing performances, and evaluations after musical performances. This study is a qualitative analytic description of the Pancaran Senja Malay Orchestra music group at Kampung Melayu Batu Besar Nongsa Batam. The research methods are field observations, interviews, literature studies, and participant observers. The results of the research are; that the success of the Pancaran Senja Malay Orchestra music performance until now has gone through the stages of the rehearsal process, show flight hours, and performance evaluation for the progress of the Pancaran Senja Malay Orchestra. This procession was born through discussion and agreement among fellow musicians, so that the continuity and survival of the Pancaran Senja Malay Orchestra music group was established.
{"title":"Study Of Music Performance The Orches Group Pancaran Senja Melayu Village Batu Besar Nongsa Batam","authors":"Rivaldi Ihsan","doi":"10.24114/gondang.v6i2.39435","DOIUrl":"https://doi.org/10.24114/gondang.v6i2.39435","url":null,"abstract":"The study of musical performances in this study focuses on the musical performance itself. Where music performance events are present through two important roles, namely musicians and audiences who are the center when the music performance takes place. The success of a musical performance is through a procession of intense rehearsals, ongoing performances, and evaluations after musical performances. This study is a qualitative analytic description of the Pancaran Senja Malay Orchestra music group at Kampung Melayu Batu Besar Nongsa Batam. The research methods are field observations, interviews, literature studies, and participant observers. The results of the research are; that the success of the Pancaran Senja Malay Orchestra music performance until now has gone through the stages of the rehearsal process, show flight hours, and performance evaluation for the progress of the Pancaran Senja Malay Orchestra. This procession was born through discussion and agreement among fellow musicians, so that the continuity and survival of the Pancaran Senja Malay Orchestra music group was established.","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45689084","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Karya tari Stigma adalah interpretasi dan imajinasi yang diwujudkan ke dalam sebuah karya tari tentang karakter dan tingkah laku korban-korban penyakit magis sijundai. Ritual magis sijundai selalu diiringi dengan perlakuan atau penolakan cinta yang menyinggung si pengirim sijundai. Korban penyakit sijundai akan mengalami kejang, teriak, menangis, menarik rambut, memanjat dinding, dan tidak dapat mengendalikan tubuhnya sendiri. Untuk memvisualisasikan ide garapan ke dalam karya tari ini pengkarya menggunakan ekspresi wajah dan gerak tubuh penari yang menggambarkan bagaimana korban-korban penyakit magis sijundai. Gerak yang digunakan dalam karya Stigma ini berasal dari hasil eksplorasi pengkarya atas karakter atau tingkah laku korban sijundai dan diiringi dengan mantra-mantra ritual sijundai. Metode yang digunakan yaitu pengumpukan data dan observasi lapangan, eksplorasi gerak, improvisasi, pembentukan, dan evaluasi. Karya ini digarap dengan tiga alur suasana dengan mengolah suasana tenang, tegang, dan mencekam. Tema yang digunakan dalam karya ini memilih tema magis dengan tipe abstrak. Karya ini ditarikan oleh delapan orang penari yang terdiri dari empat orang penari laki-laki dan empat orang penari perempuan.
{"title":"KARYA TARI STIGMA: SEBUAH EKSPRESI TARI TENTANG KARAKTER DAN TINGKAH LAKU KORBAN-KORBAN PENYAKIT MAGIS SIJUNDAI","authors":"Ariefin Alham Jaya Putra, Erman Syaiful, Sherli Novalinda","doi":"10.22437/cs.v1i02.21876","DOIUrl":"https://doi.org/10.22437/cs.v1i02.21876","url":null,"abstract":"Karya tari Stigma adalah interpretasi dan imajinasi yang diwujudkan ke dalam sebuah karya tari tentang karakter dan tingkah laku korban-korban penyakit magis sijundai. Ritual magis sijundai selalu diiringi dengan perlakuan atau penolakan cinta yang menyinggung si pengirim sijundai. Korban penyakit sijundai akan mengalami kejang, teriak, menangis, menarik rambut, memanjat dinding, dan tidak dapat mengendalikan tubuhnya sendiri. Untuk memvisualisasikan ide garapan ke dalam karya tari ini pengkarya menggunakan ekspresi wajah dan gerak tubuh penari yang menggambarkan bagaimana korban-korban penyakit magis sijundai. Gerak yang digunakan dalam karya Stigma ini berasal dari hasil eksplorasi pengkarya atas karakter atau tingkah laku korban sijundai dan diiringi dengan mantra-mantra ritual sijundai. Metode yang digunakan yaitu pengumpukan data dan observasi lapangan, eksplorasi gerak, improvisasi, pembentukan, dan evaluasi. Karya ini digarap dengan tiga alur suasana dengan mengolah suasana tenang, tegang, dan mencekam. Tema yang digunakan dalam karya ini memilih tema magis dengan tipe abstrak. Karya ini ditarikan oleh delapan orang penari yang terdiri dari empat orang penari laki-laki dan empat orang penari perempuan.","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":"16 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82157077","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-19DOI: 10.24114/gondang.v6i2.41405
J. Batubara, Emmi Simangunsong, Kamaluddin Sigalingging, A. Panggabean
Alam Menyapa is a musical composition which is a blend of Western and traditional music from various countries. The idea for Alam Menyapa came from the composition Song of the Birds, which was once used as therapeutic music for drug-affected patients, at the Mutiara Abadi Foundation in Binjai City. One of the uniqueness of Alam Menyapa is the adoption of natural sounds, such as the sounds of various birds, the sound of river water, the sound of wind blowing, and other animal sounds, which are then digitally combined with various musical instruments. The method used is descriptive qualitative, collecting data with literature, observation, interviews and documentation. The data analysis technique used is interactive analysis from Milles and Hubermann. The results of this study indicate that Alam Menyapa has a simple musical concept which includes: 1) The musical instruments used are a blend of Western and traditional music through digital music, 2) Musical elements; playing rhythmic patterns that complement each other, simple melodies with simple dynamic signs 3) Forms of presentation through recordings of natural sounds included in digital music and audio-visual. 4) The symbolic meaning of balanced natural life, 5) The aesthetic expression of harmony and simple chords, and 6) The educational value contained is that the sounds of nature can be applied to digital music with simple melodies and harmonies. The theory of meaning or symbols used by the author in conducting research is the theory of Roland Barthes. The result of the research is an analysis of Indonesian music composition with the aim that more and more works by Indonesian composers will be introduced to the world through analysis.
Alam Menyapa是一种融合了西方和各国传统音乐的音乐作品。Alam Menyapa的创意来自滨加市Mutiara Abadi基金会的歌曲《鸟之歌》(Song of The Birds)，这首歌曾被用作药物影响患者的治疗音乐。Alam Menyapa的独特之处在于采用了自然的声音，如各种鸟类的声音、河水的声音、风吹的声音和其他动物的声音，然后将这些声音与各种乐器进行数字组合。使用的方法是描述性定性的，通过文献、观察、访谈和文件收集数据。使用的数据分析技术是Milles和Hubermann的交互式分析。研究结果表明，Alam Menyapa具有一个简单的音乐概念，包括:1)使用的乐器是通过数字音乐将西方和传统音乐融合在一起;2)音乐元素;演奏相互补充的节奏模式，简单的旋律与简单的动态符号3)通过数字音乐和视听中包含的自然声音录音的呈现形式。(4)自然生命平衡的象征意义;(5)和谐与简单和弦的美学表达;(6)包含的教育价值是自然之声可以用简单的旋律和和声应用到数字音乐中。作者在进行研究时所使用的意义或符号理论是罗兰·巴特的理论。研究的结果是对印尼音乐创作的分析，目的是通过分析，将越来越多的印尼作曲家的作品介绍给世界。
{"title":"Moral Message Of Nature's Sustainability: Semiotic Analysis Of Alam Menyapa On Audio-Visual Music Composition","authors":"J. Batubara, Emmi Simangunsong, Kamaluddin Sigalingging, A. Panggabean","doi":"10.24114/gondang.v6i2.41405","DOIUrl":"https://doi.org/10.24114/gondang.v6i2.41405","url":null,"abstract":"Alam Menyapa is a musical composition which is a blend of Western and traditional music from various countries. The idea for Alam Menyapa came from the composition Song of the Birds, which was once used as therapeutic music for drug-affected patients, at the Mutiara Abadi Foundation in Binjai City. One of the uniqueness of Alam Menyapa is the adoption of natural sounds, such as the sounds of various birds, the sound of river water, the sound of wind blowing, and other animal sounds, which are then digitally combined with various musical instruments. The method used is descriptive qualitative, collecting data with literature, observation, interviews and documentation. The data analysis technique used is interactive analysis from Milles and Hubermann. The results of this study indicate that Alam Menyapa has a simple musical concept which includes: 1) The musical instruments used are a blend of Western and traditional music through digital music, 2) Musical elements; playing rhythmic patterns that complement each other, simple melodies with simple dynamic signs 3) Forms of presentation through recordings of natural sounds included in digital music and audio-visual. 4) The symbolic meaning of balanced natural life, 5) The aesthetic expression of harmony and simple chords, and 6) The educational value contained is that the sounds of nature can be applied to digital music with simple melodies and harmonies. The theory of meaning or symbols used by the author in conducting research is the theory of Roland Barthes. The result of the research is an analysis of Indonesian music composition with the aim that more and more works by Indonesian composers will be introduced to the world through analysis.","PeriodicalId":32578,"journal":{"name":"Gondang Jurnal Seni dan Budaya","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47592454","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-18DOI: 10.24114/gondang.v6i2.37464
Nadine Rizkita, Yudi Sukmayadi
Learning media can be said as a tool in the learning process, with everything that can be used to stimulate the thoughts, feelings, attention and abilities or skills of students so that it can encourage the learning process. The material presented must be systematically and psychologically designed in order to prepare effective instruction. This article discusses learning to read piano instrument block notes using a virtual four-handed piano learning video that can be easily accessed and studied individually. However, the success of the four-handed virtual piano learning video in learning piano block notation has various aspects that must be considered so that the music-making features available in the video can be used effectively. This article aims to discuss the level of student satisfaction in the use of four hands virtual piano learning videos, identify obstacles in learning, provide feedback and important information for learning improvement. This research uses descriptive analysis method. Involving three course students who already understand reading block notation, in the Borg and Gall method, this product testing is in stage 1, where the subjects involved are still in small scope. The results of this test show some of the advantages and disadvantages of learning videos, both in terms of audio, visual, material, material delivery techniques, to the level of students' understanding of the material.
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