Pub Date : 2019-05-31DOI: 10.18061/IJSD.V10I0.6528
Katja Vaghi
Many screendance authors seem to worry about the marginalized state of the practice and its lack of a solid scholarly discourse. This leitmotif goes against my perception of screendance as one of the fastest growing fields in dance, both in practice and theory. This short provocation considers some reasons for this feeling of lack and, by juxtaposing them with reflections on the advent of new institutionalized courses in screendance, invites us to revise our perception of the field. Screendance has finally reached a critical mass of works and research to ‘stand by itself.’
{"title":"How Screendance Was Invented While We Were Busy Claiming It Wasn’t","authors":"Katja Vaghi","doi":"10.18061/IJSD.V10I0.6528","DOIUrl":"https://doi.org/10.18061/IJSD.V10I0.6528","url":null,"abstract":"Many screendance authors seem to worry about the marginalized state of the practice and its lack of a solid scholarly discourse. This leitmotif goes against my perception of screendance as one of the fastest growing fields in dance, both in practice and theory. This short provocation considers some reasons for this feeling of lack and, by juxtaposing them with reflections on the advent of new institutionalized courses in screendance, invites us to revise our perception of the field. Screendance has finally reached a critical mass of works and research to ‘stand by itself.’","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49091166","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-31DOI: 10.18061/IJSD.V10I0.6850
Harmony Bench, S. Ellis
Editorial for IJSD volume 10.
IJSD第10卷编辑。
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Pub Date : 2019-05-31DOI: 10.18061/IJSD.V10I0.6825
Elisa Frasson
A review of Dance’s Duet with the Camera: Motion Pictures edited by Telory D. Arendell and Ruth Barnes.
由Telory D.Arendell和Ruth Barnes编辑的《Dance’s Duet with the Camera:Motion Pictures》评论。
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Pub Date : 2019-05-31DOI: 10.18061/IJSD.V10I0.6514
Anthea Kraut
This essay examines the figure of the “dance-in,” a stand-in who dances in place of a star prior to filming, focusing on two women who acted as surrogates and dance coaches for the mid-twentieth century white film star Betty Grable: a white woman named Angie Blue and an African American woman named Marie Bryant. Bringing together film studies theories of indexicality, performance studies theories of surrogation, and critical race theories of flesh and body, I argue that the dance-in helps expose how the fiction of white corporeality as a bounded and autonomous mode of being is maintained.
{"title":"The Dance-In and the Re/production of White Corporeality","authors":"Anthea Kraut","doi":"10.18061/IJSD.V10I0.6514","DOIUrl":"https://doi.org/10.18061/IJSD.V10I0.6514","url":null,"abstract":"This essay examines the figure of the “dance-in,” a stand-in who dances in place of a star prior to filming, focusing on two women who acted as surrogates and dance coaches for the mid-twentieth century white film star Betty Grable: a white woman named Angie Blue and an African American woman named Marie Bryant. Bringing together film studies theories of indexicality, performance studies theories of surrogation, and critical race theories of flesh and body, I argue that the dance-in helps expose how the fiction of white corporeality as a bounded and autonomous mode of being is maintained.","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48332307","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-31DOI: 10.18061/IJSD.V10I0.6826
Xiomara Forbez
A review of Consuming Dance: Choreography and Advertising by Colleen Dunagan.
《消费舞蹈:编舞与广告》，科琳·杜纳根著。
{"title":"Consuming Dance: Choreography and Advertising by Colleen Dunagan. 2018. Oxford: Oxford University Press. 264 pp.48 screen stills. Paperback $29.95. Hardcover $99.00. ISBN: 9780190491376","authors":"Xiomara Forbez","doi":"10.18061/IJSD.V10I0.6826","DOIUrl":"https://doi.org/10.18061/IJSD.V10I0.6826","url":null,"abstract":"A review of Consuming Dance: Choreography and Advertising by Colleen Dunagan.","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45373740","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-31DOI: 10.18061/IJSD.V10I0.6899
Harmony Bench, S. Ellis
No abstract available.
没有摘要。
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Pub Date : 2019-05-31DOI: 10.18061/IJSD.V10I0.6831
Sarah Elgart, Harmony Bench
An interview of Sarah Elgart by Harmony Bench, which took place via Skype on January 11, 2019.
2019年1月11日，Harmony Bench通过Skype对莎拉·埃尔加特进行了采访。
{"title":"Pathways, Histories, and ScreenDance Diaries: Sarah Elgart in Conversation","authors":"Sarah Elgart, Harmony Bench","doi":"10.18061/IJSD.V10I0.6831","DOIUrl":"https://doi.org/10.18061/IJSD.V10I0.6831","url":null,"abstract":"An interview of Sarah Elgart by Harmony Bench, which took place via Skype on January 11, 2019.","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41728371","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-31DOI: 10.18061/IJSD.V10I0.6524
K. Mattingly
Prior to the introduction of websites and social media, professional dance criticism circulated through print publications: newspapers, magazines, and journals. This article examines the current proliferation of screens as platforms for criticism and how they—mobile devices, laptops, televisions, and computers—shift the frameworks that writers and readerships use to engage with dance. I use the concept of a choreographic apparatus to show how digital technologies generate symbiotic relationships between online contexts and contemporary performance. By focusing on three sites—thINKingDANCE, On the Boards TV, and Amara Tabor-Smith’s House/Full of Black Women—I analyze how these platforms challenge widespread assumptions about the disappearance of dance critics.
在网站和社交媒体出现之前，专业的舞蹈评论通过报纸、杂志和期刊等印刷出版物传播。这篇文章探讨了目前作为批评平台的屏幕的激增，以及它们——移动设备、笔记本电脑、电视和电脑——如何改变作家和读者用来参与舞蹈的框架。我使用编舞装置的概念来展示数字技术如何在在线环境和当代表演之间产生共生关系。通过关注三个网站——thinkingdance、on the Boards TV和Amara Tabor-Smith的House/Full of Black women——我分析了这些平台是如何挑战关于舞蹈评论家消失的普遍假设的。
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Pub Date : 2019-05-31DOI: 10.18061/IJSD.V10I0.6851
Rob Gee
Review of Making Video Dance: A Step-by-Step Guide to Creating Dance for the Screen (2nd ed), by Katrina McPherson.
《制作视频舞蹈：为屏幕创作舞蹈的分步指南》（第二版），卡特里娜·麦克弗森著。
{"title":"Making Video Dance: A Step-by-Step Guide to Creating Dance for the Screen (2nd ed), by Katrina McPherson. 2018. London and New York: Routledge. 280 pp. Black and white images. $120 hardcover. ISBN 978-1-13-869912-0. $31.96 paperback. ISBN 978-1-13-869913-7. Website: www.makingvideodance.com.","authors":"Rob Gee","doi":"10.18061/IJSD.V10I0.6851","DOIUrl":"https://doi.org/10.18061/IJSD.V10I0.6851","url":null,"abstract":"Review of Making Video Dance: A Step-by-Step Guide to Creating Dance for the Screen (2nd ed), by Katrina McPherson.","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41386224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-31DOI: 10.18061/IJSD.V10I0.6522
Hannah Schwadron
This essay analyzes the artful insertion of screendance scenes in Season Two of Jill Soloway’s Amazon hit, Transparent (2014- ), highlighting how bodies and camera choreograph affective connections core to the plot in this televisual portrait of a Jewish American family. In doing so, I underscore a layered screenic trans-ness that conjoins circular manipulations of time and bodily action to overlay transgender and transhistorical experiences as co-constitutive themes.
{"title":"Trans-Screens of Gender and Jewishness in Jill Soloway's Transparent: Post-Network TV and the Screendance Scene","authors":"Hannah Schwadron","doi":"10.18061/IJSD.V10I0.6522","DOIUrl":"https://doi.org/10.18061/IJSD.V10I0.6522","url":null,"abstract":"This essay analyzes the artful insertion of screendance scenes in Season Two of Jill Soloway’s Amazon hit, Transparent (2014- ), highlighting how bodies and camera choreograph affective connections core to the plot in this televisual portrait of a Jewish American family. In doing so, I underscore a layered screenic trans-ness that conjoins circular manipulations of time and bodily action to overlay transgender and transhistorical experiences as co-constitutive themes.","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46946328","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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