Pub Date : 2022-06-29DOI: 10.31516/2410-5325.076.03
A. Ushakov
The purpose of this paper is to give the analysis of art as a factor of person of culture image formation. The research discovers art resource potential as means of personality creative capabilities realization in the process of person of culture image formation. Research methodology. The author used interdisciplinary approach to distinguish the role of art in the aspect of person of culture image formation, combining pedagogics and culture studies, aesthetics and psychology, ethics and art study, philosophical anthropology and hermeneutics to cover the process of person of culture image formation by means of arts. The results. The analysis shows the peculiarities of art and aesthetic needs functioning on different stages of person of culture image formation. The study outlines the sequence of developing person of culture spiritualized image and considers the influence of art on it. This describes the way art enables modern youth comprehend classical ideal of сalocogatia as triad truth, goodness, beauty. Each history epoch features the dominant culture, art, ideals built its own person of culture image models. The scientific novelty. The process of person of culture formation implies personality creative dialogue with art, which is proved to be the form of cultural code deciphering through revealing the sense of symbolic worlds of different types of cultures. The practical significance. It is concluded the expedience of pointing out Gothic, Boroko, modern etc. person of culture image with its spiritual and cultural microcosm. The author emphasizes upbringing potential of art catharsis function in the context of person of culture image formation.
{"title":"Formation of spiritual image of man of culture by complex of arts","authors":"A. Ushakov","doi":"10.31516/2410-5325.076.03","DOIUrl":"https://doi.org/10.31516/2410-5325.076.03","url":null,"abstract":"The purpose of this paper is to give the analysis of art as a factor of person of culture image formation. The research discovers art resource potential as means of personality creative capabilities realization in the process of person of culture image formation. \u0000Research methodology. The author used interdisciplinary approach to distinguish the role of art in the aspect of person of culture image formation, combining pedagogics and culture studies, aesthetics and psychology, ethics and art study, philosophical anthropology and hermeneutics to cover the process of person of culture image formation by means of arts. \u0000The results. The analysis shows the peculiarities of art and aesthetic needs functioning on different stages of person of culture image formation. The study outlines the sequence of developing person of culture spiritualized image and considers the influence of art on it. This describes the way art enables modern youth comprehend classical ideal of сalocogatia as triad truth, goodness, beauty. Each history epoch features the dominant culture, art, ideals built its own person of culture image models. \u0000The scientific novelty. The process of person of culture formation implies personality creative dialogue with art, which is proved to be the form of cultural code deciphering through revealing the sense of symbolic worlds of different types of cultures. \u0000The practical significance. It is concluded the expedience of pointing out Gothic, Boroko, modern etc. person of culture image with its spiritual and cultural microcosm. The author emphasizes upbringing potential of art catharsis function in the context of person of culture image formation.","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43762677","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-29DOI: 10.31516/2410-5325.076.02
K. Kysliuk
The purpose of the article is to study Ukrainian culture of the middle of XVII — the end of XVIII centuries as a “window of opportunities” for full-fledged modernization, especially within the territorial and chronological boundaries of the newly emerged Ukrainian statehood — the Hetmanate. The metodology. In the article we used the theory of classic modernization as the transition of a certain society from the traditional, agrarian stage of development to industrial one due to complex, profound changes in all spheres of public life and culture. Based on the structural-systemic approach the main manifestations of opportunities for classical modernization in the Ukrainian lands at the beginning of the period were identifed, and then based on the historical method the most important results of their evolution at the end of XVIII century were considered. By the method of comparative analysis, these results were compared with the achievements of European societies. The results. It was concluded that the scale and duration of the innovations at the end of the XVIII century were insufficient to make a real modernization of the Ukrainian culture and to establish the foundations of a new industrial society, compared to the center or the semi-periphery of the Western economic world system. Regressive tendencies in all spheres without exception mutually blocked the “window of opportunities”. The scientific novelty of this article is a contribution to the innovative vision of the historical development of Ukrainian culture as a number of opportunities for successful modernization lost in different periods. The practical significance. It was shown, that the failures of modernization processes for Ukrainian culture are equal to the failures of national liberation struggles.
{"title":"Ukrainian culture of the XVII–XVIII centuries as a “window of opportunities” for modernization processes","authors":"K. Kysliuk","doi":"10.31516/2410-5325.076.02","DOIUrl":"https://doi.org/10.31516/2410-5325.076.02","url":null,"abstract":"The purpose of the article is to study Ukrainian culture of the middle of XVII — the end of XVIII centuries as a “window of opportunities” for full-fledged modernization, especially within the territorial and chronological boundaries of the newly emerged Ukrainian statehood — the Hetmanate. \u0000The metodology. In the article we used the theory of classic modernization as the transition of a certain society from the traditional, agrarian stage of development to industrial one due to complex, profound changes in all spheres of public life and culture. Based on the structural-systemic approach the main manifestations of opportunities for classical modernization in the Ukrainian lands at the beginning of the period were identifed, and then based on the historical method the most important results of their evolution at the end of XVIII century were considered. By the method of comparative analysis, these results were compared with the achievements of European societies. \u0000The results. It was concluded that the scale and duration of the innovations at the end of the XVIII century were insufficient to make a real modernization of the Ukrainian culture and to establish the foundations of a new industrial society, compared to the center or the semi-periphery of the Western economic world system. Regressive tendencies in all spheres without exception mutually blocked the “window of opportunities”. \u0000The scientific novelty of this article is a contribution to the innovative vision of the historical development of Ukrainian culture as a number of opportunities for successful modernization lost in different periods. \u0000The practical significance. It was shown, that the failures of modernization processes for Ukrainian culture are equal to the failures of national liberation struggles.","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45377234","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-29DOI: 10.31516/2410-5325.076.14
T. Bolshakova
The purpose of this article is to learn the chronology of introduction in the musical-cultural way of life of Kharkiv of Western European and the Eastern European stringed instruments (zither, guitar, mandolin, balalaika, domra). The study of chronology is aimed at a more active introduction of the facts of use of string-plucked instruments in Kharkiv into the scientific circulation. The methodology for writing this article is the combination of comparative, cultural and historical, musicological approaches and methods. The result of scientific research of this article is demonstration of chronology of activities in Kharkiv of musicians-tourers, who were performers and teachers of play on the string-plucked instruments. The concert activity of amateur Kharkiv bands was analyzed. The mass implementation of ensembles and orchestras of guitarists — mandolinists — balalaika players in the early XX century is noted. Affinity of formation of such ensembles and orchestras in Kharkiv with Western European ensembles and orchestras is emphasized. The evolution of the development of amateur performance on string-plucked instruments in the largest cultural center of Slobozhanshchyna is traced. The number of names of musicians — tourers and local performers, teachers, heads of visiting professional and Kharkiv amateur groups of the late XIX and early XX centuries is entered into scientific circulation. The combination of Western European and local factors in the distribution and popularization of ensembles and orchestras of guitarists — mandolinists — balalaika players on the territory of Kharkiv was emphasized. Influence of Western European bands and tourers — performers on zither, guitar, mandolin on instillation and consolidation of local amateurs and, subsequently, the first professionals’ interest to the national folk string-plucked instruments is revealed. The increase in the popularity of string-plucked ensembles and orchestras among various social strata of Kharkiv society — apprenticeships, students, workers of various industries, Kharkiv intelligent environment is indicated. The mainly charitable activities of such string-plucked is emphasized. The repertoire of such groups is highlighted. The scientific novelty. For the first time, a chronology of the activities of touring musicians — performers on zither, guitar, mandolin and teachers playing these and similar instruments is traced. The concert activity of amateur Kharkiv bands was highlighted and analyzed according to chronology, the mass implementation of ensembles and orchestras of guitarists — mandolinists — balalaika players in the early XX century is noted. The affinity of principles in the compositions of such collectives in Kharkiv with Western European ones is defined. The practical significance of the article. The results of the study can be used in lecture courses on the history of folk instrumental performance, the history of the development of folk instruments in Slobozhanshchyna,
{"title":"Formation of performance on string-plucked instruments in Kharkiv (based on periodicals of the mid-XIX — early XX centuries)","authors":"T. Bolshakova","doi":"10.31516/2410-5325.076.14","DOIUrl":"https://doi.org/10.31516/2410-5325.076.14","url":null,"abstract":"The purpose of this article is to learn the chronology of introduction in the musical-cultural way of life of Kharkiv of Western European and the Eastern European stringed instruments (zither, guitar, mandolin, balalaika, domra). The study of chronology is aimed at a more active introduction of the facts of use of string-plucked instruments in Kharkiv into the scientific circulation. \u0000The methodology for writing this article is the combination of comparative, cultural and historical, musicological approaches and methods. \u0000The result of scientific research of this article is demonstration of chronology of activities in Kharkiv of musicians-tourers, who were performers and teachers of play on the string-plucked instruments. The concert activity of amateur Kharkiv bands was analyzed. The mass implementation of ensembles and orchestras of guitarists — mandolinists — balalaika players in the early XX century is noted. Affinity of formation of such ensembles and orchestras in Kharkiv with Western European ensembles and orchestras is emphasized. The evolution of the development of amateur performance on string-plucked instruments in the largest cultural center of Slobozhanshchyna is traced. The number of names of musicians — tourers and local performers, teachers, heads of visiting professional and Kharkiv amateur groups of the late XIX and early XX centuries is entered into scientific circulation. The combination of Western European and local factors in the distribution and popularization of ensembles and orchestras of guitarists — mandolinists — balalaika players on the territory of Kharkiv was emphasized. Influence of Western European bands and tourers — performers on zither, guitar, mandolin on instillation and consolidation of local amateurs and, subsequently, the first professionals’ interest to the national folk string-plucked instruments is revealed. The increase in the popularity of string-plucked ensembles and orchestras among various social strata of Kharkiv society — apprenticeships, students, workers of various industries, Kharkiv intelligent environment is indicated. The mainly charitable activities of such string-plucked is emphasized. The repertoire of such groups is highlighted. \u0000The scientific novelty. For the first time, a chronology of the activities of touring musicians — performers on zither, guitar, mandolin and teachers playing these and similar instruments is traced. The concert activity of amateur Kharkiv bands was highlighted and analyzed according to chronology, the mass implementation of ensembles and orchestras of guitarists — mandolinists — balalaika players in the early XX century is noted. The affinity of principles in the compositions of such collectives in Kharkiv with Western European ones is defined. \u0000The practical significance of the article. The results of the study can be used in lecture courses on the history of folk instrumental performance, the history of the development of folk instruments in Slobozhanshchyna,","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49264307","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-29DOI: 10.31516/2410-5325.076.09
O. Lamonova
The purpose of this study is to analyze in detail the most characteristic and expressive intalios of Kyiv graphic artist A. Levytskyi, created in recent years, in particular “Beetle’s tree. Garden” (2019), “Dukedom Day”, “Dukedom Night” (both — 2020), “Toros Bravos”, “On the Bridge”, “Motus Animi Continuus”, “Poem about the cinchona tree (Jean de la la Fontaine)”, “The player. Dostoevsky vs Tolstoy” (all — 2021). The methodology. A. Levytskyi is an interesting modern Ukrainian graphic artist. The vast majority of publications about the artist’s creativity are just for reference or popular science (Katerynenko (2011), Lamonova (2003, 2022)). This is especially true for foreign editions (d’Arcy Hughes, Vernon-Morris (2008)). Several articles in the periodicals are devoted to the artist’s personal exhibitions (Lamonova (2004, 2004, 2004, 2009)) and his participation in group projects (Lamonova (2010)). Publications in professional editions, with one exception (Kvitka (2013)), also relate to the exhibition activities of the artist (Lahutenko (2001), Lamonova (2010)). The results. In the new intalios, in particular those created during 2019-2022, A. Levytskyi resorted to various innovations and experiments. He turns to non-figurative art, experiments with the form, composition and color scheme of his works. Particularly noteworthy is the emergence in the artist’s graphics of characters, both somewhat symbolic and quite full-fledged. The scientific topicality. This material is the first scientific publication about the creativity of A. Levytskyi. The practical significance. The research is a part of the individual planned theme of the author “Ukrainian graphics of 2000-2020 as a variety of author’s formal and stylistic interpretations” and the general planned theme of the Department of Fine and Decorative-applied Arts of M. T. Rylskyi Institute of Art History, Folklore and Ethnology of National Academy of Sciences of Ukraine “Domestic artistic and art history experience in the dimension of modern interpretive and historical and cultural strategies”. Conclusions. A. Levytskyi’s new intalios, in particular created during 2019–2022, demonstrate a wide range of artist’s searches. Particular attention is drawn to the emergence on the artist’s intalios of characters, both somewhat symbolic and quite full-fledged. This may indicate the beginning of a very new period in his creativity.
{"title":"New intalios of Andrii Levytskyi","authors":"O. Lamonova","doi":"10.31516/2410-5325.076.09","DOIUrl":"https://doi.org/10.31516/2410-5325.076.09","url":null,"abstract":"The purpose of this study is to analyze in detail the most characteristic and expressive intalios of Kyiv graphic artist A. Levytskyi, created in recent years, in particular “Beetle’s tree. Garden” (2019), “Dukedom Day”, “Dukedom Night” (both — 2020), “Toros Bravos”, “On the Bridge”, “Motus Animi Continuus”, “Poem about the cinchona tree (Jean de la la Fontaine)”, “The player. Dostoevsky vs Tolstoy” (all — 2021). \u0000The methodology. A. Levytskyi is an interesting modern Ukrainian graphic artist. The vast majority of publications about the artist’s creativity are just for reference or popular science (Katerynenko (2011), Lamonova (2003, 2022)). This is especially true for foreign editions (d’Arcy Hughes, Vernon-Morris (2008)). Several articles in the periodicals are devoted to the artist’s personal exhibitions (Lamonova (2004, 2004, 2004, 2009)) and his participation in group projects (Lamonova (2010)). Publications in professional editions, with one exception (Kvitka (2013)), also relate to the exhibition activities of the artist (Lahutenko (2001), Lamonova (2010)). \u0000The results. In the new intalios, in particular those created during 2019-2022, A. Levytskyi resorted to various innovations and experiments. He turns to non-figurative art, experiments with the form, composition and color scheme of his works. Particularly noteworthy is the emergence in the artist’s graphics of characters, both somewhat symbolic and quite full-fledged. \u0000The scientific topicality. This material is the first scientific publication about the creativity of A. Levytskyi. \u0000The practical significance. The research is a part of the individual planned theme of the author “Ukrainian graphics of 2000-2020 as a variety of author’s formal and stylistic interpretations” and the general planned theme of the Department of Fine and Decorative-applied Arts of M. T. Rylskyi Institute of Art History, Folklore and Ethnology of National Academy of Sciences of Ukraine “Domestic artistic and art history experience in the dimension of modern interpretive and historical and cultural strategies”. \u0000Conclusions. A. Levytskyi’s new intalios, in particular created during 2019–2022, demonstrate a wide range of artist’s searches. Particular attention is drawn to the emergence on the artist’s intalios of characters, both somewhat symbolic and quite full-fledged. This may indicate the beginning of a very new period in his creativity.","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47405808","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-29DOI: 10.31516/2410-5325.076.08
V. Petrenko
The problems of analyzing the culture of mediocrity in the context of theoretical and methodological approaches to the study of this phenomenon are considered. The specificity of determining the criteria for the analysis of mediocrity is determined. The criteria that should be used in the context of studying mediocrity as a sociocultural phenomenon are determined. It also determines the insufficient coverage of such issues in domestic literature, the need to bring it into a common European context.Various registers of research based on the anthropological principle are outlined, namely: linguistic, epistemological, ontological, phenomenological and communicative cultural manifestations of the manifestation of the anthropological principle in the information society of the postmodern era. The issues of the relationship between power and closeness, discursive practices and ideological narratives in the field of the formation of personal sensitivity and mechanisms of direct manipulation in circulation are analyzed. The relevance of the article. Thanks to the work of J. Ortega y Gasset at the beginning of the XX century, the phenomenon of mass man was discovered, revealed against the background of mass ideologies and widespread industrialization that took place in Europe. At the same time, M. Heidegger as a result of phenomenological experiments discovered the impersonal man Dasein. This coincidence was not accidental, but historically determined, one might even say affective in the context of the First and then the Second World Wars, after which a new world order was established on the basis of what emerged in the XX century — anthropological reality. In the case of the study of mediocrity, it is necessary to talk about a new round of anthropology, which occurred as a result of a new technological revolution in the field of communication and informatization of societies in the late XX — early XXI century. The relevance of the research topic is to choose new criteria by which to recognize the mediocre person, and to point out new fundamental features that indicate its presence not only as something fragile but also as real, i. e. that is fully manifested in society, and creates a new type of culture. This article began with a discussion of those markers that can be identified analytically to clarify the question: what are the characteristics of the phenomenon of mediocrity, and what do they indicate? The methodology of substantiation on the systematic analysis of the phenomenon of mediocrity, which makes it possible to see this phenomenon as a set of features that manifests itself through formal definition in different planes of language, ways of communication, ways of thinking and more. This requires a hermeneutic approach. A significant place in the study is occupied by phenomenology as an approach to the study of phenomena as such. The scientific novelty of the article is to highlight the criteria that must be applied in the context of studying
{"title":"Сriteria for the analysis of the mediocrity culture","authors":"V. Petrenko","doi":"10.31516/2410-5325.076.08","DOIUrl":"https://doi.org/10.31516/2410-5325.076.08","url":null,"abstract":"The problems of analyzing the culture of mediocrity in the context of theoretical and methodological approaches to the study of this phenomenon are considered. The specificity of determining the criteria for the analysis of mediocrity is determined. The criteria that should be used in the context of studying mediocrity as a sociocultural phenomenon are determined. It also determines the insufficient coverage of such issues in domestic literature, the need to bring it into a common European context.Various registers of research based on the anthropological principle are outlined, namely: linguistic, epistemological, ontological, phenomenological and communicative cultural manifestations of the manifestation of the anthropological principle in the information society of the postmodern era. The issues of the relationship between power and closeness, discursive practices and ideological narratives in the field of the formation of personal sensitivity and mechanisms of direct manipulation in circulation are analyzed. \u0000The relevance of the article. Thanks to the work of J. Ortega y Gasset at the beginning of the XX century, the phenomenon of mass man was discovered, revealed against the background of mass ideologies and widespread industrialization that took place in Europe. At the same time, M. Heidegger as a result of phenomenological experiments discovered the impersonal man Dasein. This coincidence was not accidental, but historically determined, one might even say affective in the context of the First and then the Second World Wars, after which a new world order was established on the basis of what emerged in the XX century — anthropological reality. In the case of the study of mediocrity, it is necessary to talk about a new round of anthropology, which occurred as a result of a new technological revolution in the field of communication and informatization of societies in the late XX — early XXI century. The relevance of the research topic is to choose new criteria by which to recognize the mediocre person, and to point out new fundamental features that indicate its presence not only as something fragile but also as real, i. e. that is fully manifested in society, and creates a new type of culture. This article began with a discussion of those markers that can be identified analytically to clarify the question: what are the characteristics of the phenomenon of mediocrity, and what do they indicate? \u0000The methodology of substantiation on the systematic analysis of the phenomenon of mediocrity, which makes it possible to see this phenomenon as a set of features that manifests itself through formal definition in different planes of language, ways of communication, ways of thinking and more. This requires a hermeneutic approach. A significant place in the study is occupied by phenomenology as an approach to the study of phenomena as such. \u0000The scientific novelty of the article is to highlight the criteria that must be applied in the context of studying","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43172974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-29DOI: 10.31516/2410-5325.076.01
V. Sheiko, N. Kushnarenko
The essence of anthropocentrism as a key methodological principle of modern higher education, based on the elevation to the status of the goal and center of human educational activity, human development. Studentcenteredness is considered as one of the main components of educational anthropocentrism. We analyzed the scientific views and demonstrated the results of our own research on the peculiarities of building equal partnerships and mutual evaluative judgments in the systemic relationships “teacher — student”, “student — student”, “teacher — teacher” to ensure the integrity of the pedagogical process, balance and responsibility of educational participants. activities, improving its quality. Emphasis was placed on the advantages of the latest pedagogical technologies: peer teaching, which has significant didactic potential in the system of studentstudent interaction, is useful for student — “student” and for student — “teacher” as well; peer coaching technique, which is aimed at partnership “teacher — teacher”. Conclusions are made on the growing role of anthropocentric approach as a worldview basis for developing a new strategy of higher education in Ukraine, its strategy of humanization, balancing the importance of all major actors involved in the educational process, ensuring the integrity of teaching, strengthening interpersonal communication, achieving balance and responsibility. quality of higher education. In the process of democratization of higher education in Ukraine, the anthropocentric approach is of paramount importance, the practical implementation of which will contribute to the strengthening of academic traditions and effective implementation of innovations, the establishment of partnerships between all participants in educational activities: students, teachers, HEI employees, employers and others, built on the principles of mutual understanding, mutual enrichment and development.
{"title":"Anthropocentrism as a methodological principle of higher education: theoretical and practical aspects","authors":"V. Sheiko, N. Kushnarenko","doi":"10.31516/2410-5325.076.01","DOIUrl":"https://doi.org/10.31516/2410-5325.076.01","url":null,"abstract":"The essence of anthropocentrism as a key methodological principle of modern higher education, based on the elevation to the status of the goal and center of human educational activity, human development. Studentcenteredness is considered as one of the main components of educational anthropocentrism. We analyzed the scientific views and demonstrated the results of our own research on the peculiarities of building equal partnerships and mutual evaluative judgments in the systemic relationships “teacher — student”, “student — student”, “teacher — teacher” to ensure the integrity of the pedagogical process, balance and responsibility of educational participants. activities, improving its quality. \u0000Emphasis was placed on the advantages of the latest pedagogical technologies: peer teaching, which has significant didactic potential in the system of studentstudent interaction, is useful for student — “student” and for student — “teacher” as well; peer coaching technique, which is aimed at partnership “teacher — teacher”. \u0000Conclusions are made on the growing role of anthropocentric approach as a worldview basis for developing a new strategy of higher education in Ukraine, its strategy of humanization, balancing the importance of all major actors involved in the educational process, ensuring the integrity of teaching, strengthening interpersonal communication, achieving balance and responsibility. quality of higher education. In the process of democratization of higher education in Ukraine, the anthropocentric approach is of paramount importance, the practical implementation of which will contribute to the strengthening of academic traditions and effective implementation of innovations, the establishment of partnerships between all participants in educational activities: students, teachers, HEI employees, employers and others, built on the principles of mutual understanding, mutual enrichment and development.","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47590813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-29DOI: 10.31516/2410-5325.076.07
Jun Yang
The purpose of the article is to identify the factors of influence of Chinese symphony orchestras on the enrichment of the socio-cultural space of the country. An important task is to characterize the activities, which provide artistic events and saturation of the cultural landscape with new layers of content. The methodology is based on the application of systemic and socio-cultural approaches; the event analysis method and the descriptive method are applied too. The results of the study. China’s socio-cultural space has undergone significant changes in the last few decades, and its structure is complex and multidimensional. It can be stated that the function of the determining system-forming factor of its unity can be performed by culture. One of the conditions for the successful functioning and development of national musical culture in its musical segment is the development of the most complex genre areas — symphony and opera. Symphony orchestras, an attribute of modern music culture, currently work in the biggest cities of the country. During the policy of reforms and openness, radical changes took place in the activities of orchestras. Among other things, an important mission of the orchestras was to perform works by Chinese composers who are actively mastering the field of music, which is relatively new to the national culture. According to the study’s analysis of various aspects of symphony orchestras in modern China, these creative groups are actively involved not only in the musical and cultural process, but also in the socio-cultural process as a whole. Their contribution to the renewal and enrichment of China’s cultural landscape is made both at the event level and at the substantive level. The repertoire policy of orchestras, which is implemented in two directions — involving listeners in masterpieces of world music and promoting the work of the most talented domestic composers — ensures the diversity of the sound environment of the country and stimulates various forms of intercultural communication. In addition to their natural professional activities, which have a strong influence on society, Chinese orchestras often resort to effective artistic actions, delivering unique messages to society on issues relevant to it: environmental protection, historical memory, values of national traditions and more. Transferring the reaction to socially significant events into the plane of creative rethinking, which has become widespread in modern Chinese culture, strengthens the unity of various elements of socio-cultural space. The scientific novelty is determined by the analysis of the activities of Chinese symphony orchestras in view of their integration into the socio-cultural environment of the country. A significant amount of new information has been introduced into scientific circulation. The practical significance. The results of the study can be used in scientific work in the field of culturology, as well as taken into account in
{"title":"Аctivity of Сhinese symphony orchestras in the enrichment of the modern socio-cultural space of the PRC","authors":"Jun Yang","doi":"10.31516/2410-5325.076.07","DOIUrl":"https://doi.org/10.31516/2410-5325.076.07","url":null,"abstract":"The purpose of the article is to identify the factors of influence of Chinese symphony orchestras on the enrichment of the socio-cultural space of the country. An important task is to characterize the activities, which provide artistic events and saturation of the cultural landscape with new layers of content. \u0000The methodology is based on the application of systemic and socio-cultural approaches; the event analysis method and the descriptive method are applied too. \u0000The results of the study. China’s socio-cultural space has undergone significant changes in the last few decades, and its structure is complex and multidimensional. It can be stated that the function of the determining system-forming factor of its unity can be performed by culture. \u0000One of the conditions for the successful functioning and development of national musical culture in its musical segment is the development of the most complex genre areas — symphony and opera. Symphony orchestras, an attribute of modern music culture, currently work in the biggest cities of the country. During the policy of reforms and openness, radical changes took place in the activities of orchestras. Among other things, an important mission of the orchestras was to perform works by Chinese composers who are actively mastering the field of music, which is relatively new to the national culture. \u0000According to the study’s analysis of various aspects of symphony orchestras in modern China, these creative groups are actively involved not only in the musical and cultural process, but also in the socio-cultural process as a whole. Their contribution to the renewal and enrichment of China’s cultural landscape is made both at the event level and at the substantive level. \u0000The repertoire policy of orchestras, which is implemented in two directions — involving listeners in masterpieces of world music and promoting the work of the most talented domestic composers — ensures the diversity of the sound environment of the country and stimulates various forms of intercultural communication. In addition to their natural professional activities, which have a strong influence on society, Chinese orchestras often resort to effective artistic actions, delivering unique messages to society on issues relevant to it: environmental protection, historical memory, values of national traditions and more. Transferring the reaction to socially significant events into the plane of creative rethinking, which has become widespread in modern Chinese culture, strengthens the unity of various elements of socio-cultural space. \u0000The scientific novelty is determined by the analysis of the activities of Chinese symphony orchestras in view of their integration into the socio-cultural environment of the country. A significant amount of new information has been introduced into scientific circulation. \u0000The practical significance. The results of the study can be used in scientific work in the field of culturology, as well as taken into account in ","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44965465","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-29DOI: 10.31516/2410-5325.076.13
Wenshu Liu
The topicality. Musical works of the famous Ukrainian composer, conductor, public activist, the passionate propagandist of modern music of Volodymyr Runchak today are in the area of special attention of music critics and musicologists. After all, his works today represent the advanced position of the Ukrainian contemporary art music. A confirmation of this thought is the widespread recognition of the creative works of the artist both in Ukraine and in many countries of the world; his works are at the most famous festivals of contemporary music and in prestigious concert halls in many countries are performed by the most famous musicians and bands. The purpose of this article is the implementation of historiographical analysis of the composer’s creative work of the famous Ukrainian composer Volodymyr Runchak. Tasks, which are subordinated to the main aim, is to identify areas and aspects of musicological research, the musical composer, as well as a statement of their basic ideas. The ultimate goal of the analysis is the identification of the unexplored and untouched aspects and genre of the areas of musical creativity of the author. The methodology of the work is centered on the principles of historicism, source studies, and documentary, which provides an analysis of the researches of the composer’s musical creativity in connection with cultural, historical and artistic phenomena and in their interaction. In addition, methods of retrospective, structural-system analysis, interpretation of musicological considerations, isolation and generalization are involved. The results obtained in the course of achieving the aims in this paper concentrates on the analytical interpretations of the major musicological publications on the music of V. Runchak and demonstrate the range of problems and issues are already involved in scientific development. The scientific novelty of the work lies in the implementation of historiographical analysis of the composer’s creative work of the famous Ukrainian composer Volodymyr Runchak, identifying areas and aspects of existing musicological studies of the musical creativity of the composer and highlighting the unexplored areas of musical creativity of the author, that are seen promising for further scientific practices. The practical importance of historiographical analysis conducted in this work lies in the possibility of using it for future studies of musical creativity V. Runchak, systematization of scientific information in the field of art regarding the research on musical creativity by contemporary Ukrainian composers. Conclusions. The composer in his works successfully realizes the ideological and figurative dominants inherent in the traditions of the ancient folk-song genre, which is the Chumak song, in the modern musical-linguistic paradigm. The author vividly stylizes the melodic-thematic component of his work in the folk spirit, using typical frets, intonation, and other structural elements inherent in the
{"title":"“Chumak song” for baritone and piano by Volodymyr Runchak: compositional and genre-stylistic features","authors":"Wenshu Liu","doi":"10.31516/2410-5325.076.13","DOIUrl":"https://doi.org/10.31516/2410-5325.076.13","url":null,"abstract":"The topicality. Musical works of the famous Ukrainian composer, conductor, public activist, the passionate propagandist of modern music of Volodymyr Runchak today are in the area of special attention of music critics and musicologists. After all, his works today represent the advanced position of the Ukrainian contemporary art music. A confirmation of this thought is the widespread recognition of the creative works of the artist both in Ukraine and in many countries of the world; his works are at the most famous festivals of contemporary music and in prestigious concert halls in many countries are performed by the most famous musicians and bands. \u0000The purpose of this article is the implementation of historiographical analysis of the composer’s creative work of the famous Ukrainian composer Volodymyr Runchak. Tasks, which are subordinated to the main aim, is to identify areas and aspects of musicological research, the musical composer, as well as a statement of their basic ideas. The ultimate goal of the analysis is the identification of the unexplored and untouched aspects and genre of the areas of musical creativity of the author. \u0000The methodology of the work is centered on the principles of historicism, source studies, and documentary, which provides an analysis of the researches of the composer’s musical creativity in connection with cultural, historical and artistic phenomena and in their interaction. In addition, methods of retrospective, structural-system analysis, interpretation of musicological considerations, isolation and generalization are involved. \u0000The results obtained in the course of achieving the aims in this paper concentrates on the analytical interpretations of the major musicological publications on the music of V. Runchak and demonstrate the range of problems and issues are already involved in scientific development. \u0000The scientific novelty of the work lies in the implementation of historiographical analysis of the composer’s creative work of the famous Ukrainian composer Volodymyr Runchak, identifying areas and aspects of existing musicological studies of the musical creativity of the composer and highlighting the unexplored areas of musical creativity of the author, that are seen promising for further scientific practices. \u0000The practical importance of historiographical analysis conducted in this work lies in the possibility of using it for future studies of musical creativity V. Runchak, systematization of scientific information in the field of art regarding the research on musical creativity by contemporary Ukrainian composers. \u0000Conclusions. The composer in his works successfully realizes the ideological and figurative dominants inherent in the traditions of the ancient folk-song genre, which is the Chumak song, in the modern musical-linguistic paradigm. The author vividly stylizes the melodic-thematic component of his work in the folk spirit, using typical frets, intonation, and other structural elements inherent in the ","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48064270","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-29DOI: 10.31516/2410-5325.076.05
V. Kalinichenko
The purpose of the study. To explore the traditions of peasant mutual assistance of land, self-governing, social institution — rural (land) community. The methodology. The methodological basis of the study are the principles of historicism, objectivity, systematicity of scientific analysis and synthesis. The objectivity in the study is evident in identifying potential opportunities for the development of the agricultural sector of the economy. The principle of historicism provides a look at the activities of the rural (land) community as a process that developed in time in the set of historical relationships and interdependences. The study used general science and special historical methods that correspond to historical analysis. Analysis of historiography has conditioned the use of analysis, synthesis, generalization, classification. Methods of analysis, typology, classification, systematization were used in the study of protocols of the general meeting of land communities. The results. Rural (land) community is a naturally created or historically developed local neighborhood socio-economic, political, ideological, household association of peasants and their yards; it is a social organization of peasant yards, which combines a system of neighborly and family ties, relations, traditions. Citizens are exercising their will in the east. In the east of the community, all issues of internal life are resolved, including issues of mutual assistance, under customary law. The scientific novelty. Continuation of the series of articles on the use of customary law by the rural (land) community — an element of intangible cultural heritage of Ukraine. The practical significance. Rural (land) community, as an element of intangible cultural heritage, can become an object of museumification.
{"title":"Organization of mutual assistance by rural (land) community in Ukrainian soviet village under customary law (1922–1930)","authors":"V. Kalinichenko","doi":"10.31516/2410-5325.076.05","DOIUrl":"https://doi.org/10.31516/2410-5325.076.05","url":null,"abstract":"The purpose of the study. To explore the traditions of peasant mutual assistance of land, self-governing, social institution — rural (land) community. \u0000The methodology. The methodological basis of the study are the principles of historicism, objectivity, systematicity of scientific analysis and synthesis. The objectivity in the study is evident in identifying potential opportunities for the development of the agricultural sector of the economy. The principle of historicism provides a look at the activities of the rural (land) community as a process that developed in time in the set of historical relationships and interdependences. The study used general science and special historical methods that correspond to historical analysis. Analysis of historiography has conditioned the use of analysis, synthesis, generalization, classification. Methods of analysis, typology, classification, systematization were used in the study of protocols of the general meeting of land communities. \u0000The results. Rural (land) community is a naturally created or historically developed local neighborhood socio-economic, political, ideological, household association of peasants and their yards; it is a social organization of peasant yards, which combines a system of neighborly and family ties, relations, traditions. Citizens are exercising their will in the east. In the east of the community, all issues of internal life are resolved, including issues of mutual assistance, under customary law. \u0000The scientific novelty. Continuation of the series of articles on the use of customary law by the rural (land) community — an element of intangible cultural heritage of Ukraine. \u0000The practical significance. Rural (land) community, as an element of intangible cultural heritage, can become an object of museumification.","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43332498","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-21DOI: 10.31516/2410-5325.075.02
Yuliia Mykhailova, L. Kaznacheieva
The purpose of the article is to study and clarify the main forms of cultural cooperation of Western European cultural and leisure centers with European countries. The methodology. The descriptive method and the systemic approach were applied, the review references of the National library of Yaroslav Mudryi “On cultural cooperation of Ukraine with foreign countries” for 2017–2020 and numerous Internet sources were worked out. The results. It was found out that cultural and leisure centers, including the ones in Western Ukraine, take an active part in intercultural cooperation between Ukraine and European countries. As European countries have for a long time involved culture as a factor in humanitarian development, and leading European countries allocate significant funds and attract the best professionals to implement largescale cultural projects and to increase their presence in Ukraine, so the increase of the number of cultural projects, programs, European culture days, printed and electronic publications, media product will justify themselves as the means of increasing the interest of the Ukrainian public in Europe. By cultural and leisure centers we mean various forms of cultural institutions that are part of the basic network of cultural institutions, including libraries, museums, galleries, reserves, exhibition halls, theaters, philharmonics, concert organizations, art groups, cinemas, film and video distribution enterprises, associations, palaces and houses of culture, other club establishments, educational establishments in the field of culture, art schools, studios, parks of culture and recreation. These institutions carry the lion’s share of all art exhibitions, projects, events and other cultural events taking place in Ukraine. In Western Ukraine, cultural and leisure centers are one of the main subjects in the process of cultural development of the country, without which it is impossible to achieve the strategic goals of Ukraine’s development in the field of culture. Among the events that promote European integration of Ukraine there are international festivals with European representatives, exhibitions, concerts, thematic events, master classes, workshops, trainings, training courses, creative laboratories, scientific cooperation — conferences, forums, seminars which take place in Lviv, Ternopil, IvanoFrankivsk, Volyn, Rivne regions in offline and online formats. The scientific novelty: the article attempts to study the role of cultural and leisure centers of Western Ukraine in the formation of a single European sociocultural space. The practical significance. The analyzed practical experience of European cooperation of cultural and leisure centers of Western Ukraine can be borrowed by the institutions of other regions.
{"title":"Cultural cooperation between Western Ukrainian cultural and leisure centers with European countries","authors":"Yuliia Mykhailova, L. Kaznacheieva","doi":"10.31516/2410-5325.075.02","DOIUrl":"https://doi.org/10.31516/2410-5325.075.02","url":null,"abstract":"The purpose of the article is to study and clarify the main forms of cultural cooperation of Western European cultural and leisure centers with European countries. \u0000The methodology. The descriptive method and the systemic approach were applied, the review references of the National library of Yaroslav Mudryi “On cultural cooperation of Ukraine with foreign countries” for 2017–2020 and numerous Internet sources were worked out. \u0000The results. It was found out that cultural and leisure centers, including the ones in Western Ukraine, take an active part in intercultural cooperation between Ukraine and European countries. As European countries have for a long time involved culture as a factor in humanitarian development, and leading European countries allocate significant funds and attract the best professionals to implement largescale cultural projects and to increase their presence in Ukraine, so the increase of the number of cultural projects, programs, European culture days, printed and electronic publications, media product will justify themselves as the means of increasing the interest of the Ukrainian public in Europe. By cultural and leisure centers we mean various forms of cultural institutions that are part of the basic network of cultural institutions, including libraries, museums, galleries, reserves, exhibition halls, theaters, philharmonics, concert organizations, art groups, cinemas, film and video distribution enterprises, associations, palaces and houses of culture, other club establishments, educational establishments in the field of culture, art schools, studios, parks of culture and recreation. These institutions carry the lion’s share of all art exhibitions, projects, events and other cultural events taking place in Ukraine. In Western Ukraine, cultural and leisure centers are one of the main subjects in the process of cultural development of the country, without which it is impossible to achieve the strategic goals of Ukraine’s development in the field of culture. Among the events that promote European integration of Ukraine there are international festivals with European representatives, exhibitions, concerts, thematic events, master classes, workshops, trainings, training courses, creative laboratories, scientific cooperation — conferences, forums, seminars which take place in Lviv, Ternopil, IvanoFrankivsk, Volyn, Rivne regions in offline and online formats. \u0000The scientific novelty: the article attempts to study the role of cultural and leisure centers of Western Ukraine in the formation of a single European sociocultural space. \u0000The practical significance. The analyzed practical experience of European cooperation of cultural and leisure centers of Western Ukraine can be borrowed by the institutions of other regions.","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43601409","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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