Pub Date : 2023-05-31DOI: 10.24821/sense.v6i1.9429
Hanif Insan Rabbani, Siti Maemunah, Raden Roro Ari Prasetyowati
Critical Discourse Analysis of Christine Mcpherson’s Self-Determination in the “Lady Bird” Film. The research aimed to analyse the aspects of self-determination portrayed in the character’s three dimensions throughout the story. Lady Bird’s storyline was about an adolescence, Christine, chasing her dream of study abroad in New York The method used in this research was Teun A. van Dijk’s critical discourse analysis. The van Dijk method has three analytical dimensions: text analysis, social cognition analysis and social context analysis. The self-determination was manifested in the character’s determination through some scenes. Gerwig as the filmmaker wanted to see the phenomena that happens to adolescence. Some other researchers found that bonds between daughter and father had huge impacts to the daughter’s self-determination. From three analytical process above, it was seen that the self-determination aspect reflected through her age as an adolescence and her closeness to her father.
《伯德小姐》电影中克里斯汀·麦克弗森自我决定的批评话语分析。该研究旨在分析在整个故事中角色的三个维度中所描绘的自我决定的各个方面。《伯德小姐》的故事情节是关于一个名叫克里斯汀的少女在纽约追逐留学梦想的故事。本研究使用的方法是Teun A. van Dijk的批评话语分析法。van Dijk方法有三个分析维度:文本分析、社会认知分析和社会语境分析。这种自我决定通过一些场景表现在人物的决心上。葛韦格作为电影制作人想要看到发生在青少年身上的现象。其他一些研究人员发现，女儿和父亲之间的关系对女儿的自我决定有巨大的影响。从以上三个分析过程可以看出，她的自我决定方面体现在她的青春期年龄和她与父亲的亲密关系上。
{"title":"ANALISIS WACANA KRITIS DETERMINASI DIRI TOKOH CHRISTINE MCPHERSON DALAM FILM LADY BIRD","authors":"Hanif Insan Rabbani, Siti Maemunah, Raden Roro Ari Prasetyowati","doi":"10.24821/sense.v6i1.9429","DOIUrl":"https://doi.org/10.24821/sense.v6i1.9429","url":null,"abstract":"Critical Discourse Analysis of Christine Mcpherson’s Self-Determination in the “Lady Bird” Film. The research aimed to analyse the aspects of self-determination portrayed in the character’s three dimensions throughout the story. Lady Bird’s storyline was about an adolescence, Christine, chasing her dream of study abroad in New York The method used in this research was Teun A. van Dijk’s critical discourse analysis. The van Dijk method has three analytical dimensions: text analysis, social cognition analysis and social context analysis. The self-determination was manifested in the character’s determination through some scenes. Gerwig as the filmmaker wanted to see the phenomena that happens to adolescence. Some other researchers found that bonds between daughter and father had huge impacts to the daughter’s self-determination. From three analytical process above, it was seen that the self-determination aspect reflected through her age as an adolescence and her closeness to her father.","PeriodicalId":326029,"journal":{"name":"Sense: Journal of Film and Television Studies","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121332868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-31DOI: 10.24821/sense.v6i1.9387
Paulus Heru Wibowo Kurniawan, Bisma Fabio Santabudi
{"title":"SIGNIFIKANSI UNSUR BUDAYA LOKAL DALAM FILM HOROR MANGKUJIWO (2020)","authors":"Paulus Heru Wibowo Kurniawan, Bisma Fabio Santabudi","doi":"10.24821/sense.v6i1.9387","DOIUrl":"https://doi.org/10.24821/sense.v6i1.9387","url":null,"abstract":"","PeriodicalId":326029,"journal":{"name":"Sense: Journal of Film and Television Studies","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124765885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-31DOI: 10.24821/sense.v6i1.9666
Putri Sima Prajahita, Retno Mustikawati, Pius Rino Pungkiawan
Penelitian ini mengkaji bagaimana fokalisasi diterapkan ke dalam film Parasite dan bagaimana analisis fokalisasi menjadi dasar kajian estetika film Parasite melalui Skripsi Pengkajian Seni berjudul Estetika Film Parasite dengan Analisis Fokalisasi (Melalui Sudut Pandang Tokoh). Penelitian akan dianalisis menggunakan metode penelitian kualitatif dengan mengumpulkan dokumentasi dan observasi. Satuan data yang akan dianalisis berupa scene-scene yang ada di dalam film Parasite. Tahap penelitian ini dimulai dengan mengamati film Parasite, menganalisis naratif film Parasite, menganalisis fokalisasi film Parasite, menganalisis relasi fokalisasi antartokoh pada film Parasite, mengkaji estetika film Parasite, dan diakhiri dengan penarikan kesimpulan. Hasil penelitian ini ditemukan penerapan fokalisasi pada tiga karakter utama dan pendukung yaitu keluarga Kim, keluarga Park, dan keluarga Moon-gwang. Penerapan fokalisasi terbanyak adalah fokalisasi eksternal dengan jumlah fokalisasi keluarga Kim 143 scene, fokalisasi keluarga Park 86 scene, dan fokalisasi keluarga Moon-gwang 49 scene. Fokalisasi Internal diterapkan pada fokalisasi keluarga Kim sebanyak 26 scene dan fokalisasi keluarga Moon-gwang sebanyak 1 scene. Relasi fokalisasi yang terjadi antara tokoh utama dan pendukung membentuk alur cerita yang dramatis melalui fokalisasi internal dan eksternal. Jadi, estetika film Parasite berkaitan dengan pengungkapan karakter dan pembangunan alur cerita yang padat dan dramatis.
{"title":"ESTETIKA FILM PARASITE DENGAN ANALISIS FOKALISASI (MELALUI SUDUT PANDANG TOKOH)","authors":"Putri Sima Prajahita, Retno Mustikawati, Pius Rino Pungkiawan","doi":"10.24821/sense.v6i1.9666","DOIUrl":"https://doi.org/10.24821/sense.v6i1.9666","url":null,"abstract":"Penelitian ini mengkaji bagaimana fokalisasi diterapkan ke dalam film Parasite dan bagaimana analisis fokalisasi menjadi dasar kajian estetika film Parasite melalui Skripsi Pengkajian Seni berjudul Estetika Film Parasite dengan Analisis Fokalisasi (Melalui Sudut Pandang Tokoh). Penelitian akan dianalisis menggunakan metode penelitian kualitatif dengan mengumpulkan dokumentasi dan observasi. Satuan data yang akan dianalisis berupa scene-scene yang ada di dalam film Parasite. Tahap penelitian ini dimulai dengan mengamati film Parasite, menganalisis naratif film Parasite, menganalisis fokalisasi film Parasite, menganalisis relasi fokalisasi antartokoh pada film Parasite, mengkaji estetika film Parasite, dan diakhiri dengan penarikan kesimpulan. Hasil penelitian ini ditemukan penerapan fokalisasi pada tiga karakter utama dan pendukung yaitu keluarga Kim, keluarga Park, dan keluarga Moon-gwang. Penerapan fokalisasi terbanyak adalah fokalisasi eksternal dengan jumlah fokalisasi keluarga Kim 143 scene, fokalisasi keluarga Park 86 scene, dan fokalisasi keluarga Moon-gwang 49 scene. Fokalisasi Internal diterapkan pada fokalisasi keluarga Kim sebanyak 26 scene dan fokalisasi keluarga Moon-gwang sebanyak 1 scene. Relasi fokalisasi yang terjadi antara tokoh utama dan pendukung membentuk alur cerita yang dramatis melalui fokalisasi internal dan eksternal. Jadi, estetika film Parasite berkaitan dengan pengungkapan karakter dan pembangunan alur cerita yang padat dan dramatis.","PeriodicalId":326029,"journal":{"name":"Sense: Journal of Film and Television Studies","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131604597","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-31DOI: 10.24821/sense.v6i1.9543
Eka Nur Amsy Samtrimandasari
{"title":"ANALISIS ANGLE KAMERA POINT OF VIEW (POV) DALAM MEMBANGUN PENCERITAAN TERBATAS PADA FILM “SEARCHING”","authors":"Eka Nur Amsy Samtrimandasari","doi":"10.24821/sense.v6i1.9543","DOIUrl":"https://doi.org/10.24821/sense.v6i1.9543","url":null,"abstract":"","PeriodicalId":326029,"journal":{"name":"Sense: Journal of Film and Television Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124697322","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-11-30DOI: 10.24821/sense.v5i2.8272
Umilia Rokhani
Produk karya sebagai produksi kultural yang membawa simbol-simbol sebagai bagian dari ekspresi pemikiran agen pemroduksi dapat mendekonstruksi kultur budaya masyarakatnya. Karya yang hadir tidak dari kekosongan budaya juga akan mengisi nilai-nilai yang hidup di tengah masyarakatnya. Salah satu nilai yang dapat turut berkembang adalah nilai-nilai ketuhanan di tengah masyarakat religius. Hal ini dibidik oleh Hompimpa Sinema Nusantara dalam karyanya Yang Maha Luwes. Dengan mengkaji tema karya sebagai bagian dari produksi karya serta menafsirkan nilai-nilai yang dapat digali, nilai-nilai ketuhanan yang ada di tengah masyarakat Indonesia yang religius dapat terdekonstruksi. Oleh karena itu, digunakan pendekatan konstruktivisme sosial yang berkaitan dengan metode production activity yang direlasikan dengan metode hermenutika radikal untuk menafsirkan karya dengan pijakan dekonstruksi Derrida sehingga dapat digunakan untuk melihat nilai-nilai ketuhanan dan menghubungkannya dengan nilai-nilai yang berkembang di masyarakat. Produksi komsit tersebut selain bertujuan untuk menunjukkan eksistensi berkarya, juga memberikan hiburan parodi sederhana kepada masyarakat. Tema terdekat yang diangkat adalah nilai-nilai ketuhanan dengan membentuk konsep parodi sederhana melalui penokohan tuhan dengan sifat-sifat manusia. Pemahaman konstruksi berpikir penikmat atas Tuhan menjadi kontras ketika diperankan dengan sifat-sifat dan kebiasaan manusia. Sekalipun masyarakat Indonesia dikatakan masyarakat religius dengan keberadaan enam agama dan berbagai aliran kepercayaan, tetapi pemahaman awam seolah menempatkan Tuhan berjarak dengan manusia sebagai hamba-Nya. Komsit ini mendekonstruksi pemahaman tersebut dengan menanggalkan dikotomi jauh – dekat, langit – bumi antara Tuhan dan manusia. Tuhan berada di mana pun hamba-Nya berada.
作为一种文化生产，携带符号作为其思想表达的一部分，可以解构其文化文化。没有文化真空的作品也将填补生活在其社会中的价值观。其中一个显著的价值是宗教社会中神性的价值。它是由Hompimpa Sinema Nusantara在他卓越的作品中提出的。通过研究作品的主题，以及对可发掘的价值的解释，宗教印尼社会中神圣的价值可以被解构。因此，社会建构主义的一种与生产活动方法相关联的社会建构方法是通过激进的黑主义方法来解释一件作品，从而使它能够看到敬虔的价值，并将其与社会中发展的价值联系起来。它的目的不仅仅是展示工作的存在，它还为社会提供了一种精心设计的娱乐。最接近的主题是神的价值观，它通过塑造上帝的人性来塑造简单的嘲弄概念。对上帝鉴赏家思维的结构理解与人类的品质和习惯形成了鲜明的对比。尽管人们说印尼的宗教团体有六种宗教和各种各样的信仰，但对宗教的普遍理解，就好像上帝与人类是他的仆人。它通过去除上帝和人类之间的二分法来解构这种理解。无论仆人在哪里，耶和华都在。
{"title":"Kekerasan Simbolik pada Produksi Komsit Yang Maha Luwes : Dekonstruksi Religiusitas Ketuhanan","authors":"Umilia Rokhani","doi":"10.24821/sense.v5i2.8272","DOIUrl":"https://doi.org/10.24821/sense.v5i2.8272","url":null,"abstract":"Produk karya sebagai produksi kultural yang membawa simbol-simbol sebagai bagian dari ekspresi pemikiran agen pemroduksi dapat mendekonstruksi kultur budaya masyarakatnya. Karya yang hadir tidak dari kekosongan budaya juga akan mengisi nilai-nilai yang hidup di tengah masyarakatnya. Salah satu nilai yang dapat turut berkembang adalah nilai-nilai ketuhanan di tengah masyarakat religius. Hal ini dibidik oleh Hompimpa Sinema Nusantara dalam karyanya Yang Maha Luwes. Dengan mengkaji tema karya sebagai bagian dari produksi karya serta menafsirkan nilai-nilai yang dapat digali, nilai-nilai ketuhanan yang ada di tengah masyarakat Indonesia yang religius dapat terdekonstruksi. Oleh karena itu, digunakan pendekatan konstruktivisme sosial yang berkaitan dengan metode production activity yang direlasikan dengan metode hermenutika radikal untuk menafsirkan karya dengan pijakan dekonstruksi Derrida sehingga dapat digunakan untuk melihat nilai-nilai ketuhanan dan menghubungkannya dengan nilai-nilai yang berkembang di masyarakat. Produksi komsit tersebut selain bertujuan untuk menunjukkan eksistensi berkarya, juga memberikan hiburan parodi sederhana kepada masyarakat. Tema terdekat yang diangkat adalah nilai-nilai ketuhanan dengan membentuk konsep parodi sederhana melalui penokohan tuhan dengan sifat-sifat manusia. Pemahaman konstruksi berpikir penikmat atas Tuhan menjadi kontras ketika diperankan dengan sifat-sifat dan kebiasaan manusia. Sekalipun masyarakat Indonesia dikatakan masyarakat religius dengan keberadaan enam agama dan berbagai aliran kepercayaan, tetapi pemahaman awam seolah menempatkan Tuhan berjarak dengan manusia sebagai hamba-Nya. Komsit ini mendekonstruksi pemahaman tersebut dengan menanggalkan dikotomi jauh – dekat, langit – bumi antara Tuhan dan manusia. Tuhan berada di mana pun hamba-Nya berada.","PeriodicalId":326029,"journal":{"name":"Sense: Journal of Film and Television Studies","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128741761","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Analisis Tata Rias dan Busana sebagai Penanda Ruang dan Waktu dalam Trilogi \"Back To The Future\"","authors":"Bernadeta Lillyana Konsis Optiani, Agnes Widyasmoro, Nanang Rakhmad Hidayat","doi":"10.24821/sense.v5i2.8276","DOIUrl":"https://doi.org/10.24821/sense.v5i2.8276","url":null,"abstract":"","PeriodicalId":326029,"journal":{"name":"Sense: Journal of Film and Television Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130423777","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-11-30DOI: 10.24821/sense.v5i2.7017
Muhammad Adhitya Adji Pamungkas, Retno Mustikawati, Dyah Arum Retnowati
{"title":"Teknik Komedi dalam Pengadeganan Cerita pada Film \"Stip & Pensil\"","authors":"Muhammad Adhitya Adji Pamungkas, Retno Mustikawati, Dyah Arum Retnowati","doi":"10.24821/sense.v5i2.7017","DOIUrl":"https://doi.org/10.24821/sense.v5i2.7017","url":null,"abstract":"","PeriodicalId":326029,"journal":{"name":"Sense: Journal of Film and Television Studies","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130197226","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-11-30DOI: 10.24821/sense.v5i2.8098
Salman Hazami Kamal, Siti Sarifah
{"title":"Gaya Bahasa Ironi dalam Penulisan Naskah Dokumenter Televisi Paradoks edisi “Dilema Bahasa Jawa”","authors":"Salman Hazami Kamal, Siti Sarifah","doi":"10.24821/sense.v5i2.8098","DOIUrl":"https://doi.org/10.24821/sense.v5i2.8098","url":null,"abstract":"","PeriodicalId":326029,"journal":{"name":"Sense: Journal of Film and Television Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130088078","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-11-30DOI: 10.24821/sense.v5i2.8061
Anis Wahyuningsih, Siti Maemunah, Gregorius Arya Dhipayana
Analysis of Surprise on Restricted Narration Application in the Plot of the Film The Handmaiden. Restricted narration in its application can cause a surprise. Surprise is defined as a feeling that arises because of unpreparedness for something. The Handmaiden was chosen as research material because it is quite dominant in applying restricted narration in its plot which then causes a surprise and does not only appear once. This research was conducted to examine the plot pattern and how the surprise appears on the application of the restricted narration technique in the plot of The Handmaiden. This study uses a qualitative descriptive method by collecting data by observation. The research phase begins by analyzing the entire plot of The Handmaiden, from the plot analysis it will be identified scenes containing surprise indicators which are then linked to the application of the restricted narration technique. From the identification, it will be analyzed according to the problem formulation
{"title":"Analisis Efek Kejutan atas Penerapan Restricted Narration dalam Plot Film “The Handmaiden”","authors":"Anis Wahyuningsih, Siti Maemunah, Gregorius Arya Dhipayana","doi":"10.24821/sense.v5i2.8061","DOIUrl":"https://doi.org/10.24821/sense.v5i2.8061","url":null,"abstract":"Analysis of Surprise on Restricted Narration Application in the Plot of the Film The Handmaiden. Restricted narration in its application can cause a surprise. Surprise is defined as a feeling that arises because of unpreparedness for something. The Handmaiden was chosen as research material because it is quite dominant in applying restricted narration in its plot which then causes a surprise and does not only appear once. This research was conducted to examine the plot pattern and how the surprise appears on the application of the restricted narration technique in the plot of The Handmaiden. This study uses a qualitative descriptive method by collecting data by observation. The research phase begins by analyzing the entire plot of The Handmaiden, from the plot analysis it will be identified scenes containing surprise indicators which are then linked to the application of the restricted narration technique. From the identification, it will be analyzed according to the problem formulation","PeriodicalId":326029,"journal":{"name":"Sense: Journal of Film and Television Studies","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123624665","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-11-30DOI: 10.24821/sense.v5i2.6998
Gestia Bannisa, Dina Dwika Oktora
{"title":"Strategi Promosi Program Drama Televisi “One Last Change” Melalui Sosial Media Instagram","authors":"Gestia Bannisa, Dina Dwika Oktora","doi":"10.24821/sense.v5i2.6998","DOIUrl":"https://doi.org/10.24821/sense.v5i2.6998","url":null,"abstract":"","PeriodicalId":326029,"journal":{"name":"Sense: Journal of Film and Television Studies","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134474654","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：