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The International Journal of Screendance最新文献

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Giving Up the World for an Image 为了一个形象而放弃世界
Pub Date : 2019-06-04 DOI: 10.18061/IJSD.V2I0.6945
Augusto Corrieri
No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press. It is made available here with the kind permission of Parallel Press.
本文最初发表于平行出版社,威斯康星大学麦迪逊图书馆的一个印记,作为国际电影杂志的一部分,卷2(2012),平行出版社。它是在平行出版社的许可下提供的。
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引用次数: 0
Video and its Narcissistic Potential in Dance: Four Examples in Video Art and Experimental Film, Stage Dance, and Screendance 视频及其在舞蹈中的自恋潜力:视频艺术与实验电影、舞台舞和屏幕舞中的四个例子
Pub Date : 2019-06-04 DOI: 10.18061/IJSD.V2I0.6942
Claudia Rosiny
No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 2 (2012), Parallel Press. It is made available here with the kind permission of Parallel Press.
没有可用的摘要本文最初由威斯康星大学麦迪逊图书馆的平行出版社出版,作为《国际屏幕舞蹈杂志》第2卷(2012年)平行出版社的一部分。它是在获得平行出版社的许可后在这里提供的。
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引用次数: 0
Charles Atlas. Edited by Lauren Wittels. Contributions by Charles Atlas, with the assistance of Johanna Fateman, Stuart Comer, Douglas Crimp, Douglas Dunn, Lia Gangitano. 2015. Munich, New York: Prestel, 303 pp, chiefly color screen stills. $75 hardcover. ISBN: 9783791381008 查尔斯·阿特拉斯。劳伦·维特尔斯编辑。Charles Atlas的贡献,Johanna Fateman、Stuart Comer、Douglas Crimp、Douglas Dunn、Lia Gangitano的协助。2015年,纽约慕尼黑:普雷斯特尔,303页,主要是彩色屏幕剧照$75精装。ISBN:9783791381008
Pub Date : 2019-05-31 DOI: 10.18061/IJSD.V10I0.6824
Kyle Bukhari
Review of Charles Atlas edited by Lauren Wittels.
劳伦·维特尔斯主编的《查尔斯·阿特拉斯评论》。
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引用次数: 0
Mr. Gaga: Embodying the Exceptionalism of Ohad Naharin Gaga先生:体现Ohad Naharin的例外主义
Pub Date : 2019-05-31 DOI: 10.18061/IJSD.V10I0.6525
Meghan Quinlan
The life and work of Israeli choreographer Ohad Naharin are documented in the 2015 film by Tomer Heymann, Mr. Gaga. With nearly a decade of footage from following Naharin’s work with the Batsheva Dance Company, the documentary celebrates Naharin’s life with abundant footage from his choreographic successes. This article explores the ways in which this film, like many dance documentaries, uses dance footage in strategic ways to present dance artists as exceptional. In Mr. Gaga in particular, the national and cultural specificity of the story and footage portrayed in the film require critical analysis to better understand subtle political undertones and bias embedded in the film’s otherwise primarily aesthetic focus.
以色列编舞家奥哈德·纳哈林的生活和工作记录在2015年由托默·海曼(Tomer Heymann,Gaga)拍摄的电影中。这部纪录片用纳哈林在巴特舍瓦舞蹈团(Batsheva Dance Company)工作近十年的镜头,用他在编舞方面取得的成功的丰富镜头来庆祝纳哈林。这篇文章探讨了这部电影和许多舞蹈纪录片一样,以战略性的方式使用舞蹈镜头,将舞蹈艺术家呈现为杰出的艺术家。特别是在Gaga身上,电影中故事和镜头的民族和文化特征需要批判性分析,以更好地理解电影原本主要的美学焦点中隐含的微妙政治暗示和偏见。
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引用次数: 0
On Watching Screendance 看歌舞
Pub Date : 2019-05-31 DOI: 10.18061/IJSD.V10I0.6726
S. Dodds
In this provocation, I ask what is it to watch screendance, what is at stake, and what comes into play? I suggest that in identifying works as examples of “dance on screen”, we enter into a complex history of aesthetic innovations, marketing criteria, funding systems, and intellectual debates. I compare the viewing practices of film, television and the internet, and consider how different screen formats shape experiences of teaching and research. I reflect upon the ethics of participation in online debates, and suggest that the modes and stakes of watching are as important as the dance itself.
在这种挑衅中,我问看电影舞蹈是什么,有什么利害关系,有什么作用?我建议,在将作品确定为“屏幕上的舞蹈”的例子时,我们进入了一个复杂的美学创新、营销标准、资金系统和智力辩论的历史。我比较了电影、电视和互联网的观看实践,并考虑了不同的屏幕格式如何塑造教学和研究体验。我反思了参与在线辩论的道德,并建议观看的模式和利害关系与舞蹈本身一样重要。
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引用次数: 2
What Are We Doing? 我们在做什么?
Pub Date : 2019-05-31 DOI: 10.18061/IJSD.V10I0.6823
D. Rosenberg, S. Ellis
An interview of Douglas Rosenberg by Simon Ellis, conducted via Skype on 20 December 2018.
西蒙·埃利斯于2018年12月20日通过Skype对道格拉斯·罗森伯格进行的采访。
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引用次数: 0
A Note Towards 关于
Pub Date : 2019-05-31 DOI: 10.18061/IJSD.V10I0.6653
C. Kappenberg
Some reflections on the development of screendance since the launch of the International Journal of Screendance almost 10 years ago, taking the long view with regards to the relation between innovation, knowledge, history and teaching.
从创新、知识、历史、教学的关系的长远角度,对创刊近10年来影视事业发展的几点思考。
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引用次数: 0
From the Incoming Editors 来自即将上任的编辑
Pub Date : 2019-05-31 DOI: 10.18061/IJSD.V10I0.6856
Kyra Norman, M. Zanotti
No abstract available.
没有可用的摘要。
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引用次数: 0
Reflecting on Light Moves Festival of Screendance 2018 光影运动反思2018影展
Pub Date : 2019-05-31 DOI: 10.18061/IJSD.V10I0.6660
K. McPherson
A review of Light Moves Festival of Screendance 2018.
2018轻舞节影评。
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引用次数: 0
Digital Spaces, Analogue Thinking: Some Thoughts on Screendance 数字空间,模拟思维——关于屏幕舞的几点思考
Pub Date : 2019-05-31 DOI: 10.18061/IJSD.V10I0.6569
M. Zanotti
With the rapid development of camera technologies and screening platforms over the past 10 years comes an expanded screendance field that opens itself up to new screen bodies, sites, and audiences. Are there new considerations and indeed less-positive effects in this potential? This writing reflects on process, production, and duration—now and in the past—in screendance, performance, and artists’ films, to address the question, ‘where are we now?’
在过去的10年里,随着摄像技术和放映平台的快速发展,一个不断扩大的放映领域向新的银幕机构、场地和观众敞开了大门。在这种潜力中是否有新的考虑和不太积极的影响?这篇文章反映了现在和过去的放映、表演和艺术家电影的过程、制作和持续时间,以回答“我们现在在哪里?””
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引用次数: 2
期刊
The International Journal of Screendance
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