Artykuł opisujący fenomen kultu figury Matki Boskiej Skępskiej jako wizerunek o charakterze acheiropoietycznym. Funkcjonujące w chrześcijaństwie wygląd o zapewnieniu przedstawionym dzięki boskiej interwencji a także obliczone własne w polskiej religijności typu ludowego. Jego najbardziej znaną, ale jak się wydaje – niejedyną – manifestacją jest obraz Matki Boskiej Częstochowskiej. Na podstawie obserwacji autora badań terenowych oraz studiów nad źródłami (literatura dewocyjna, pieśni odpustowe) dowiedziono i omówiono obecność wśród części czcicieli skępskiej Madonny zbadano nadprzyrodzonym po wejściu do rzeźby. Narracje dotyczące cudownego wizerunku, opierając się na posiadających proweniencję bizantyńską toposach, są charakterystyczne dla ich elementów.
{"title":"Figura Matki Boskiej Skępskiej jako wizerunek acheiropoietyczny","authors":"Łukasz Ciemiński","doi":"10.12775/ll.4.2022.001","DOIUrl":"https://doi.org/10.12775/ll.4.2022.001","url":null,"abstract":"Artykuł opisujący fenomen kultu figury Matki Boskiej Skępskiej jako wizerunek o charakterze acheiropoietycznym. Funkcjonujące w chrześcijaństwie wygląd o zapewnieniu przedstawionym dzięki boskiej interwencji a także obliczone własne w polskiej religijności typu ludowego. Jego najbardziej znaną, ale jak się wydaje – niejedyną – manifestacją jest obraz Matki Boskiej Częstochowskiej. Na podstawie obserwacji autora badań terenowych oraz studiów nad źródłami (literatura dewocyjna, pieśni odpustowe) dowiedziono i omówiono obecność wśród części czcicieli skępskiej Madonny zbadano nadprzyrodzonym po wejściu do rzeźby. Narracje dotyczące cudownego wizerunku, opierając się na posiadających proweniencję bizantyńską toposach, są charakterystyczne dla ich elementów.","PeriodicalId":32873,"journal":{"name":"Literatura Ludowa","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46056863","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Artykuł prezentuje aktywności i praktyki fanowskie wśród południowokoreańskich odbiorców kultury popularnej celem ogólnej charakterystyki dostępnych postaw, które mieszczą się w modelowych ujęciach Prawdziwego Fana, Anty-fana i Saseang – Fan Obsesyjnego. Zwraca się tu uwagę na szczególną rolę koreańskiego przemysłu muzycznego, który odgórnie strukturyzuje i manipuluje relacją fan – obiekt afektu oraz relacjami wewnątrzfandomowy, narzucając sposoby interakcji z idolami i modele zachowań wśród fanów. Kluczowe w analizie są kategorie relacji paraspołecznej jako centralnej dla struktury koreańskiego przemysłu kulturowego, praktyk oddolnych i odgórnych oraz koncepcji kultury kłączowatej Delezue, która szczególnie przystaje do opisu systemu fanowskich „nisz ekologicznych” w Korei Południowej i interakcji między fandomem a przemysłem kulturowym.
{"title":"Od fana do stalkera. Spektrum postaw fanowskich w koreańskim przemyśle kulturowym","authors":"M. Lewandowska","doi":"10.12775/ll.4.2022.006","DOIUrl":"https://doi.org/10.12775/ll.4.2022.006","url":null,"abstract":"Artykuł prezentuje aktywności i praktyki fanowskie wśród południowokoreańskich odbiorców kultury popularnej celem ogólnej charakterystyki dostępnych postaw, które mieszczą się w modelowych ujęciach Prawdziwego Fana, Anty-fana i Saseang – Fan Obsesyjnego. Zwraca się tu uwagę na szczególną rolę koreańskiego przemysłu muzycznego, który odgórnie strukturyzuje i manipuluje relacją fan – obiekt afektu oraz relacjami wewnątrzfandomowy, narzucając sposoby interakcji z idolami i modele zachowań wśród fanów. Kluczowe w analizie są kategorie relacji paraspołecznej jako centralnej dla struktury koreańskiego przemysłu kulturowego, praktyk oddolnych i odgórnych oraz koncepcji kultury kłączowatej Delezue, która szczególnie przystaje do opisu systemu fanowskich „nisz ekologicznych” w Korei Południowej i interakcji między fandomem a przemysłem kulturowym.","PeriodicalId":32873,"journal":{"name":"Literatura Ludowa","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45777327","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Recenzja publikacji: Helena Kapełuś, Wszystko jest folklorystyką. Wybrane prace, redakcja Regina Gromacka, wstęp Magdalena Kapełuś, Wydawnictwo Agade, Warszawa 2022.
{"title":"Helena Kapełuś i jej folklorystyka intensywna","authors":"P. Grochowski","doi":"10.12775/ll.4.2022.008","DOIUrl":"https://doi.org/10.12775/ll.4.2022.008","url":null,"abstract":"Recenzja publikacji: Helena Kapełuś, Wszystko jest folklorystyką. Wybrane prace, redakcja Regina Gromacka, wstęp Magdalena Kapełuś, Wydawnictwo Agade, Warszawa 2022.","PeriodicalId":32873,"journal":{"name":"Literatura Ludowa","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47414281","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Przedmiotem badań podjętych w artykule jest lubelska tradycja Święta Godowego, w szczególności kolędowania, analizowana diachronicznie w ramach tartusko-moskiewskiej teorii semiotycznej. Poprzez wyróżnienie podstawowych struktur symboli realizowanych w ramach Godów oraz zestawienia – na przykładzie semiotyzacji przestrzeni obrzędu – tekstualnej i akcjonalnej warstwy święta podjęto próbę dotarcia do grupy jego najstarszych pokładów symbolicznych, ujętych jako fragment partycypującego w kosmologii ludowej osnownego „tekstu Święta Godowego”. Wnioskiem wyciągniętym z tych rozważań jest związek Godów z dawnym mitem solarnym i kosmogonicznym, będących częścią odtwarzanej semiosfery horyzontu bałtosłowiańskiego.
{"title":"Lubelski obrzęd kolędowania zimowego wobec kosmologii ludowej. Analiza semiotyczno-strukturalna i diachroniczna","authors":"Mikołaj Jarmakowski","doi":"10.12775/ll.4.2022.002","DOIUrl":"https://doi.org/10.12775/ll.4.2022.002","url":null,"abstract":"Przedmiotem badań podjętych w artykule jest lubelska tradycja Święta Godowego, w szczególności kolędowania, analizowana diachronicznie w ramach tartusko-moskiewskiej teorii semiotycznej. Poprzez wyróżnienie podstawowych struktur symboli realizowanych w ramach Godów oraz zestawienia – na przykładzie semiotyzacji przestrzeni obrzędu – tekstualnej i akcjonalnej warstwy święta podjęto próbę dotarcia do grupy jego najstarszych pokładów symbolicznych, ujętych jako fragment partycypującego w kosmologii ludowej osnownego „tekstu Święta Godowego”. Wnioskiem wyciągniętym z tych rozważań jest związek Godów z dawnym mitem solarnym i kosmogonicznym, będących częścią odtwarzanej semiosfery horyzontu bałtosłowiańskiego.","PeriodicalId":32873,"journal":{"name":"Literatura Ludowa","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47863138","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
References to fear are often associated with narratives created by right-wing parties and media, especially while talking about issues such as gender, LGBTQIA+ or abortion. However, similar practices can be found in centre-liberal discourse, proving that the creation and reproduction of the dialectic of fear can apply to all agents, no matter their political affiliation. The article aims to challenge popular academic perceptions of the sources of fear by proposing a counterperspective that means to shift perception on agents of polarisation. Used examples focus on contemporary Polish mainstream centre-liberal newspapers which reproduce fear in their narrative, adding to both local and worldwide phenomena of political polarisation and radicalisation.
{"title":"Dialectic of Fear: Centre-Liberal Media Discourse on Gender, LGBTQIA+ and Abortion in Contemporary Poland","authors":"Aleksandra Krzyżaniak","doi":"10.12775/ll.4.2022.005","DOIUrl":"https://doi.org/10.12775/ll.4.2022.005","url":null,"abstract":"References to fear are often associated with narratives created by right-wing parties and media, especially while talking about issues such as gender, LGBTQIA+ or abortion. However, similar practices can be found in centre-liberal discourse, proving that the creation and reproduction of the dialectic of fear can apply to all agents, no matter their political affiliation. The article aims to challenge popular academic perceptions of the sources of fear by proposing a counterperspective that means to shift perception on agents of polarisation. Used examples focus on contemporary Polish mainstream centre-liberal newspapers which reproduce fear in their narrative, adding to both local and worldwide phenomena of political polarisation and radicalisation.","PeriodicalId":32873,"journal":{"name":"Literatura Ludowa","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44478369","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The needle-spiking scares in the UK and France are discussed and contextualized through comparison with former outbreaks linked to social fears. The contradictions of our attitudes towards psychoactive drugs, both coveted and feared, are outlined and lead to an analysis of the scares in a folkloric perspective that centers on the notion of ostensive action.
{"title":"From Stories to Behaviour, the Ebb and Flow of Fears and Panics: Discussion of the Needle-Spiking Epidemic Scares of 2021–2022","authors":"Veronique Campion-Vincent","doi":"10.12775/ll.3.2022.004","DOIUrl":"https://doi.org/10.12775/ll.3.2022.004","url":null,"abstract":"The needle-spiking scares in the UK and France are discussed and contextualized through comparison with former outbreaks linked to social fears. The contradictions of our attitudes towards psychoactive drugs, both coveted and feared, are outlined and lead to an analysis of the scares in a folkloric perspective that centers on the notion of ostensive action.","PeriodicalId":32873,"journal":{"name":"Literatura Ludowa","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48025406","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The need to better understand the supernatural is an ever-engaging aspect of any enquiry into the matter due to the changing paradigms of time and space and the existence of numerous misconceptions and observations concerning the same. Such is a case of the legend of U Thlen and the nongshohnoh phenomenon of Meghalaya, a north-eastern state in the sovereign country of India. U Thlen, an evil mystical being, is described in Khasi legends and recounted in Khasi folklore as an entity thirsty for human blood and never satiated. He was, however, tricked and captured by the Khasi people but never ultimately destroyed. As an act of deception – of reward and mainly revenge, U Thlen promised people riches in exchange for human sacrifice. An existing belief is that U Thlen was adopted by a Khasi household which saw the beginning of the nongshohnoh or the “cut throat” phenomenon. The surrounding belief about the keeping of U Thlen functions on the basis of prevailing social notions that human sacrifice offered to U Thlen equates to riches. While the legend of U Thlen has witnessed transcendence from narratives to lived realities over an incredible part of the history of the Khasi people, the nongshohnoh phenomenon has seen its fair share of criticism with time as well. It is in this regard that this study aims to (re)look into this very phenomenon as a living reality of the Khasi society. This paper also aims to look at existing beliefs and disbeliefs in U Thlen and the nongshohnoh phenomenon in order to arrive at an understanding, proper to the contemporary setting of the Khasi society, in the twenty-first century.
{"title":"U Thlen and the Nongshohnoh: Folklore, Experience, and Reality","authors":"Auswyn Winter Japang","doi":"10.12775/ll.3.2022.002","DOIUrl":"https://doi.org/10.12775/ll.3.2022.002","url":null,"abstract":"The need to better understand the supernatural is an ever-engaging aspect of any enquiry into the matter due to the changing paradigms of time and space and the existence of numerous misconceptions and observations concerning the same. Such is a case of the legend of U Thlen and the nongshohnoh phenomenon of Meghalaya, a north-eastern state in the sovereign country of India. U Thlen, an evil mystical being, is described in Khasi legends and recounted in Khasi folklore as an entity thirsty for human blood and never satiated. He was, however, tricked and captured by the Khasi people but never ultimately destroyed. As an act of deception – of reward and mainly revenge, U Thlen promised people riches in exchange for human sacrifice. An existing belief is that U Thlen was adopted by a Khasi household which saw the beginning of the nongshohnoh or the “cut throat” phenomenon. The surrounding belief about the keeping of U Thlen functions on the basis of prevailing social notions that human sacrifice offered to U Thlen equates to riches. While the legend of U Thlen has witnessed transcendence from narratives to lived realities over an incredible part of the history of the Khasi people, the nongshohnoh phenomenon has seen its fair share of criticism with time as well. It is in this regard that this study aims to (re)look into this very phenomenon as a living reality of the Khasi society. This paper also aims to look at existing beliefs and disbeliefs in U Thlen and the nongshohnoh phenomenon in order to arrive at an understanding, proper to the contemporary setting of the Khasi society, in the twenty-first century.","PeriodicalId":32873,"journal":{"name":"Literatura Ludowa","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49300254","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The nature of human-animal hybrid beings (or therianthropes) is examined in an Animistic (traditional San Bushman) and a Cartesian (Early Modern Western) cosmology. In each ontological ambiguity is imagined and conceptualized in different terms. One of them is through monstrosity, which, in the Western schema, is equated with human-animal hybridity. This equivalence threatens the boundaries and categories that buttress western cosmology, through a being – the human-animal hybrid – deemed a conceptual and epistemological abomination. It elicits a category crisis that is as much cerebral as it is visceral as the were-beings it conceives are feared and demonized. No such valences attach to therianthropes in the cosmology described in this paper. It is an “entangled” cosmology shot through with ambiguity and fluidity in which human-animal hybridity is neither abominable nor feared. Instead, as a pervasive and salient theme of San world view and lifeways, especially its expressive and ritual spheres, along with hunting, ontological mutability becomes an integral component of people’s thoughts and lives and thereby normalized and naturalized. Beings partaking of this state are deemed another species of being with whom humans engage as other-than-humans, on shared social terms. Monsters are beings who negate or transgress the moral foundation of the social order. San monstrosity, conceptually and phenomenologically, becomes thereby a matter of deviation from social (moral) pre/proscriptions rather than from classificatory (ontological) ones. This basic conceptual difference notwithstanding, we also find a fundamental commonality: the inversion, through monsters and monstrosity, of each cosmology’s underlying epistemic matrices, of structure and ambiguity, respectively.
{"title":"Therianthropes in a Cartesian and an Animistic Cosmology: Beyond-the-Pale Monsters versus Being-in-the World Others","authors":"M. Guenther","doi":"10.12775/ll.3.2022.001","DOIUrl":"https://doi.org/10.12775/ll.3.2022.001","url":null,"abstract":"The nature of human-animal hybrid beings (or therianthropes) is examined in an Animistic (traditional San Bushman) and a Cartesian (Early Modern Western) cosmology. In each ontological ambiguity is imagined and conceptualized in different terms. One of them is through monstrosity, which, in the Western schema, is equated with human-animal hybridity. This equivalence threatens the boundaries and categories that buttress western cosmology, through a being – the human-animal hybrid – deemed a conceptual and epistemological abomination. It elicits a category crisis that is as much cerebral as it is visceral as the were-beings it conceives are feared and demonized. No such valences attach to therianthropes in the cosmology described in this paper. It is an “entangled” cosmology shot through with ambiguity and fluidity in which human-animal hybridity is neither abominable nor feared. Instead, as a pervasive and salient theme of San world view and lifeways, especially its expressive and ritual spheres, along with hunting, ontological mutability becomes an integral component of people’s thoughts and lives and thereby normalized and naturalized. Beings partaking of this state are deemed another species of being with whom humans engage as other-than-humans, on shared social terms. Monsters are beings who negate or transgress the moral foundation of the social order. San monstrosity, conceptually and phenomenologically, becomes thereby a matter of deviation from social (moral) pre/proscriptions rather than from classificatory (ontological) ones. This basic conceptual difference notwithstanding, we also find a fundamental commonality: the inversion, through monsters and monstrosity, of each cosmology’s underlying epistemic matrices, of structure and ambiguity, respectively.","PeriodicalId":32873,"journal":{"name":"Literatura Ludowa","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48211151","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Długie życie klasyki literatury dziecięcej","authors":"Dariusz Piechota","doi":"10.12775/ll.3.2022.008","DOIUrl":"https://doi.org/10.12775/ll.3.2022.008","url":null,"abstract":"Recenzja książki: Maciej Skowera, Carroll, Baum, Barrie. (Mito)biografie i (mikro)historie, Wydawnictwo Universitas, Kraków 2022.","PeriodicalId":32873,"journal":{"name":"Literatura Ludowa","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48597303","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article is an analysis of the HBO series Lovecraft Country in terms of the elements of racism and traditional horror elements present in it, including elements typical of the prose of one of the genre’s creators, H. P. Lovecraft. The purpose of the article is to explore typical horror elements that appear in the series and show how the authors of the series combine traditional horror with the horror of everyday life in the oppressed Black community in 1950s America. At the beginning of the article, the series and its main idea are described. The article then takes up the subject of the portrayal of racism in the series, specific examples of which are presented and discussed in terms of their compatibility with the realities of America at the time. The article also discusses elements related to the antiracism movement – situations presented in the series that exemplify the character’ struggle against racism are shown. Then the otherness depicted in the series is discussed – not only racial otherness, but also gender and sexual otherness; in this part of the article, otherness is given as a reason for oppression by society. The article also explores the use of traditional elements of horror genre in the series – it indicates which scenes in the series use the traditional concepts of the horror genre, and attempts to show which characters in the series function as monsters in the story. At the end of the article, it is explained how the series draws inspiration in the works of Lovecraft, whose name appears in the very title of the series.
{"title":"Race and Horror in HBO’s Lovecraft Country","authors":"Mariusz Woźniak","doi":"10.12775/ll.3.2022.005","DOIUrl":"https://doi.org/10.12775/ll.3.2022.005","url":null,"abstract":"This article is an analysis of the HBO series Lovecraft Country in terms of the elements of racism and traditional horror elements present in it, including elements typical of the prose of one of the genre’s creators, H. P. Lovecraft. The purpose of the article is to explore typical horror elements that appear in the series and show how the authors of the series combine traditional horror with the horror of everyday life in the oppressed Black community in 1950s America. At the beginning of the article, the series and its main idea are described. The article then takes up the subject of the portrayal of racism in the series, specific examples of which are presented and discussed in terms of their compatibility with the realities of America at the time. The article also discusses elements related to the antiracism movement – situations presented in the series that exemplify the character’ struggle against racism are shown. Then the otherness depicted in the series is discussed – not only racial otherness, but also gender and sexual otherness; in this part of the article, otherness is given as a reason for oppression by society. The article also explores the use of traditional elements of horror genre in the series – it indicates which scenes in the series use the traditional concepts of the horror genre, and attempts to show which characters in the series function as monsters in the story. At the end of the article, it is explained how the series draws inspiration in the works of Lovecraft, whose name appears in the very title of the series.","PeriodicalId":32873,"journal":{"name":"Literatura Ludowa","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46355409","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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