Pub Date : 2022-08-19DOI: 10.33153/brikolase.v14i1.4292
Diva Rohisa
The purpose of this study is to identify how Cimahi batik is a form of cultural identity. So that the younger generation, especially the people of Cimahi City, can know and appreciate the form of cultural heritage in the form of one of the city's identities. The research method used is a qualitative method by analyzing the data found. This study uses a literature/library study approach in which the data comes from various literatures, both in print and electronic media related to cultural identity in the form of urban batik in the view of anthropology. This is motivated by the swift currents of globalization which can cause cultural shifts. Even the cultural identity of an area can be lost if it is not preserved. So this research is expected to increase the sense of respect and pride in the existing cultural identity.
{"title":"DESAIN MOTIF BATIK CIMAHI SEBAGAI WUJUD IDENTITAS BUDAYA DALAM KACAMATA ANTROPOLOGI","authors":"Diva Rohisa","doi":"10.33153/brikolase.v14i1.4292","DOIUrl":"https://doi.org/10.33153/brikolase.v14i1.4292","url":null,"abstract":"The purpose of this study is to identify how Cimahi batik is a form of cultural identity. So that the younger generation, especially the people of Cimahi City, can know and appreciate the form of cultural heritage in the form of one of the city's identities. The research method used is a qualitative method by analyzing the data found. This study uses a literature/library study approach in which the data comes from various literatures, both in print and electronic media related to cultural identity in the form of urban batik in the view of anthropology. This is motivated by the swift currents of globalization which can cause cultural shifts. Even the cultural identity of an area can be lost if it is not preserved. So this research is expected to increase the sense of respect and pride in the existing cultural identity.","PeriodicalId":33111,"journal":{"name":"Brikolase","volume":"6 5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88048490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-19DOI: 10.33153/brikolase.v14i1.3938
R. Santoso, Adji Isworo Josef, Tiwi Bina Affanti, Sarwono - -, Lira Anundita Utami
This research was conducted to create a method for dyeing trick using Direct dyestuff. The developed coloring is staining using thickener but not used through printing. The study is concentrated on the results of the dyeing process on tricks with Direct dyestuff with thickener. The method used is descriptive qualitative in the discussion of the coloring results. From the results of this study, it was found that dyeing with Direct dyestuff using a thickener in the manufacture of tritik fabric produced tritik motifs. The sharpness of the resulting motif varies at each level of thickener concentration. The thickener concentrations used in this study were 5 g/l, 20 g/l, 35 g/l, 50 g/l, 65 g/l, and 80 g/l, for every 1 liter of dye solution. With a low thickener concentration, the tritik motif looks less sharp, the color aging is higher, and the staining results look more even. The unevenness that arises due to the use of high concentrations of thickener is seen to form a marble-like pattern. The sharpness of the resulting motif in this staining does not always correspond to the high concentration of the thickener. Variations in the non-sharpness of the colored motifs can also appear on one piece of tritik fabric that is produced.
{"title":"PEWARNAAN MENGGUNAKAN ZAT WARNA DIREK DENGAN PENGENTAL DALAM PEMBUATAN ’KAIN TRITIK","authors":"R. Santoso, Adji Isworo Josef, Tiwi Bina Affanti, Sarwono - -, Lira Anundita Utami","doi":"10.33153/brikolase.v14i1.3938","DOIUrl":"https://doi.org/10.33153/brikolase.v14i1.3938","url":null,"abstract":"This research was conducted to create a method for dyeing trick using Direct dyestuff. The developed coloring is staining using thickener but not used through printing. The study is concentrated on the results of the dyeing process on tricks with Direct dyestuff with thickener. The method used is descriptive qualitative in the discussion of the coloring results. From the results of this study, it was found that dyeing with Direct dyestuff using a thickener in the manufacture of tritik fabric produced tritik motifs. The sharpness of the resulting motif varies at each level of thickener concentration. The thickener concentrations used in this study were 5 g/l, 20 g/l, 35 g/l, 50 g/l, 65 g/l, and 80 g/l, for every 1 liter of dye solution. With a low thickener concentration, the tritik motif looks less sharp, the color aging is higher, and the staining results look more even. The unevenness that arises due to the use of high concentrations of thickener is seen to form a marble-like pattern. The sharpness of the resulting motif in this staining does not always correspond to the high concentration of the thickener. Variations in the non-sharpness of the colored motifs can also appear on one piece of tritik fabric that is produced.","PeriodicalId":33111,"journal":{"name":"Brikolase","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81420922","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-19DOI: 10.33153/brikolase.v14i1.4218
John Thang, Ria Eka Sari
Playing is something that is very popular with children because playing is an activity that can build motor nerves and children's growth and development. Design of the puzzle game designed is a research based on a quantitative approach due to the transition from a pandemic to an endemic period after the decline in the spread of the covid-19 virus. This puzzle game is designed not only to provide games for elementary school children but also to increase the intelligence of thinking for these children. The design of this puzzle game uses quantitative data collection and 5W 1H analysis methods. The results of this game design can later be downloaded via the link provided.
{"title":"DESIGN GAME PUZZLE UNTUK TINGKAT SEKOLAH DASAR MENGGUNAKAN ADOBE CC ANIMATE 2018","authors":"John Thang, Ria Eka Sari","doi":"10.33153/brikolase.v14i1.4218","DOIUrl":"https://doi.org/10.33153/brikolase.v14i1.4218","url":null,"abstract":"Playing is something that is very popular with children because playing is an activity that can build motor nerves and children's growth and development. Design of the puzzle game designed is a research based on a quantitative approach due to the transition from a pandemic to an endemic period after the decline in the spread of the covid-19 virus. This puzzle game is designed not only to provide games for elementary school children but also to increase the intelligence of thinking for these children. The design of this puzzle game uses quantitative data collection and 5W 1H analysis methods. The results of this game design can later be downloaded via the link provided.","PeriodicalId":33111,"journal":{"name":"Brikolase","volume":"53 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84725913","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-19DOI: 10.33153/brikolase.v14i1.4238
Regina Ratih Nugraheni, Joko Budiwiyanto
This research is motivated by Catholics who come to church increasingly do not understand the meaning and message contained in the church building, even though the symbols and everything contained in the church building are made not only as decoration, but every part in the church has meaning. related to Catholic life. One church that has a message framed in the form of a painting in its interior is the Catholic Church of St. Antonius in Kotabaru, Yogyakarta. The paintings on the walls of this church have very interesting forms, functions, and meanings because they are related to the contents of the holy book of the Gospel of John. This study aims to determine the form, function, and meaning of the painting on the interior of the altar of the Catholic Church of St. Antonius Kotabaru, Yogyakarta. The results of the study are as follows, the form of painting on the church wall is a decorative painting. The function of painting is to beautify the interior of the church room, as an identity for the Catholic church that uses elements of regional inculturation in the interior of the room, and as a medium of da'wah in introducing the holy book of the Gospel of John to Christians. The form of the painting has a meaning, that a leader should know the needs of the community, just as Jesus knew the needs of his people.
这项研究的动机是天主教徒越来越不理解教堂建筑所包含的意义和信息，尽管教堂建筑中包含的符号和一切不仅仅是作为装饰，而且教堂的每个部分都有意义。与天主教生活有关的。日惹Kotabaru的圣安东尼奥天主教堂(Catholic church of St. Antonius)在教堂内部以绘画的形式裱有信息。这座教堂墙壁上的绘画有着非常有趣的形式、功能和意义，因为它们与圣书《约翰福音》的内容有关。本研究旨在确定在日惹圣安东尼斯Kotabaru天主教堂祭坛内部的绘画的形式，功能和意义。研究结果表明:教堂墙体上的绘画形式为装饰画。绘画的功能是美化教堂房间的内部，作为天主教教堂的一种身份，在房间内部使用地域文化元素，并作为da'wah的媒介，向基督徒介绍约翰福音的圣书。这幅画的形式有一个含义，一个领导者应该知道社区的需求，就像耶稣知道他的人民的需求一样。
{"title":"BENTUK, FUNGSI, DAN MAKNA LUKISAN PADA INTERIOR ALTAR GEREJA ST. ANTONIUS KOTABARU YOGYAKARTA","authors":"Regina Ratih Nugraheni, Joko Budiwiyanto","doi":"10.33153/brikolase.v14i1.4238","DOIUrl":"https://doi.org/10.33153/brikolase.v14i1.4238","url":null,"abstract":"This research is motivated by Catholics who come to church increasingly do not understand the meaning and message contained in the church building, even though the symbols and everything contained in the church building are made not only as decoration, but every part in the church has meaning. related to Catholic life. One church that has a message framed in the form of a painting in its interior is the Catholic Church of St. Antonius in Kotabaru, Yogyakarta. The paintings on the walls of this church have very interesting forms, functions, and meanings because they are related to the contents of the holy book of the Gospel of John. This study aims to determine the form, function, and meaning of the painting on the interior of the altar of the Catholic Church of St. Antonius Kotabaru, Yogyakarta. The results of the study are as follows, the form of painting on the church wall is a decorative painting. The function of painting is to beautify the interior of the church room, as an identity for the Catholic church that uses elements of regional inculturation in the interior of the room, and as a medium of da'wah in introducing the holy book of the Gospel of John to Christians. The form of the painting has a meaning, that a leader should know the needs of the community, just as Jesus knew the needs of his people.","PeriodicalId":33111,"journal":{"name":"Brikolase","volume":"48 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73832405","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-19DOI: 10.33153/brikolase.v14i1.4232
I. W. Setem, I. W. Kondra, I. M. Gede Putra Jaya
TThe purpose of this research and art creation is to create and present artworks with “Toya Campuhan: Water and Human Civilization” as the source of inspiration. World civilization, especially in ancient Bali, has emerged and developed around water as its source of life. Water sources, such as river confluences, act as a pulse, supporting the joints that contribute significantly to various parts of physical and spiritual life. Due to this, water must be conserved, so that they always provide benefits for the journey of human life far into the future. However, the current condition of rivers in Bali is really worrying, as various pollutants pollute them. Slowly but surely, the water condition will worsen if we continue to let it be. This evokes my empathy, emotion, and hope about a healthy river confluence as a mission that I wanted to convey through the creation of this painting. This creation model becomes a cultural expression as a medium for increasing public appreciation to raise the spirit of ecological resilience over the problem of water pollution. This creation is based on research, where the method consists of two parts, namely the research method and the creation method. The research method uses an anthropological approach, especially related to ethnography. Meanwhile, the creation method passes through three stages: exploration, improvisation, and the embodiment of the work, which is preceded by a study of similar works of art and literature review.
{"title":"TOYA CAMPUHAN: AIR DAN PERADABAN MANUSIA DALAM PENCIPTAAN SENI LUKIS","authors":"I. W. Setem, I. W. Kondra, I. M. Gede Putra Jaya","doi":"10.33153/brikolase.v14i1.4232","DOIUrl":"https://doi.org/10.33153/brikolase.v14i1.4232","url":null,"abstract":"TThe purpose of this research and art creation is to create and present artworks with “Toya Campuhan: Water and Human Civilization” as the source of inspiration. World civilization, especially in ancient Bali, has emerged and developed around water as its source of life. Water sources, such as river confluences, act as a pulse, supporting the joints that contribute significantly to various parts of physical and spiritual life. Due to this, water must be conserved, so that they always provide benefits for the journey of human life far into the future. However, the current condition of rivers in Bali is really worrying, as various pollutants pollute them. Slowly but surely, the water condition will worsen if we continue to let it be. This evokes my empathy, emotion, and hope about a healthy river confluence as a mission that I wanted to convey through the creation of this painting. This creation model becomes a cultural expression as a medium for increasing public appreciation to raise the spirit of ecological resilience over the problem of water pollution. This creation is based on research, where the method consists of two parts, namely the research method and the creation method. The research method uses an anthropological approach, especially related to ethnography. Meanwhile, the creation method passes through three stages: exploration, improvisation, and the embodiment of the work, which is preceded by a study of similar works of art and literature review.","PeriodicalId":33111,"journal":{"name":"Brikolase","volume":"40 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73260406","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-19DOI: 10.33153/brikolase.v14i1.4000
Eko Darmawanto, Kukuh Dwi Wijanarko
Branding is introducing an image of both services and physical products, the process taken must have a strategy and preparation of measurable time targets. There are many ways to introduce a product, which is the current trend of the 4.0 era where most transactions and information are traded in the IoT-based world. Local tourism has now developed, by utilizing the potential of the surrounding nature and then being developed as the basis for the products offered, improvements are made in various sectors to support the display to boost publications, of course with a communication angle. The need for researchers to take steps to dissect the flow in building a publication concept in the form of a realistic road map with applied strategies and analysis combined with good publication management is the core of the research carried out. The design thinking method is applied to dissect what strategic steps will be used in determining the core of the publication with impact factors. Local tourism branding and publication strategies are influenced by engagement from the psychological model of one touch flayer of social media users related to the happynest side factor that affects the pattern of attractive content with a high response rate and saddnes side factor which is empathetic with a low response rate.
{"title":"STRATEGI BRANDING DAN KONSEP PUBLIKASI BERBASIS LOCAL TOURISM DI ERA 4.0 (Studi kasus media sosial dan peran Desain Komunikasi visual)","authors":"Eko Darmawanto, Kukuh Dwi Wijanarko","doi":"10.33153/brikolase.v14i1.4000","DOIUrl":"https://doi.org/10.33153/brikolase.v14i1.4000","url":null,"abstract":"Branding is introducing an image of both services and physical products, the process taken must have a strategy and preparation of measurable time targets. There are many ways to introduce a product, which is the current trend of the 4.0 era where most transactions and information are traded in the IoT-based world. Local tourism has now developed, by utilizing the potential of the surrounding nature and then being developed as the basis for the products offered, improvements are made in various sectors to support the display to boost publications, of course with a communication angle. The need for researchers to take steps to dissect the flow in building a publication concept in the form of a realistic road map with applied strategies and analysis combined with good publication management is the core of the research carried out. The design thinking method is applied to dissect what strategic steps will be used in determining the core of the publication with impact factors. Local tourism branding and publication strategies are influenced by engagement from the psychological model of one touch flayer of social media users related to the happynest side factor that affects the pattern of attractive content with a high response rate and saddnes side factor which is empathetic with a low response rate.","PeriodicalId":33111,"journal":{"name":"Brikolase","volume":"22 5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79189058","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-19DOI: 10.33153/brikolase.v14i1.4312
Faheem Tahir Ahmad, A. Pa
The creation of this final project is based on knowledge about changes in human relations with rivers, especially the Bengawan Solo river, whose impact can now be felt by living things that live around the Bengawan Solo River and its tributaries. The purpose of this Final Project is to create a silk screen work that takes inspiration from changes in human relations and the Bengawan Solo river, which indirectly explains the concept of creation, the process of creation, and the aesthetics of the shape of the created silk screen work. The creation of this Final Project provides more insight into the tools, materials, and techniques of working on work. The results obtained from the creation of this Final Project are silkscreen and the deepening of the concept of changing human relations and the Bengawan Solo river, which is expected to be useful for writers and other people who appreciate the works of this Final Project.
{"title":"HUBUNGAN MANUSIA DAN SUNGAI BENGAWAN SOLO SEBAGAI SUMBER INSPIRASI PENCIPTAAN KARYA SENI GRAFIS","authors":"Faheem Tahir Ahmad, A. Pa","doi":"10.33153/brikolase.v14i1.4312","DOIUrl":"https://doi.org/10.33153/brikolase.v14i1.4312","url":null,"abstract":"The creation of this final project is based on knowledge about changes in human relations with rivers, especially the Bengawan Solo river, whose impact can now be felt by living things that live around the Bengawan Solo River and its tributaries. The purpose of this Final Project is to create a silk screen work that takes inspiration from changes in human relations and the Bengawan Solo river, which indirectly explains the concept of creation, the process of creation, and the aesthetics of the shape of the created silk screen work. The creation of this Final Project provides more insight into the tools, materials, and techniques of working on work. The results obtained from the creation of this Final Project are silkscreen and the deepening of the concept of changing human relations and the Bengawan Solo river, which is expected to be useful for writers and other people who appreciate the works of this Final Project.","PeriodicalId":33111,"journal":{"name":"Brikolase","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89676972","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.33153/brikolase.v14i1.4163
Muhamad Parhan, Eka Nur Lia Sukma, Fikri Ilham Nugraha, Indri Asofah, Julia Relita George, Karyana Tri Utama
Fine art is a branch of art that is expressed through visual or visual media that is in close contact with everyday life. However, when the development of science is increasing, there appears a significant gap between art and disciplines in Islam. Whereas art has a very large portion in religion which shows visuals of events in the world and divine signs. The research method uses a qualitative approach by collecting a simple survey of Muslim students or artists in Bandung with an age range of 18-21 years which is carried out online using Google Form. The results show that the contribution of art as a discipline in Islam with afterlife mapping requires an effort to reconstruct educational thinking in order to anticipate any changes that occur: first, what artistic contributions are produced by Muslim artists/students at this time; secondly, do not assume that art makes art performers away from Islamic principles, because this is just a stereotype; Third, make a plan with the contribution you have for the afterlife.
{"title":"KONTRIBUSI SENI RUPA SEBAGAI DISPLIN ILMU DALAM ISLAM DENGAN AFTERLIFE MAPPING","authors":"Muhamad Parhan, Eka Nur Lia Sukma, Fikri Ilham Nugraha, Indri Asofah, Julia Relita George, Karyana Tri Utama","doi":"10.33153/brikolase.v14i1.4163","DOIUrl":"https://doi.org/10.33153/brikolase.v14i1.4163","url":null,"abstract":"Fine art is a branch of art that is expressed through visual or visual media that is in close contact with everyday life. However, when the development of science is increasing, there appears a significant gap between art and disciplines in Islam. Whereas art has a very large portion in religion which shows visuals of events in the world and divine signs. The research method uses a qualitative approach by collecting a simple survey of Muslim students or artists in Bandung with an age range of 18-21 years which is carried out online using Google Form. The results show that the contribution of art as a discipline in Islam with afterlife mapping requires an effort to reconstruct educational thinking in order to anticipate any changes that occur: first, what artistic contributions are produced by Muslim artists/students at this time; secondly, do not assume that art makes art performers away from Islamic principles, because this is just a stereotype; Third, make a plan with the contribution you have for the afterlife.","PeriodicalId":33111,"journal":{"name":"Brikolase","volume":"56 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72417209","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-31DOI: 10.33153/brikolase.v13i2.3916
Suharto Yusuf, Fivin Bagus Septiya Pambudi
The development of handicrafts in Indonesia is now experiencing such a rapid pace, especially those oriented to various modern technological facilities lately. Accompanying all human needs that are passive and have an active function, furniture or household furniture products are the main choice in various worlds of property today, both domestically and abroad. The relationship between craft art and several aspects that must be met shows the existence of a problematic in its embodiment. This is probably not realized by the kriyawan who appear instantly and oriented to a market. It's the same with craftsmen in Mulyoharjo Village, although there are those who have the idea of working through an artistic instinct and become unconventional craft craftsmen in their social community.
{"title":"KAJIAN SOSIAL KARYA SENI KRIYA KAYU DI DESA MULYOHARJO KABUPATEN JEPARA","authors":"Suharto Yusuf, Fivin Bagus Septiya Pambudi","doi":"10.33153/brikolase.v13i2.3916","DOIUrl":"https://doi.org/10.33153/brikolase.v13i2.3916","url":null,"abstract":"The development of handicrafts in Indonesia is now experiencing such a rapid pace, especially those oriented to various modern technological facilities lately. Accompanying all human needs that are passive and have an active function, furniture or household furniture products are the main choice in various worlds of property today, both domestically and abroad. The relationship between craft art and several aspects that must be met shows the existence of a problematic in its embodiment. This is probably not realized by the kriyawan who appear instantly and oriented to a market. It's the same with craftsmen in Mulyoharjo Village, although there are those who have the idea of working through an artistic instinct and become unconventional craft craftsmen in their social community.","PeriodicalId":33111,"journal":{"name":"Brikolase","volume":"19 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75386502","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ABSTRACTThe Javanese society has a harmony concept which has become an interesting tradition part in live. The Javanese people, especially the Surakarta society, have a belief in the world philosophy (universe), consisting of the great universe ( macrocosmos) and small universe ( microcosmos). The microcosmos cannot be separated from the great macrocosmos which must be kept its harmony with their lives, so the ritual elements of the small universe. Therefore, the art isi always connected with their lives, so the ritual elements consist in the traditional art. The art has three functions known in Javanese society, that is for a ritual purpose and a show purpose with entertaining characteristics for the inner satisfaction in the society. Moreover, the traditional artwhich is formed in the usage art, like the custom clothes, tools / instruments, ornaments and others functioning as ritual purposes, have definitely had the important value symbols in the society, or as the tools to support the ritual implementation in the society.The art of Tritik and Jumputan craft also contains the teachings of ethics and aesthetics in the form of visual appearances and symbolism of life which can basically lead humans to perfection and true identity.Keywords: Jumputan,Tritik, The custom ceremony, traditional ABSTRAKMasyarakat Jawa memiliki konsep keselarasan yang merupakan bagian tradisi yang penting dalam kehidupan. Orang Jawa, khususnya masyarakat Surakarta memiliki keyakinan dalam pandangan dunia (jagat), yang terdiri dari jagat gede (makrokosmos) dan jagat cilik (mikrokosmos). Mikrokosmos menjadi yang tidak terpisahkan dengan makrokosmos yang harus dijaga keselarasannya dengan unsur-unsur jagat cilik. Oleh sebab itu, seni selalu dikaitkan dengan kehidupannya, sehingga unsur ritual terdapat dalam seni tradisional. Kesenian memiliki tiga fungsi yang dikenal dalam masyarakat Jawa, yaitu untuk tujuan ritual, untuk tujuan tontonan yang bersifat entertaintment kepuasan batin dalam masyarakat. Apalagi kesenian tradisional yang berbentuk seni pakai, seperti pakaian adat, peralatan, hiasan, dan sebagainya dalam fungsinya sebagai kepentingan ritual, sudah barang tentu memiliki simbol-simbol yang bernilai dalam masyarakat, ataupun sebagai sarana untuk mendukung pelaksanaan ritual dalam masyarakat. Seni kerajinan tritik dan jumputan ini juga termuat ajaran etika dan keindahan yang berbentuk penampilan visual dan simbolisme hidup yang pada dasarnya dapat menuntun manusia menuju kesempurnaan dan jati diri yang sejati.Kata kunci : Jumputan, Tritik, Pakaian Adat, Tradisional
摘要爪哇社会的和谐观念已成为生活中有趣的传统部分。爪哇人，特别是泗水社会，信仰世界哲学(宇宙)，包括大宇宙(宏观宇宙)和小宇宙(微观宇宙)。微观世界不能与大的宏观世界分离必须与他们的生活保持和谐，所以小宇宙的仪式元素。因此，艺术总是与他们的生活联系在一起，所以传统艺术中存在着仪式元素。在爪哇社会中，这种艺术有三种功能，一种是仪式目的，另一种是具有娱乐特征的表演目的，以满足社会的内心需求。此外，在使用艺术中形成的传统艺术，如具有仪式目的的定制服装、工具/仪器、装饰品等，在社会中肯定具有重要的价值符号，或者作为支持社会中仪式实施的工具。Tritik和Jumputan工艺的艺术也包含了伦理学和美学的教导，以视觉表象和生命的象征形式，基本上可以引导人类走向完美和真实的身份。关键词:Jumputan,Tritik，风俗仪式，传统abstract masyarakat java memiliki konsep keselarasan yang merupakan bagian tradisi yang penting dalam kehidupan。Orang java, khususnya masyarakat Surakarta memiliki keyakinan dalam pandangan dunia (jagat)， yang terdiri dari jagat gede (makrokosmos) dan jagat cilik (microkosmos)。microkosmos menjadi yang tidak terpisahkan dengan makrokosmos yang harus dijaga keselarasannya dengan unsur-unsur jagat cilik。Oleh sebab itu, seni selalu dikaitkan dengan kehidupannya, sehinga unsur ritual terdapat dalam seni traditional。Kesenian memiliki tiga funsi yang dikenal dalam masyarakat Jawa, yitu untuk tujuan仪式，untuk tujuan tontonan yang bersifat娱乐kepuasan batin dalam masyarakat。Apalagi kesenian传统yang berbentuk seni pakai, seperti pakan adat, peralatan, hiasan, dan sebagainya dalam funsinya sebagai kepentingan仪式，sudah barang tentu memiliki符号-符号yang bernilai dalam masyarakat, ataupun sebagai sarana untuk mendukung pelaksanaan仪式dalam masyarakat。Seni kera济南tritik dan jumputan ini juga termut ajaran etika dankeindahan yang berbentuk penampilan视觉象征，hidup yang pada dasarya dapat menuntun menuju kesempurnaan dan jati diri yang sejati。Kata kunci: Jumputan, Tritik，巴基斯坦Adat，传统
{"title":"PENGGUNAAN JUMPUTAN , TRITIK DALAM UPACARA ADAT DI SURAKARTA","authors":"Sarwono Sarwono, Adji Isworo Josef, Tiwi Bina Affanti, Ratna Endah Santoso, Novita Wahyuningsih","doi":"10.33153/brikolase.v13i2.3940","DOIUrl":"https://doi.org/10.33153/brikolase.v13i2.3940","url":null,"abstract":"ABSTRACTThe Javanese society has a harmony concept which has become an interesting tradition part in live. The Javanese people, especially the Surakarta society, have a belief in the world philosophy (universe), consisting of the great universe ( macrocosmos) and small universe ( microcosmos). The microcosmos cannot be separated from the great macrocosmos which must be kept its harmony with their lives, so the ritual elements of the small universe. Therefore, the art isi always connected with their lives, so the ritual elements consist in the traditional art. The art has three functions known in Javanese society, that is for a ritual purpose and a show purpose with entertaining characteristics for the inner satisfaction in the society. Moreover, the traditional artwhich is formed in the usage art, like the custom clothes, tools / instruments, ornaments and others functioning as ritual purposes, have definitely had the important value symbols in the society, or as the tools to support the ritual implementation in the society.The art of Tritik and Jumputan craft also contains the teachings of ethics and aesthetics in the form of visual appearances and symbolism of life which can basically lead humans to perfection and true identity.Keywords: Jumputan,Tritik, The custom ceremony, traditional ABSTRAKMasyarakat Jawa memiliki konsep keselarasan yang merupakan bagian tradisi yang penting dalam kehidupan. Orang Jawa, khususnya masyarakat Surakarta memiliki keyakinan dalam pandangan dunia (jagat), yang terdiri dari jagat gede (makrokosmos) dan jagat cilik (mikrokosmos). Mikrokosmos menjadi yang tidak terpisahkan dengan makrokosmos yang harus dijaga keselarasannya dengan unsur-unsur jagat cilik. Oleh sebab itu, seni selalu dikaitkan dengan kehidupannya, sehingga unsur ritual terdapat dalam seni tradisional. Kesenian memiliki tiga fungsi yang dikenal dalam masyarakat Jawa, yaitu untuk tujuan ritual, untuk tujuan tontonan yang bersifat entertaintment kepuasan batin dalam masyarakat. Apalagi kesenian tradisional yang berbentuk seni pakai, seperti pakaian adat, peralatan, hiasan, dan sebagainya dalam fungsinya sebagai kepentingan ritual, sudah barang tentu memiliki simbol-simbol yang bernilai dalam masyarakat, ataupun sebagai sarana untuk mendukung pelaksanaan ritual dalam masyarakat. Seni kerajinan tritik dan jumputan ini juga termuat ajaran etika dan keindahan yang berbentuk penampilan visual dan simbolisme hidup yang pada dasarnya dapat menuntun manusia menuju kesempurnaan dan jati diri yang sejati.Kata kunci : Jumputan, Tritik, Pakaian Adat, Tradisional","PeriodicalId":33111,"journal":{"name":"Brikolase","volume":"185 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76876374","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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