El giro curatorial tiene una historia muy reciente en el campo de las artes performativas. Este giro curatorial plantea importantes debates para cambiar como hemos entendido hasta ahora la gestion de las artes escenicas, ya sea en festivales, teatros u otros equipamientos. Este trabajo presenta cuales son los ejes de trabajo que se plantean desde el giro curatorial, su relacion con la agenda de la democracia cultural y como la experiencia de Naves Matadero, en Madrid, ilustra algunos de estos ejes.
{"title":"Democracia cultural y giro curatorial: Naves Matadero-Madrid","authors":"A. Pérez","doi":"10.4995/cs.2020.14197","DOIUrl":"https://doi.org/10.4995/cs.2020.14197","url":null,"abstract":"El giro curatorial tiene una historia muy reciente en el campo de las artes performativas. Este giro curatorial plantea importantes debates para cambiar como hemos entendido hasta ahora la gestion de las artes escenicas, ya sea en festivales, teatros u otros equipamientos. Este trabajo presenta cuales son los ejes de trabajo que se plantean desde el giro curatorial, su relacion con la agenda de la democracia cultural y como la experiencia de Naves Matadero, en Madrid, ilustra algunos de estos ejes.","PeriodicalId":33067,"journal":{"name":"Culturas","volume":"7 1","pages":"20-39"},"PeriodicalIF":0.0,"publicationDate":"2020-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41378701","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Market research, a tool commonly used from marketing to business in a broad variety of sectors, is also of great use for cultural managers when it comes to diagnosing their projects. The aim of this article is to systematize recommendations, to debate about possible areas of study inside the market of the cultural sector. After reviewing previous studies and by direct experienced-based observation, this work explores possible ways of developing a research of this kind applicable to the objectives of a cultural project. Given that there is still no corpus originated from a Latin-American source, foreign texts are consulted to create implications that are practical and appropriate to our symbolic production. It is expected that this work sparks new debates on the topic considering its central and original approach.
{"title":"Investigación de mercado en cultura: una herramienta clave para la gestión de las artes","authors":"R. S. Algán, Brenda S. Berstein","doi":"10.4995/cs.2020.14473","DOIUrl":"https://doi.org/10.4995/cs.2020.14473","url":null,"abstract":"Market research, a tool commonly used from marketing to business in a broad variety of sectors, is also of great use for cultural managers when it comes to diagnosing their projects. The aim of this article is to systematize recommendations, to debate about possible areas of study inside the market of the cultural sector. After reviewing previous studies and by direct experienced-based observation, this work explores possible ways of developing a research of this kind applicable to the objectives of a cultural project. Given that there is still no corpus originated from a Latin-American source, foreign texts are consulted to create implications that are practical and appropriate to our symbolic production. It is expected that this work sparks new debates on the topic considering its central and original approach.","PeriodicalId":33067,"journal":{"name":"Culturas","volume":"7 1","pages":"1-19"},"PeriodicalIF":0.0,"publicationDate":"2020-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42703867","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
En el s. XIX la Renaixenca va jugar un paper molt important en la recuperacio de les arts literaries en llengua vernacla tant a Catalunya com al Pais Valencia, encara que en aquest ultim amb menys repercussio. L’exit que experimenta el teatre culte catala no va trobar el seu equivalent a Valencia. A Valencia, l’intent de treure la llengua del pais del nucli familiar per culturitzar-la i deixar-la impresa en el genere dramatic no era una tasca que resultes facil. El Teatre Russafa de Valencia va ser espectador principal dels intents que hi van haver en la creacio d’un Teatre Valencia i de com el sainet assolia aquest titol encapcalat per l’autor Eduard Escalante. Hem fet un recorregut pels diaris de l’epoca que ens han descobert manifests, opinions i inquietuds del moment, que veurem repetides al llarg dels anys i ens donaran una visio de perque el teatre valencia no va poder consolidar-se com va ocorrer al Principat.
{"title":"Les vetlades valencianes al Teatre Russafa de València. L’intent de crear un teatre valencià a la Renaixença","authors":"Joana Sales i Baviera","doi":"10.4995/cs.2020.14416","DOIUrl":"https://doi.org/10.4995/cs.2020.14416","url":null,"abstract":"En el s. XIX la Renaixenca va jugar un paper molt important en la recuperacio de les arts literaries en llengua vernacla tant a Catalunya com al Pais Valencia, encara que en aquest ultim amb menys repercussio. L’exit que experimenta el teatre culte catala no va trobar el seu equivalent a Valencia. A Valencia, l’intent de treure la llengua del pais del nucli familiar per culturitzar-la i deixar-la impresa en el genere dramatic no era una tasca que resultes facil. El Teatre Russafa de Valencia va ser espectador principal dels intents que hi van haver en la creacio d’un Teatre Valencia i de com el sainet assolia aquest titol encapcalat per l’autor Eduard Escalante. Hem fet un recorregut pels diaris de l’epoca que ens han descobert manifests, opinions i inquietuds del moment, que veurem repetides al llarg dels anys i ens donaran una visio de perque el teatre valencia no va poder consolidar-se com va ocorrer al Principat.","PeriodicalId":33067,"journal":{"name":"Culturas","volume":"7 1","pages":"90-109"},"PeriodicalIF":0.0,"publicationDate":"2020-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41595093","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
La infravaloración del patrimonio cultural a nivel local es una problemática ampliamente extendida. El caso de la Fuente de los pescados de Tresguerras en Jiquilpan, Michoacán, México tuvo como objetivo general profundizar en la historia del monumento y su creador, haciendo uso de la metodología cualitativa, específicamente de la consulta y contraste de fuentes documentales, partiendo de un diagnóstico situacional y análisis de la problemática en conjunto con la población objetivo, alineándose con planes y programas a distintos niveles partiendo del paradigma de la democratización cultural. Entre los hallazgos surgieron datos para rectificar información del bien patrimonial analizado, conocer su contexto histórico – geográfico y adicionarlo a los listados de obras de Tresguerras. Se generó información con potencial para integrarse en un modelo de educación patrimonial basado en la didáctica del objeto, haciendo énfasis en la profundización investigativa con miras a futuro para utilizar herramientas informáticas que permitan aprovechar estos contenidos.
{"title":"Gestión del patrimonio y educación patrimonial en contexto local. El caso de la Fuente de los pescados de Tresguerras en Jiquilpan, Michoacán, México","authors":"Ignacio Moreno Nava","doi":"10.4995/cs.2020.13224","DOIUrl":"https://doi.org/10.4995/cs.2020.13224","url":null,"abstract":"La infravaloración del patrimonio cultural a nivel local es una problemática ampliamente extendida. El caso de la Fuente de los pescados de Tresguerras en Jiquilpan, Michoacán, México tuvo como objetivo general profundizar en la historia del monumento y su creador, haciendo uso de la metodología cualitativa, específicamente de la consulta y contraste de fuentes documentales, partiendo de un diagnóstico situacional y análisis de la problemática en conjunto con la población objetivo, alineándose con planes y programas a distintos niveles partiendo del paradigma de la democratización cultural. Entre los hallazgos surgieron datos para rectificar información del bien patrimonial analizado, conocer su contexto histórico – geográfico y adicionarlo a los listados de obras de Tresguerras. Se generó información con potencial para integrarse en un modelo de educación patrimonial basado en la didáctica del objeto, haciendo énfasis en la profundización investigativa con miras a futuro para utilizar herramientas informáticas que permitan aprovechar estos contenidos.","PeriodicalId":33067,"journal":{"name":"Culturas","volume":"7 1","pages":"64"},"PeriodicalIF":0.0,"publicationDate":"2020-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42182530","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
La Semana de Música Religiosa de Cuenca (SMR) inició su andadura en 1962. Miembro de la Asociación Europea de Festivales desde 1986, es el cuarto festival más antiguo de España. Además, comparte fecha en el calendario con la celebración de la Semana Santa conquense (ambas están declaradas de Interés Turístico Internacional).En este artículo nos centraremos en la programación de obras de Antonio Vivaldi en las ediciones que han acontecido entre el año 2001 y el 2019. De forma previa y como contextualización, nos aproximaremos al ciclo conquense y sus claves, la figura del violinista italiano y su música religiosa.De esta manera, nos acercaremos a los directores, solistas, gestores, agrupaciones y obras que han protagonizado los conciertos en los que se ha escuchado música de Vivaldi en la Semana de Música Religiosa de Cuenca para, en global, descubrir qué partituras e intérpretes se han considerado más interesantes, qué ediciones y cuántos recitales han contado con música del prete rosso.
{"title":"Antonio Vivaldi… ¡en Cuenca!: breve aproximación a la Semana de Música Religiosa de Cuenca (2001-2019)","authors":"Marco Antonio De la Ossa Martínez","doi":"10.4995/cs.2020.12942","DOIUrl":"https://doi.org/10.4995/cs.2020.12942","url":null,"abstract":"La Semana de Música Religiosa de Cuenca (SMR) inició su andadura en 1962. Miembro de la Asociación Europea de Festivales desde 1986, es el cuarto festival más antiguo de España. Además, comparte fecha en el calendario con la celebración de la Semana Santa conquense (ambas están declaradas de Interés Turístico Internacional).En este artículo nos centraremos en la programación de obras de Antonio Vivaldi en las ediciones que han acontecido entre el año 2001 y el 2019. De forma previa y como contextualización, nos aproximaremos al ciclo conquense y sus claves, la figura del violinista italiano y su música religiosa.De esta manera, nos acercaremos a los directores, solistas, gestores, agrupaciones y obras que han protagonizado los conciertos en los que se ha escuchado música de Vivaldi en la Semana de Música Religiosa de Cuenca para, en global, descubrir qué partituras e intérpretes se han considerado más interesantes, qué ediciones y cuántos recitales han contado con música del prete rosso.","PeriodicalId":33067,"journal":{"name":"Culturas","volume":"20 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70587469","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Teatro Biobio, after two years of operation, already has different audiences studios. The objective of this research is to characterize the audiences that attend the artistic programming of the Biobio Theater, according to cultural domain. This study is of a quantitative, descriptive and longitudinal type. In general, the results obtained from the sociodemographic variables do not change affected from one year to the next, which can translate into a high level of reliability of the instrument. However, different differences were obtained between 2018 and 2019 in variables of cultural consumption. In this way, it can be asserted that what distinguishes the "types" of audiences are not their intrinsic sociodemographic characteristics, but their forms of cultural consumption. This research, which is a pioneer in the region in public studies, will serve as an antecedent for future studies in cultural management at the local and national level.
{"title":"Encuesta de caracterización y consumo cultural de los públicos de Teatro Biobío","authors":"Aileen G. Chales-Aoun","doi":"10.4995/cs.2020.13603","DOIUrl":"https://doi.org/10.4995/cs.2020.13603","url":null,"abstract":"Teatro Biobio, after two years of operation, already has different audiences studios. The objective of this research is to characterize the audiences that attend the artistic programming of the Biobio Theater, according to cultural domain. This study is of a quantitative, descriptive and longitudinal type. In general, the results obtained from the sociodemographic variables do not change affected from one year to the next, which can translate into a high level of reliability of the instrument. However, different differences were obtained between 2018 and 2019 in variables of cultural consumption. In this way, it can be asserted that what distinguishes the \"types\" of audiences are not their intrinsic sociodemographic characteristics, but their forms of cultural consumption. This research, which is a pioneer in the region in public studies, will serve as an antecedent for future studies in cultural management at the local and national level.","PeriodicalId":33067,"journal":{"name":"Culturas","volume":"7 1","pages":"1-18"},"PeriodicalIF":0.0,"publicationDate":"2020-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47013534","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article analyses the exhibition Poetas del cuerpo. La danza de la Edad de Plata (Residencia de Estudiantes/Accion Cultural Espanola (AC/E), 2017), one of the most productive examples of conservation, management and dissemination of data regarding dance within the museum setting during the last few years. To this end, all elements that compose an exhibition project are subjected to study, such as the formulation of scientific content, museum and communication-related issues and the particularities and complications derived from managing immaterial cultural heritage. Therefore, the objective of this research is to offer new insights into the management of dance beyond the work done on the stage.
本文对展览《诗人》进行了分析。La danza de La Edad de Plata（Residencia de Estudiantes/Accion Cultural Espanola（AC/E），2017），是过去几年在博物馆环境中保护、管理和传播舞蹈数据最富有成效的例子之一。为此，对构成展览项目的所有要素进行研究，如科学内容的制定、博物馆和传播相关问题以及非物质文化遗产管理的特殊性和复杂性。因此，本研究的目的是在舞台上完成的工作之外，为舞蹈管理提供新的见解。
{"title":"De lo inmaterial a lo tangible. La exposición Poetas del cuerpo. La Danza de la Edad de Plata","authors":"Blanca Gómez Cifuentes","doi":"10.4995/CS.2019.12672","DOIUrl":"https://doi.org/10.4995/CS.2019.12672","url":null,"abstract":"This article analyses the exhibition Poetas del cuerpo. La danza de la Edad de Plata (Residencia de Estudiantes/Accion Cultural Espanola (AC/E), 2017), one of the most productive examples of conservation, management and dissemination of data regarding dance within the museum setting during the last few years. To this end, all elements that compose an exhibition project are subjected to study, such as the formulation of scientific content, museum and communication-related issues and the particularities and complications derived from managing immaterial cultural heritage. Therefore, the objective of this research is to offer new insights into the management of dance beyond the work done on the stage.","PeriodicalId":33067,"journal":{"name":"Culturas","volume":"6 1","pages":"25-45"},"PeriodicalIF":0.0,"publicationDate":"2020-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48935333","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The present work focuses on the study of the communicative function and the educational approach of virtual museums. It consists of analyzing how most important museums websites within the cultural world are in order to evaluate these virtual environments as model of good practices in the cultural and educational sphere. Moreover, this research is based on a qualitative methodology in which the questionnaire is used as an instrument. Subsequently, in order to evaluate the different dimensions, an evaluation system has been carried out in which more objective techniques have been applied. Thus, the communicative function and the educational approach of these museums are high, however, they must keep reinforcing these two functions, and improve aspects that influence the reception and audience, the technological capacity and the aesthetic elements.
{"title":"La función comunicativa y educativa de los entornos virtuales de los museos","authors":"Sandra Rodríguez Trigo","doi":"10.4995/cs.2019.12442","DOIUrl":"https://doi.org/10.4995/cs.2019.12442","url":null,"abstract":"The present work focuses on the study of the communicative function and the educational approach of virtual museums. It consists of analyzing how most important museums websites within the cultural world are in order to evaluate these virtual environments as model of good practices in the cultural and educational sphere. Moreover, this research is based on a qualitative methodology in which the questionnaire is used as an instrument. Subsequently, in order to evaluate the different dimensions, an evaluation system has been carried out in which more objective techniques have been applied. Thus, the communicative function and the educational approach of these museums are high, however, they must keep reinforcing these two functions, and improve aspects that influence the reception and audience, the technological capacity and the aesthetic elements.","PeriodicalId":33067,"journal":{"name":"Culturas","volume":"6 1","pages":"65-86"},"PeriodicalIF":0.0,"publicationDate":"2020-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45575150","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article consists of a survey and comparative analysis of networks and instances of coordination between autonomous cultural spaces developed in the city of La Plata (Argentina). This will analyze the conformation of participating spaces as well as the ways in which are involved in the cultural policies of the city, forming networks of associations and practices involved in the local art scene. Understanding them as part of dynamic processes, intends to address the relations established with the institutions as tensions and articulations in the search for forms of interference without negotiating autonomy. This work is intended to contribute to the study and analysis of the artistic and cultural scene of the city.
{"title":"Tejer redes. Experiencias de coordinación entre espacios culturales autogestionados de la ciudad de La Plata, Argentina","authors":"A. Valente","doi":"10.4995/cs.2019.12454","DOIUrl":"https://doi.org/10.4995/cs.2019.12454","url":null,"abstract":"This article consists of a survey and comparative analysis of networks and instances of coordination between autonomous cultural spaces developed in the city of La Plata (Argentina). This will analyze the conformation of participating spaces as well as the ways in which are involved in the cultural policies of the city, forming networks of associations and practices involved in the local art scene. Understanding them as part of dynamic processes, intends to address the relations established with the institutions as tensions and articulations in the search for forms of interference without negotiating autonomy. This work is intended to contribute to the study and analysis of the artistic and cultural scene of the city.","PeriodicalId":33067,"journal":{"name":"Culturas","volume":"6 1","pages":"46-64"},"PeriodicalIF":0.0,"publicationDate":"2020-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45685996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-11-07DOI: 10.14409/culturas.v0i13.8612
C. Ávila
En este artículo se tratan los modos de figuración de la violencia política en narrativas venezolanas de la llamada «década violenta» (1960–1970): específicamente, se ponen a prueba en dos textos, La muerte de Honorio (1963), de Miguel Otero Silva, y Se llamaba SN (1964), de José Vicente Abreu, aristas de conceptos complejos como los de nuda vida y campo de concentración, en beneficio, ya no solo de una zona discursiva de referencia, sino también de articular una modalidad lectora/analítica que permitiría revisar, además de procesos de formación literarios venezolanos, representaciones, operaciones y sentidos en torno a los dispositivos represivos de la dictadura de Pérez Jiménez.
{"title":"Representaciones culturales, narraciones y estéticas: Expansiones de la violencia en Venezuela. Sobre dispositivos disciplinarios en dos narrativas de los años ’60","authors":"C. Ávila","doi":"10.14409/culturas.v0i13.8612","DOIUrl":"https://doi.org/10.14409/culturas.v0i13.8612","url":null,"abstract":"En este artículo se tratan los modos de figuración de la violencia política en narrativas venezolanas de la llamada «década violenta» (1960–1970): específicamente, se ponen a prueba en dos textos, La muerte de Honorio (1963), de Miguel Otero Silva, y Se llamaba SN (1964), de José Vicente Abreu, aristas de conceptos complejos como los de nuda vida y campo de concentración, en beneficio, ya no solo de una zona discursiva de referencia, sino también de articular una modalidad lectora/analítica que permitiría revisar, además de procesos de formación literarios venezolanos, representaciones, operaciones y sentidos en torno a los dispositivos represivos de la dictadura de Pérez Jiménez.","PeriodicalId":33067,"journal":{"name":"Culturas","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46885314","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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